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They Came to Nashville
by Marshall Chapman Peter GuralnickMarshall Chapman knows Nashville. A musician, songwriter, and author with nearly a dozen albums and a bestselling memoir under her belt, Chapman has lived and breathed Music City for over forty years. Her friendships with those who helped make Nashville one of the major forces in American music culture is unsurpassed. And in her new book, They Came to Nashville, the reader is invited to see Marshall Chapman as never before--as music journalist extraordinaire.In They Came to Nashville, Chapman records the personal stories of musicians shaping the modern history of music in Nashville, from the mouths of the musicians themselves. The trials, tribulations, and evolution of Music City are on display, as she sits down with influential figures like Kris Kristofferson, Emmylou Harris, and Miranda Lambert, and a dozen other top names, to record what brought each of them to Nashville and what inspired them to persevere. The book culminates in a hilarious and heroic attempt to find enough free time with Willie Nelson to get a proper interview. Instead, she's brought along on his raucous 2008 tour and winds up onstage in Beaumont, Texas singing "Good-Hearted Woman" with Willie.They Came to Nashville reveals the daily struggle facing newcomers to the music business, and the promise awaiting those willing to fight for the dream.Co-published with the Country Music Foundation Press
They Can't Kill Us Until They Kill Us: Essays
by Hanif Abdurraqib<p>In an age of confusion, fear, and loss, Hanif Willis-Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. <p>In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Willis-Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. <p>In essays that have been published by the New York Times, MTV, and Pitchfork, among others―along with original, previously unreleased essays―Willis-Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.</p>
They Just Seem a Little Weird: How KISS, Cheap Trick, Aerosmith, and Starz Remade Rock and Roll
by Doug BrodIt was the age when heavy-footed, humorless dinosaurs roamed the hard-rock landscape. But that all changed when into these dazed and confused mid-'70s strut-ted four flamboyant bands that reveled in revved-up anthems and flaunted a novel theatricality. In They Just Seem a Little Weird, veteran entertainment journalist Doug Brod offers an eye- and ear-opening look at a crucial moment in music history, when rock became fun again and a gig became a show. This is the story of friends and frenemies who rose, fell, and soared once more, often sharing stages, studios, producers, engineers, managers, agents, roadies, and fans-and who are still collaborating more than forty years on.In the tradition of David Browne's Fire and Rain and Sheila Weller's Girls Like Us, They Just Seem a Little Weird seamlessly interweaves the narratives of KISS, Cheap Trick, and Aerosmith with that of Starz, a criminally neglected band whose fate may have been sealed by a shocking act of violence. This is also the story of how these distinctly American groups-three of them now enshrined in the Rock and Roll Hall of Fame-laid the foundation for two seemingly opposed rock genres: the hair metal of Poison, Skid Row, and Mötley Crüe and the grunge of Nirvana, Alice in Chains, and the Melvins. Deeply researched, and featuring more than 130 new interviews, this book is nothing less than a secret history of classic rock.
They Shot, He Scored: The Life and Music of Eldon Rathburn
by James K. WrightEldon Davis Rathburn (1916-2008), one of the most multi-dimensional, prolific, and endlessly fascinating composers of the twentieth century, wrote more music than any other Canadian composer of his generation. During a long and productive career that spanned seventy-five years, Rathburn served for thirty years as a staff composer with the National Film Board of Canada (1947-76), scored the first generation of IMAX films, and created a diverse catalogue of orchestral and chamber works. With the aid of extensive archival and documentary materials, They Shot, He Scored chronicles Rathburn's life and works, beginning with his formative years in Saint John, New Brunswick, and his breakthrough in Los Angeles in connection with Arnold Schoenberg and the LA Philharmonic Orchestra. The book follows his work at the NFB, his close encounters with some of the most celebrated international figures in his field, and his collaboration with the team of innovators who launched the IMAX film corporation. James Wright undertakes a close analytical reading of Rathburn's film and concert scores to outline his methods, compositional techniques, influences, and idiosyncratic approach to instrumentation, as well as his proto-postmodern proclivity for borrowing from diverse styles and genres. Authoritative and insightful, They Shot, He Scored illuminates the extraordinary career of an unsung creative force in the film and music industry.
They're Playing Our Song: A Memoir
by Carole Bayer SagerA New York Times bestseller from Grammy and Academy Award–winning songwriter Carole Bayer Sager shares &“a delightful and funny tell-all crammed with famous names and famous songs&” (Steve Martin), from her fascinating (and sometimes calamitous) relationships to her collaborations with the greatest composers and musical artists of our time.For five decades, Carole Bayer Sager has been among the most admired and successful songwriters at work, responsible for her lyrical contributions to some of the most popular songs in the English language, including &“Nobody Does It Better,&” &“A Groovy Kind of Love,&” &“Don&’t Cry Out Loud,&” and the theme from the movie Arthur, &“The Best That You Can Do&” (about getting caught between the moon and New York City).She has collaborated with (and written for) a dizzying number of stars, including Peter Allen, Ray Charles, Celine Dion, Bob Dylan, Neil Diamond, Clint Eastwood, Aretha Franklin, Whitney Houston, Michael Jackson, Carole King, Melissa Manchester, Reba McEntire, Bette Midler, Dolly Parton, Carly Simon, Frank Sinatra, and Barbra Streisand.But while her professional life was filled with success and fascinating people, her personal life was far more difficult and dramatic. In this memoir that &“reads like a candid conversation over a bottle of Mersault on a breezy Bel Air night&” (Vanity Fair), Carole Bayer Sager tells the surprisingly frank and darkly humorous story of a woman whose sometimes crippling fears and devastating relationships inspired many of the songs she would ultimately write.&“This exceptionally candid memoir&” (Los Angeles Times) will fascinate anyone interested in the craft of songwriting and the joy of collaboration, but They&’re Playing Our Song is also a deeply personal account of how love and heartbreak made her the woman, and the writer, she is. &“Carole Bayer Sager is simply the finest….and this book is one of the best, most lasting songs she has ever written&” (Carly Simon).
They're Playing Our Song: Conversations With America's Classic Songwriters
by Max WilkOriginally published in 1973, when it won the ASCAP Deems Taylor Award , reprinted and revised several times since, They're Playing Our Song is a classic oral history of American popular music.<P><P> Now further updated with new material and new photographs, this book is indispensable for anyone interested in the Great American Songbook of the 20th Century, original, classic and timeless songs and lyrics as popular today as ever.
Things The Grandchildren Should Know
by dba E Mark Oliver EverettMark Oliver Everett's upbringing was 'ridiculous, sometimes tragic and always unsteady'. His father - a quantum mechanic who worked for the Pentagon - was a genius who had corresponded with Einstein aged 13. He rarely spoke, and following his own miserable childhood had eccentric ideas of how children should be brought up. Mark - known as 'E' - and his older sister Liz were raised in a house with no rules, with parents who had 'a kind of seventies swinging marriage'. Lacking any real sense of authority, E had to raise himself, not always with the greatest success. His love of music helped pull him through, and by his early 20s he was on the brink of stardom with his first album - Beautiful Freak. But then tragedy struck - having already lost his father to a heart attack, his sister and mother both died in short succession - Liz from an overdose, and his mother from cancer. It was the kind of brutal loss that could destroy someone, but somehow E survived, and channelled his experiences into his music. In THINGS THE GRANDCHILDREN SHOULD KNOW he tells his story - one that is surprisingly full of hope, humour and wry wisdom.
Things I Carry Around: The bestselling memoir from the ARIA Award-winning country music star
by Tom Gilling Troy Cassar-DaleyA born storyteller, Troy Cassar-Daley has at last turned his talent to sharing his own inspiring life.`Troy?s achievements are many, and perhaps the finest may be his ability to make us listen to his heart.? Joy McKeanFor the first time, Troy talks about his early life - how his parent?s divorce changed things for him, about missing his Dad and growing up in Grafton surrounded by the warmth and love of his mother, Irene, his Nan and Pop and his extended Indigenous family. A larrikin at heart, Troy includes all the highs and lows on his path to stardom: the thrill of performing on stage at the Tamworth Music Festival with Jimmy Little when he was just 15; the excitement of heading off on tour with Brian Young and then discovering just how lonely life on the road could be; his first record deal; playing with the greats ? Johnny Cash, Willie Nelson, Merle Haggard and Slim Dusty; his first album Beyond the Dancing, which blended his indigenous heritage with his rural background; meeting the woman who would steal his heart; recording in Nashville; and, finally, releasing True Believer, the album that really launched his career. The multiple Golden Guitar, APRA, ARIA and Deadlys winner also lets us in on some of the life lessons he learned the hard way, lessons that kept this prodigiously talented Aussie on the straight and narrow (most of the time). Things I Carry Around, is the warm, genuine, and inspiring story of a young indigenous Australian who had a dream and turned that dream into reality. `Troy?s a true gentleman, warm and genuine, always a pleasure to be around. He sings straight from his heart and straight from the heart of his country.? Paul Kelly
Things That Are Better Than Money
by John AvanziniJohn Avanzini shows from the Scripture that many things in God's Word are much more valuable than mere money. As a teacher of biblical economics, he documents for the Church the need for balance in the message of abundance.
Think Rock
by Kevin DettmarTHINK ROCK is the first Music title in the THINK series. It is designed for an introduction to rock music course for the non-music major at an economical price. Taking a chronological approach, it offers a basic introduction to the key eras, performers, and songs that shaped rock music. THINK ROCK is a full history, beginning with pre-rock styles and covering all styles right up to today’s latest sounds. In addition to the music itself, THINK ROCK addresses the rich cultural history of the rock era, and how social/cultural events shaped rock and were shaped by it. The book is richly illustrated with period photographs and reproductions of album covers and concert posters. An open access companion website is available with THINK ROCK at www.thethinkspot.com.
Thinking in Jazz: The Infinite Art of Improvisation
by Paul F. BerlinerThinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea.
Thinking in Jazz: The Infinite Art of Improvisation (Chicago Studies In Ethnomusicology Ser.)
by Paul F. BerlinerA landmark in jazz studies, Thinking in Jazz reveals as never before how musicians, both individually and collectively, learn to improvise. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner documents the lifetime of preparation that lies behind the skilled improviser's every idea. The product of more than fifteen years of immersion in the jazz world, Thinking in Jazz combines participant observation with detailed musicological analysis, the author's experience as a jazz trumpeter, interpretations of published material by scholars and performers, and, above all, original data from interviews with more than fifty professional musicians: bassists George Duvivier and Rufus Reid; drummers Max Roach, Ronald Shannon Jackson, and Akira Tana; guitarist Emily Remler; pianists Tommy Flanagan and Barry Harris; saxophonists Lou Donaldson, Lee Konitz, and James Moody; trombonist Curtis Fuller; trumpeters Doc Cheatham, Art Farmer, Wynton Marsalis, and Red Rodney; vocalists Carmen Lundy and Vea Williams; and others. Together, the interviews provide insight into the production of jazz by great artists like Betty Carter, Miles Davis, Dizzy Gillespie, Coleman Hawkins, and Charlie Parker.Thinking in Jazz overflows with musical examples from the 1920s to the present, including original transcriptions (keyed to commercial recordings) of collective improvisations by Miles Davis's and John Coltrane's groups. These transcriptions provide additional insight into the structure and creativity of jazz improvisation and represent a remarkable resource for jazz musicians as well as students and educators. Berliner explores the alternative ways—aural, visual, kinetic, verbal, emotional, theoretical, associative—in which these performers conceptualize their music and describes the delicate interplay of soloist and ensemble in collective improvisation. Berliner's skillful integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside of performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic, and a tradition. This unprecedented journey to the heart of the jazz tradition will fascinate and enlighten musicians, musicologists, and jazz fans alike.
Thinking Together: An E-Mail Exchange and All That Jazz
by Howard S. Becker Robert R. Faulkner Arlene Luck Larry Gross Franck Leibovici Dianne HagamanFaulkner and Becker, sociologists and experienced musicians, wrote a book about their musical experiences--Do You Know? The Jazz Repertoire in Action--describing how musicians who didn't know each other could perform competently and interestingly without rehearsing, or playing from written music. When they wrote it, they lived at opposite ends of the country: Faulkner in Massachusetts, Becker in San Francisco. Instead of sitting around talking about their ideas, they wrote e-mails. So every step of their thinking, false steps as well as ideas that worked, existed in written form.When conceptual artist and poet Franck Leibovici asked them to contribute something that showed the "form of life" that supported their work, they collaborated with Dianne Hagaman to put the correspondence in order, which Liebovici exhibited and now appears as an e-book (which allows linking to available performances of the tunes they discussed).It's one of the most revealing records of a scientific collaboration ever made public, and an intimate picture of the creative process.Collective creativity--making sparks of originality produce something more than a glint in someone's eye--intrigues sociologists, people who study communication and theorists of business organization. The collective part of that process, turning an idea into a finished product, is even more complicated, and Thinking Together readers can watch the authors go through all the complications of working together to make the final result happen.Becker played piano in Chicago and Kansas City and taught sociology at Northwestern University. Among his books are Art Worlds and Writing for Social Scientists.Faulkner played trumpet in Los Angeles, got a PhD in sociology from UCLA, then taught at the University of Rochester and the University of Massachusetts (playing professionally in those places too). He is author of two books about the movie business, Hollywood Studio Musicians and Music on Demand: Composers and Careers in the Hollywood Film Industry.
Thinking with an Accent: Toward a New Object, Method, and Practice (California Studies in Music, Sound, and Media #3)
by Pooja Rangan, Akshya Saxena, Ragini Tharoor Srinivasan, and Pavitra SundarA free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Everyone speaks with an accent, but what is an accent? Thinking with an Accent introduces accent as a powerfully coded yet underexplored mode of perception that includes looking, listening, acting, reading, and thinking. This volume convenes scholars of media, literature, education, law, language, and sound to theorize accent as an object of inquiry, an interdisciplinary method, and an embodied practice. Accent does more than just denote identity: from algorithmic bias and corporate pedagogy to migratory poetics and the politics of comparison, accent mediates global economies of discrimination and desire. Accents happen between bodies and media. They negotiate power and invite attunement. These essays invite the reader to think with an accent—to practice a dialogical and multimodal inquiry that can yield transformative modalities of knowledge, action, and care.
Third Coast: OutKast, Timbaland, and How Hip-Hop Became a Southern Thing
by Roni SarigTypically, more than half the top rap songs in the country are the work of Southern artists. In a world still stuck in the East/West coast paradigm of the ’90s, Southern hip hop has dominated the genre-and defined the culture-for years. And the South’s leading lights, most notably OutKast, Timbaland, and more recently, crunk superstars like the Ying Yang Twins and Lil Jon, have expanded the parameters of hip hop. Third Coastis the first book to deal with Southern hip hop as a matter of cultural history, and the first to explain the character and significance of down South rapping to fans as well as outsiders. It tells the story of recent hip hop, marking how far the music has come sonically and culturally since its well-documented New York-centered early years.
Third Rail
by Jonathan Wells"The poets who fill these pages have come to testify, to bear witness to the mysterious power of Rock and Roll. -- from the Foreword by Bono "The thread or the theme That holds this tune Together is the same One that rips it open...." -- from Gimme Shelter by Bill Knott "Chunky on the shag rug, I'm looking for my anthem, I'm looking for my headphones, I'm looking for the bare spot on the rug to wallow, side-stepped on the chair-stopped door. I blast my ears out." -- from The Prophet's Song by Daniel Nester "Drums, Whatta lotta Noise you want a Revolution? Wanna Apocalypse? Blow up in Dynamite Sound?" -- from Punk Rock You're My Big Crybaby by Allen Ginsberg As revolutionary as the music it celebrates, the poetry in this electrifying anthology -- by poets such as Billy Collins, Rita Dove, Yusef Komunyakaa, Paul Muldoon and Philip Larkin -- turns rock upside down with indelible images and powerful expressions of the music that changed our lives.
The Third Space: Body, Voice, and Imagination
by Robert LewisThe Third Space serves a crucial need for contemporary performers by providing an interdisciplinary and physiovocal approach to training. It is a new take on body and voice integration designed to develop the holistic performer. It takes performers through a series of step-by-step practical physiovocal exercises that connects the actor’s centre to the outside world, which increases awareness of self and space. It also develops a deeper connection between spaces within the body and the environment by connecting sound, imagination, and movement.Robert Lewis’s approach is a way of working that unlocks the imagination as well as connecting performers to self, space, and imagination, through voice and body. It conditions, controls, and engages performers by integrating various voice and movement practices.The theories and practice are balanced throughout by: introducing the practical works theoretical underpinnings through research, related work, and case studies of performances; demonstrating a full program of exercises that helps performers get in touch with their centre, their space, and shape both within and outside the body; and exploring the performers physiovocal instrument and its connection with imagination, energies, and dynamics. This book is the result of nearly 20 years of research and practice working with voice and movement practitioners across the globe to develop training that produces performers that are physiovocally ready to work in theatre, screen, and emergent technologies.
Thirty Days to Music Theory: Ready-to-use Lessons and Reproducible Activities for the Music Classroom
by Ellen WilmethA resource for teaching the basics of music theory in a practical, easy-to-use reproducible kit that's ideal for choirs, bands, general music classes and orchestras. Each of the thirty lessons includes basic music concepts presented in a logical sequence with explanation, vocabulary, activity and practice, all correlated to the National Standards. <P><P><i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. To explore further access options with us, please contact us through the Book Quality link. Benetech is actively working on projects to improve accessibility issues such as these.</i>
Thirty Days to Rhythm
by Betsy HendersonThirty Days" series that is a fantastic resource for busy music teachers everywhere: a curriculum that teaches the basics of rhythm in a practical, easy-to-use reproducible kit that's ideal for choirs, bands, general music classes and orchestras. This helpful book with reproducible pages helps students understand the concepts of beat, rhythm, accents, duration, value, meter and syncopation.
Thirty Years of Musical Life in London 1870-1900
by Hermann KleinFantastic autobiography of esteemed English musician Herman Klein who earned worldwide fame as an author, journalist, critic and vocal teacher.Herman Klein (born Hermann Klein; 23 July 1856 – 10 March 1934) was an English music critic, author and teacher of singing. Klein's famous brothers included Charles and Manuel Klein. His second wife was the writer Kathleen Clarice Louise Cornwell, and one of their children was the writer Denise Robins.For thirteen years, Klein was a vocal teacher at the Guildhall School of Music in London, becoming a lifelong proponent of the methods of Manuel Garcia and helping to edit Garcia's book on the subject. In 1876 he took up musical journalism, writing for The Sunday Times from 1881–1901, among other publications. He also contributed prolifically to The Musical Times. From 1901 to 1909, Klein lived and taught singing in New York City, where he wrote for The New York Herald. He was one of the first critics to take notice of the gramophone and was appointed "musical adviser" to Columbia Records in 1906 in New York. He returned to England in 1909.Klein wrote over half a dozen books about music and singers, as well as English translations of operas and art songs. He was a noted authority on Gilbert and Sullivan. In 1924 he began writing for The Gramophone and was in charge of operatic reviews, as well as contributing a monthly article on singing, from then until his death.
This Ain't No Picnic: Your Punk Rock Vegan Cookbook (Vegan Cookbooks Ser.)
by Joshua Ploeg Dalton Blanco Vice CoolerThis Ain't No Picnic is the first cookbook featuring creative and delicious recipes that match the quality and presentation of a gourmet restaurant with the self-parody and humor of punk rock culture and history. A comedic art book full of social commentary, it explores and improves the favorite foods of historic punk rockers. Through exclusive interviews, Picnic treats you to the delectibles they could-and perhaps should-have been eating. How to make s'mores with a zippo, cook without a stove or oven, and 80 new recipes of Joshua Ploeg's magical food and flavor combinations like you've never dreamed of.
This Beats Perfect (This Beats Perfect #1)
by Rebecca Denton'This Beats Perfect is a fabulous celebration of music, friendship, and following your dreams' Katherine Webber, author of Wing JonesAmelie Ayres has impeccable taste in music. Bowie. Bush. Bob. So when she finds herself backstage at The Keep's only UK gig she expects to hate it; after all they are the world's most tragic band. In fact she feels a grudging respect - not (obviously) for their music, but for the work that goes in to making them megastars. And when lead singer, 'Maxx', is not dressed up as a cross between Elvis and a My Little Pony, he is actually rather normal, talented and has creative struggles not too dissimilar to her own. But the next morning she wakes up and rolls over to discover a million new @'s on social media. Overnight, a photo of her at the gig has made her a subject of global speculation. Suddenly the world needs to know #Who'sThatGirl? - but for all the wrong reasons.All Amelie wants is to play her music. She's got the guitar, the songs, the soul and, in the safety of her bedroom, she's got the voice. But when it comes to getting up on stage, she struggles with self-doubt.Immaculate's a concept. Flawless is fake. But just sometimes music - and hearts - can rock a perfect beat.'A witty exploration into the world of celebrity' The Sun
This Bell Still Rings: My Life of Defiance and Song
by Barbara DaneThe autobiography of a courageous singer-songwriter, activist, and American icon A renowned folk, blues, and jazz singer who performed with some of the twentieth century’s most celebrated musicians, from Louis Armstrong to Bob Dylan. A proud progressive who has tirelessly championed racial equality and economic justice in America, and who has traveled the world to sing out against war and tyranny. An organizer, a venue owner, a record label founder, and a woman who has charted her own creative and political path for more than ninety years. Barbara Dane has led an epic, trailblazing life in music and activism, and This Bell Still Rings tells her story in her own adventurous voice. Dane’s memoir charts her trajectory from singing in union halls and at factory gates in World War II–era Detroit, to her rise as a respected blues and jazz singer, to her prominence as a folk musician frequently performing at and participating in civil rights and peace demonstrations across the US and abroad—from post-revolutionary Cuba to wartime Vietnam. This Bell Still Rings illuminates “one of the true unsung heroes of American music” (Boston Globe), and it offers a wealth of inspiration for artists, activists, and anyone seeking a life defined by courage and integrity.
This Book is Broken: A Broken Social Scene Story
by Stuart BermanThe year was 2000. The alternative music scene had all but died, and pre-packaged pop stars had filled the vacuum. But in a basement apartment in the heart of downtown Toronto, two musicians were forming a creative partnership that would revive the mass appeal of indie music and forever change how we think of a band. In this biography of the ever-evolving indie-rock collective, Broken Social Scene, music columnist Stuart Berman tracks the group's inception by Kevin Drew and Brendan Canning; groundbreaking performances at Ted's Wrecking Yard that raised the band's local status to mythical proportions; Broken Social Scene's meteoric rise upon the release of breakout album You Forgot It In People; the creation of Arts & Crafts records with music-biz maverick Jeffrey Remedios; and life on the road with revolving bandmates, including members of Stars, Metric, The Dears, and international pop sensation Feist. Stuart Berman has drawn from hours of interviews with members and affiliates of Broken Social Scene, and exclusive, never-before-seen photographs, gig posters, and artwork to create a spectacular oral and visual history of this ever-evolving indie-rock collective.