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The Complete Idiot's Guide to Conducting Music: The Fundamentals and More for Conducting Bands, Orchestras, Choirs, and Ensemble

by Michael Miller

The complex art of conducting may look effortless to the casual onlooker, however, it requires a great deal of knowledge and skill. The success of a performance hinges on the director's ability to keep the group playing together and interpreting the music as the composer intended. The Complete Idiot's Guide® to Conducting Music shows student and novice conductors how to lead bands, orchestras, choirs, and other ensembles effectively through sight-reading, rehearsals, and performances.

The Complete Idiot's Guide to Music History: From Pre-Historic Africa to Classical Europe to American Popular Music

by Michael Miller

A beautifully composed journey through music history!Music history is a required course for all music students. Unfortunately, the typical music history book is dry and academic, focusing on rote memorization of important composers and works. This leads many to think that the topic is boring, but bestselling author Michael Miller proves that isn&’t so. This guide makes music history interesting and fun, for both music students and older music lovers.• Covers more than Western &“classical&” music—also includes non-Western music and uniquely American forms such as jazz• More than just names and dates—puts musical developments in context with key historical events

The Complete Idiot's Guide to Piano Exercises

by Karen Berger

Make sure you hit all the right notes Playing the piano is much more than just learning notes and reading music; having good dexterity, building independent finger strength, and learning proper technique is absolutely essential to mastering the instrument. Packed with everything a player needs to become a great pianist, The Complete Idiot's Guide® to Piano Exercises is the perfect companion to the best-selling The Complete Idiot's Guide® to Playing Piano, Third Edition. • More than 100 challenging exercises designed to improve playing skills, including pedaling, hand crossovers, virtuoso arpeggios, playing dynamics, and more • The author owns and operates a very successful home studio, and is a virtuoso pianist

The Complete Idiot's Guide to Playing the Harmonica, 2nd Edition

by Randy Weinstein William Melton

The harmonica is one of the most traditional musical instruments in America. Millions are sold each year, but there are few high-quality, comprehensive instructional manuals for new harmonica players. This bestselling book has been completely updated, with dozens of new songs. • Over 100 songs, both traditional and original to this book. • Detailed instructions on playing, including photos to illustrate positions and techniques. • Buying tips and interesting historical facts about famous players. • Authors are professional musicians. • The most comprehensive music lists featuring nearly every style of playing and category of song. • Comprehensive resource guides.

The Complete Idiot's Guide to Teaching Music on Your Own

by Karen Berger

A pitch-perfect resource that will be a number-one hit with music instructors The Complete Idiot's Guide® to Teaching Music on Your Own offers prospective teachers-and existing ones-all of the tools they need to start and run a profitable, respected studio. The comprehensive guide covers every aspect of running a studio, including: • Setting up a studio • Lessons in the home versus traveling to students • Advertising and marketing • Fee schedules and basic pricing principles • Student relations • Using computer games and programs in the studio

The Complete Idiot's Guide to the Art of Songwriting: Home Your Craft and Reach for Your Goals—Creative, Commercial, or Both

by David Hodge Casey Kelly

Now newbie songwriters can learn the craft—and sing their own praises online Beginning songwriters can hit the right note by starting out with the basics in this guide, including: • How to create melodies • How to create many different harmonies • Techniques using deliberate rhythm and stylistic changes • How to enable one's songwriting to grow and evolve • How to deal with songwriter's block • The best places to upload one's work for maximum exposure and opportunities

The Complete Idiot's Guide to the Music Business: Break Through the Noise of the Music Industry

by Michael Miller

Instrumental in turning musicians into moneymakers The Complete Idiot's Guide® to the Music Business is written for every musician who needs to learn the business of music, as well as for all businesspeople entering the music industry. Author Michael Miller covers all the key business topics and reveals the wealth of job opportunities in the music industry from a business perspective. • Covers finding an agent, negotiating contracts, publishing songs, collecting royalties, and promotion strategies • Also covers such nonmusician industry careers as artist management, concert promotion, music production, and radio • Features essential information on the new frontiers of electronic and online music

The Complete Idiot's Mini Guide to Music Theory Must-Know Terms

by Michael Miller

You have a passion for making beautiful music, but when it comes to understanding and speaking the musical language, you need a little help. The Complete Idiot's Mini Guide to Music Theory Must-Know Terms compiles dozens of the most important and commonly used terms in the musical lexicon - from notations and chords to modes and scales - explaining them all in clear, concise language.

The Complete John Lennon Songs: All the Songs. All the Stories. All the Lyrics.

by Paul Du Noyer

INCLUDES COMPLETE JOHN LENNON LYRICS FOR THE FIRST TIMELennon's life after the Beatles was eventful and fascinating. He moved from stardom in the world's biggest pop group to global peace campaigner and figurehead for radical causes. He left England for a new life in the USA with Yoko Ono. He later abandoned public life and retired to his New York apartment to raise their son and live the life of a recluse. In 1980 he re-emerged with a new album, but the plan to resume his career was cruelly curtailed on a fateful night outside the Dakota Building when he was murdered.Upon first publication, this book was the first to examine and assess all of John Lennon's solo work. This updated edition includes lyrics and is released on the 40th anniversary of his death and the 80th anniversary of his birth.

The Complete John Lennon Songs: All the Songs. All the Stories. All the Lyrics.

by Paul Du Noyer

INCLUDES COMPLETE JOHN LENNON LYRICS FOR THE FIRST TIMELennon's life after the Beatles was eventful and fascinating. He moved from stardom in the world's biggest pop group to global peace campaigner and figurehead for radical causes. He left England for a new life in the USA with Yoko Ono. He later abandoned public life and retired to his New York apartment to raise their son and live the life of a recluse. In 1980 he re-emerged with a new album, but the plan to resume his career was cruelly curtailed on a fateful night outside the Dakota Building when he was murdered.Upon first publication, this book was the first to examine and assess all of John Lennon's solo work. This updated edition includes lyrics and is released on the 40th anniversary of his death and the 80th anniversary of his birth.

The Complete Lyrics of Johnny Mercer

by Barry Day Robert Kimball Miles Kreuger Eric Davis Johnny Mercer

The seventh volume in Knopf's critically acclaimed Complete Lyrics series, published in Johnny Mercer's centennial year, contains the texts to more than 1,200 of his lyrics, several hundred of them published here for the first time.Johnny Mercer's early songs became staples of the big band era and were regularly featured in the musicals of early Hollywood. With his collaborators, who included Richard A. Whiting, Harry Warren, Hoagy Carmichael, Jerome Kern, and Harold Arlen, he wrote the lyrics to some of the most famous standards, among them, "Too Marvelous for Words," "Jeepers Creepers," "Skylark," "I'm Old-Fashioned," and "That Old Black Magic."During a career of more than four decades, Mercer was nominated for the Academy Award for Best Song an astonishing eighteen times, and won four: for his lyrics to "On the Atchison, Topeka, and the Santa Fe" (music by Warren), "In the Cool, Cool, Cool of the Evening" (music by Carmichael), and "Moon River" and "Days of Wine and Roses" (music for both by Henry Mancini).You've probably fallen in love with more than a few of Mercer's songs-his words have never gone out of fashion-and with this superb collection, it's easy to see that his lyrics elevated popular song into art.From the Hardcover edition.

The Complete Lyrics: 1978–2022

by Nick Cave

The complete lyrics from cultural icon and bestselling author Nick Cave, spanning his entire career to date, with a new foreword by Andrew O'Hagan From Nick Cave's writing for The Birthday Party, through highly acclaimed albums like Murder Ballads, Henry's Dream, DIG, LAZARUS, DIG!!! and Ghosteen, this is a must-have book for all fans of the dark, the beautiful and the defiant - for all fans of the songs of Nick Cave.'The greatest living songwriter' NME'A glowing wire, a mainline to meaning ad feeling and art' New Yorker'Nick Cave is a true lyrical master. He can conjure empathy and hope out of thin air, light out of darkness' Cillian Murphy'His lyrics - so rich in the toils of love, so committed to memory and everlasting presence - are the best-made of his generation' Andrew O'Hagan'A poetic craftsman' Will Self'Alternative rock legend' Billboard'Cave's genius rings loud and clear' Evening StandardCover art by Aleksandra Waliszewska

The Complete Marching Band Resource Manual: Techniques and Materials for Teaching, Drill Design, and Music Arranging

by Wayne Bailey Cormac Cannon Brandt Payne

The Complete Marching Band Resource Manual is the definitive guide to the intricate art of directing college and high school marching bands. Supplemented with musical arrangements, warm-up exercises, and over a hundred drill charts, this manual presents both the fundamentals and the advanced techniques that are essential for successful marching band leadership. The materials in this volume cover every stage of musical direction and instruction, from selecting music and choreographing movements to improving student memorization and endurance to the creation of striking visual configurations through uniform and auxiliary units.Now in its third edition, The Complete Marching Band Resource Manual has been thoroughly updated to reflect new standards for drill design, charting, and musical arrangement. Offering a fresh approach to the essentials of good marching band design, this comprehensive resource shows both veteran and novice band directors how to prepare students to perform seamless and sophisticated musical formations.

The Complete Musician: An Integrated Approach To Theory, Analysis And Listening

by Steven G. Laitz Ian Sewell

Beginning with music fundamentals, The Complete Musician covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. <P><P>Rather than rote learning of concepts and memorizing terms, The Complete Musician emphasizes how theory informs the work of performers. Composers respond not only to their instincts, experiences, and training in every work they write; they also follow certain ideals and models when appropriate, and modify them to fit their own personal vision. <P><P>Theory is not a "theoretical" activity; it is a living one that responds to how music is composed and performed. Understanding how theory intersects with composition and performance is key to seeing its relevance to students' wider musical lives. The Complete Musician makes this connection.

The Complete Preludes and Etudes for Pianoforte Solo (Dover Classical Piano Music)

by Alexander Scriabin

Alexander Nikolayevitch Scriabin (1872-1915), Russian composer and pianist, is best known for his perfectly spun miniatures where his novel harmonic and pianistic ideas were most brilliantly worked out. This volume in Dover's continuing series of musical scores presents the best of Scriabin's works, his complete etudes and preludes for the solo piano. There are the Chopinesque works from his early period, including the 12 etudes from Op. 8 and the 24 Preludes, Op. 11. The works of the middle period, when he began working out his new harmonies based on a series of fourths, include the outstanding sets of Preludes, Opp. 33 and 48, and the Etudes, Op. 42. The 5 Preludes, Op. 74, and the Etudes, Op. 65, from the final period reveal perhaps most about his joyous ecstasy and languid contemplation, moods which no other composer could express to such a degree. There are also the preludes and etudes from Opp. 2, 9, 13, 15, 16, 17, 22, 27, 31, 35, 37, 39, 45, 49, 51, 59, and 67, each containing miniatures working out some subtle harmonic, rhythmic, or melodic idea with a perfect pianistic sense of writing. This book has been especially designed as a playing edition - the noteheads are large and easily readable at the piano, and the margins and spaces between staves are adequate for written notes, fingerings, and turnovers. It is also most useful for analysis, or simply for following along with the actual music.

The Composer's Voice (Ernest Bloch Lectures #3)

by Edward T. Cone

Music, we are often told, is a language. But if music is a language, then who is speaking? The Composer's Voice tries to answer this obvious but infrequently raised question. In so doing, it puts forward a dramatistic theory of musical expression, based on the view that every composition is a symbolic utterance involving a fundamental act of impersonation. The voice we hear is not that of the composer himself, but of a persona--a musical projection of his consciousness that experiences and communicates the events of the composition. Developing his argument by reference to numerous examples ina wide variety of styles, Mr. Cone moves from song and opera through program music to absolute instrumental music. In particular, he discusses the implications of his theory for performance. According to the dramatistic view, not only every singer but every instrumentalist as well becomes a kind of actor, assuming a role that functions both autonomously and as a component of the total musical persona. In his analysis of the problems inherent in this dual nature of the performer's job, Mr. Cone offers guidance that will prove of practical value to every performing musician. He has much to say to the listener as well. He recommends an imaginative participation in the component roles of musical work, leading to a sense of identification with the persona itself, as the path to complete musical understanding. And this approach is shown to be relevant to a number of specialized kids of listening as well--those applicable to analysis, historical scholarship, and criticism. The dance, too, is shown to depend on similar concepts. Although The Composer's Voice involves an investigation of how music functions as a form of communication, it is not primarily concerned with determine, or interpreting, the "content" of the message. A final chapter, however, puts forward a tentative explanation of musical "meaning" based on an interpretation of the art as a coalescence of symbolic utterance and symbolic gesture. While not essential to the main lines of the argument, it suggests interesting possibilities for further development of the dramatistic theory. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

The Composer, Herself: Contemporary Snapshots of the Creative Process

by Natalie Williams Linda Kouvaras Maria Grenfell

This edited volume presents 27 original essays by living composers from all around the globe, reflecting on the creation of their music. Coterminous to the recent worldwide resurgence in feminist focus, the distinctive feature of this collection is the “snapshots” of creative processes and conceptualizing on the part of women who write music, writing in the present day, from prominent early-career composers to major figures, from a range of ethnic backgrounds in the contemporary music field. The chapters step into the juncture point at which feminism finds itself: as binary conceptions of gender are being dissolved, with critiques of the attendant gender-based historical generalizations of composers, and with the growing awareness of the rightful place of First Nations' cultural voices, the contributors explore what, actually, is being composed by women, and what they think about their world. The needs that this book serves are acutely felt: despite recent social gains, and sector initiatives and programs encouraging and presenting the work of women who compose music, their works are yet to receive commensurate exposure with that of their male counterparts. In its multi-pronged, direct response to this dire situation, this vibrant volume highlights established as well as emerging women composers on the international stage; reveals myriad issues around feminism, as broadly conceived; and gives insights, from the composers' own voices, on the inner workings of their composition process.The volume thus presents a contemporary moment in time across the generations and within developments in musical composition. With its unique insights, this book is essential for academics and practitioners interested in the illuminations of the current working landscape for creative women.

The Computer Music Tutorial, second edition

by Curtis Roads

Expanded, updated, and fully revised—the definitive introduction to electronic music is ready for new generations of students.Essential and state-of-the-art, The Computer Music Tutorial, second edition is a singular text that introduces computer and electronic music, explains its motivations, and puts topics into context. Curtis Roads&’s step-by-step presentation orients musicians, engineers, scientists, and anyone else new to computer and electronic music.The new edition continues to be the definitive tutorial on all aspects of computer music, including digital audio, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, and psychoacoustics, but the second edition also reflects the enormous growth of the field since the book&’s original publication in 1996. New chapters cover up-to-date topics like virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, and instrument and patch editors. Exhaustively referenced and cross-referenced, the second edition adds hundreds of new figures and references to the original charts, diagrams, screen images, and photographs in order to explain basic concepts and terms.FeaturesNew chapters: virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, instrument and patch editors, and an appendix on machine learningTwo thousand references support the book&’s descriptions and point readers to further studyMathematical notation and program code examples used only when necessaryTwenty-five years of classroom, seminar, and workshop use inform the pace and level of the material

The Concerto

by Abraham Veinus

The long, colorful history of the concerto unfolds, from its origins in the 16th and 17th centuries to the present day.

The Concerto: A Research and Information Guide (Routledge Music Bibliographies #Vol. N28)

by Stephan D. Lindeman

Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.

The Concise Garland Encyclopedia of World Music, Volume 1

by Garland Encyclopedia of World Music

The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932

The Concise Garland Encyclopedia of World Music, Volume 2

by Garland Encyclopedia of World Music

The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932

The Concise Oxford Dictionary of Music (5th edition)

by Michael Kennedy Joyce Bourne Kennedy

Derived from the classic Oxford Dictionary of Music, this is the most authoritative dictionary of music available in paperback. It is a rich mine of information for lovers of music of all periods and styles. Fully revised and updated, the 5th edition of this established reference work contains over 200 new entries, including information on approximately 150 new performers. Written by Michael Kennedy, a renowned authority on classical music, the dictionary includes over 14,000 entries on terms from "allegro" to "zingaro," and on works from "Aida "to "Tosca," as well as instruments and their history, composers, librettists, musicians, singers, and orchestras. It also boasts comprehensive works lists for major composers. It remains the essential reference for music students and teachers, and fascinating reading for all other music enthusiasts.

The Consolations of History: Themes of Progress and Potential in Richard Wagner’s Gotterdammerung (Routledge Research in Music)

by Alexander H. Shapiro

In this book on Richard Wagner’s compelling but enigmatic masterpiece Götterdämmerung, the final opera of his monumental Ring tetralogy, Alexander H. Shapiro advances an ambitious new interpretation which uncovers intriguing new facets to the work’s profound insights into the human condition. By taking a fresh look at the philosophical and historical influences on Wagner, and critically reevaluating the composer’s intellectual worldview as revealed in his own prose works, letters, and diary entries, the book challenges a number of conventional views that continue to impede a clear understanding of this work’s meaning. The book argues that Götterdämmerung, and hence the Ring as a whole, achieves coherence when interpreted in terms of contemporary nineteenth-century theories of progress, and, in particular, G.W.F. Hegel’s philosophies of mind and history. A central target of the book is the article of faith that has come to dominate Wagner scholarship over the years – that Wagner’s encounter in 1854 with Arthur Schopenhauer’s philosophy conclusively altered the final message of the Ring from one of historical optimism to existential pessimism. The author contends that Schopenhauer’s uncompromising denigration of the will and denial of the possibility for human progress find no place in the written text of the Ring or in a plausible reading of the final musical setting. In its place, the author discovers in the famous Immolation Scene a celebration of mankind’s inexhaustible capacity for self-improvement and progress. The author makes the further compelling case that this message of progress is communicated not through Siegfried, the traditional male hero of the drama, but through Brünnhilde, the warrior goddess who becomes a mortal woman. In her role as a battle-tested world-historical prophet she is the true revolutionary change agent of Wagner’s opera who has the strength and vision to comprehend and thereby shape human history. This highly lucid and accessible study is aimed not only at scholars and researchers in the fields of opera studies, music and philosophy, and music history, but also Wagner enthusiasts, and readers and students interested in the history and philosophy of the nineteenth century.

The Contemporary Literature-Music Relationship: Intermedia, Voice, Technology, Cross-Cultural Exchange (Routledge Interdisciplinary Perspectives on Literature)

by Hazel Smith

This book explores the relationship between words and music in contemporary texts, examining, in particular, the way that new technologies are changing the literature-music relationship. It brings an eclectic and novel range of interdisciplinary theories to the area of musico-literary studies, drawing from the fields of semiotics, disability studies, musicology, psychoanalysis, music psychology, emotion and affect theory, new media, cosmopolitanism, globalization, ethnicity and biraciality. Chapters range from critical analyses of the representation of music and the musical profession in contemporary novels to examination of the forms and cultural meanings of contemporary intermedia and multimedia works. The book argues that conjunctions between words and music create emergent structures and meanings that can facilitate culturally transgressive and boundary- interrogating effects. In particular, it conceptualises ways in which word-music relationships can facilitate cross-cultural exchange as musico-literary miscegenation, using interracial sexual relationships as a metaphor. Smith also inspects the dynamics of improvisation and composition, and the different ways they intersect with performance. Furthermore, the book explores the huge changes that computer-based real-time algorithmic text and music generation are making to the literature-music nexus. This volume provides fascinating insight into the relationship between literature and music, and will be of interest to those fields as well as New Media and Performance Studies.

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