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The Van Cliburn Legend
by Abram ChasinsFriend of Van Cliburn, pianist, composer, and radio executive Abram Chasins describes Cliburn's music career leading up to his win at the 1958 Tchaikovsky Competition, which made him world famous, and the year of concerts and performances which followed.—Goodreads.
Van Halen
by David Lee Roth Neil ZlozowerFrom their eponymous 1978 debut through their colossal 1984 album (they've sold over 75 million albums worldwide), Van Halen rewrote all the rules. Nobody rockedor partiedharder. Photographer Neil Zlozower first met the band in 1978, worked with them again on Van Halen II, and soon became their friend, hanging out in L.A. and hitting the road on tour with them. Van Halen collects more than 250 backstage, candid, and full rock-out photos of the all-powerful, spandexed, high-kicking, guitar blazing, stadium-shaking, original Van Halen lineup. Accompanying Zlozower's amazing photos are an introduction about his wild ride with VH, a foreword by David Lee Roth, and testimony from the rock pantheon paying homage to the band, including members of Led Zeppelin, Guns N' Roses, Def Leppard, Judas Priest, KISS, Motley Cre, and more. Turn it up!
Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal
by Greg RenoffAfter years of gigging everywhere from suburban backyards to dive bars, Van Halen - led by frontman extraordinaire David Lee Roth and guitar virtuoso Edward Van Halen - had the songs, the swagger and the talent to turn the rock world on its ear. The quartet's classic 1978 debut, Van Halen, sold more than a million copies within months of release and sky-rocketed the band to the stratosphere of rock success. Their high-energy shows left fans and bands alike floored. Based on more than 230 original interviews, Van Halen Rising tells of the band's electric rise to fame.
Vandal
by Michael SimmonsThe love-hate relationship between high school musician Will and his older brother Jason is fueled by the abuse Will suffers at Jason's hands but a devastating accident changes everything for the boys and their family.
Vanishing Act: The third book in a suspenseful and chilling mystery series (The Eden House Mysteries, Book Three) (The Eden House Mysteries #3)
by Bill Kitson'Reading this book for the second time' ***** Reader Review1965 - the heyday of Rock & Roll. Northern Lights are tipped to become as big as The Beatles. But after a gig in Newcastle, lead singer and creative genius, Gerry Crowther, vanishes into the foggy night. Later, his body is recovered from the River Tyne. Now, almost twenty years on, teen singing sensation Trudi Bell dominates the charts. As she prepares to release a new album, her manager Lew Pattison receives a demo tape from an unknown songwriter. Realising the music is unmistakeably the work of Gerry Crowther, Lew enlists the help of Adam and Eve to uncover the truth. But some people will stop at nothing to keep it buried . . .Vanishing Act is the third instalment in Bill Kitson's chilling and suspenseful Eden House mystery series. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh.Readers are hooked on The Eden House Mysteries:'I couldn't sleep until I had finished this book' ***** Reader Review'The best book I have read in a while' ***** Reader Review'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review'Read the whole thing in a day' ***** Reader Review'One of the best authors I have come across' ***** Reader Review'More twists than a corkscrew' ***** Reader Review'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommend this book!' ***** Reader Review
Vanishing Act: The third book in a suspenseful and chilling mystery series (The Eden House Mysteries, Book Three) (The\eden House Mysteries Ser. #3)
by Bill Kitson'Reading this book for the second time' ***** Reader Review1965 - the heyday of Rock & Roll. Northern Lights are tipped to become as big as The Beatles. But after a gig in Newcastle, lead singer and creative genius, Gerry Crowther, vanishes into the foggy night. Later, his body is recovered from the River Tyne. Now, almost twenty years on, teen singing sensation Trudi Bell dominates the charts. As she prepares to release a new album, her manager Lew Pattison receives a demo tape from an unknown songwriter. Realising the music is unmistakeably the work of Gerry Crowther, Lew enlists the help of Adam and Eve to uncover the truth. But some people will stop at nothing to keep it buried . . .Vanishing Act is the third instalment in Bill Kitson's chilling and suspenseful Eden House mystery series. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh.Readers are hooked on The Eden House Mysteries:'I couldn't sleep until I had finished this book' ***** Reader Review'The best book I have read in a while' ***** Reader Review'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review'Read the whole thing in a day' ***** Reader Review'One of the best authors I have come across' ***** Reader Review'More twists than a corkscrew' ***** Reader Review'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommend this book!' ***** Reader Review
Vanishing Act: The third book in a suspenseful and chilling mystery series (The Eden House Mysteries, Book Three) (The Eden House Mysteries #3)
by Bill Kitson'Reading this book for the second time' ***** Reader Review1965 - the heyday of Rock & Roll. Northern Lights are tipped to become as big as The Beatles. But after a gig in Newcastle, lead singer and creative genius, Gerry Crowther, vanishes into the foggy night. Later, his body is recovered from the River Tyne. Now, almost twenty years on, teen singing sensation Trudi Bell dominates the charts. As she prepares to release a new album, her manager Lew Pattison receives a demo tape from an unknown songwriter. Realising the music is unmistakeably the work of Gerry Crowther, Lew enlists the help of Adam and Eve to uncover the truth. But some people will stop at nothing to keep it buried . . .Vanishing Act is the third instalment in Bill Kitson's chilling and suspenseful Eden House mystery series. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh.Readers are hooked on The Eden House Mysteries:'I couldn't sleep until I had finished this book' ***** Reader Review'The best book I have read in a while' ***** Reader Review'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review'Read the whole thing in a day' ***** Reader Review'One of the best authors I have come across' ***** Reader Review'More twists than a corkscrew' ***** Reader Review'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommendthis book!' ***** Reader Review(P) 2021 Headline Publishing Group Ltd
Variations and Variation Technique in the Music of Chopin
by Zofia ChechlińskaWhile Chopin composed only a few works in variation form, he employed variations and variation technique in the majority of his works. Multiple modified repetitions of musical units on different levels of a work are so typical of Chopin’s works that this may be considered one of the chief determinants of his style. Focusing on a broad range of Chopin’s works, this book explores the extent to which Chopin’s oeuvre is suffused with variations, the role that variation technique plays in his work, to what extent it interacts with other techniques for developing and modifying musical material, and how the variation technique itself evolved. Beginning with a comprehensively documented investigation of the concept of variation in its own right, Zofia Chechlińska employs Riemannian and Schenkerian theory to consider, in turn, the ways in which Chopin constructs variations on the level of microstructure (motif and phrase) and macrostructure (thematic areas, sections, movements and form). This is the first English translation of one of the classics of musicological literature in Poland and is essential reading for scholars of Chopin and nineteenth-century music and music analysts.
Variations, Rondos and Other Works for Piano
by Wolfgang Amadeus MozartThe elegance, grace, and clarity of Mozart's piano music has charmed generations of music lovers. Now 37 of the composer's delightful piano pieces have been collected in this attractive volume, reproduced from the authoritative Breitkopf & Härtel edition. Among the selections are:Variations on "Mio caro Andone" by Salieri, K.180/173cVariations on "Je suis Lindor" by Baudron, K. 354/299aVariations on "Ah vous dirai-je, maman," K. 265/300eVariations on "La belle françoise," K.353/300fVariations on "Salve tu, Domine" by Paisiello, K. 398/416eVariations on "Unser dummer Pöbel meint" by Gluck, K.455 Variations on a Minuet by Duport, K.573Rondo in D Major, K.485Rondo in A Minor, K.511Minuet in G Major, K.1/1eMinuet in F Major, K.2Minuet in D Major, K.355/576bAllegro in B-flat Major, K.3Allegro in B-flat Major, K.400/372aAllegro in G Minor, K.312/590dFugue in G Minor, K.401/3753Fugue in E-flat Major, K.153/375fFugue in G Minor, K.154/385kCapriccio in C Major, K.395/300gAllegro and Andante, K.533Adagio in B Minor, K.540Gigue in G Major, K.574... and more.
Varieties of Musical Irony: From Mozart to Mahler
by Michael CherlinIrony, one of the most basic, pervasive, and variegated of rhetorical tropes, is as fundamental to musical thought as it is to poetry, prose, and spoken language. In this wide-ranging study of musical irony, Michael Cherlin draws upon the rich history of irony as developed by rhetoricians, philosophers, literary scholars, poets, and novelists. With occasional reflections on film music and other contemporary works, the principal focus of the book is classical music, both instrumental and vocal, ranging from Mozart to Mahler. The result is a surprising array of approaches toward the making and interpretation of irony in music. Including nearly ninety musical examples, the book is clearly structured and engagingly written. This interdisciplinary volume will appeal to those interested in the relationship between music and literature as well as to scholars of musical composition, technique, and style.
The Variety Stage: A History of the Music Halls from the Earliest Period to the Present Time
by A. J. Park Charles Douglas StuartMusic hall was a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous Music Hall and subsequent, more respectable Variety differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts.“To the general reader, as well as to the thoughtful observer of the social institutions of the English people, the story of the rise, progress and present condition of Variety Stage in this country presents features of peculiar attraction.In The History of the Variety Stage they have endeavoured to deal in a bright, chatty and anecdotal manner, not only with the Music Halls of the past and present, but also with the picturesque and variegated profession which has called them into existence, and while presenting to the statistician, the antiquarian, and the student of domestic history, a substantial and painstaking work of research, they have tried to render at the same time a graphic panorama of the variety world as it was and as it is today.”-Preface.
Vaudeville and the Making of Modern Entertainment, 1890–1925
by David MonodToday, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle. Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show's off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.
Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929
by Nicholas GebhardtIf you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of theatres, each part of a circuit and administered from centralized booking offices. Gebhardt shows us how vaudeville transformed relationships among performers, managers, and audiences, and argues that these changes affected popular music culture in ways we are still seeing today. Drawing on firsthand accounts, Gebhardt explores the practices by which vaudeville performers came to understand what it meant to entertain an audience, the conditions in which they worked, the institutions they relied upon, and the values they imagined were essential to their success.
Vaughan Williams and His World (The Bard Music Festival)
by Byron Adams and Daniel M. GrimleyA biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872–1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams’s scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams’s cultural nationalism and a distorted view of his international cultural and musical significance. Vaughan Williams and His World traces the composer’s stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams’s music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams’s deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.
Vaughan Williams and His World
by Byron Adams and Daniel M. GrimleyA biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872–1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams’s scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams’s cultural nationalism and a distorted view of his international cultural and musical significance.Vaughan Williams and His World traces the composer’s stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams’s music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams’s deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.
Vaughan Williams Essays
by Byron Adams Robin WellsSerious scholarship on the music of Ralph Vaughan Williams is currently enjoying a lively revival after a period of relative quiescence, and is only beginning to address the enduring affection of concert audiences for his music. The essays that comprise this volume extend the study of Vaughan Williams's music in new directions that will be of interest to scholars, performers and listeners alike. This volume contains the work of eleven North American scholars who have been recipients of the Ralph Vaughan Williams Fellowship based at the composer's own school, Charterhouse, which was created and has been supported by the Carthusian Trust since 1985. This wide-ranging and detailed collection of essays covers the spectrum of genres in which Vaughan Williams wrote, including dance, symphony, opera, song, hymnody and film music. The contributors also employ a range of analytical and historical methods of investigation to illuminate aspects of Vaughan Williams's compositional techniques and influences, musical, literary and visual.
Vaughan Williams in Context (Composers in Context)
by Julian Onderdonk Ceri OwenChallenging residual doubts about Vaughan Williams's role and significance within twentieth-century music and culture, this book places and explores his life and music in their broad musical, cultural, social, and political contexts. Chapters by scholars from a range of disciplines re-evaluate the composer's life and career within a world marked by both rapid change and refigured traditions. Building on scholarship that has established Vaughan Williams as aesthetically and politically progressive, the book furthers a revisionist perspective by broadening understandings of the nature of his responses to the twentieth century. This portrait of a modern composer emerges not merely by focusing on under-represented interests and pursuits, but also by contextualizing those activities that have been misrepresented as conservative or backward-looking.
Los vecinos mueren en las novelas
by Sergio AguirrePorque todo comenzará así: un hombre llega a la casa de una anciana absolutamente desconocida. El mismo no sabe, hasta que llama a la puerta, que ha decidido matarla.
The Velvet Lounge: On Late Chicago Jazz
by Gerald MajerTroubled urban neighborhoods and jazz-club havens were the backdrop of Gerald Majer's life growing up in sixties and seventies Chicago. The Velvet Lounge, an original hybrid of memoir, biography, and musical description, reflects this history and pursues a sustained meditation on jazz along with a probing exploration of race and class and how they defined the material and psychic divides of a city. With the instrument of a supple, lyrical prose style, Majer elaborates the book's themes through literary and intellectual forays as carefully constructed and as passionately articulated as a jazz master's solo. Throughout the work, issues of identity and culture, art and politics achieve a rare immediacy, as does the music itself.In portraits of Jimmy Smith, Gene Ammons, Sonny Stitt, Sun Ra, and others, Gerald Majer conveys the drama and artistry of their music as well as the personal hardships many of them endured. Vivid descriptions and telling historical anecdotes explore the music's richness through a variety of political, social, and philosophical contexts. The Velvet Lounge, named after the famous Chicago club, is also one of the few works to consider the music of such avant-garde jazz musicians as Fred Anderson, Andrew Hill, and Roscoe Mitchell. In doing so, Majer builds a bridge from the traditionalist view of jazz to the world of contemporary innovators, casts a new light on the music and its makers, and traces connections between jazz art and postmodernist thought. Present throughout Majer's spirited encounters with the worlds of jazz is Majer himself. We hear and appreciate the music through his individual sensibilities and experiences. Majer recounts growing up in racially divided Chicago—his trips to the famed Maxwell Street market, his wanderings among its legendary jazz clubs, his riding the El, and his working in a jukebox factory. We witness his awakening to the music at a crossroads of the intimately personal and the intellectually provocative.
The Velvet Underground: the secret history
by Alan CrossAlan Cross is the preeminent chronicler of popular music.Here he provides the history of Lou Reed and The Velvet Underground.This look at the band—"The First Alternative Band"—is based on the audiobook of the same name.
Venetian Music in the Age of Vivaldi (Variorum Collected Studies)
by Michael TalbotThis book contains sixteen essays on Venetian music in its last great period, stretching from the second half of the 17th century to the fall of the Republic in 1797. Two essays deal with musical institutions (academies and conservatories), nine with the life and works of Antonio Vivaldi, and five with contemporaries of Vivaldi active in Venice (Albinoni, Marcello, Vinaccesi). A substantial supplementary chapter updates, and where necessary revises, the facts and arguments of the original essays, which collectively date from the years 1973-1995. All the essays are written in English, but many originally appeared in Italian journals and conference proceedings that are hard for English-speaking readers to obtain. The volume is carefully indexed, enabling the reader easily to make connections between the essays.
Verdades a medias
by India MartínezLa gran artista India Martínez nos muestra en su primer libro sus emociones más íntimas a través un precioso conjunto de textos relatados con sensibilidad y emoción y acompañados de sus propias ilustraciones. «La verdad es muy subjetiva, depende de la piel que la percibe». Bellamente ilustrado por la propia artista, Verdades a medias es una colección de textos poéticos y dibujos en los que la cantante India Martínez indaga en lo más profundo de sí misma y de sus vivencias, transportándonos a su universo más personal. Nostalgia, dolor, amor, fantasía y hondura llenan las páginas de esta declaración de intenciones, de esta rasgadura de alma de la artista, que se desnuda de canción para vestirse de letras y ofrecernos su faceta más transparente y cercana. «Iré dando una de cal y otra arena. Una de voz y otra de música, una de India y otra de Jenny».
Verdi: His Music, Life and Times
by George MartinThis book relates the life and experiences of composer Giuseppe Verdi, from his birth in 1813 to his death in 1901. Besides documenting Verdi's life and the music he created, it also goes further in discussing the times and culture in which he was living in 19th century Italy, both socially and politically.
Verdi: The Man Revealed
by John SuchetGiuseppe Verdi remains Italy’s greatest operatic composer and a man of apparent contradictions—vividly brought to life through a nuanced examination of his life and monumental music. Giuseppe Verdi remains the greatest operatic composer that Italy, the home of opera, has ever produced. Yet throughout his lifetime he claimed to detest composing and repeatedly rejected it. He was a landowner, a farmer, a politician and symbol of Italian independence; but his music tells a different story. An obsessive perfectionist, Verdi drove collaborators to despair but his works lauded from the start as dazzling feats of composition and characterization. From Rigoletto to Otello, La Traviatato to Aida, Verdi’s canon encompassed the full range of human emotion. His private life was no less complex: he suffered great loss, and went out of his way to antagonize supporters and his own family. An outspoken advocate of Italian independence and a sharp critic of the church, he was often at odds with nineteenth-century society. In Verdi: The Man Revealed, John Suchet attempts to get under the skin of perhaps the most private composer who ever lived. Unraveling his protestations, his deliberate embellishments and disavowals, Suchet reveals the true character of this great artist—and the art for which he will be forever known.
Verdi and/or Wagner: Two Men, Two Worlds, Two Centuries
by Peter ConradAn exploration of the lives and works of Verdi and Wagner as well as their respective legacies to the present day, written by a noted cultural critic. This is the first book to compare these two composers and cultural heroes, both of whom were born in 1813 and achieved huge national and inter- national renown in their lifetimes. Yet not only did they never meet, but the differences between them--in music, culture, environment, significance, and legacy--were profound. Peter Conrad begins his tale in a public park in Venice, home to a pair of statues of the composers that are positioned so as to appear to shun each other. This provides a fitting starting point for his argument that they represent two opposite yet equally integral and compelling dimensions of European culture: north versus south, cerebral versus sensual, proud solitude versus human connection, epic mythmaking versus humane magnanimity. The book is a richly argued tour de force that engages passionately and profoundly with music, biography, history, politics, philosophy, psychology, and culture in the broadest sense. As Conrad concludes, "At one time or another, if not simultaneously, we still need the two contradictory, complementary kinds of music that Verdi and Wagner left us."