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The South Bank Show: Final Cut
by Melvyn BraggWhat drives a musician to write extraordinary songs? How do writers create their worlds? How does an actor achieve greatness?For over thirty years of The South Bank Show, Melvyn Bragg has interviewed many of the greatest cultural icons of our age. These interviews offer revelatory insights into the lives and work of writers, actors, artists and musicians. In The South Bank Show: Final Cut he has revisited some of these artists and used the interviews as the basis for fuller portraits.The range of artists is remarkable and this book is true to The South Bank Show?s ethos of seeking out the highest quality whatever the art form.Melvyn Bragg?s unique perspective makes this book indispensable for anyone interested in the work and lives of some of the best artists of our time.
The South Bank Show: Final Cut
by Melvyn BraggWhat drives a musician to write extraordinary songs? How do writers create their worlds? How does an actor achieve greatness?For over thirty years of The South Bank Show, Melvyn Bragg has interviewed many of the greatest cultural icons of our age. These interviews offer revelatory insights into the lives and work of writers, actors, artists and musicians. In The South Bank Show: Final Cut he has revisited some of these artists and used the interviews as the basis for fuller portraits.The range of artists is remarkable and this book is true to The South Bank Show’s ethos of seeking out the highest quality whatever the art form.Melvyn Bragg’s unique perspective makes this book indispensable for anyone interested in the work and lives of some of the best artists of our time.
The Space Between the Notes: Rock and the Counter-Culture
by Sheila WhiteleyThe Space Between the Notes examines a series of relationships central to sixties counter-culture: psychedelic coding and rock music, the Rolling Stones and Charles Manson, the Beatles and the `Summers of love', Jimi Hendrix and hallucinogenics, Pink Floyd and space rock. Sheila Whiteley combines musicology and socio-cultural analysis to illuminate this terrain, illustrating her argument with key recordings of the time: Cream's She Walks Like a Bearded Rainbow, Hendrix's Hey Joe, Pink Floyd's Set the Controls For the Heat of the Sun, The Move's I Can Hear the Grass Grow, among others.The appropriation of progressive rock by young urban dance bands in the 1990s make this study of sixties and seventies counter-culture a timely intervention. It will inform students of popular music and culture, and spark off recognition and interest from those that lived through the period as well as a new generation that draw inspiration from its iconography and sensibilities today.
The Spanish Song Companion
by Richard Stokes Jacqueline CockburnThe Spanish song companion introduces the English-speaking reader to the rich heritage of Spanish songs. Here in one volume are the texts of over 300 songs with parallel translations in accurate and readable English. The majority are love poems, which form a fascinating anthology of Spanish poetry from the thirteenth to the twentieth century. The introduction by Graham Johnson, who in recent years has done more than anyone to kindle interest in the international song repertoire, traces the history of Spanish song from its beginning, via the period of the Catholic kings in the fifteenth century, the Golden Age of the sixteenth, through to the remarkable rebirth in the twentieth century. All the songs and cycles frequently heard in recital are gathered here: Albeniz, Falla, Granados, Rodrigo and Obradors are generously represented, as well as Catalan composers such as Montsalvatge and Mompou. The volume is arranged chronologically by composer, and includes notes on all the major poets and composers, a discography, and names and addresses of the music publishers. Jacqueline Cockburn is Head of History of Art at Westminster School and an associated lecturer at Birkbeck College, University of London. RICHARD STOKES is author of J. S. Bach: The Complete Cantatas (Scarecrow Press, 2004), The Book of Lieder (Faber and Faber, 2005), and co-author of A French Song Companion, with Graham Johnson (Oxford University Press, 2000). Graham Johnson, the founder of the internationally acclaimed Songmakers' Almanac, is an admired accompanist with an unrivaled knowledge of song literature. In this electronic edition, each line of Spanish is followed on the next line by its line in English translation. DAISY markup has chapters at level 1 and each poet and each song at level 2.
The Special Liveliness of Hooks in Popular Music and Beyond
by Steven G. SmithThis book illuminates the aesthetically underrated meaningfulness of particular elements in works of art and aesthetic experiences generally. Beginning from the idea of "hooks" in popular song, the book identifies experiences of special liveliness that are of enduring interest, supporting contemplation and probing discussion. When hooks are placed in the foreground of aesthetic experience, so is an enthusiastic “grabbing back” by the experiencer who forms a quasi-personal bond with the beloved singular moment and is probably inclined to share this still-evolving realization of value with others. This book presents numerous models of enthusiastic “grabbing back” that are art-critically motivated to explain how hooks achieve their effects and philosophically motivated to discover how hooks and hook appreciation contribute to a more ideally desirable life. Framing hook appreciation with a defensible general model of aesthetic experience, this book gives an unprecedented demonstration of the substantial aesthetic and philosophical interest of hook-centered inquiry.
The Spectral Piano
by Marilyn Nonken Hugues DufourtThe most influential compositional movement of the past fifty years, spectralism was informed by digital technology but also extended the aesthetics of pianist-composers such as Franz Liszt, Alexander Scriabin and Claude Debussy. Students of Olivier Messiaen such as Tristan Murail and Gérard Grisey sought to create a cooperative committed to exploring the evolution of timbre in time as a basis for the musical experience. In The Spectral Piano, Marilyn Nonken shows how the spectral attitude was influenced by developments in technology but also continued a tradition of performative and compositional virtuosity. Nonken explores shared fascinations with the musical experience, which united spectralists with their Romantic and early Modern predecessors. Examining Murail's Territoires de l'oubli, Jonathan Harvey's Tombeau de Messiaen, Joshua Fineberg's Veils, and Edmund Campion's A Complete Wealth of Time, she reveals how spectral concerns relate not only to the past but also to contemporary developments in philosophical aesthetics.
The Spirit of Music: The Lesson Continues
by Victor L. WootenGrammy Award winner Victor Wooten's inspiring parable of the importance of music and the threats that it faces in today's world. We may not realize it as we listen to the soundtrack of our lives through tiny earbuds, but music and all that it encompasses is disappearing all around us. In this fable-like story three musicians from around the world are mysteriously summoned to Nashville, the Music City, to join together with Victor to do battle against the "Phasers," whose blinking "music-cancelling" headphones silence and destroy all musical sound. Only by coming together, connecting, and making the joyful sounds of immediate, "live" music can the world be restored to the power and spirit of music.A VINTAGE ORIGINAL
The Spirit of Praise: Music and Worship in Global Pentecostal-Charismatic Christianity
by Amos Yong Monique M. IngallsIn The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.
The Spirit of Praise: Music and Worship in Global Pentecostal-Charismatic Christianity
by Amos Yong Monique M. IngallsIn The Spirit of Praise, Monique Ingalls and Amos Yong bring together a multidisciplinary, scholarly exploration of music and worship in global pentecostal-charismatic Christianity at the beginning of the twenty-first century. The Spirit of Praise contends that gaining a full understanding of this influential religious movement requires close listening to its songs and careful attention to its patterns of worship. The essays in this volume place ethnomusicological, theological, historical, and sociological perspectives into dialogue. By engaging with these disciplines and exploring themes of interconnection, interface, and identity within musical and ritual practices, the essays illuminate larger social processes such as globalization, sacralization, and secularization, as well as the role of religion in social and cultural change. Aside from the editors, the contributors are Peter Althouse, Will Boone, Mark Evans, Ryan R. Gladwin, Birgitta J. Johnson, Jean Ngoya Kidula, Miranda Klaver, Andrew Mall, Kimberly Jenkins Marshall, Andrew M. McCoy, Martijn Oosterbaan, Dave Perkins, Wen Reagan, Tanya Riches, Michael Webb, and Michael Wilkinson.
The Spirit of This Place: How Music Illuminates the Human Spirit (The\rice University Campbell Lectures)
by Patrick SummersArtists today are at a crossroads. With funding for the arts and humanities endowments perpetually under attack, and school districts all over the United States scrapping their art curricula altogether, the place of the arts in our civic future is uncertain to say the least. At the same time, faced with the problems of the modern world—from water shortages and grave health concerns to global climate change and the now constant threat of terrorism—one might question the urgency of this waning support for the arts. In the politically fraught world we live in, is the “felt” experience even something worth fighting for? In this soul-searching collection of vignettes, Patrick Summers gives us an adamant, impassioned affirmative. Art, he argues, nurtures freedom of thought, and is more necessary now than ever before. As artistic director of the Houston Grand Opera, Summers is well positioned to take stock of the limitations of the professional arts world—a world where the conversation revolves almost entirely around financial questions and whose reputation tends toward elitism—and to remind us of art’s fundamental relationship to joy and meaning. Offering a vehement defense of long-form arts in a world with a short attention span, Summers argues that art is spiritual, and that music in particular has the ability to ask spiritual questions, to inspire cathartic pathos, and to express spiritual truths. Summers guides us through his personal encounters with art and music in disparate places, from Houston’s Rothko Chapel to a music classroom in rural China, and reflects on musical works he has conducted all over the world. Assessing the growing canon of new operas performed in American opera houses today, he calls for musical artists to be innovative and brave as opera continues to reinvent itself. This book is a moving credo elucidating Summers’s belief that the arts, especially music, help us to understand our own humanity as intellectual, aesthetic, and ultimately spiritual.
The Spirit of Utopia
by Ernst BlochThe Spirit of Utopia is one of the great historic books from the beginning of the century, but it is not an obsolete one. In its style of thinking, a peculiar amalgam of biblical, Marxist, and Expressionist turns, in its analytical skills deeply informed by Simmel, taking its information from both Hegel and Schopenhauer for the groundwork of its metaphysics of music but consistently interpreting the cultural legacy in the light of a certain Marxism.
The Spirituals and the Blues: An Interpretation
by James H. ConeCone explores two classic aspects of African-American culture--the spirituals and the blues. He tells the captivating story of how slaves and the children of slaves used this music to affirm their essential humanity in the face of oppression. The blues are shown to be a "this-worldly" expression of cultural and political rebellion. The spirituals tell about the "attempt to carve out a significant existence in a very trying situation. "
The Spooky Wheels on the Bus
by J. Elizabeth MillsTHE SPOOKY WHEELS ON THE BUS is a humorous Halloween-themed version of the classic song THE WHEELS ON THE BUS. . . with a few ghoulish tricks and treats up its sleeves! Count from One Spooky Bus up to Ten Goofy Ghosts as this Halloween ride races through town picking up a few unsuspecting passengers along the way.
The Sporty One: My Life as a Spice Girl
by Melanie ChisholmAn intimate memoir from international pop star Melanie Chisholm--better known as Mel C. or Sporty Spice--chronicling her trajectory from small-town girl to overnight icon as part of the Spice Girls. 25 years ago, The Spice Girls, a girl band that began after five women answered an ad in the paper, released their first single. 'Wannabe' became a hit and from that moment and, almost overnight, Melanie Chisholm went from small town girl to Sporty Spice, part of one of the biggest music groups in history. Beginning in her bedroom in the north-west of England dreaming of performing on stage, THE SPORTY ONE follows the meteoric rise of the Melanie and The Spice Girls, from the incredible highs of becoming one of the world&’s most recognizable popstars – playing at Wembley, conquering the BRITs, closing the Olympics – to the difficult lows. For the first time ever, Melanie talks about the pressures of fame, the shaming and bullying she experienced, the struggles she has had with her body image and mental health, and the difficulty of finding yourself when the whole world knows your name. THE SPORTY ONE is an incredible story of resilience, hope and how you can find your power.
The Stage Works of Philip Glass (Composers on the Stage)
by Robert F. WatersThe Stage Works of Philip Glass is the first publication to exclusively examine Glass's stage works from 1976 to the present day. Glass, who is regularly acclaimed as the most popular living classical composer, created stage works that have had a mesmerizing effect on younger generations. Robert Waters analyses Glass and his music for the theatre in the context of other composers interested in so-called minimalist features. His discussion includes three introductory chapters that address the validity versus invalidity of terms such as minimalism, post-minimalism, postmodernism, and neo-Romanticism, together with a brief overview of Glass's life and works. Waters examines the different types of theatre responsible for Glass's impact, including Robert Wilson's Theater of Images. He sheds light on Glass's philosophy regarding staging, text, and other theatrical components, which includes a defiance of conventional narrative, visual and aural dissociation as a theatrical technique, and deconstructionist concepts.
The Star Spangled Banner: Conductor Score (Pictureback(R))
by Francis Scott KeyDid you know that the largest sculptures in the world are the presidents' heads on Mount Rushmore? Featuring bright, bold pictures illustrating national pastimes, monuments, and moments in history, this patriotic Pictureback is a great way to introduce kids to our National Anthem. Lyrics to "The Star-Spangled Banner" are on each page, as well as fun and informational sidebars about America.
The Star-Spangled Banner (Cornerstones of Freedom)
by Deborah KentTAn account of how, during the War of 1812, Francis Scott Key came to write the poem that became the national anthem.
The Starday Story: The House That Country Music Built (American Made Music Series)
by Nathan D. GibsonAssociation of Recorded Sound Collections Awards for ExcellenceBest Research in Record Labels–Certificate of Merit (2012)The Starday Story: The House That Country Music Built is the first book entirely dedicated to one of the most influential music labels of the twentieth century. In addition to creating the largest bluegrass catalogue throughout the 1950s and '60s, Starday was also known for its legendary rockabilly catalogue, an extensive Texas honky-tonk outpouring, classic gospel and sacred recordings, and as a Nashville independent powerhouse studio and label.Written with label president and co-founder Don Pierce, this book traces the label's origins in 1953 through the 1968 Starday-King merger. Interviews with artists and their families, employees, and Pierce contribute to the stories behind famous hit songs, including "Y'all Come," "A Satisfied Mind," "Why Baby Why," "Giddy-up Go," "Alabam," and many others. Gibson's research and interviews also shed new light on the musical careers of George Jones, Arlie Duff, Willie Nelson, Roger Miller, the Stanley Brothers, Cowboy Copas, Red Sovine, and countless other Starday artists. Conversations with the children of Pappy Daily and Jack Starns provide a unique perspective on the early days of Starday, and extensive interviews with Pierce offer an insider glance at the country music industry during its golden era.Weathering through the storm of rock and roll and, later, the Nashville Sound, Starday was a home to traditional country musicians and became one of the most successful independent labels in American history. Ultimately, The Starday Story is the definitive record of a country music label that played an integral role in preserving our nation's musical heritage.
The State of Music
by Virgil ThomsonVirgil Thomson had already established himself as one of the nation's leading composers when he published The State of Music (1939), the book that made his name as a writer and won him a fourteen-year stint as chief music reviewer at the New York Herald Tribune. This feisty, often hilarious polemic, presented here in the extensively revised edition of 1962, surveys the challenges confronting the American composer in a hide-bound world where performance and broadcast outlets are controlled by institutions shocked by the new and suspicious of homegrown talent. For Aaron Copland, The State of Music was not just "the most original book on music that America has produced," but "the wittiest, the most provocative, the best written."
The State of Music: 1938 First Edition
by Virgil ThomsonComposer Thomson, whose film score for Louisiana Story was awarded the Music Pulitzer Prize in 1949, writes about contemporary music and a musician's place in society before World War II.-Print ed.
The Stone Age: Sixty Years of The Rolling Stones
by Lesley-Ann JonesAn acclaimed rock and roll journalist evokes the legacy of The Rolling Stones—iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals.As Lesley-Ann Jones writes, the Rolling Stones are "still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.&” On 12th July 1962, the Rollin&’ Stones performed their first-ever gig at London&’s Marquee jazz club. Down the line, a &‘g&’ was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as &‘corruptors of youth&’ and &‘messengers of the devil,&’ they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones&’s new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock&’s ongoing reckoning . . . where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before.
The Stone Roses And The Resurrection Of British Pop: The Reunion Edition
by John RobbThe band, the lifestyle, the revolution. This classic biography charts the phenomenal rise of The Stone Roses to the icons they are today, using interviews, rehearsal tapes and the archives of author John Robb who was with them from the beginning.Robb's exclusive inside knowledge of The Stone Roses creates a compelling and intimate insight into how the band single-handedly set the blueprint for the resurgence of UK rock 'n' roll in the 1990s: Ian Brown's new lazy-style vocals, Reni's fluid, funk-tinged, ground-breaking drumming, and the guitar genius of John Squire. From the band members' early years to the inception of the Roses, through the tours and success, their influences and style, to the demise of the original line-up and their solo careers; every high and low is documented in minute detail.This is the definitive, most revered account of one of the most influential British bands in pop music history.
The Stone Roses And The Resurrection of British Pop: The Reunion Edition
by John Robb'The Stone Roses have become folk heroes, frozen in time. And their story, with roots in punk through post-punk, scooter boys, skinheads, Northern Soul, psychedelia, acid house and Madchester, is everything that is great about British street culture.'Reni. Mani. Ian Brown. John Squire.Names that will forever be remembered for creating their defining album The Stone Roses and a unique but inimitable baggy style.Their phenomenal story was first documented by the man who was with them every step of the way: John Robb. And now, in this special edition of his acclaimed and intimate biography, Robb brings the ultimate rock 'n' roll tale fully up to date.
The Stone Roses: War and Peace: The Definitive Story
by Simon SpenceThe Stone Roses captures the magic—and chaos—behind the UK band's rise, fall, and recent resurrection.The iconic Brit pop band The Stone Roses became an overnight sensation when their 1989 eponymous album went double platinum. It was a recording that is still often listed as one of the best albums ever made. Its chiming guitar riffs, anthemic melodies, and Smiths-like pop sensibility elevated The Stone Roses to a cult-like status in the UK and put them on the map in the U.S. But theirs is a story of unfulfilled success: their star imploded as their sophomore effort took years to complete and the band broke up acrimoniously in 1996. Sixteen years later, they reunited and have been playing sold out gigs, thrilling fans around the globe, and working on new material. In 2013, they nabbed the coveted headline spot at the Coachella Festival. With one hundred interviews of key figures, forty rare photographs, and exclusive insider material including how they created their music, The Stone Roses charts the band's rise from the backwaters of Manchester to becoming the stars of the "Madchester" scene to their successful comeback years later. Going beyond the myths to depict a band that defined Brit pop, Simon Spence illustrates their incandescent talent and jaw-dropping success while contextualizing them in the 90s music scene. This is the definitive story of The Stone Roses.
The Stones
by Philip Norman'Details their amazing career and lifestyle ... the tours that saved them from bankruptcy, the drug raids, the mysterious death in his own swimming pool of Brian Jones and the suicide attempt of Marianne Faithfull. After reading this account one can't help but marvel that they have survived'