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Behind the Seams: My Life in Rhinestones
by Dolly PartonNEW YORK TIMES BESTSELLER • A beautiful celebration of Dolly Parton&’s iconic sense of style through entertaining personal stories and 450 full-color photographs, including exclusive images from her private costume archiveIn Behind the Seams: My Life in Rhinestones, global superstar Dolly Parton shares, for the first time, the full story behind her lifelong passion for fashion, including how she developed her own, distinctly Dolly style, which has defied convention and endeared her to fans around the world. Featuring behind-the-scenes stories from Dolly Parton&’s life and career, and the largest reveal of her private costume archive, this gorgeously photographed book spotlights her most unforgettable looks from the 1960s to now. The sky-high heels, famous wigs, bold makeup, eye-catching stage clothes—she shares them all. Along the way, Parton discusses memorable outfits from her past, from the clothes her mother would sew out of feed sacks (including her &“Coat of Many Colors&”) and the bold dresses and hairdos that shook up Nashville, to the bunny suit on the cover of Playboy, evening wear at Studio 54, costumes from her most famous film and TV roles, and the daring styles that continue to entertain and inspire today. Filled with candor, humor, and lots and lots of rhinestones, Behind the Seams: My Life in Rhinestones is a shining tribute to one of the most beloved musicians in history, a treasured keepsake for anyone who loves Dolly Parton, and an indispensable guide to forging your own path to beauty and confidence.
Beige
by Cecil CastellucciDad's an aging L.A. punk rocker known as the Rat. Daughter's a buttoned-up neat freak who'd rather be anywhere else. Can this summer be saved? Now that she's exiled from Canada to sunny Los Angeles, Katy figures she'll bury her nose in a book and ignore the fact that she's spending two weeks with her father -- punk name: the Rat -- a recovering addict and drummer for the famously infamous band Suck. Even though Katy doesn't want to be there, even though she feels abandoned by her mom, even though the Rat's place is a mess and he's not like anything she'd call a father, Katy won't make a fuss. After all, she is a nice girl, a girl who is quiet and polite, a girl who smiles, a girl who is, well, beige. Or is she? From the author of BOY PROOF and THE QUEEN OF COOL comes an edgy new L.A. novel full of humor, heart, and music.
Being Elvis: A Lonely Life
by Ray ConnollyThe perfect companion to Baz Luhrmann's forthcoming biopic Elvis, a major motion picture starring Tom Hanks and Austin Butler.What was it like to be Elvis Presley? What did it feel like when impossible fame made him its prisoner? As the world's first rock star there was no one to tell him what to expect, no one with whom he could share the burden of being himself - of being Elvis.On the outside he was all charm, sex appeal, outrageously confident on stage and stunningly gifted in the recording studio. To his fans he seemed to have it all. He was Elvis. With his voice and style influencing succeeding generations of musicians, he should have been free to sing any song he liked, to star in any film he was offered, and to tour in any country he chose. But he wasn't free. The circumstances of his poor beginnings in the American South, which, as he blended gospel music with black rhythm and blues and white country songs, helped him create rock and roll, had left him with a lifelong vulnerability. Made rich and famous beyond his wildest imaginings when he mortgaged his talent to the machinations of his manager, 'Colonel' Tom Parker, there would be an inevitable price to pay. Though he daydreamed of becoming a serious film actor, instead he grew to despise his own movies and many of the songs he had to sing in them. He could have rebelled. But he didn't. Why? In the Seventies, as the hits rolled in again, and millions of fans saw him in a second career as he sang his way across America, he talked of wanting to tour the world. But he never did. What was stopping him?BEING ELVIS takes a clear-eyed look at the most-loved entertainer ever, and finds an unusual boy with a dazzling talent who grew up to change popular culture; a man who sold a billion records and had more hits than any other singer, but who became trapped by his own frailties in the loneliness of fame.
Being Elvis: The perfect companion to Baz Luhrmann’s major biopic
by Ray ConnollyThe perfect companion to Baz Luhrmann's forthcoming biopic Elvis, a major motion picture starring Tom Hanks and Austin Butler.What was it like to be Elvis Presley? What did it feel like when impossible fame made him its prisoner? As the world's first rock star there was no one to tell him what to expect, no one with whom he could share the burden of being himself - of being Elvis.On the outside he was all charm, sex appeal, outrageously confident on stage and stunningly gifted in the recording studio. To his fans he seemed to have it all. He was Elvis. With his voice and style influencing succeeding generations of musicians, he should have been free to sing any song he liked, to star in any film he was offered, and to tour in any country he chose. But he wasn't free. The circumstances of his poor beginnings in the American South, which, as he blended gospel music with black rhythm and blues and white country songs, helped him create rock and roll, had left him with a lifelong vulnerability. Made rich and famous beyond his wildest imaginings when he mortgaged his talent to the machinations of his manager, 'Colonel' Tom Parker, there would be an inevitable price to pay. Though he daydreamed of becoming a serious film actor, instead he grew to despise his own movies and many of the songs he had to sing in them. He could have rebelled. But he didn't. Why? In the Seventies, as the hits rolled in again, and millions of fans saw him in a second career as he sang his way across America, he talked of wanting to tour the world. But he never did. What was stopping him?BEING ELVIS takes a clear-eyed look at the most-loved entertainer ever, and finds an unusual boy with a dazzling talent who grew up to change popular culture; a man who sold a billion records and had more hits than any other singer, but who became trapped by his own frailties in the loneliness of fame.
Being Elvis: The perfect companion to Baz Luhrmann’s major biopic
by Ray ConnollyThe perfect companion to Baz Luhrmann's forthcoming biopic Elvis, a major motion picture starring Tom Hanks and Austin Butler.What was it like to be Elvis Presley? What did it feel like when impossible fame made him its prisoner? As the world's first rock star there was no one to tell him what to expect, no one with whom he could share the burden of being himself - of being Elvis.On the outside he was all charm, sex appeal, outrageously confident on stage and stunningly gifted in the recording studio. To his fans he seemed to have it all. He was Elvis. With his voice and style influencing succeeding generations of musicians, he should have been free to sing any song he liked, to star in any film he was offered, and to tour in any country he chose. But he wasn't free. The circumstances of his poor beginnings in the American South, which, as he blended gospel music with black rhythm and blues and white country songs, helped him create rock and roll, had left him with a lifelong vulnerability. Made rich and famous beyond his wildest imaginings when he mortgaged his talent to the machinations of his manager, 'Colonel' Tom Parker, there would be an inevitable price to pay. Though he daydreamed of becoming a serious film actor, instead he grew to despise his own movies and many of the songs he had to sing in them. He could have rebelled. But he didn't. Why? In the Seventies, as the hits rolled in again, and millions of fans saw him in a second career as he sang his way across America, he talked of wanting to tour the world. But he never did. What was stopping him?BEING ELVIS takes a clear-eyed look at the most-loved entertainer ever, and finds an unusual boy with a dazzling talent who grew up to change popular culture; a man who sold a billion records and had more hits than any other singer, but who became trapped by his own frailties in the loneliness of fame.
Being John Lennon
by Ray ConnollyJohn Lennon was a rock star, a school clown, a writer, a wit, an iconoclast, a sometime peace activist and finally an eccentric millionaire. He was also a Beatle - his plain-speaking and impudent rejection of authority catching, and eloquently articulating, the group's moment in history.Chronicling a famously troubled life, Being John Lennon analyses the contradictions in the singer-songwriter's creative and destructive personality. Drawing on many interviews and conversations with Lennon, his first wife Cynthia and second Yoko Ono, as well as his girlfriend May Pang and song-writing partner Paul McCartney, Ray Connolly unsparingly reassesses the chameleon nature of the perpetually dissatisfied star who just couldn't stop reinventing himself.
Being John Lennon
by Ray ConnollyWhat was it like to be John Lennon? What was it like to be the cast-off child, the clown at school, and the middle-class suburban boy who pretended to be a working-class hero? How did it feel to have one of the most recognisable singing voices in the world, but to dislike it so much he always wanted to disguise it? How must it have felt, when he saw the melodies of his younger song writing partner praised so highly, and his own songs, in his eyes, undervalued? And what was it like to become trapped inside a four-headed deity knowing that it would become increasingly impossible to keep feeding the desires of its worshippers? Being John Lennon is not about the whitewashed Prince of Peace of 'Imagine' legend, because that was only a small part of him. Nor is it about the permanently angry young rebel of the movie Nowhere Boy, or even the ranting Beatles iconoclast of the Rolling Stone interviews. All three of those personae had a degree of truth in them. But the John Lennon depicted in these pages is a much more kaleidoscopic figure, sometimes almost a collision of different characters.He was funny, often very funny. But, above everything, he had 'attitude', his impudent, plain speaking somehow personifying the aspirations of his generation to answer back to authority. Before John Lennon, entertainers and heroes to the young had almost invariably been humble, grateful young men, who bestowed on their managers the respect they might have given to their bosses or headmasters. John Lennon didn't do that. With that amused, slightly insolent lilt to his voice, and a two edged joke never far away, he met everyone - grand, authoritarian, super famous or none of those things - on a level playing field. Rank and status didn't unnerve him. He could, and would, say the unsayable. Perhaps sometimes he shouldn't, and he would excuse himself later by saying, 'Oh, that was only me mouth talking.'Though there were more glamorous rock stars around, even in the Beatles, it was John Lennon's attitude which caught, and then defined, the moment best.(p) Orion Publishing Group 2018
Being John Lennon: A Restless Life
by Ray ConnollyAn intimate yet unsparing biography of one of the greatest and most mythologized musicians of the twentieth century. What was it like to be John Lennon? What was it like to be the castoff child, the clown at school, and the middle-class suburban boy who pretended to be a working-class hero? How did it feel to have one of the most recognizable singing voices in the world, but to dislike it so much he always wanted to disguise it? Being John Lennon is not about the whitewashed Prince of Peace of Imagine legend—because that was only a small part of him. The John Lennon depicted in these pages is a much more kaleidoscopic figure, sometimes almost a collision of different characters. He was, of course, funny, often very funny. But above everything, he had attitude—his impudent style somehow personifying the aspirations of his generation to question authority. He could, and would, say the unsayable. Though there were more glamorous rock stars in rock history, even within the Beatles, it was John Lennon’s attitude which caught, and then defined, his era in the most memorable way.
Being John Lennon: A Restless Life
by Ray ConnollyJohn Lennon was a rock star, a school clown, a writer, a wit, an iconoclast, a sometime peace activist and finally an eccentric millionaire. He was also a Beatle - his plain-speaking and impudent rejection of authority catching, and eloquently articulating, the group's moment in history.Chronicling a famously troubled life, Being John Lennon analyses the contradictions in the singer-songwriter's creative and destructive personality. Drawing on many interviews and conversations with Lennon, his first wife Cynthia and second Yoko Ono, as well as his girlfriend May Pang and song-writing partner Paul McCartney, Ray Connolly unsparingly reassesses the chameleon nature of the perpetually dissatisfied star who just couldn't stop reinventing himself.
Being Musically Attuned: The Act of Listening to Music
by Erik WallrupListening according to mood is likely to be what most people do when they listen to music. We want to take part in, or even be part of, the emerging world of the musical work. Using the sources of musical history and philosophy, Erik Wallrup explores this extremely vague and elusive phenomenon, which is held to be fundamental to musical hearing. Wallrup unfolds the untold musical history of the German word for ’mood’, Stimmung, which in the 19th century was abundant in the musical aesthetics of the German-Austrian sphere. Martin Heidegger’s much-discussed philosophy of Stimmung is introduced into the field of music, allowing Wallrup to realise fully the potential of the concept. Mood in music, or, to be more precise, musical attunement, should not be seen as a peculiar kind of emotionality, but that which constitutes fundamentally the relationship between listener and music. Exploring mood, or attunement, is indispensable for a thorough understanding of the act of listening to music.
Being Sam Frears: A Life Less Ordinary (Penguin Specials)
by Mary MountThis is Sam Frears' story.This is also the story of an actor, a rock-climber and a man born with an extremely rare genetic disorder only affecting Ashkenazi Jews. Sam was supposed to live to the age of 5. In February, he celebrated his 40th birthday.Challenged by blindness and a body under great stress, Sam Frears is trying to live an ordinary life under extraordinary circumstances His struggles and triumphs offer an illuminating look at the differences - and similarities - that make us human. For those who enjoyed My Left Foot and Stuart: A Life Backwards, this Penguin Special offers a fresh look at what it's like to be Sam.
Being Wagner: The Story of the Most Provocative Composer Who Ever Lived
by Simon CallowSimon Callow, the celebrated author of Orson Welles, delivers a dazzling, swift, and accessible biography of the musical titan Richard Wagner and his profoundly problematic legacy--a fresh take for seasoned acolytes and the perfect introduction for new fans.Richard Wagner's music dramas have never been more popular or more divisive. His ten masterpieces, created against the backdrop of a continent in severe political and cultural upheaval, constitute an unmatched body of work. A man who spent most of his life in abject poverty, inspiring both critical derision and hysterical hero-worship, Wagner was a walking contradiction: belligerent, flirtatious, disciplined, capricious, demanding, visionary, and poisonously anti-Semitic. Acclaimed biographer Simon Callow evokes the intellectual and artistic climate in which Wagner lived and takes us through his most iconic works, from his pivotal successes in The Flying Dutchman and Lohengrin, to the musical paradigm shift contained in Tristan and Isolde, to the apogee of his achievements in The Ring of the Nibelung and Parsifal, which debuted at Bayreuth shortly before his death. Being Wagner brings to life this towering figure, creator of the most sublime and most controversial body of work ever known.
Being a Singer: The Art, Craft, and Science
by Linda BalliroBeing a Singer: The Art, Craft, and Science provides the solutions you need to make practical, consistent changes in your singing. Based on the training approach of Seth Riggs, supported by vocal science, neuroscience and motor learning, this workbook offers clear tools and strategies that train your voice, empower you to find solutions, build your awareness, and develop confidence. Recordings of the exercises are available online at the author's website.
Bel Canto
by James StarkIn this well documented and highly readable book, James Stark provides a history of vocal pedagogy from the beginning of the bel canto tradition of solo singing in the late sixteenth and early seventeenth centuries to the present. Using a nineteenth-century treatise by Manuel Garcia as his point of reference, Stark analyses the many sources that discuss singing techniques and selects a number of primary vocal 'problems' for detailed investigation. He also presents data from a series of laboratory experiments carried out to demonstrate the techniques of bel canto.The discussion deals extensively with such topics as the emergence of virtuoso singing, the castrato phenomenon, national differences in singing styles, controversies regarding the perennial decline in the art of singing, and the so-called secrets of bel canto.Stark offers a new definition of bel canto which reconciles historical and scientific descriptions of good singing. His is a refreshing and profound discussion of issues important to all singers and voice teachers.
Bel Canto: A Professional Manual; Immediate & Practical
by Kendrick JacocksPedagogue, Kendrick Jacocks gives some of the so called "secrets" of the bel canto method. With a wealth of experience via a rare vocal heritage that goes directly from his first teacher Ethel Taylor Maxwell to Estelle Liebling and the Marchesi School then to his brief studies with Virginia Zeani and from her, Lydia Lipkowskaya, Aureliano Pertile, Maria Malibran and the entire Manuel Garcia family etc..., Jacocks may be uniquely qualified to write such a book.
Bel Canto: A Theoretical and Practical Vocal Method (Dover Books on Music)
by Mathilde MarchesiMathilde Marchesi (1821-1913) was probably the most renowned singing teacher of the late nineteenth century. Herself the pupil of the great Manuel Garcia the Second and the associate of the unsurpassable divas of the middle nineteenth century, she also linked the traditional bel canto teaching method to the beginning of the twentieth century. Early in her career her work was praised enthusiastically by Rossini, who was for a time officially in charge of voice training in France; and toward the end of her career she prepared such superstars as Melba, Calvé, Eames, Aida, and others.This volume embodies Madame Marchesi's "vocal alphabet," or basic instructions and exercises that formed the voices of her great pupils. An introductory text discusses breathing, attack, registers, and similar matters, while the remainder of the book contains many exercises that teach voice management and projections.Marchesi's book is today even more important than when it first appeared, for it offers the basis for a construction of the bel canto training system. At the time the book appeared, the bel canto system had gone out of fashion in favor of more modern schools that seemed to offer more rapid maturation, voice volume, and dramatics. Today, a more realistic reevaluation has revealed that the bel canto system gave the singer much longer performing life, a more pleasing voice, and far greater musical ability. As Philip Miller states in his introduction, "a solidity, a sure technical mastery, an even scale with no register break . . . strong, even and secure trills, their coloratura masterly." In addition, the resurgence of interest in early-nineteenth-century opera renders a work like Marchesi's indispensable to the modern singer.
Bela Bartok: Composition, Concepts, and Autograph Sources (Ernest Bloch Lectures #9)
by László SomfaiThis long-awaited, authoritative account of Bartók's compositional processes stresses the composer's position as one of the masters of Western music history and avoids a purely theoretical approach or one that emphasizes him as an enthusiast for Hungarian folk music.For Bèla Bartók, composition often began with improvisation at the piano. Làszló Somfai maintains that Bartók composed without preconceived musical theories and refused to teach composition precisely for this reason. He was not an analytical composer but a musical creator for whom intuition played a central role.These conclusions are the result of Somfai's three decades of work with Bartók's oeuvre; of careful analysis of some 3,600 pages of sketches, drafts, and autograph manuscripts; and of the study of documents reflecting the development of Bartók's compositions. Included as well are corrections preserved only on recordings of Bartók's performances of his own works. Somfai also provides the first comprehensive catalog of every known work of Bartók, published and unpublished, and of all extant draft, sketch, and preparatory material. His book will be basic to all future scholarly work on Bartók and will assist performers in clarifying the problems of Bartók notation. Moreover, it will be a model for future work on other major composers.
Believe in Magic: 30 Years Of Heavenly Recordings
by Robin Turner'Heavenly is more than a record label, it's the absolute nectar of all that's brilliant in the culture of these island. I love the shit out of them and everything they stand for.' Irvine Welsh
Believe in Magic: 30 Years of Heavenly Recordings
by Robin Turner''Heavenly is more than a record label, it''s the absolute nectar of all that''s brilliant in the culture of these island. I love the shit out of them and everything they stand for.'' Irvine WelshBELIEVE IN MAGIC tells the story of Heavenly Recordings in thirty vignettes, photography and ephemera, all of which relate to landmark records, moments and characters in the label''s first three decades.A label responsible for creating satellite communities of fans around the world and at all the major festivals, Heavenly was set up by Jeff Barrett in 1990 after several years working for Factory and Creation as the acid house revolution was in full swing; early releases set the tone and tempo for the mood of the decade to come - their first single was produced by perhaps the most revered acid house DJ of them all, Andrew Weatherall; and this was quickly followed by era-defining singles from Saint Etienne, Flowered Up and Manic Street Preachers, music which perhaps captures the flavour of the early ''90s better than any other.Heavenly was always tuned to an aesthetic that was sensitive to the anarchic spirt of the times; defiantly eclectic with a radar set to taste and a never-ending commitment to discovering new talent. In 1994 they set up The Heavenly Sunday Social, which became one of the most influential and mythologised clubs in recent British history, where the Chemical Brothers - then the Dust Brothers - made their name. For thirteen weeks, it was the hottest nightclub on the planet. For 180 demented acolytes in a basement room below the Albany pub.Over nearly 200 releases in thirty years Heavenly have consistently produced some of the most exciting music across all genres, and this book collects rare artwork and wild anecdotal evidence into a celebration of a label that is one of the most beloved institutions on the independent landscape.BELIEVE IN MAGIC includes contributions from Manic Street Preachers, Beth Orton, Doves, Don Letts, Edwyn Collins, Confidence Man, Mark Lanegan, King Gizzard and The Lizard Wizard.
Belle and Sebastian: Just A Modern Rock Story
by Paul WhitelawIn the years since their first release, Belle and Sebastian have grown from a secretive cult concern into one of the most beloved and revered pop'n'roll bands in the world. Intelligent and sensitive, witty and original, beautiful and bold, their music inspires the kind of devotion not seen since The Smiths. Their continuing desire to push the boundaries of their vision has resulted in some of the most essential and idiosyncratic records of recent times. In this, the first biography of Belle and Sebastian, Paul Whitelaw traces their unpredictable personal and creative curve. With all original interviews and personal photos from the band Belle and Sebastian:Just A Modern Rock Story is the definitive account of the clandestine world and continuing rise of the unique and fascinating musical phenomenon that is Belle and Sebastian.
Ben's Tune (Rigby PM Collection Ruby (Levels 27-28), Fountas & Pinnell Select Collections Grade 3 Level Q)
by Pat Reynolds Diana ChaseBen was born with one hand much smaller than the other. But this doesn't stop him thumping out tunes on the piano. The problem is that music teachers won't give Ben a chance to prove how well he can play.
Bending the Rules of Music Theory: Lessons from Great Composers
by Timothy CutlerFor students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Benjamin Britten (Penguin Specials)
by Igor Toronyi-LalicBenjamin Britten was one of the most important and unusual figures in twentieth-century music. This is the perfect introduction to his many wonderful works and his fascinating, controversial life.Benjamin Britten single-handedly transformed the reputation of British classical music. The enormous popular appeal of his great works, such as Peter Grimes (1945) and the Young Person's Guide to the Orchestra (1946), make him the most successful opera composer of any born in the twentieth century. But his success was not without controversy and pain: he was accused of fleeing Britain to avoid military service, he was widely known to be sexually obsessed with boys and he suffered an astonishing array of illnesses. This short book combines a colourful overview of his life with pithy descriptions of all of his major musical works, providing an intimate portrait of this highly unusual man and a persuasive account of his influences, reputation and importance.Each chapter tackles a key episode and theme in his life, from his first compositions at the age of 5, his early friendship and collaboration with W H Auden and the beginnings of his life-long relationship with the tenor Peter Pears, through to his great musical successes and the establishment of the influential, if tempestuous, Aldeburgh Festival, as well as his failures, such as his coronation opera Gloriana (known as 'Boriana') and being satirised by Dudley Moore in Beyond the Fringe - and ending with frank discussions of his naïve politics, his troubling sexuality and his glorious musical legacy.Published to coincide with his 100th anniversary of his birth, this is the perfect introduction to a towering figure of British culture.Igor Toronyi-Lalic is a critic and curator. He writes regularly on music for, among others, The Times and Sunday Telegraph. He is a founder of theartsdesk.com, the author of What's That Thing? (2012), a report on public art, and co-director of the London Contemporary Music Festival.
Benjamin Britten in Context (Composers in Context)
by Vicki P. Stroeher Justin VickersBenjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.
Benjamin Britten: A Guide to Research (Routledge Music Bibliographies)
by Peter J. HodgsonThis work constitutes the largest and most comprehensive research guide ever published about Benjamin Britten. Entries survey the most significant published materials relating to the composer, including bibliographies, catalogs, letters and documents, conference reports, biographies, and studies of Britten's music.