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Uncommon People: Britpop and Beyond in 20 Songs
by Miranda SawyerWhen Miranda Sawyer interviewed Noel Gallagher in 1995, his gag wishing Damon Albarn would die of AIDS became front-page news. This fascinating pop history, exploring the mid-90s moment when British music suddenly meant everything, explains why. Picking out twenty key songs, delving into the surprising stories behind them and their unlikely creators, Uncommon People takes us back to when Jarvis Cocker became a national hero, Trainspotting was a global hit, fire-starting seemed like a good night out - and it felt as though the revolution was happening.Initially a music press nickname, Britpop became an unexpected musical movement centred around outsiders and misfits, drop-outs and weirdos who refused to compromise on their ideas, even when they were thrust into the international spotlight. Not just a scene for white guys with guitars, but something wilder and more interesting, with songs that have proved timeless. Exploring the era's key artists - Oasis, Blur, Tricky, Pulp, Underworld, Manic Street Preachers, The Prodigy, Suede, Chemical Brothers, Garbage, Supergrass, Radiohead, PJ Harvey and more - through their definitive anthems, Miranda Sawyer transports us back to the beating heart of the nineties.Uncommon People re-lives the mad exhilaration of what it was like to hear these songs for the very first time - and what it was like to make them. With amazing new interviews, and I-was-there insights, this book offers a backstage pass to all the most interesting bits of Britpop's Greatest Hits.Forget New Labour, forget earnest trend theories, this book is all about the music, the people and being right there, right now.
Uncommon People: Britpop and Beyond in 20 Songs
by Miranda SawyerWhen Miranda Sawyer interviewed Noel Gallagher in 1995, his gag wishing Damon Albarn would die of AIDS became front-page news. This fascinating pop history, exploring the mid-90s moment when British music suddenly meant everything, explains why. Picking out twenty key songs, delving into the surprising stories behind them and their unlikely creators, Uncommon People takes us back to when Jarvis Cocker became a national hero, Trainspotting was a global hit, fire-starting seemed like a good night out - and it felt as though the revolution was happening.Initially a music press nickname, Britpop became an unexpected musical movement centred around outsiders and misfits, drop-outs and weirdos who refused to compromise on their ideas, even when they were thrust into the international spotlight. Not just a scene for white guys with guitars, but something wilder and more interesting, with songs that have proved timeless. Exploring the era's key artists - Oasis, Blur, Tricky, Pulp, Underworld, Manic Street Preachers, The Prodigy, Suede, Chemical Brothers, Garbage, Supergrass, Radiohead, PJ Harvey and more - through their definitive anthems, Miranda Sawyer transports us back to the beating heart of the nineties.Uncommon People re-lives the mad exhilaration of what it was like to hear these songs for the very first time - and what it was like to make them. With amazing new interviews, and I-was-there insights, this book offers a backstage pass to all the most interesting bits of Britpop's Greatest Hits.Forget New Labour, forget earnest trend theories, this book is all about the music, the people and being right there, right now.
Uncommon People: Britpop and Beyond in 20 Songs
by Miranda SawyerWhen Miranda Sawyer interviewed Noel Gallagher in 1995, his gag wishing Damon Albarn would die of AIDS became front-page news. This fascinating pop history, exploring the mid-90s moment when British music suddenly meant everything, explains why. Picking out twenty key songs, delving into the surprising stories behind them and their unlikely creators, Uncommon People takes us back to when Jarvis Cocker became a national hero, Trainspotting was a global hit, fire-starting seemed like a good night out - and it felt as though the revolution was happening.Initially a music press nickname, Britpop became an unexpected musical movement centred around outsiders and misfits, drop-outs and weirdos who refused to compromise on their ideas, even when they were thrust into the international spotlight. Not just a scene for white guys with guitars, but something wilder and more interesting, with songs that have proved timeless. Exploring the era's key artists - Oasis, Blur, Tricky, Pulp, Underworld, Manic Street Preachers, The Prodigy, Suede, Chemical Brothers, Garbage, Supergrass, Radiohead, PJ Harvey and more - through their definitive anthems, Miranda Sawyer transports us back to the beating heart of the nineties.Uncommon People re-lives the mad exhilaration of what it was like to hear these songs for the very first time - and what it was like to make them. With amazing new interviews, and I-was-there insights, this book offers a backstage pass to all the most interesting bits of Britpop's Greatest Hits.Forget New Labour, forget earnest trend theories, this book is all about the music, the people and being right there, right now.
Unconquered: The Saga of Cousins Jerry Lee Lewis, Jimmy Swaggart, and Mickey Gilley (Unconquered Ser.)
by J.D. Davis&“Engaging . . . [a] biography of three men bound by blood, music, and a lifelong struggle to strike a balance between the sacred and secular.&”—Publishers WeeklyThree cousins, inseparably bonded through music. Each became a star; their story would become a legend. J. D. Davis&’s enthralling new biography of famous cousins Jerry Lee Lewis, Jimmy Swaggart, and Mickey Gilley, born within a twelve-month span in small-town Louisiana during the Great Depression, draws from exhaustive research and personal connections with friends and family. Davis recreates the irresistible and life-changing power of music that surrounded the cousins as boys and shaped their engagingly distinct paths to fame. With three personal journeys set alongside important landmarks in pop-culture history, Davis presents a unique tale of American music centered on the trials, tribulations, and achievements of three men who remain truly Unconquered.A ForeWord Reviews Book of the Year Award Honorable Mention for Biography&“This is a good read, and not just for the hard-core fan. It will appeal to anyone interested in the dynamics of rock &’n&’ roll, country music, and evangelical Christianity and what happens when the aesthetics and lifestyles of those three worlds collide. Highly recommended.&”—Library Journal&“God, the devil, and everything in between. This book is a great representation of the duality plane on which we exist.'&”—Leon Russell, legendary musician, Rock and Roll Hall of Fame member &“Unconquered clearly depicts the fascinating story of three great musical artists who were cousins in real life but icons in the world of music. Each man conquered life&’s roadblocks to achieve his ultimate goals.&”—Tom Schedler, former Louisiana Secretary of State
Uncovering Music of Early European Women (1250-1750)
by Claire FontijnUncovering Music of Early European Women (1250 – 1750) brings together nine chapters that investigate aspects of female music-making and musical experience in the medieval and early modern periods. Part I, "Notes from the Underground," treats the spirituality of women in solitude and in community. Parts II and III, "Interlude" and "Music for Royal Rivals," respond to Joan Kelly’s famous feminist question and suggest that women of a certain stature did have a Renaissance. Part IV, "Serenissime Sirene," plays with the notion of the allure of music and its risks in Venice during the Baroque. The process of uncovering requires close listening to women’s creative endeavors in an ongoing effort to piece together equitably the terrain of early music. Contributors include: Cynthia J. Cyrus, Claire Fontijn, Catherine E. Gordon, Laura Jeppesen, Eva Kuhn, Anne MacNeil, Jason Stoessel, Elizabeth Randell Upton, and Laurence Wuidar. An invaluable book for college students and scholars interested in the social and cultural meanings of women in early music.
Under a Rock: A Memoir
by Chris SteinForeword by Debbie Harry"A Downtown Memory" by Romy AshbyDebbie Harry defined iconic band Blondie’s look. Chris Stein—her performing partner, lover, and lifelong friend—was its architect and defined its sound. “Parallel Lines”, their third album, catapulted to #1, sold 20 million copies, and launched singles like “Heart of Glass”, "Hangin' On the Telephone," and “One Way or Another”, providing the beat when Bianca Jagger and Halston danced at Studio 54 and the soundtrack to every 1970’s punk-soundtracked romance. Chris Stein knows how to tell a story. Under A Rock is his nothing-spared autobiography. It's about the founding of the band, ascending to the heights of pop success, and the hazards of fortune.Famous names march through these pages—Warhol, Bowie, Jean-Michel Basquiat, and more–but you can get famous names anywhere. What you can’t get anywhere else is a plunge into the moments that made a giant 1980's artistic sensation. Stein takes us there in this revelatory, propulsive, distinctive memoir.
Under My Thumb: Songs That Hate Women and the Women That Love Them
by Rhian Jones Eli Davies Tamar ShlaimDiscussions and analyses of music – whether on TV, in books or in the music press – have always been full of the stories of men. When female fans appear in these stories it is often through the eyes and from the perspectives of men – as muses, groupies or fangirls – meaning that women’s own experiences, ideas and arguments about the music they love are marginalised or glossed over. Women in music are frequently fetishised and objectified both in song lyrics and in real life, viewed purely in relation to men and through their impact on the male ego. But this hasn’t stopped generations of women from loving, being moved by and critically appreciating music – however that music may feel about them.Under My Thumb: The Songs that Hate Women and the Women Who Love Them is a study of misogyny in music through the eyes of women. It will bring together stories from music writers and fans about artists or songs they love despite their questionable or troubling gender politics, as well as looking at how these issues intersect with race, class and sexuality.The collection explores the joys of loving music and the tensions, contradictions and complexities it can involve. It is intended to be as much celebration as critique - a kind of feminist guilty pleasures.
Under Pressure: A Song by David Bowie and Queen (Singles)
by Max BrzezinskiIn 1981, David Bowie and Queen both happened to be in Switzerland: They met and made “Under Pressure.” Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track’s story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, “Under Pressure” harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury’s phrase, under pressure.
Under A Rock
by Chris SteinThis audiobook includes the song 'Heartbreak Kid', an exclusive early track from Blondie's forthcoming album'Sometimes fate deals up a wild card. There's a lot to be said for one of these wild cards and from what I've learned over the fifty or so years of our friendship, Chris is a card from the unexpected deck' - from the foreword by Debbie HarryMusician, photographer, storyteller, and longtime partner to Debbie Harry, Chris Stein defined the sound of an era, catapulting the icon band Blondie to #1 and selling over 20 million copies of Parallel Lines.In this no-holds-barred autobiography, Stein reveals himself-this time not in songwriting or photography, which he's previously been known for, but in words. From a Brooklyn boyhood, a move across the river to the gritty and fecund East Village in the late 1970s allowed Stein to tap the explosive creativity that defined the era in the city. It was a time when David Bowie and the Ramones were also making music, when Andy Warhol was still alive and promoting Jean-Michel Basquiat's work, when cool was defined not by where you came from but by what you could contribute to culture.UNDER A ROCK is a plunge into that vanished time period, and into the moments that turned the fresh sound and new look of punk and new wave into a giant artistic and commercial sensation. Stein takes us there in this revelatory, propulsive, distinctive memoir.
Under A Rock
by Chris Stein'Sometimes fate deals up a wild card. There's a lot to be said for one of these wild cards and from what I've learned over the fifty or so years of our friendship, Chris is a card from the unexpected deck' - from the foreword by Debbie HarryMusician, photographer, storyteller, and longtime partner to Debbie Harry, Chris Stein defined the sound of an era, catapulting the icon band Blondie to #1 and selling over 20 million copies of Parallel Lines.In this no-holds-barred autobiography, Stein reveals himself-this time not in songwriting or photography, which he's previously been known for, but in words. From a Brooklyn boyhood, a move across the river to the gritty and fecund East Village in the late 1970s allowed Stein to tap the explosive creativity that defined the era in the city. It was a time when David Bowie and the Ramones were also making music, when Andy Warhol was still alive and promoting Jean-Michel Basquiat's work, when cool was defined not by where you came from but by what you could contribute to culture.UNDER A ROCK is a plunge into that vanished time period, and into the moments that turned the fresh sound and new look of punk and new wave into a giant artistic and commercial sensation. Stein takes us there in this revelatory, propulsive, distinctive memoir.
Under the Baseball Moon
by John H. RitterAndy Ramos dreams of taking his unique fusion of Latin jazz, rock, and hip-hop straight to the top. When he crosses paths with a softball pitcher with Olympian dreams, the mysterious fusion of their athletic and musical skills changes everything.
Under the Big Black Sun: A Personal History Of L. A. Punk
by John Doe Tom DesaviaUnder the Big Black Sun explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it's never been told before. Authors John Doe and Tom DeSavia have woven together an enthralling story of the legendary west coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Additional authors include: Exene Cervenka (X), Henry Rollins (Black Flag), Mike Watt (The Minutemen), Jane Wiedlin and Charlotte Caffey (The Go-Go's), Dave Alvin (The Blasters), Jack Grisham (TSOL), Teresa Covarrubias (The Brat), Robert Lopez (The Zeros, El Vez), as well as scencesters and journalists Pleasant Gehman, Kristine McKenna, and Chris Morris. Through interstitial commentary, John Doe "narrates" this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl-the place where he met his artistic counterparts Exene, DJ Bonebrake, and Billy Zoom-and formed X, the band that became synonymous with, and in many ways defined, L.A. punk. Under the Big Black Sun shares stories of friendship and love, ambition and feuds, grandiose dreams and cultural rage, all combined with the tattered, glossy sheen of pop culture weirdness that epitomized the operations of Hollywood's underbelly. Readers will travel to the clubs that defined the scene, as well as to the street corners, empty lots, apartment complexes, and squats that served as de facto salons for the musicians, artists, and fringe players that hashed out what would become punk rock in Los Angeles.
Under the Sign of the Big Fiddle: The R.S. Williams Family, Manufacturers and Collectors of Musical Instruments
by Ladislav Cselenyi-GranchMusical-instrument manufacturing was one of the few areas in which Canada was able to compete with the United States and England in the 19th and early 20th centuries. This book describes one of the leading firms in the music industry in Canada at that time. The Toronto business that was conducted under the sign of the "Big Fiddle" added significantly to the spread of music in the city of Toronto and far beyond. The founder of this family business was Richard Sudgen Williams. With his son, R.S. Williams Jr., he is also responsible for amassing what is perhaps the earliest collection of musical instruments in Canada, and what is certainly one of the largest. Of great documentary significance and value to this book are the catalogues published by the R.S. Williams firm that the author consulted during his extensive research. Of the ten catalogues cited, three can be found as part of the R.S. Williams Collection in the Royal Ontario Museum. The rest reside in the National Library of Canada and in the personal collection of Michael Remenyi in Toronto.
Under the Silver Moon: Lullabies, Night Songs & Poems
by Pamela DaltonCut-paper artist Pamela Dalton's magically intricate illustrations illuminate a generous collection of lullabies and goodnight poems. Recalling traditional favorites from childhood and embracing a wide range of sources and cultures, this timeless collection makes a lovely addition to any e-bookshelf or bedtime read-aloud ritual. Sure to enchant both children and their parents, Dalton's exquisite detail and sophisticated aesthetic—always informed by warmth and a deep humanity—will speak to anyone looking for the perfect book for a newborn.
Under the Spotlight
by Angie StantonAfter an embarrassing stint on a reality-TV music competition years ago, Riley vowed never to sing again. Now she's behind the scenes, working at the prestigious Sound Sync recording studio, and life is looking up. But then Garrett Jamieson, the oldest brother in the famous Jamieson brothers band, crashes into her world.Garrett has hit rock bottom, and he is desperate to reinvent himself. After calling in a few favors, he ends up working at Sound Sync to learn the ropes of record producing from the industry's best. And he can't believe his luck when he discovers that Riley has been keeping a secret--she is an amazing singer. By producing her album, he's sure to top the record charts again. But Garrett is forced to use every trick in his arsenal to persuade the sassy girl to record.Riley refuses to sing--or even entertain the thought of it--and sparks fly as Garrett finally meets his match. But in the heat of the moment, one stolen kiss changes everything. Will Riley be the first person to finally rein Garrett in, or will Garrett succeed in getting Riley back under the spotlight?
Undergraduate Research in Architecture: A Guide for Students (Routledge Undergraduate Research Series)
by D. Andrew Vernooy Jenny Olin Shanahan Gregory YoungUndergraduate Research in Architecture: A Guide for Students supplies tools for scaffolding research skills, with examples of undergraduate research activities and case studies on projects in the various areas of architecture study. Undergraduate research has become a common degree requirement in some disciplines and is growing rapidly. Many undergraduate activities in music have components that could be combined into compelling undergraduate research projects, either in the required curriculum, as part of existing courses, or in capstone courses centered on undergraduate research.Following an overview chapter, the next seven chapters cover research skills including literature reviews, choosing topics, formulating questions, citing sources, disseminating results, and working with data and human subjects. A wide variety of sub-disciplines follow in the remaining chapters, with sample project ideas from each as well as undergraduate research conference abstracts. The final chapter is an annotated guide to online resources. Included are some inspirational quotations concerning architecture’s commitment to research, and some examples of professional research that support the focus of the chapter. All chapters end with relevant questions for discussion.
Undergraduate Research in Art: A Guide for Students (Routledge Undergraduate Research Series)
by Vaughan Judge Jenny Olin Shanahan Gregory YoungUndergraduate Research in Art: A Guide for Students supplies tools for scaffolding research skills, with examples of undergraduate research activities and case studies on projects in the various areas of the study of art—from art history, art education, and fine art therapy, to studio art, graphic design, and digital media. Although art degree programs don’t always call it research, many undergraduate activities in art have components that could be combined into comprehensive projects. The book begins with an overview chapter, followed by seven chapters on research skills, including literature reviews, choosing topics, formulating questions, citing sources, disseminating results, and working with data and human subjects. A wide variety of subdisciplines follow in Chapters 9 through 18, with sample project ideas from each, as well as undergraduate research conference abstracts. The final chapter is an annotated guide to online resources that students can access and readily operate. Each chapter opens with inspiring quotations, and wraps up with applicable discussion questions. Professors and students can use Undergraduate Research in Art as a text or a reference book.
Undergraduate Research in Film: A Guide for Students (Routledge Undergraduate Research Series)
by Lucia Ricciardelli Jenny Olin Shanahan Gregory YoungUndergraduate Research in Film: A Guide for Students supplies tools for building research skills, with examples of undergraduate research activities and case studies on projects in the various areas in the study of film, film theory, film production, history of film, and interdisciplinary projects. Professors and students can use it as a text and/or a reference book. Essentially, what makes this volume unique is that it brings together examples of film projects and film studies courses within the framework of research skills. Following an overview chapter, the next seven chapters cover research skills including writing literature reviews, choosing topics and formulating questions,working with human subjects, collecting and analyzing data, citing sources and disseminating results. A wide variety of sub-disciplines follow in chapters 9-16 with sample project ideas from each, as well as undergraduate research conference abstracts. The final chapter is an annotated guide to online resources. All chapters begin with inspiring quotations and end with relevant discussion questions.
Undergraduate Research in Music: A Guide for Students (Routledge Undergraduate Research Series)
by Jenny Olin Shanahan Gregory YoungUndergraduate Research in Music: A Guide for Students supplies tools for scaffolding research skills, with examples of undergraduate research activities and case studies on projects in the various areas of music study. Undergraduate research has become a common degree requirement in some disciplines and is growing rapidly. Many undergraduate activities in music have components that could be combined into compelling undergraduate research projects, either in the required curriculum, as part of existing courses, or in capstone courses centered on undergraduate research. The book begins with an overview chapter, followed by the seven chapters on research skills, including literature reviews, choosing topics, formulating questions, citing sources, disseminating results, and working with data and human subjects. A wide variety of musical subdisciplines follow in Chapters 9–18, with sample project ideas from each, as well as undergraduate research conference abstracts. The final chapter is an annotated guide to online resources that students can access and readily operate. Each chapter opens with inspiring quotations, and wraps up with applicable discussion questions. Professors and students can use Undergraduate Research in Music: A Guide for Students as a text or a reference book in any course that has a significant opportunity for the creation of knowledge or art, within the discipline of music or in connecting music with other disciplines.
Undergraduate Research in Religious Studies: A Guide for Students and Faculty (Routledge Undergraduate Research Series)
by Ruben Dupertuis Chad Spigel Jenny Olin Shanahan Gregory YoungUndergraduate Research in Religious Studies provides students and faculty with an invaluable guide to conducting research projects across all areas in the study of religion. With an emphasis on student-faculty collaboration, this concise book addresses the key areas, methods, and practical issues to inform the practice of original undergraduate research across a wide range of subdisciplines. In fourteen short chapters, the authors lay out the stages of the research process and different research methodologies; discuss approaches, examples, and ethical issues particular to religious studies; and address the unique value and challenges of collaborative research with undergraduate students, including case studies of student-faculty collaboration. Designed to be utilized by students and faculty as both a textbook and reference, this book offers an essential resource for all those engaging in or leading undergraduate research across religious studies.
Undergraduate Research in Religious Studies: A Guide for Students and Faculty (Routledge Undergraduate Research Series)
by Ruben Dupertuis Chad Spigel Jenny Olin Shanahan Gregory YoungUndergraduate Research in Religious Studies provides students and faculty with an invaluable guide to conducting research projects across all areas in the study of religion. With an emphasis on student-faculty collaboration, this concise book addresses the key areas, methods, and practical issues to inform the practice of original undergraduate research across a wide range of subdisciplines.In fourteen short chapters, the authors lay out the stages of the research process and different research methodologies; discuss approaches, examples, and ethical issues particular to religious studies; and address the unique value and challenges of collaborative research with undergraduate students, including case studies of student-faculty collaboration. Designed to be utilized by students and faculty as both a textbook and reference, this book offers an essential resource for all those engaging in or leading undergraduate research across religious studies.
Underground: The Subterranean Culture of DIY Punk Shows
by Daniel MakagonUnderground is all about the history and future of DIY punk touring in the USA. Daniel Makagon explores the culture of DIY spaces like house shows and community-based music spaces, their impact on underground communities and economies, and why these networks matter. He shows that no matter who you are, organizing, playing, and/or attending a DIY punk show is an opportunity to become a real part of a meaningful movement and to create long-lasting alternatives to the top-down economic and artistic practices of the mainstream music industry. Punk kids playing an illegal show too loudly in someone's basement might not save the world, but they might just be showing us the way to building something better.
The Underground Is Massive: How Electronic Dance Music Conquered America
by Michaelangelo MatosJoining the ranks of Please Kill Me and Can’t Stop Won’t Stop—“a clear-eyed, authoritative account” of EDM’s rise in America (Rolling Stone).“The Underground Is Massive is a book about the rise of electronic music . . . anyone who cares even a little about music will love this book. Dance music’s growth took place largely away from the spotlight, in cross-pollinating scenes around the globe; Michaelangelo Matos tells these hidden histories with the love, care, and joy of a seasoned mage passing down spells to a trusted novice. Every detail, every page, every where-things-changed anecdote hums with life. This book is a genuine service to history, and I am profoundly grateful for it.” —John Darnielle, author of Wolf in White VanThe Underground Is Massive is the first-ever big-picture history of the American electronic dance music underground, viewed through the lens of nineteen parties over thirty years—from the black, gay underground clubs of Chicago and Detroit’s elite teen-party scene through nineties “electronica” to today’s EDM-festival juggernaut. In telling EDM’s story, Michaelangelo Matos takes in the rise of the Internet and Burning Man, 9/11, and the collapse of the record business, spotlights its legendary artists—including Frankie Knuckles, Moby, Diplo, Skrillex, Deadmau5, David Guetta, Tiësto, and Daft Punk—and vividly charts why and how it took nearly three decades after electronic dance music became a global youth soundtrack for it to hit big in the land that birthed it.“A staggering work of research, organization, and synthesis, yet Michaelangelo Matos never loses his wit or his deft way with a sentence. He is the Barbara Tuchman of EDM!”—Luc Sante, author of Low Life and The Other Paris“As much detailed ethnography as musical history, Matos builds the first widescreen perspective on one of the United States’ most obscured cultural legacies.” —Flavorwire
Underground Music Cultures and Music-Making in Los Angeles: 'Imaginary Cities' (Palgrave Studies in the History of Subcultures and Popular Music)
by Sébastien Darchen John Willsteed Damien CharrierasThis book focuses on the relationships between underground urban music cultures in Los Angeles and specific urban imaginaries related to music practices, far away and sometimes in stark opposition to the commodified image of the city crafted by urban planners and associated urban stakeholders. Rather than this commodified city, and the ‘imaginary city’ of the mind, it examines the accidental, tangential life of a mirage. The city that appears in the distance is one that is formed by songs and music-making. The book shows how counter urban imaginaries emerge and are performed through diverse underground music making practices, giving rise to alternative ways of seeing the city.
Underground Music from the Former USSR
by Romela KohanovskayaWhat happened to contemporary music in the Soviet Union after Stravinsky, Shostakovich and Prokofiev? This book is a valuable source of information on the composers of the generations following these three great innovators. It is a document of the hidden period of Russian music, of what happened after the denunciation of Shostakovich and Prokofiev by the Composers' Union. It contains profiles of the most interesting and innovative composers from Russia and the former Soviet republics, written by leading musicologists. Featured composers include Andrei Volkonsky, Philip Gershkovich, Sergei Slonimsky, Boris Tishchenko, Valentin Silvestrov, Leonid Grabovsky , Nikolai Karetnikov , Alemdar Karamanov, Roman Ledenyov , Vyacheslav Artyomov , Faraj Karayev , Alexander Knaifel , Vladislav Shoot Alexander Vustin, Victor Ekimovksy , Alexander Raskatov , Sergei Pavlenko, Vladimir Tarnopolsy.