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The Crisis of Music in Early Modern Europe, 1470-1530

by Rob C. Wegman

In the final decades of the fifteenth-century, the European musical world was shaken to its foundations by the onset of a veritable culture war on the art of polyphony. Now in paperback, The Crisis of Music in Early Modern Europe tells the story of this cultural upheaval, drawing on a wide range of little-known texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through early-modern Europe.

The Csound Book: Perspectives in Software Synthesis, Sound Design, Signal Processing and Programming

by Richard Boulanger

Written by the world's leading educators, programmers, sound designers, and composers, this comprehensive guide covers both the basics of Csound and the theoretical and musical concepts necessary to use the program effectively.

The Cuban Hustle: Culture, Politics, Everyday Life

by Sujatha Fernandes

In The Cuban Hustle, Sujatha Fernandes explores the multitudinous ways artists, activists, and ordinary Cubans have hustled to survive and express themselves in the aftermath of the Soviet Union’s collapse. Whether circulating information on flash drives as a substitute for the internet or building homemade antennas to listen to Miami’s hip hop radio stations, Cubans improvise alternative strategies and workarounds to contend with ongoing isolation. Throughout these essays, Fernandes examines the emergence of dynamic youth cultures and social movements as Cuba grappled with economic collapse, new digital technologies, the normalization of diplomatic ties with the United States during the Obama administration, and the regression of US-Cuban relations in the Trump era. From reflections on feminism, new Cuban cinema, and public art to urban slums, the Afro-Cuban movement, and rumba and hip hop, Fernandes reveals Cuba to be a world of vibrant cultures grounded in an ethos of invention and everyday hustle.

The Cultural Impact Of Kanye West

by Julius Bailey

The ability of popular art to offer societal critiques and challenge received ideas has been recognized throughout history. Through rap and hip-hop, composers, singers, and entertainers have recently provided a voice questioning and challenging the sanctioned view of the times. This book offers an in-depth reading of the works and cultural impact of Kanye West. Looking at the moral and social implications of West's words, images, and music in the broader context of Westerncivilization's preconceived ideas, the contributors consider how West both challenges religious and moral norms and propagates them.

The Cultural Politics of Jazz Collectives: This Is Our Music

by Nicholas Gebhardt Tony Whyton

The Cultural Politics of Jazz Collectives: This Is Our Music documents the emergence of collective movements in jazz and improvised music. Jazz history is most often portrayed as a site for individual expression and revolves around the celebration of iconic figures, while the networks and collaborations that enable the music to maintain and sustain its cultural status are surprisingly under-investigated. This collection explores the history of musician-led collectives and the ways in which they offer a powerful counter-model for rethinking jazz practices in the post-war period. It includes studies of groups including the New York Musicians Organization, Sweden’s Ett minne för livet, Wonderbrass from South Wales, the contemporary Dutch jazz-hip hop scene, and Austria‘s JazzWerkstatt. With an international list of contributors and examples from Europe and the United States, these twelve essays and case studies examine issues of shared aesthetic vision, socioeconomic and political factors, local education, and cultural values among improvising musicians.

The Cultural Study of Music: A Critical Introduction

by Trevor Herbert Richard Middleton Martin Clayton

What is the relationship between music and culture? The first edition of The Cultural Study of Music: A Critical Introduction explored this question with groundbreaking rigor and breadth. Now this second edition refines that original analysis while examining the ways the field has developed in the years since the book’s initial publication. Including contributions from scholars of music, cultural studies, anthropology, sociology, and psychology, this anthology provides a comprehensive introduction to the study of music and culture. It includes both pioneering theoretical essays and exhaustively researched case studies on particular issues in world musics. For the second edition, the original essays have been revised and nine new chapters have been added, covering themes such as race, religion, geography, technology, and the politics of music. With an even broader scope and a larger roster of world-renowned contributors, The Cultural Study of Music is certain to remain a canonical text in the field of cultural musicology.

The Cultural Work: Maroon Performance in Paramaribo, Suriname (Music / Culture)

by Corinna Campbell

How do people in an intensely multicultural city live alongside one another while maintaining clear boundaries? This question is at the core of The Cultural Work, which illustrates how the Maroons (descendants of escaped slaves) of Suriname and French Guiana, on the northern coast of South America, have used culture-representational performance to sustain their communities within Paramaribo, the capital. Focusing on three collectives known locally as "cultural groups," which specialize in the music and dance traditions of the Maroons, it marks a vital contribution to knowledge about the cultural map of the African diaspora in South America, Latin America, and the Caribbean.

The Cultural and Artistic Legacy of Oliver Mtukudzi: Using Language for Social Justice

by Ezra Chitando Pauline Mateveke Munyaradzi Nyakudya Bridget Chinouriri

This book delves into a critical and comprehensive analysis of Mtukudzi’s legacy, as an outstanding musician who anchored his music on cultural identity specifically through the artistic manipulation of language. As a cultural worker, his remit extended beyond performance. This raised his stature to the levels of such African music icons as Fela Kuti of Nigeria, Salif Keita of Mali and Miriam Makeba/Hugh Masekela of South Africa, all towering giants in African musical performance. This volume examines how Mtukudzi artistically manipulated language to convey a timeless message of cultural identity, fighting for the respect of rights for women, children and all. It unpacks how Mtukudzi subtly uses language to put across political views that speak truth to power, harnessing Zimbabwean language to articulate and promote the nation’s cultural heritage and to advocate for societal development and the promotion of rights of vulnerable groups.The chapters in this volume are a mix of interdisciplinary Zimbabwean scholars of linguistics, performance studies, religion, history, communication and media studies, unravelling Mtukudzi as a fighter for human rights and justice who subtly critiqued political systems and practices. It concludes that Mtukudzi strove to be a cultural worker who used the power of language through music to contribute towards the rehabilitation of a battered African identity.​

The Cure: The Secret History (The\secret History Of Rock Ser.)

by Alan Cross

Alan Cross is the preeminent chronicler of popular music.Here he provides a history of alt-rock legends The Cure.This look at the band—"Faith, Pornography and, Sometimes, Love"—is adapted from the audiobook of the same name.

The Cyclic Mass: Anglo-Continental Exchange in the Fifteenth Century (Royal Musical Association Monographs)

by James Cook

England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of ‘what is English’ cannot truly be answered without also answering the question of ‘what is continental’. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice – a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.

The Cynical Idealist

by Gary Tillery

A radio playlist could easily follow John Lennon's "Mind Games" with "Do Ya Think I'm Sexy." But comparing the two, it becomes obvious that Lennon had more in common with the great thinkers of any age than with the songwriters who were his contemporaries. Cynical Idealist reveals, for the first time, the spiritual odyssey of this extraordinary man. Out of a turbulent life, from his troubled, working-class childhood throughout his many roles -- Beatle, peace advocate, social activist, househusband -- Lennon managed to fashion a philosophy that elevates the human spirit and encourages people to work, individually and collectively, toward a better world. Like Socrates, Lennon wanted to stimulate people to think for themselves. "There ain't no guru who can see through your eyes," he sings in "I Found Out." Cynical Idealist beautifully articulates this and the other lessons John Lennon passed along through his songs and through the example of his life.

The Dance and Opera Stage Manager's Toolkit: Protocols, Practical Considerations, and Templates (The Focal Press Toolkit Series)

by Susan Fenty Studham Michele Kay

The Dance and Opera Stage Manager’s Toolkit details unique perspectives and approaches to support stage managers beginning to navigate the fields of dance and opera stage management in live performance.This book demystifies the genre-specific protocols and vocabularies for stage managers who might be unfamiliar with these fields and discusses common practices. Filled with valuable industry-tested tools, templates, and practical information, The Dance and Opera Stage Manager’s Toolkit is designed to assist stage managers interested in pursuing these performance genres. The book also includes interviews and contributions from a range of professional stage managers working in dance and opera.From the student stage manager studying in Theatrical Design and Production university programs to the experienced stage manager wanting to broaden their skill set, this book provides resources and advice for a successful transition into these worlds.The Dance and Opera Stage Manager’s Toolkit includes access to an online repository of resources and paperwork examples to help jumpstart the reader’s journey into dance and opera stage management. To access these resources, visit www.routledge.com/9780367566579.

The Dancer's Voice: Performance and Womanhood in Transnational India

by Rumya Sree Putcha

In The Dancer’s Voice Rumya Sree Putcha theorizes how the Indian classical dancer performs the complex dynamics of transnational Indian womanhood. Putcha argues that the public persona of the Indian dancer has come to represent India in the global imagination—a representation that supports caste hierarchies and Hindu ethnonationalism, as well as white supremacist model minority narratives. Generations of Indian women have been encouraged to embody the archetype of the dancer, popularized through film cultures from the 1930s to the present. Through analyses of films, immigration and marriage laws, histories of caste and race, advertising campaigns, and her own family’s heirlooms, photographs, and memories, Putcha reveals how women’s citizenship is based on separating their voices from their bodies. In listening closely to and for the dancer’s voice, she offers a new way to understand the intersections of body, voice, performance, caste, race, gender, and nation.

The Dances of Shakespeare

by Jim Hoskins

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

The Dark Lady

by Akala

A natural storyteller with a vision of his own, THE DARK LADY, Akala's debut novel for teens will enthuse and entertain teenagers and young adults, showing that reading is a true super-power. A PICKPOCKET WITH AN EXCEPTIONAL GIFTA PRISONER OF EXTRAORDINARY VALUE AN ORPHAN HAUNTED BY DREAMS OF THE MYSTERIOUS DARK LADYHenry is an orphan, an outsider, a thief. He is also a fifteen-year-old invested with magical powers ...This brilliant, at times brutal, first novel from the amazing imagination that is Akala, will glue you to your seat as you are hurled into a time when London stank and boys like Henry were forced to find their own route through the tangled streets and out the other side.

The Dark Side of the Moon: The Making of the Pink Floyd Masterpiece

by John Harris

Pink Floyd's The Dark Side of the Moon (1973) is one of the most beloved albums of all time. A sonically stunning exploration into dark themes of madness, death, anxiety, and alienation, it has sold a staggering 30 million copies worldwide, and continues to sell 250,000 copies a year. Besides being perhaps the most fully realized and elegant concept album ever recorded, The Dark Side of the Moon was also one of the most technically advanced LPs of its day. It has aged remarkably well and still sounds as contemporary and cutting edge as it did on the day it was released. A perfect blend of studio wizardry and fearless innovation, The Dark Side of the Moon is illuminated by John Harris's exploration of the band's fractured history, his narrative skill, and his deft exploration of the album's legacy, such as its massive influence on bands like Radiohead and Nine Inch Nails. Drawing on original, new interviews with every member of the band-bassist and chief songwriter Roger Waters, guitarist Dave Gilmour, keyboardist Rick Wright, and drummer Nick Mason-The Dark Side of the Moon is a must-have for the millions of devoted fans who desire to know more about one of the most timeless, compelling, commercially successful, and mysterious albums ever made.

The Dark Stuff: Selected Writings on Rock Music

by Nick Kent

A smart, scathing look at the most hell-bent performers of our time: Here are profiles of everyone you'd expect (and a few you wouldn't)-Brian Wilson, Miles Davis, Jerry Lee Lewis, Roy Orbison, Sid Vicious, and Kurt Cobain. "Kent matters because he wrote about rock better than anyone before or since. " -Tony Parsons, The Daily Telegraph

The Dark Tree: Jazz and the Community Arts in Los Angeles

by Steven L. Isoardi

In the early 1960s, pianist Horace Tapscott gave up a successful career in Lionel Hampton’s band and returned to his home in Los Angeles to found the Pan Afrikan Peoples Arkestra, a community arts group that focused on providing community-oriented jazz and jazz training. Over the course of almost forty years, the Arkestra, together with the related Union of God’s Musicians and Artists Ascension collective, was at the forefront of the vital community-based arts movement in Black Los Angeles. Some three hundred artists—musicians, vocalists, poets, playwrights, painters, sculptors, and graphic artists—passed through these organizations, many ultimately remaining within the community and others moving on to achieve international fame. In The Dark Tree, Steven L. Isoardi draws on one hundred in-depth interviews with the Arkestra’s participants to tell the history of the important and largely overlooked community arts movement of Black Los Angeles. This revised and updated edition brings the story of the Arkestra up to date, as its ethos and aesthetic remain vital forces in jazz and popular music to this day.

The Day Bell Found Her Sound

by Lizzy O'Donnell

Matthew Forsythe meets Richard Scarry in this stunning debut that celebrates embracing your voice and finding a place in your community!In a town bursting with music, everyone marches to the beat of their own drum. Except for a quiet mouse named Bell, who doesn&’t yet know what her sound is. She tries honking, tooting, strumming, even tapping, just like she hears her neighbors doing. But none of it feels quite right! None of it feels like Bell. Figuring out her place in the village, it turns out, might just mean finding her own voice first. Lizzy O&’Donnell&’s sumptuous storytelling delicately demonstrates that we find true harmony within our communities when we embrace our truest selves.

The Day John Met Paul: An Hour-by-Hour Account of How the Beatles Began

by Jim O'Donnell

With many new photos and an updated introduction, The Day John Met Paul, a critically-acclaimed Beatles book, reappears in a visually stunning second edition. The book is an hour-by-hour account of the fateful day the two founding Beatles met in July 1957. But it is much more than that: it's a spellbinding story of how fate brought together two men who would radically change the face of popular music, from its look and feel to its sound. Jim O'Donnell, a veteran rock music writer, spent eight years researching The Day John Met Paul. Published in 1996 and translated into several languages, the book was widely praised for its blend of accurate reporting and colorful storytelling. Long out of print, but revered among Beatles fans, the new printing enlivens the text with many well-chosen photos of the Liverpool landmarks--from Strawberry Field to Penny Lane--that played a role in the Beatles' lives and works. The Day John Met Paul chronicles the first "Day in the Life" of the Beatles--a day that changed the musical world.

The Deaf Musicians

by Pete Seeger Paul Dubois Jacobs

Lee is a piano man. Every night, he plays jazz for the crowd. It sounds something like this:<P><P> Plink-a-plink-BOMP-plink-plink.<P> Yimba-timba-TANG-ZANG-ZANG.<P> One night, Lee's bandmates notice something is off. Lee's music comes out like this:<P> Ronk. Phip. Tonk.<P> There's no way to hide it: Lee is losing his hearing. Then Lee discovers sign language. And soon after, he meets Max, who plays the sax. Together they form a new band-the Deaf Musicians. But who will listen to a deaf musician? <P> With The Deaf Musicians, Pete Seeger, Paul DuBois Jacobs, and three-time Coretta Scott King Honor winner R. Gregory Christie present an inspiring story of overcoming obstacles, set to a jazzy score.<P> OO-AH, BE-DOOP, BE-DOOP, OO-AH, YEAH!<P> Winner of the Schneider Family Book Award

The Death of Me

by Michelle Davies

'A twisting tale about the dark undercurrents of fame and fortune. You'll read THE DEATH OF ME with your heart in your mouth.' Erin Kelly Is one of music's greatest mysteries about to be solved?'He was a massive star until he did a headline grabbing retreat from the spotlight - but his disappearing act was FAKED. Fans won't be happy when they find out - his reputation was dead in the water.'When Isaac Naylor committed suicide after a teenage fan was found dead in his hotel room, the world thought it had lost one of the greatest rock stars of a generation. Naylor, lead singer of The Ospreys, had been arrested for causing the girl's death and was on police bail when he drowned himself in the sea off the Devon coast.Now, eight years on, music journalist Natalie Glass stumbles across a blind item on a US gossip website that suggests Naylor's death wasn't quite what it seemed - and he might in fact still be alive.But as she delves deeper into what happened, Natalie finds she has a stark choice: give up trying to find out what happened to Naylor or risk her own obituary ending up in print.

The Death of Me

by Michelle Davies

When Isaac Naylor committed suicide after a teenage fan was found dead in his hotel room, the world thought it had lost one of the greatest rock stars of a generation. Naylor, lead singer of The Ospreys, had been arrested for causing the girl's death and was on police bail when he drowned himself in the sea off the Devon coast, leaving two notes addressed to his bandmates and his younger brother, Toby, discarded on the beach.Now, eight years on, music journalist Natalie Glass stumbles across a blind item on a US gossip website that suggests Naylor's death wasn't quite what it seemed - and he might in fact still be alive. The item claims he is the mystery songwriter who has for the past year been submitting lyrics to producers in London via his lawyer for other artists to record. He insists on anonymity and the only person who knows his identity is the lawyer.But as she delves deeper into what happened, the plot to stop her intensifies and Natalie finds she has a stark choice: give up trying to find out what happened to Naylor or risk her own obituary ending up in print.

The Death of Rhythm and Blues

by Nelson George

This passionate and provocative book tells the complete story of black music in the last fifty years, and in doing so outlines the perilous position of black culture within white American society. In a fast-paced narrative, Nelson George’s book chronicles the rise and fall of “race music” and its transformation into the R&B that eventually dominated the airwaves only to find itself diluted and submerged as crossover music. .

The Decade (Images of Modern America)

by Gabby Means Dom Disilvio

The Decade was the birthplace of rock 'n' roll in Pittsburgh, at the corner of Atwood and Sennott. The eclectic bar with parachutes covering the ceiling was home base for local bands such as the Iron City Houserockers, but it also served as a showcase for rising international recording acts, including the Police, U2, the Red Hot Chili Peppers, and the Ramones. Under the shadow of the University of Pittsburgh, The Decade was an oasis of live rock and blues music in the 1970s to the early 1990s. The small venue had wide appeal to bands who felt they could intimately connect with their audience. Owned and operated by Dom DiSilvio, The Decade will forever be a home to many Pittsburghers, and Images of Modern America: The Decade is a home for their stories.

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