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The Dirt: Confessions of the World's Most Notorious Rock Band
by Tommy Lee Nikki Sixx Vince Neil Mick MarsTen years ago, Motley Crue's bestselling The Dirt--penned with rock chronicler extraordinaire Neil Strauss--set a new bar for rock 'n' roll memoirs. A genuine cultural phenomenon, this turbocharged blockbuster, with more than half a million copies in print, has now been reissued to celebrate thirty wild years with rock's most infamous band. No band has ever lived this hard, and lived to tell the tale. You won't just find sex, drugs, violence, fast cars, and every rock & roll cliche turned on its head inside, you will find uses for burritos and telephone handsets that you couldn't have even imagined in your wildest dreams. This is the classic book that's made countless ordinary mortals want to transform into lawless rock stars, and created countless spin-off books for Tommy Lee, Nikki Sixx, Vince Neil, and Mick Mars, who hold nothing back in this outrageous, legendary, no-holds-barred autobiography.
The Dirt: Confessions of the World's Most Notorious Rock Band
by Neil Strauss Tommy Lee Nikki Sixx Vince Neil Mick Mars<p>The most influential, enduring, and iconic metal band of the 1980's reveals everything a tell-all of epic proportions. <p>This unbelievable autobiography explores the rebellious lives of four of the most influential icons in American rock history. <p>Motley Crue was the voice of a barely pubescent Generation X, the anointed high priests of backward-masking pentagram rock, pioneers of Hollywood glam, and the creators of MTV's first "power ballad." Their sex lives claimed celebrities from Heather Locklear to Pamela Anderson to Donna D'Errico. Their scuffles involved everyone from Axl Rose to 2LiveCrew. Their hobbies have included collecting automatic weapons, cultivating long arrest records, pushing the envelope of conceivable drug abuse, and dreaming up backstage antics that would make Ozzy Osbourne blanch with modesty. <p>Provocatively written and brilliantly designed, this book includes over 100 photos, many never before published, for the most exciting and insightful look ever into the Crue.</p>
The Dirty Version: On Stage, in the Studio, and in the Streets with Ol' Dirty Bastard
by Mickey Hess Buddha MonkOn the tenth anniversary of his death, The Dirty Version is the first biography of hip hop superstar and founding member of the Wu-Tang Clan, Ol’ Dirty Bastard, to be written by someone from his inner circle: his right-hand man and best friend, Buddha Monk.Ol’ Dirty Bastard rocketed to fame with the Wu-Tang Clan, the raucous and renegade group that altered the world of hip hop forever. ODB was one of the Clan’s wildest icons and most inventive performers, and when he died of an overdose in 2004 at the age of thirty-five, millions of fans mourned the loss. ODB lives on in epic proportions and his antics are legend: he once picked up his welfare check in a limousine; lifted a burning car off a four-year-old girl in Brooklyn; stole a fifty-dollar pair of sneakers on tour at the peak of his success. Many have questioned whether his stunts were carefully calculated or the result of paranoia and mental instability.Now, Dirty’s friend since childhood, Buddha Monk, a Wu-Tang collaborator on stage and in the studio, reveals the truth about the complex and talented performer. From their days together on the streets of Brooklyn to the meteoric rise of Wu-Tang’s star, from bouts in prison to court-mandated rehab, from Dirty’s favorite kind of pizza to his struggles with fame and success, Buddha tells the real story—The Dirty Version—of the legendary rapper.
The Disciplines of Vocal Pedagogy: Towards An Holistic Approach
by Karen SellIf classical singers and vocal pedagogues are to be prepared adequately for performance, teaching and co-operation in inter-professional relations, then an holistic education entailing multi-disciplinary study is essential. In this important new book, Karen Sell examines the disciplines pertinent to vocal pedagogy, tracing the lineage of views from the ancient world to the present day. In the process important diverse roots are exposed, yielding differing and even conflicting tonal ideals which have a bearing on the consideration of different singing methods and the interpretation of songs and arias. Ethics and psychology are identified as central to the entire pedagogical process along with the scientific basis of singing: encompassing acoustics, anatomy and physiology, with special reference to the bearing of the latter two upon vocal health and hygiene. A detailed consideration of singing technique is the centrepiece of the book, and an understanding of good technique and scientific awareness is shown to be fundamental to good vocal pedagogical practice. This leads to a discussion on performance and aesthetics, contributing to the education of the fully equipped singer. No study to date has demonstrated the inter-relationships between all these individual disciplines and the ways in which they influence singing pedagogy. Sell‘s holistic, multi-disciplinary approach will be of particular benefit to singers and voice teachers, and will also appeal to music educationalists and professionals in cognate disciplines.
The Discourse of Musicology
by Giles HooperIn The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship. Then, in attempting to overcome some of the problems typically associated with postmodern theory, Hooper draws on the work of Jürgen Habermas in order to interpret musicology as a form of institutionalized discourse and to propose a normative framework for the kind of knowledge in which it can legitimately issue. The second part of the book focuses on the concepts of 'mediation' and the 'music itself' and engages with the work of influential critical theorist, Theodor Adorno, and the contemporary musicologist, Lawrence Kramer. Finally Hooper compares and contrasts a number of different approaches to Mahler's Ninth Symphony. The author's underlying aim throughout is to question whether, and how, it is possible to develop a mode of musicological enquiry that is both epistemologically robust and at the same time capable of answering the demand that it demonstrate its social, political and ethical relevance.
The Discourse of Protest, Resistance and Social Commentary in Reggae Music: A Bakhtinian Analysis of Pacific Reggae (Routledge Studies in Linguistics)
by Elizabeth TurnerA comprehensive, engaging and timely Bakhtinian examination of the ways in which the music and lyrics of Pacific reggae, aspects of performance, a record album cover and the social and political context construct social commentary, resistance and protest. Framed predominantly by the theory and philosophy of Russian literary theorist Mikhail Bakhtin, this innovative investigation of the discourse of Pacific reggae in New Zealand produces a multi-faceted analysis of the dialogic relationships that create meaning in this genre of popular music. It focuses on the award-winning EP What’s Be Happen? by the band Herbs, which has been recognised for its ground-breaking music and social commentary in the early 1980s. Herbs’ songs address the racism and ideology of the apartheid regime in South Africa and the relationship between sport and politics, as well as universally relevant conflicts over race relations, the experiences of migrants, and the historic and ongoing loss of indigenous people’s lands. The book demonstrates the striking compatibility between Bakhtin’s theorisation of utterances as ethical acts and reggae music, along with the Rastafari philosophy that underpins it, which speaks of resistance to social injustice, of ethical values and the kind of society people seek to achieve. It will appeal to a cross-disciplinary audience of scholars in Bakhtin studies; discourse analysis; popular cultural studies; the literary analysis of popular music and lyrics, and those with an interest in the culture and politics of Aotearoa New Zealand and the Pacific region.
The Disenchantments
by Nina LacourColby and Bev have a long-standing pact: graduate, hit the road with Bev's band, and then spend the year wandering around Europe. But moments after the tour kicks off, Bev makes a shocking announcement: she's abandoning their plans - and Colby - to start college in the fall. But the show must go on and The Disenchantments weave through the Pacific Northwest, playing in small towns and dingy venues, while roadie- Colby struggles to deal with Bev's already-growing distance and the most important question of all: what's next? Morris Award-finalist Nina LaCour draws together the beauty and influences of music and art to brilliantly capture a group of friends on the brink of the rest of their lives.
The Diva Next Door: How to Be a Singing Star Wherever You Are
by Jill SwitzerYou too can be a star! If you've ever dreamed of singing on American Idol or grabbing a Grammy Award, The Diva Next Door is for you. Switzer's book, designed for everyone from total novice on up, takes a three-step approach: how to get physically and mentally in shape for a singing career, how to create and fine-tune an act, and how to shine at auditions and to book gigs. Written in the style of a caring girlfriend, the book blends practical information with anecdotes, musical quotes, pep talks, and tips. Sample cover letters, performance agreements, references, and a "diva dictionary" add value. For the hundreds of thousands of female applicants to such shows as American Idol, Nashville Star, Today's Superstar, Oprah and Star Search, and for everyone who has ever dreamed of being a professional singer Written for the complete novice in encouraging girl-to-girl style but packed with information for all levelsAllworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
The Doctor Faustus Dossier: Arnold Schoenberg, Thomas Mann, and Their Contemporaries, 1930-1951 (California Studies in 20th-Century Music #22)
by E. Randol SchoenbergArnold Schoenberg and Thomas Mann, two towering figures of twentieth-century music and literature, both found refuge in the German-exile community in Los Angeles during the Nazi era. This complete edition of their correspondence provides a glimpse inside their private and public lives and culminates in the famous dispute over Mann’s novel Doctor Faustus. In the thick of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make him an enemy of both families. Gathered here for the first time in English, the letters in this essential volume are complemented by diary entries, related articles, and other primary source materials, as well as an introduction by German studies scholar Adrian Daub that contextualizes the impact these two great artists had on twentieth-century thought and culture.
The Don Giovanni Moment: Essays on the Legacy of an Opera
by Goehr Lydia Daniel HerwitzThis is the first book to examine the aesthetic and moral legacy of Mozart's operatic masterpiece in the literature, philosophy, and culture of the nineteenth century. Deeply rooted in the Enlightenment and romanticism, the work functions as icon and myth, and its tensions still resonate today.
The Don Giovanni Moment: Essays on the Legacy of an Opera (Columbia Themes in Philosophy, Social Criticism, and the Arts)
by Goehr Lydia Daniel HerwitzMozart's Don Giovanni is an operatic masterpiece full of iconic and mythical tensions that still resonate today. The work redefines the terms of power, seduction, and morality, and the resulting conflict between the aesthetic and the ethical is deeply rooted in the Enlightenment and romanticism.The Don Giovanni Moment is the first book to examine the aesthetic and moral legacy of Mozart's opera in the literature, philosophy, and culture of the nineteenth century. The prominent scholars in this collection address the opera's impact on the philosophical visions of Kierkegaard, Goethe, and Williams and its influence on the literary and dramatic works of Pushkin, Hoffmann, Mörike, Byron, Wagner, Strauss, and Shaw. Through a close and careful analysis of Don Giovanni's literary and philosophical reception and its many appropriations, rewritings, and retellings, these contributors treat the opera as a vantage point from which theory and philosophy can reconsider romanticism's central themes. As lively and passionate as the opera itself, these essays continue the spirited debate over the meaning and character of Don Giovanni and its powerful legacy. Together they prove that Mozart's brilliant artistic achievement is as potent and relevant today as when it was first performed two centuries ago.
The Doom of the Haunted Opera (Lewis Barnavelt #6)
by John Bellairs Brad Strickland Edward GoreyWhen Lewis Barnavelt and Rose Rita Pottinger explore an abandoned theater, they discover an unpublished opera score. Ignoring a strange omen, they show it to their music teacher, who heralds "The Day of Doom" as a masterpiece. Then eerie Henry Vanderhelm, the composer's grandson, arrives--with a plan to awaken the dead and enslave the world!.
The Doors (Popular Rock Superstars of Yesterday and Today)
by Rae SimonsThe Doors were born in the sixties, a decade of bright colors, rebellion, and amazing creativity. Forty years later, you might think the Doors would seem like a relic from the past, like a tie-dyed T-shirt that's been washed too many times. But that's far from the case. Although this band definitely has its roots deep in the psychedelic, drug-soaked soil of the sixties, the Doors have managed to make the transition into the twenty-first century.
The Doors Unhinged: Jim Morrison's Legacy Goes on Trial
by John DensmoreIn The Doors Unhinged, New York Times bestselling author and legendary Doors drummer John Densmore offers a powerful exploration of the 'greed gene' - that part of the human psyche that propels us toward the accumulation of more and more wealth, even at the expense of our principles, friendships and the well-being of society. This is the gripping account of the legal battle to control The Doors's artistic destiny. In it, Densmore looks at the conflict between his bandmates and him as they fought over the right to use The Doors's name, revealing the ways in which this struggle mirrored and reflected a much larger societal issue: that no amount of money seems to be enough for even the wealthiest people.The Doors continue to attract new generations of fans, with more than one hundred million albums sold worldwide and counting, and nearly twenty million followers on the band's social media accounts. As such, Densmore occupies a rarefied space in popular culture. He is beloved by artists across the decades for his fierce, uncompromising dedication to art. His writing consistently earns accolades and has appeared in a range of publications such as the Los Angeles Times and Rolling Stone. As his friend and American novelist Tom Robbins recently advised him, 'If you keep writing like this, I'll have to get a drum set.'
The Doors Unhinged: Jim Morrison's Legacy Goes on Trial
by John DensmoreIn The Doors Unhinged, New York Times bestselling author and legendary Doors drummer John Densmore offers a powerful exploration of the 'greed gene' - that part of the human psyche that propels us toward the accumulation of more and more wealth, even at the expense of our principles, friendships and the well-being of society. This is the gripping account of the legal battle to control The Doors's artistic destiny. In it, Densmore looks at the conflict between his bandmates and him as they fought over the right to use The Doors's name, revealing the ways in which this struggle mirrored and reflected a much larger societal issue: that no amount of money seems to be enough for even the wealthiest people.The Doors continue to attract new generations of fans, with more than one hundred million albums sold worldwide and counting, and nearly twenty million followers on the band's social media accounts. As such, Densmore occupies a rarefied space in popular culture. He is beloved by artists across the decades for his fierce, uncompromising dedication to art. His writing consistently earns accolades and has appeared in a range of publications such as the Los Angeles Times and Rolling Stone. As his friend and American novelist Tom Robbins recently advised him, 'If you keep writing like this, I'll have to get a drum set.'
The Doors Unhinged: Jim Morrison's Legacy Goes on Trial
by John DensmoreLegendary drummer and founding member of The Doors, John Densmore, unpacks the intersection of art and commerce in this deeply principled middle finger to greed "The Doors drummer Densmore rockets through his tumultuous six-year lawsuit against former bandmates Ray Manzarek and Robby Krieger in this no-holds-barred account . . . Throughout, the author's initial question—at what point does money cheapen art's original message?—remains salient, even if he hammers it home a bit repetitively. Devoted fans will be eager to get their hands on this deep dive." —Publishers Weekly"Densmore's concerns about his band's legacy and its meaning in today's society are thought-provoking and worth pondering. Also impressive is his continued respect for his former bandmates' creativity and musicianship, despite the in-fighting, philosophical differences, and court battles. Not a typical rock memoir, but something more interesting to those who want to look past the hit songs and off-stage antics." —Kirkus Reviews"Part courtroom drama, part morality tale, The Doors Unhinged reminds us what happens when greed and deception get in the way of teamwork and the creative process." —BooklistIN THE DOORS UNHINGED, NEW YORK TIMES BEST-SELLING AUTHOR and legendary Doors drummer John Densmore offers a powerful exploration of the "greed gene"—that part of the human psyche that propels us toward the accumulation of more and more wealth, even at the expense of our principles, friendships, and the well-being of society. This is the gripping account of the legal battle to control The Doors's artistic destiny. In it, Densmore looks at his conflict with his bandmates over the right to use The Doors's name, revealing the ways in which this struggle mirrors and reflects a much larger societal issue: that no amount of money seems to be enough for even the wealthiest people.The Doors continue to attract new generations of fans, with more than one hundred million albums sold worldwide and counting, and nearly twenty million followers to the band's social media accounts. As such, Densmore occupies a rarefied space in popular culture. He's beloved by artists across the decades for his fierce, uncompromising dedication to art. His writing consistently earns accolades and has appeared in a range of publications, such as the Los Angeles Times and Rolling Stone. As his friend and American novelist Tom Robbins recently said to him, "If you keep writing like this, I'll have to get a drum set."This is an incredibly timely and important volume in a contemporary world that is increasingly consumed by an insatiable profit motive. John Densmore has given us a blueprint for an approach to life and culture that is not driven by greed.
The Doors: A Lifetime of Listening to Five Mean Years
by Greil MarcusA fan from the moment the Doors’ first album took over KMPX, the revolutionary FM rock & roll station in San Francisco, Greil Marcus saw the band many times at the legendary Fillmore Auditorium and the Avalon Ballroom in 1967. Five years later it was all over. Forty years after the singer Jim Morrison was found dead in Paris and the group disbanded, one could drive from here to there, changing from one FM pop station to another, and be all but guaranteed to hear two, three, four Doors songs in an hour-every hour. Whatever the demands in the music, they remained unsatisfied, in the largest sense unfinished, and absolutely alive. There have been many books on the Doors. This is the first to bypass their myth, their mystique, and the death cult of both Jim Morrison and the era he was made to personify, and focus solely on the music. It is a story untold; all these years later, it is a new story.
The Double Life of Bob Dylan: A Restless, Hungry Feeling, 1941-1966
by Clinton Heylin&“So, you want to know more about Bob Dylan? Read Clinton Heylin&’s new book. You&’ll get all you need.&” — Graham Nash, of Crosby, Stills, Nash & YoungThe definitive biography of one contemporary culture&’s most iconic and mysterious figures In 2016 Bob Dylan sold his personal archive to the George Kaiser Foundation in Tulsa, Oklahoma, reportedly for $22 million. As the boxes started to arrive, the Foundation asked Clinton Heylin – author of the acclaimed Bob Dylan: Behind the Shades and &‘perhaps the world&’s authority on all things Dylan&’ (Rolling Stone) – to assess the material they had been given. What he found in Tulsa – as well as what he gleaned from other papers he had recently been given access to by Sony and the Dylan office – so changed his understanding of the artist, especially of his creative process, that he became convinced that a whole new biography was needed. It turns out that much of what previous biographers - Dylan himself included - have said is wrong. With fresh and revealing information on every page A Restless, Hungry Feeling tells the story of Dylan&’s meteoric rise to fame: his arrival in early 1961 in New York, where he is embraced by the folk scene; his elevation to spokesman of a generation whose protest songs provide the soundtrack for the burgeoning Civil Rights movement; his alleged betrayal when he &‘goes electric&’ at Newport in 1965; his subsequent controversial world tour with a rock &’n&’ roll band; and the recording of his three undisputed electric masterpieces: Bringing it All Back Home, Highway 61 Revisited and Blonde on Blonde. At the peak of his fame in July 1966 he reportedly crashes his motorbike in Woodstock, upstate New York, and disappears from public view. When he re-emerges, he looks different, his voice sounds different, his songs are different. Clinton Heylin&’s meticulously researched, all-encompassing and consistently revelatory account of these fascinating early years is the closest we will ever get to a definitive life of an artist who has been the lodestar of popular culture for six decades.
The Downhome Sound: Diversity and Politics in Americana Music
by Mandi Bates BaileyAmerican roots music, also known as Americana music, can be challenging to categorize, spanning the genres of jazz, bluegrass, country, blues, rock and roll, and an assortment of variations in between. In The Downhome Sound, Mandi Bates Bailey explores the messages, artists, community, and appeal of this seemingly disparate musical collective. To understand the art form’s intended meanings and typical audiences, she analyzes lyrics and interviews Americana artists, journalists, and festival organizers to uncover a desire for inclusion and diversity. Bailey also conducts an experiment to assess listener reception relative to more commercial forms of music. The result is an in-depth study of the political and cultural influence of Americana and its implications for social justice.
The Dresden Manuscripts: Unearthing an 18th Century Musical Genius
by David WilsonA lifelong study of the music of Johann Hasse by conductor David Wilson has culminated in his superb new book, The Dresden Manuscripts: Unearthing an 18th Century Musical Genius. Hasse's music achieved great popularity during his lifetime, only to be overshadowed later in history by other composers, especially Mozart. Dr. Wilson's important and illuminating focus on the Dresden manuscripts will certainly be a springboard for conductors and musicologists to further examine the entirety of Hasse's oeuvre to rediscover other gems, particularly among the masses and operas, many of which will be found worthy of reentering the repertoire. David Wilson has produced a revelatory work of refined scholarship that will deepen our knowledge of this important yet oft-neglected Baroque composer.
The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature
by Patricia G. LespinasseIn 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the album’s cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum. The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within women’s writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject. This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs—cry-and-response, the Wild Woman, and the jazz moment—in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse.
The Drummer's Bible: How to Play Every Drum Style from Afro-Cuban to Zydeco
by Mick Berry Jason GianniUpdated to include 50 additional grooves, this encyclopedic book and two-CD set contains more than 450 musical examples in standard notation, showing grooves and practical variations. Overviews of the history and development of almost all popular music styles are covered alongside innumerable helpful performance tips. The two accompanying CDs feature performances of nearly 200 of the grooves, including every primary style example, all performed both with and without a click track. Styles covered include blues, rock, jazz, reggae, country, klezmer, ska, samba, punk, surf, heavy metal, latin rock, and funk; virtually every style a performing drummer will ever need to play is in there. This revised second edition also includes an updated bibliography and discography, as well as more historical information about the individual styles.
The Dylan Tapes: Friends, Players, and Lovers Talkin' Early Bob Dylan
by Anthony ScadutoThe raw material and interviews behind Anthony Scaduto&’s iconic biography of Bob Dylan draw an intimate and multifaceted portrait of the singer-songwriter who defined his era When Anthony Scaduto&’s Bob Dylan: An Intimate Biography was first published in 1971, the Nobel Prize–winning songwriter, at thirty, had already released some of the most iconic albums of the 1960s, including Highway 61 Revisited and Blonde on Blonde. Scaduto&’s book was one of the first to take an investigative journalist&’s approach to its subject and set the standard for rock music biography. The Dylan Tapes, compiled from thirty-six hours of interviews, is a behind-the-scenes look at the making of Scaduto&’s landmark book—and a close-up encounter with pivotal figures in Dylan&’s life. These reel-to-reel tapes, found in a box in Scaduto&’s basement, are a never-bootlegged trove of archival material about Dylan, drawn from conversations with those closest to him during the early years of his career.In the era of ten-second takes, these interviews offer uncommon depth and immediacy as we listen to friends and lovers recall the Dylan they knew as he created his professional persona and perfected his craft—from folk music, protest songs, and electric rock through the traumatic impact of a motorcycle crash to his later, more self-reflecting songwriting. Echo Helstrom, Dylan&’s &“Girl from the North Country,&” is here, as are Suze Rotolo, who graced the cover of the Freewheelin&’ album, and Joan Baez, remembering her relationship &“to Bobby.&” We hear from Mike Porco, who gave Dylan his first gig in New York City; Sid and Bob Gleason, who introduced him to his hero Woody Guthrie; folk artists from Greenwich Village, like Phil Ochs and Ramblin&’ Jack Eliot; John Hammond Sr., who gave him his first record contract; plus a host of musicians, activists, folk historians, and archivists—and, of course, Dylan himself.From these reflections and frank conversations, many published here for the first time, a complex, finely observed picture emerges of one of the best known yet most enigmatic musicians of our time.
The Dylanologists
by David KinneyFAN: "You don't know who I am, but I know who you are."BOB DYLAN: "Let's keep it that way."Bob Dylan is the most influential songwriter of our time and, after a half century, he remains a cultural touchstone, an enigma, and the subject of endless fascination. From the moment he arrived on the music scene, he attracted an intensely fanatical cult following, and in The Dylanologists, Pulitzer Prize-winning journalist David Kinney ventures deep into this eccentric subculture to answer a question: What can Dylan's grip on his most enthusiastic listeners tell us about his towering place in American culture?Kinney introduces us to a vibrant underground: diggers searching for unheard tapes and lost manuscripts, researchers obsessing over the facts of Dylan's life and career, writers working to decode unyieldingly mysterious songs, road warriors who meticulously record and dissect every concert. It's an affectionate mania, but as far as Dylan is concerned, a mania nonetheless. Over the years, the intensely private and fiercely combative musician has been frightened, annoyed, and perplexed by fans who try to peel back his layers. He has made at least one thing crystal clear: He does not wish to be known.The story of Dylan's followers is also a revealing portrait of the artist himself. Here, reflected in the fans he inspired and the cultural movements he helped create, is every twist and turn in a career that has swerved from lefty activist to ultra-hip spokesman for a generation to woodsy recluse, from secular storyteller to fire-breathing Christian evangelist, from punch line to elder statesman. Dylan may refuse to explain himself to his followers, but their lives have become mirrors of his, so profoundly are their stories intertwined.Told with tremendous insight, intelligence, and warmth, by turns funny and affecting, The Dylanologists is ultimately a book about our universal quest for meaning. It is populated by characters both legendary and obscure, from aging hippies to idealistic twentysomethings and everyone in between--a young woman who, stirred by Dylan, attends law school and becomes a public defender; a man who crams his New York City apartment with memorabilia, transforming it into a pilgrimage spot for Dylan fanatics; a woman inspired by her hero's redemptive music to go clean after years of drug use. Here is a joyous, soulful, and poignant exploration of the origins and meaning of fandom, the healing power of art, and the importance of embracing what moves you, whatever that may be.
The Early Tudor Court and International Musical Relations
by Theodor DumitrescuSince the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.