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The Spectral Piano
by Marilyn Nonken Hugues DufourtThe most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gérard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Marilyn Nonken shows how the spectral attitude was influenced by developments in technology but also continued a tradition of performative and compositional virtuosity. Nonken explores shared fascinations with the musical experience, which united spectralists with their Romantic and early Modern predecessors. Examining Murail's Territoires de l'oubli, Jonathan Harvey's Tombeau de Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete Wealth of Time, she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.
The Spirit of Music: The Lesson Continues
by Victor L. WootenGrammy Award winner Victor Wooten's inspiring parable of the importance of music and the threats that it faces in today's world. We may not realize it as we listen to the soundtrack of our lives through tiny earbuds, but music and all that it encompasses is disappearing all around us. In this fable-like story three musicians from around the world are mysteriously summoned to Nashville, the Music City, to join together with Victor to do battle against the "Phasers," whose blinking "music-cancelling" headphones silence and destroy all musical sound. Only by coming together, connecting, and making the joyful sounds of immediate, "live" music can the world be restored to the power and spirit of music.A VINTAGE ORIGINAL
The Spirit of Praise: Music and Worship in Global Pentecostal-Charismatic Christianity
by Amos Yong Monique M. IngallsIn The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.
The Spirit of Praise: Music and Worship in Global Pentecostal-Charismatic Christianity
by Amos Yong Monique M. IngallsIn The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.
The Spirit of This Place: How Music Illuminates the Human Spirit (The\rice University Campbell Lectures)
by Patrick SummersArtists today are at a crossroads. With funding for the arts and humanities endowments perpetually under attack, and school districts all over the United States scrapping their art curricula altogether, the place of the arts in our civic future is uncertain to say the least. At the same time, faced with the problems of the modern world—from water shortages and grave health concerns to global climate change and the now constant threat of terrorism—one might question the urgency of this waning support for the arts. In the politically fraught world we live in, is the “felt” experience even something worth fighting for? In this soul-searching collection of vignettes, Patrick Summers gives us an adamant, impassioned affirmative. Art, he argues, nurtures freedom of thought, and is more necessary now than ever before. As artistic director of the Houston Grand Opera, Summers is well positioned to take stock of the limitations of the professional arts world—a world where the conversation revolves almost entirely around financial questions and whose reputation tends toward elitism—and to remind us of art’s fundamental relationship to joy and meaning. Offering a vehement defense of long-form arts in a world with a short attention span, Summers argues that art is spiritual, and that music in particular has the ability to ask spiritual questions, to inspire cathartic pathos, and to express spiritual truths. Summers guides us through his personal encounters with art and music in disparate places, from Houston’s Rothko Chapel to a music classroom in rural China, and reflects on musical works he has conducted all over the world. Assessing the growing canon of new operas performed in American opera houses today, he calls for musical artists to be innovative and brave as opera continues to reinvent itself. This book is a moving credo elucidating Summers’s belief that the arts, especially music, help us to understand our own humanity as intellectual, aesthetic, and ultimately spiritual.
The Spirit of Utopia
by Ernst BlochThe Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism.
The Spirituals and the Blues: An Interpretation
by James H. ConeCone explores two classic aspects of African-American culture--the spirituals and the blues. He tells the captivating story of how slaves and the children of slaves used this music to affirm their essential humanity in the face of oppression. The blues are shown to be a "this-worldly" expression of cultural and political rebellion. The spirituals tell about the "attempt to carve out a significant existence in a very trying situation. "
The Spooky Wheels on the Bus
by J. Elizabeth MillsTHE SPOOKY WHEELS ON THE BUS is a humorous Halloween-themed version of the classic song THE WHEELS ON THE BUS. . . with a few ghoulish tricks and treats up its sleeves! Count from One Spooky Bus up to Ten Goofy Ghosts as this Halloween ride races through town picking up a few unsuspecting passengers along the way.
The Sporty One: My Life as a Spice Girl
by Melanie ChisholmAn intimate memoir from international pop star Melanie Chisholm--better known as Mel C. or Sporty Spice--chronicling her trajectory from small-town girl to overnight icon as part of the Spice Girls. 25 years ago, The Spice Girls, a girl band that began after five women answered an ad in the paper, released their first single. 'Wannabe' became a hit and from that moment and, almost overnight, Melanie Chisholm went from small town girl to Sporty Spice, part of one of the biggest music groups in history. Beginning in her bedroom in the north-west of England dreaming of performing on stage, THE SPORTY ONE follows the meteoric rise of the Melanie and The Spice Girls, from the incredible highs of becoming one of the world&’s most recognizable popstars – playing at Wembley, conquering the BRITs, closing the Olympics – to the difficult lows. For the first time ever, Melanie talks about the pressures of fame, the shaming and bullying she experienced, the struggles she has had with her body image and mental health, and the difficulty of finding yourself when the whole world knows your name. THE SPORTY ONE is an incredible story of resilience, hope and how you can find your power.
The Stage Works of Philip Glass (Composers on the Stage)
by Robert F. WatersThe Stage Works of Philip Glass is the first publication to exclusively examine Glass's stage works from 1976 to the present day. Glass, who is regularly acclaimed as the most popular living classical composer, created stage works that have had a mesmerizing effect on younger generations. Robert Waters analyses Glass and his music for the theatre in the context of other composers interested in so-called minimalist features. His discussion includes three introductory chapters that address the validity versus invalidity of terms such as minimalism, post-minimalism, postmodernism, and neo-Romanticism, together with a brief overview of Glass's life and works. Waters examines the different types of theatre responsible for Glass's impact, including Robert Wilson's Theater of Images. He sheds light on Glass's philosophy regarding staging, text, and other theatrical components, which includes a defiance of conventional narrative, visual and aural dissociation as a theatrical technique, and deconstructionist concepts.
The Star Spangled Banner: Conductor Score (Pictureback(R))
by Francis Scott KeyDid you know that the largest sculptures in the world are the presidents' heads on Mount Rushmore? Featuring bright, bold pictures illustrating national pastimes, monuments, and moments in history, this patriotic Pictureback is a great way to introduce kids to our National Anthem. Lyrics to "The Star-Spangled Banner" are on each page, as well as fun and informational sidebars about America.
The Star-Spangled Banner (Cornerstones of Freedom)
by Deborah KentTAn account of how, during the War of 1812, Francis Scott Key came to write the poem that became the national anthem.
The Starday Story: The House That Country Music Built (American Made Music Series)
by Nathan D. GibsonAssociation of Recorded Sound Collections Awards for ExcellenceBest Research in Record Labels–Certificate of Merit (2012)The Starday Story: The House That Country Music Built is the first book entirely dedicated to one of the most influential music labels of the twentieth century. In addition to creating the largest bluegrass catalogue throughout the 1950s and '60s, Starday was also known for its legendary rockabilly catalogue, an extensive Texas honky-tonk outpouring, classic gospel and sacred recordings, and as a Nashville independent powerhouse studio and label.Written with label president and co-founder Don Pierce, this book traces the label's origins in 1953 through the 1968 Starday-King merger. Interviews with artists and their families, employees, and Pierce contribute to the stories behind famous hit songs, including "Y'all Come," "A Satisfied Mind," "Why Baby Why," "Giddy-up Go," "Alabam," and many others. Gibson's research and interviews also shed new light on the musical careers of George Jones, Arlie Duff, Willie Nelson, Roger Miller, the Stanley Brothers, Cowboy Copas, Red Sovine, and countless other Starday artists. Conversations with the children of Pappy Daily and Jack Starns provide a unique perspective on the early days of Starday, and extensive interviews with Pierce offer an insider glance at the country music industry during its golden era.Weathering through the storm of rock and roll and, later, the Nashville Sound, Starday was a home to traditional country musicians and became one of the most successful independent labels in American history. Ultimately, The Starday Story is the definitive record of a country music label that played an integral role in preserving our nation's musical heritage.
The State of Music
by Virgil ThomsonVirgil Thomson had already established himself as one of the nation's leading composers when he published The State of Music (1939), the book that made his name as a writer and won him a fourteen-year stint as chief music reviewer at the New York Herald Tribune. This feisty, often hilarious polemic, presented here in the extensively revised edition of 1962, surveys the challenges confronting the American composer in a hide-bound world where performance and broadcast outlets are controlled by institutions shocked by the new and suspicious of homegrown talent. For Aaron Copland, The State of Music was not just "the most original book on music that America has produced," but "the wittiest, the most provocative, the best written."
The State of Music: 1938 First Edition
by Virgil ThomsonComposer Thomson, whose film score for Louisiana Story was awarded the Music Pulitzer Prize in 1949, writes about contemporary music and a musician's place in society before World War II.-Print ed.
The Stone Age: Sixty Years of The Rolling Stones
by Lesley-Ann JonesAn acclaimed rock and roll journalist evokes the legacy of The Rolling Stones—iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals.As Lesley-Ann Jones writes, the Rolling Stones are "still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.&” On 12th July 1962, the Rollin&’ Stones performed their first-ever gig at London&’s Marquee jazz club. Down the line, a &‘g&’ was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as &‘corruptors of youth&’ and &‘messengers of the devil,&’ they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones&’s new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock&’s ongoing reckoning . . . where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before.
The Stone Roses And The Resurrection Of British Pop: The Reunion Edition
by John RobbThe band, the lifestyle, the revolution. This classic biography charts the phenomenal rise of The Stone Roses to the icons they are today, using interviews, rehearsal tapes and the archives of author John Robb who was with them from the beginning.Robb's exclusive inside knowledge of The Stone Roses creates a compelling and intimate insight into how the band single-handedly set the blueprint for the resurgence of UK rock 'n' roll in the 1990s: Ian Brown's new lazy-style vocals, Reni's fluid, funk-tinged, ground-breaking drumming, and the guitar genius of John Squire. From the band members' early years to the inception of the Roses, through the tours and success, their influences and style, to the demise of the original line-up and their solo careers; every high and low is documented in minute detail.This is the definitive, most revered account of one of the most influential British bands in pop music history.
The Stone Roses And The Resurrection of British Pop: The Reunion Edition
by John Robb'The Stone Roses have become folk heroes, frozen in time. And their story, with roots in punk through post-punk, scooter boys, skinheads, Northern Soul, psychedelia, acid house and Madchester, is everything that is great about British street culture.'Reni. Mani. Ian Brown. John Squire.Names that will forever be remembered for creating their defining album The Stone Roses and a unique but inimitable baggy style.Their phenomenal story was first documented by the man who was with them every step of the way: John Robb. And now, in this special edition of his acclaimed and intimate biography, Robb brings the ultimate rock 'n' roll tale fully up to date.
The Stone Roses: War and Peace: The Definitive Story
by Simon SpenceThe Stone Roses captures the magic—and chaos—behind the UK band's rise, fall, and recent resurrection.The iconic Brit pop band The Stone Roses became an overnight sensation when their 1989 eponymous album went double platinum. It was a recording that is still often listed as one of the best albums ever made. Its chiming guitar riffs, anthemic melodies, and Smiths-like pop sensibility elevated The Stone Roses to a cult-like status in the UK and put them on the map in the U.S. But theirs is a story of unfulfilled success: their star imploded as their sophomore effort took years to complete and the band broke up acrimoniously in 1996. Sixteen years later, they reunited and have been playing sold out gigs, thrilling fans around the globe, and working on new material. In 2013, they nabbed the coveted headline spot at the Coachella Festival. With one hundred interviews of key figures, forty rare photographs, and exclusive insider material including how they created their music, The Stone Roses charts the band's rise from the backwaters of Manchester to becoming the stars of the "Madchester" scene to their successful comeback years later. Going beyond the myths to depict a band that defined Brit pop, Simon Spence illustrates their incandescent talent and jaw-dropping success while contextualizing them in the 90s music scene. This is the definitive story of The Stone Roses.
The Stones
by Philip Norman'Details their amazing career and lifestyle ... the tours that saved them from bankruptcy, the drug raids, the mysterious death in his own swimming pool of Brian Jones and the suicide attempt of Marianne Faithfull. After reading this account one can't help but marvel that they have survived'
The Stooges: Head On
by Alice Cooper Brett Callwood Glen DanzigThe story of seminal Ann Arbor punk rock band the Stooges, told through original interviews with the band members and associates.
The Story of ABBA: Melancholy Undercover
by Jan GradvallThrough exclusive interviews and over a decade of deep research, renowned music journalist Jan Gradvall explores the secrets to ABBA’s success.There has never been a group like ABBA. More than half a century after their songs were recorded, ABBA still make people the world over dance and sing their hearts out. In 2013, when the band had not been interviewed for over thirty years, Jan Gradvall was granted unique access to them for the next decade and the result is The Story of ABBA: Melancholy Undercover. Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngstad all share their personal stories, their thoughts and their opinions about ABBA’s music more openly than ever before. Weaving in and out of their story, well-known international music critic Jan Gradvall reveals the context in which their unique sound developed and shows how the story of ABBA is also the story of Sweden and the globalization of pop culture.From their earliest hits in Sweden like “People Need Love” and “Ring, Ring” to their chart-topping international hits like “Dancing Queen,” “Gimme, Gimme, Gimme” and “Mama Mia!” to ABBA Voyage – their first album in forty years – and the two-million-ticket-selling eponymous concert-experience in London, it is undeniable that, in the history of pop culture and music, there has never been a group like ABBA. With remarkable intimacy, Gradvall’s sensational book brings readers closer than ever to one of the world’s most notoriously private groups.
The Story of Aftermath Entertainment (Hip-Hop Hitmakers)
by Robert GraysonDr. Dre was the face of hip-hop by the time he started Aftermath Entertainment in 1996. But like any new record label, even one started by a legend, Aftermath had to go through some growing pains before finding its sound. Once it did, Aftermath was on a roll, producing platinum albums by megastars like Eminem and 50 Cent. The record label combined the creativity and fresh material of new rap stars with the special touch only a musical genius like Dr. Dre could add. Born out of the violent era of the West Coast-East Coast rap feud, Aftermath carried Dr. Dre's hopes of creating a record label that focused solely on music, not violence. There were some false starts along the way. But it did not take Aftermath long to introduce some of rap's biggest names to the world and sell millions upon millions of albums.
The Story of Bad Boy Entertainment (Hip-Hop Hitmakers)
by Jeff BurlingameThe story of Bad Boy Entertainment is one of triumph and tragedy. It was triumph when the dream of founder Sean "Puffy" Combs was transformed into one of the most successful record labels in the history of hip-hop music. It was tragedy when the life of Bad Boy's most successful artist, Christopher "Biggie" Wallace, was violently ended at the prime of his career. It was triumph again when Puffy evoked Biggie's memory in a chart-topping song that helped jump-start a highly successful performing career of his own. Nearly 20 years after its founding, Bad Boy Entertainment has grown from a record label spinning out rap hits to a do-everything company with dealings in the world of fashion, food, and music.
The Story of Cash Money Records (Hip-Hop Hitmakers)
by Terri DoughertyFounded in New Orleans in the early 1990s, Cash Money Records faced an uphill battle as it struggled to gain respect. Brothers Bryan "Baby" Williams and Ronald "Slim" Williams started the label by recording New Orleans artists who were part of the local " bounce music" scene. The label's young rappers, including Juvenile, B.G., and Turk, worked hard to deliver hits, but inner turmoil almost derailed Cash Money's success. The breakout success of Lil Wayne, who became the label's biggest star and even served as its president for a time, helped Cash Money survive during a difficult decade. Today stars like Drake and Nicki Minaj are helping to make Cash Money Records a household name in the hip-hop world.