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We Owe You Nothing: Expanded Edition (Punk Planet Bks.)
by Daniel SinkerUpdated with six more interviews and a new introduction, the expanded edition of We Owe You Nothing brings the definitive book of conversations with the underground's greatest minds up to 2007. New interviews include talks with bands like The Gossip and Maritime, a conversation with punk legend Bob Mould, and more . . . in addition to the classic interviews from the original 2001 edition: Ian MacKaye, Jello Biafra, Thurston Moore, Noam Chomsky, Kathleen Hanna, Black Flag, Sleater-Kinney, Steve Albini, Frank Kozik, Art Chantry, and others. Daniel Sinker has been the editor and publisher of Punk Planet magazine for twelve years.
We Piano Teachers and Our Demons: Socio-psychological Obstacles on the Road to Inspired and Secure Performance (Landscapes: the Arts, Aesthetics, and Education #32)
by Zecharia PlavinThis book focuses on piano teachers and the many pains they encounter in their careers. These pains play an essential role in blocking the musical inspiration of their students. The author identifies with the sensitivities of the teachers, aiming at the inspiration permeated and safer playing of their students.The book penetrates the protective mechanisms of the teachers that, on the one hand, maintain their professional functioning, while on the other hand, block refreshing ideas. It combines exploration of secure and culturally informed inspired playing, coping with exaggerated anxiety and understanding the interaction of piano actions with pianist’s physiology.This book helps to open teachers’ perceptions of the ways to enable more secure and more inspired performances while remembering the inner feelings of the piano teachers.
We Shall Overcome
by Bryan CollierA celebration of the gospel anthem and Civil Rights protest song "We Shall Overcome," masterfully brought to life by Caldecott Honor recipient and a nine-time Coretta Scott King Award winner Bryan Collier."We Shall Overcome" is one of the most recognizable anthems of the Civil Rights movement, widely performed at protests and rallies to promote nonviolent civil rights activism. Now, these inspirational, empowering, legendary lyrics are brought to life with the stirring, evocative, and breathtaking illustrations from multi-award-winning talent Bryan Collier. Powerfully imagined for the present moment, Collier's illustrations meld the most emblematic moments of the twentieth-century Civil Rights movement with the present day, depicting the movements, protests, and demonstrations -- big and small -- as the fight for justice continues. With illustrations full of depth, tenderness, and expression, and offering historical context while remaining powerfully relevant to the present-day, this impactful picture book is a must-have for every home, classroom, and bookshelf.
We Take Care of Our Own: Faith, Class, and Politics in the Art of Bruce Springsteen
by June Skinner SawyersWe Take Care of Our Own traces the evolution of Bruce Springsteen’s beliefs, beginning with his New Jersey childhood and ending with his most recent works from Springsteen on Broadway to Letter to You. The author follows the singer’s life, examining his albums and a variety of influences (both musical and nonmusical), especially his Catholic upbringing and his family life, to show how he became an outspoken icon for working-class America—indeed for working-class life throughout the world. In this way, the author emphasizes the universality of Springsteen’s canon and depicts how a working-class sensibility can apply to anyone anywhere who believes in fairness and respect. In addition, the author places Springsteen in the historical context not only of literature (especially John Steinbeck) but also of the art world (specifically the work of Thomas Hart Benton and Edward Hopper). Among the themes explored in the book include community, a sense of place, America as the Promised Land, the myth of the West, and, ultimately, mortality.
Webspinner: Songs, Stories, and Reflections of Duncan Williamson, Scottish Traveller
by John D. NilesBorn in 1928 in a tent on the shore of Loch Fyne, Argyll, Duncan Williamson (d. 2007) eventually came to be recognized as one of the foremost storytellers in Scotland and the world. Webspinner: Songs, Stories, and Reflections of Duncan Williamson, Scottish Traveller is based on more than a hundred hours of tape-recorded interviews undertaken with him in the 1980s. Williamson tells of his birth and upbringing in the west of Scotland, his family background as one of Scotland’s seminomadic travelling people, his varied work experiences after setting out from home at about age fifteen, and the challenges he later faced while raising a family of his own, living on the road for half the year. The recordings on which the book is based were made by John D. Niles, who was then an associate professor at the University of California, Berkeley. Niles has transcribed selections from his field tapes with scrupulous accuracy, arranging them alongside commentary, photos, and other scholarly aids, making this priceless self-portrait of a brilliant storyteller available to the public. The result is a delight to read. It is also a mine of information concerning a vanished way of life and the place of singing and storytelling in Traveller culture. In chapters that feature many colorful anecdotes and that mirror the spontaneity of oral delivery, readers learn much about how Williamson and other members of his persecuted minority had the resourcefulness to make a living on the outskirts of society, owning very little in the way of material goods but sustained by a rich oral heritage.
Weep, Shudder, Die
by Robert LevineWeep, Shudder, Die is an insightful and accessible guide to the grand art of opera for both new and longtime fans. For too long opera was relegated to high society and perceived as stuffy and remote. But now that has changed. A new generation of opera lovers has emerged, inviting a wave of extraordinary new productions and revivals the world over. Robert Levine has written an illuminating guide for this growing audience. With his signature wit, he examines the most famous composers and operas, from Wagner's Der Ring des Nibelungen to Mozart's Le nozze di Figaro and Tchaikovsky's Eugene Onegin, giving a sense of each opera's history and celebrating its enduring greatness. Weep, Shudder, Die will inspire anyone who has ever been curious about opera but never knew where to start to discover one of the world's most entertaining and satisfying art forms.
Weill's Musical Theater
by Stephen HintonIn the first musicological study of Kurt Weill's complete stage works, Stephen Hinton charts the full range of theatrical achievements by one of twentieth-century musical theater's key figures. Hinton shows how Weill's experiments with a range of genres--from one-act operas and plays with music to Broadway musicals and film-opera--became an indispensable part of the reforms he promoted during his brief but intense career. Confronting the divisive notion of "two Weills"--one European, the other American--Hinton adopts a broad and inclusive perspective, establishing criteria that allow aspects of continuity to emerge, particularly in matters of dramaturgy. Tracing his extraordinary journey as a composer, the book shows how Weill's artistic ambitions led to his working with a remarkably heterogeneous collection of authors, such as Georg Kaiser, Bertolt Brecht, Moss Hart, Alan Jay Lerner, and Maxwell Anderson.
Weird Music That Goes on Forever: A Punk's Guide to Loving Jazz
by Bob SurenOnce you've collected every 7" from your favorite label, broken your back in the mosh pit, and become so well-versed in the interpersonal dynamics of every hardcore band that there's nothing more to learn, what's a punk to do? Try jazz, recommends Bob Suren. No, really. Suren, who wrote Crate Digger about his life and work in punk, turns his obsessive gaze onto another form of rebellious, improvisational outsider music, but this time with more sax.What does Dixieland have in common with D.R.I.? Did Charles Mingus write the first punk song? And who was the Butthole Surfer of jazz? Suren answers these questions and many more. Reading his irreverent guide to jazz, filled with punk references and colorful language, is more fun than getting arrested for vandalism. Learn about the surprising history and scandalous etymology of jazz, explore its connections to punk, and take in biographical sketches of over 25 notable artists—with plenty of recommendations thrown in for your listening pleasure.
Welcome 2 Houston: Hip Hop Heritage in Hustle Town (African Amer Music in Global Perspective)
by Langston Collin WilkinsLangston Collin Wilkins returns to the city where he grew up to illuminate the complex relationship between place, identity, and music in Houston’s hip hop culture. Interviews with local rap artists, producers, and managers inform an exploration of how artists, audiences, music, and place interact to create a heritage that musicians negotiate in a variety of ways. Street-based musicians, avant-garde underground rappers, and Christian artists offer candid views of the scene while Wilkins delves into related aspects like slab, the area’s hip hop-related car culture. What emerges is a portrait of a dynamic reciprocal process where an artist, having identified with and embodied a social space, reproduces that space in a performance even as the performance reconstructs the social space. A vivid journey through a southern hip hop bastion, Welcome 2 Houston offers readers an inside look at a unique musical culture.
Well of Souls: Uncovering The Banjo's Hidden History
by Kristina R. GaddyOne of The New Yorker’s Best Books of the Year Named one of the Most Memorable Music Books of the Year by No Depression: The Journal of Roots Music “Compelling.… [R]eveals [an instrument] intimately rooted in the African diaspora and capable of expressing flights of sorrow and joy.” —David Yezzi, Wall Street Journal An illuminating history of the banjo, revealing its origins at the crossroads of slavery, religion, and music. In an extraordinary story unfolding across two hundred years, Kristina Gaddy uncovers the banjo’s key role in Black spirituality, ritual, and rebellion. Through meticulous research in diaries, letters, archives, and art, she traces the banjo’s beginnings from the seventeenth century, when enslaved people of African descent created it from gourds or calabashes and wood. Gaddy shows how the enslaved carried this unique instrument as they were transported and sold by slaveowners throughout the Americas, to Suriname, the Caribbean, and the colonies that became U.S. states, including Louisiana, South Carolina, Maryland, and New York. African Americans came together at rituals where the banjo played an essential part. White governments, rightfully afraid that the gatherings could instigate revolt, outlawed them without success. In the mid-nineteenth century, Blackface minstrels appropriated the instrument for their bands, spawning a craze. Eventually the banjo became part of jazz, bluegrass, and country, its deepest history forgotten.
We'll Play till We Die: Journeys across a Decade of Revolutionary Music in the Muslim World
by Mark LeVineIn his iconic musical travelogue Heavy Metal Islam, Mark LeVine first brought the views and experiences of a still-young generation to the world. In We'll Play till We Die, he joins with this generation's leading voices to write a definitive history of the era, closing with a cowritten epilogue that explores the meanings and futures of youth music from North Africa to Southeast Asia. We'll Play till We Die dives into the revolutionary music cultures of the Middle East and larger Muslim world before, during, and beyond the waves of resistance that shook the region from Morocco to Pakistan. This sequel to Mark LeVine's celebrated Heavy Metal Islam shows how some of the world's most extreme music not only helped inspire and define region-wide protests, but also exemplifies the beauty and diversity of youth cultures throughout the Muslim world. Two years after Heavy Metal Islam was published in 2008, uprisings and revolutions spread like wildfire. The young people organizing and protesting on the streets—in dozens of cities from Casablanca to Karachi—included the very musicians and fans LeVine spotlighted in that book. We'll Play till We Die revisits the groundbreaking stories he originally explored, sharing what has happened to these musicians, their music, their politics, and their societies since then. The book covers a stunning array of developments, not just in metal and hip hop scenes, but with emo in Baghdad, mahraganat in Egypt, techno in Beirut, and more. LeVine also reveals how artists have used global platforms like YouTube and SoundCloud to achieve unprecedented circulation of their music outside corporate or government control. The first collective ethnography and biography of the post-2010 generation, We'll Play till We Die explains and amplifies the radical possibilities of music as a revolutionary force for change.
The Well-Tempered Clavier: Books I and II, Complete (Dover Classical Piano Music #1)
by Johann Sebastian Bach"His art was of an encyclopedic nature, drawing together and surmounting the techniques, the styles, and the general achievements of his own and earlier generations and leading to a new perspective." -- Grove's Dictionary of Music and Musicians.This informed assessment of the genius of Bach's works can be applied with greatest accuracy to The Well-Tempered Clavier. This highly influential work is monumental in the history of Western music. It represents not only the culmination of Bach's own maturation process, but also the galvanization of the emerging style and structure of modern keyboard music.The grace and fecundity of The Well-Tempered Clavier have thrilled audiences, musicians, and composers for centuries. Mozart, when rapidly advancing to the height of his mastery, had but to read a manuscript copy of The Well-Tempered Clavier and his style developed a new polyphonic richness and depth of harmony. Beethoven studied all the accessible works of Bach profoundly (including The Well-Tempered Clavier) and frequently quoted them in his sketchbooks, often with direct bearing on his own works. Chopin is nowhere more characteristic than when he shows his love of The Well-Tempered Clavier in his Etudes and Preludes. It was Schumann who, in a series of maxims for young musicians, said "Make The Well-Tempered Clavier your daily bread."This remarkable volume contains all 48 preludes and fugues, from Books I and II, in all major keys, reproduced directly from the authoritative Bach-Gesellschaft edition. The fine engraving is beautiful, clear, and easy to read. These elegant pieces, which vary in difficulty, are available complete in one low-cost, convenient Dover edition.
Well-Tempered Woodwinds: Friedrich Von Huene And The Making Of Early Music In A New World (Publications Of The Early Music Institute Ser.)
by Geoffrey BurgessFriedrich von Huene (1928- ) is arguably the most important manufacturer of historical woodwinds in the 20th century. Since he began making recorders in 1958, von Huene has exerted a strong influence on the craft of building woodwind instruments and on the study of instrument-making, as he has helped to shape the emerging field of Early Music performance practice. Recipient of lifetime achievement awards from the American Musical Instrumental Society, the National Flute Association, and Early Music America, he has remained at the forefront of research and design of historical copies of recorders, flutes, and oboes. In a compelling narrative that combines biography, cultural history, and technical organological enquiry, Geoffrey Burgess explores von Huene's impact on the craft of historical instrument-making and the role organology has played in the emergence of the Early Music movement in the post-war era.
Well with My Soul: Four Dramatic Stories of Great Hymn Writers
by Rachael PhillipsDiscover the stories--and the special meaning--behind four favorite hymns of the faith: "It Is Well with My Soul," "Like a River Glorious," "There Is a Fountain Filled with Blood," and "Let the Lower Lights Be Burning." Meet Horatio Spafford, Frances Ridley Havergal, William Cowper, and Philip P. Bliss, the courageous eighteenth- and nineteenth-century hymn writers who overcame great trial and tragedy to pen some of Christendom's greatest songs. Compelling personal stories--of a shipwreck that claimed precious daughters, of faith amidst frailty, of debilitating depression, and of death in a burning rail car--show God's power to make everything well with our souls, no matter what the circumstance.
Welsh Vocal Music: A Guide to Lyric Diction and Repertoire
by Rachel SchutzSinging has long been an integral component of Wales’s culture, identity, and international reputation; alongside the deep traditions of Welsh folksong, the country’s composers have produced a rich body of art music. Welsh Vocal Music introduces readers to the vast vocal repertoire of Wales and provides them with the tools to accurately and confidently sing in the Welsh language.The first section of the book offers an introduction to Welsh lyric diction, including sounds, spellings, pronunciation rules, and dialects, while the second section provides a guide to notable vocal composers of Wales and their works. A biographical and stylistic overview is provided for each composer, along with a catalogue of and commentary on their important works, including art songs, folk song arrangements, choral music, and opera. IPA transliterations and translations, along with online recordings, provide additional guidance on accurate diction.Offering a comprehensive description of Welsh lyric diction and uniting author biographies and style guides, Welsh Vocal Music is an ideal resource for professional singers, vocal coaches, conductors, and advanced students looking to perform Welsh music. Providing key contextual information about Wales’s history, language, and traditions, the book invites musicians to explore and celebrate the beauty, variety, and power of the country’s repertoire.
Wendy Carlos: A Biography (Cultural Biographies Ser.)
by Amanda SewellWith her debut album Switched-On Bach, composer and electronic musician Wendy Carlos (b. 1939) brought the sound of the Moog synthesizer to a generation of listeners, helping to effect arguably one of the most substantial changes in popular music’s sound since musicians began using amplifiers. Her story is not only one of a person who blazed new trails in electronic music for decades but is also the story of a person who intersected in many ways with American popular culture, medicine, and social trends during the second half of the 20th century and well into the 21st. This biography tells the full story of her life and work and about the ways in which they reflect many dimensions of American culture. Author Amanda Sewell traces how Carlos's identity as a transgender woman has shaped many aspects of her life, her career, how she relates to the public, and how the public has received her and her music. She shows how cultural factors surrounding the treatment of transgender people affected many of the decisions that Carlos has made over the decades. Additionally, the book describes how cultural reception and perception of transgender people has colored how journalists, scholars, and fans have written about Carlos and her music for decades. Wendy Carlos: A Biography is essential reading for all who are interested in contemporary music and culture.
Wendy Carlos's Switched-on Bach (33 1/3 Ser. #141)
by Roshanak KheshtiSo much, popular and scholarly, has been written about the synthesizer, Bob Moog, and his brand-name instrument-and even Wendy Carlos, the musician who made this instrument famous. No one, however, has examined the importance of spy technology, the Cold War, and gender to this critically important innovation. What is the relationship between synthesizers, electronic music, and world politics? These unlikely correlations form the backdrop to Roshanak Kheshti's inquiry into Wendy Carlos's award-winning album. Through a postcolonial, feminist science and technology studies perspective, Kheshti explores the importance of Carlos's first album to synthesizer technology, home studio design, and sound color orchestration. She further examines the jockeying among world powers for status within an electronic music race akin to the Space Race of the same era. By focusing on Switched-On Bach (the highest-selling classical music recording of all time), this book examines the gendering of sound over the course of the twentieth century. Roshanak Kheshi is Associate Professor of Ethnic Studies and affiliate faculty in the Critical Gender Studies Program at the University of California, San Diego, USA.
We're Gonna Die
by Young Jean Lee"Sly, weird, and thoroughly winning . . . Bracing, funny, and, yes, consoling."--The New York Times"Young Jean Lee will give you whiplash. Her ability to stake out aesthetic territory and then abruptly abandon it makes her unpredictable; her tendency to excel at each new genre makes her terrifying. In the enormously touching cabaret-style We're Gonna Die, Lee jettisons everything that has armored this au courant young playwright against the world. . . . Lee purchases our hearts with her bravery's own coin."--Time Out New YorkInspired by her personal experiences with despair and loneliness, the Obie Award-winning playwright-provocateur and her band Future Wife create a life-affirming show that anyone can perform, about the one thing everyone has in common: we're all gonna die. Each book includes a CD of all six songs and eight monologues performed by David Byrne, Laurie Anderson, Adam Horowitz, and others.Young Jean Lee has been hailed as "one of the best experimental playwrights in America" by Time Out New York. She has written and directed nine shows in New York with Young Jean Lee's Theater Company and toured her work to over twenty cities around the world. Her other plays include The Shipment, Lear, and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship, and a Doris Duke Artist Award.
We're Not Gonna Take It: A Children's Picture Book (LyricPop #0)
by Margaret McCartney Dee SniderThis picture book of Dee Snider's classic song of empowerment and self-determination will strike a chord with kids everywhere. Oh we're not gonna take it No, we ain't gonna take it Oh we're not gonna take it anymore
Were You There?: Lenten Reflections on the Spirituals
by Luke PoweryValuable not only for their sublime musical expression, the African American spirituals provide profound insights into the human condition and Christian life. Many spirituals focus on the climax of the Christian drama, the death and resurrection of Jesus Christ, and the ways in which those events bring about the liberation of God’s people.
West African Drumming and Dance in North American Universities: An Ethnomusicological Perspective
by George Worlasi DorMore than twenty universities and twenty other colleges in North America (USA and Canada) offer performance courses on West African ethnic dance drumming. Since its inception in 1964 at both UCLA and Columbia, West African drumming and dance has gradually developed into a vibrant campus subculture in North America. The dances most practiced in the American academy come from the ethnic groups Ewe, Akan, Ga, Dagbamba, Mande, and Wolof, thereby privileging dances mostly from Ghana, Togo, Benin, Senegal, Mali, Guinea, and Burkina Faso. This strong presence and practice of a world music ensemble in the diaspora has captured and engaged the interest of scholars, musicians, dancers, and audiences. In the first-ever ethnographic study of West African drumming and dance in North American universities, the author documents and acknowledges ethnomusicologists, ensemble directors, students, administrators, and academic institutions for their key roles in the histories of their respective ensembles. Dor collates and shares perspectives including debates on pedagogical approaches that may be instructive as models for both current and future ensemble directors and reveals the multiple impacts that participation in an ensemble or class offers students. He also examines the interplay among historically situated structures and systems, discourse, and practice, and explores the multiple meanings that individuals and various groups of people construct from this campus activity. The study will be of value to students, directors, and scholars as an ethnographic study and as a text for teaching relevant courses in African music, African studies, ethnomusicology/world music, African diaspora studies, and other related disciplines.
West Side Story: The Jets, the Sharks, and the Making of a Classic (Turner Classic Movies)
by Richard BarriosA captivating, richly illustrated full account of the making of the ground-breaking movie classic West Side Story (1961).A major hit on Broadway, on film West Side Story became immortal-a movie different from anything that had come before, but this cinematic victory came at a price. In this engrossing volume, film historian Richard Barrios recounts how the drama and rivalries seen onscreen played out to equal intensity behind-the-scenes, while still achieving extraordinary artistic feats.The making and impact of West Side Story has so far been recounted only in vestiges. In the pages of this book, the backstage tale comes to life along with insight on what has made the film a favorite across six decades: its brilliant use of dance as staged by erstwhile co-director Jerome Robbins; a meaningful story, as set to Leonard Bernstein and Stephen Sondheim's soundtrack; the performances of a youthful ensemble cast featuring Natalie Wood, Rita Moreno, George Chakiris, and more; a film with Shakespearean roots (Romeo and Juliet) that is simultaneously timeless and current. West Side Story was a triumph that appeared to be very much of its time; over the years it has shown itself to be eternal.
West Side Story, Gypsy, and the Art of Broadway Orchestration (Routledge Research in Music)
by Paul LairdIn this ground-breaking study, Paul Laird examines the process and effect of orchestration in West Side Story and Gypsy, two musicals that were among the most significant Broadway shows of the 1950s, and remain important in the modern repertory. Drawing on extensive archival research with original manuscripts, Laird provides a detailed account of the process of orchestration for these musicals, and their context in the history of Broadway orchestration. He argues that the orchestration plays a vital role in the characterization and plot development in each major musical number, opening a new avenue for analysis that deepens our understanding of the musical as an art form. The orchestration of the score in Broadway musicals deeply shapes their final soundscapes, but only recently has it begun to receive real attention. Linked by a shared orchestrator, in other ways West Side Story and Gypsy offer a study in contrasts. Breaking down how the two composers, Leonard Bernstein and Jules Styne, collaborated with orchestrators Sid Ramin, Irwin Kostal, and Robert Ginzler, Laird’s study enables us to better understand both of these two iconic shows, and the importance of orchestration within musical theatre in general.
West Side Story in Spain: The Transcultural Adaptation of an Iconic American Show (Elements in Musical Theatre)
by Paul R. Laird Gonzalo Fernández MonteWest Side Story first became famous in Spain when the Robert Wise film opened there in 1962, the version remaining popular for decades. Brief international tours came to various cities in Spain in the 1980s, but their presence did not diminish memory of the film, which played a major influence on the country's first stage adaptation of the show in 1996. Directed by Ricard Reguant and produced in Barcelona by Focus, the production also toured. After another international tour played in three Spanish cities in summer 2009, the Madrid company SOM Produce mounted a rendition in 2018 directed and choreographed by Federico Barrios, the first Spanish stage version based on the original 1957 staging. This Element compares the adaptations of the 1996 and 2018 versions in detail, illuminating issues encountered when translating a musical for another culture.
West Virginia's Traditional Country Music (Images of America)
by Ivan M. Tribe Jacob L. BapstWest Virginia has been known for a century as a rich repository of traditional country music and musicians. Beginning in the mid-1920s, phonograph recordings and radios brought this music to a wider audience. With the passing of time and the influence of commercialization, this music developed into what became first known as "hillbilly" and then into the more refined "country" because of its long appeal to those of rural background. Although modernization has caused the traditional element to recede considerably, much still remains. Many folk still cling to the older sounds exemplified by the "raw" traditionalists and the neo-traditional bluegrass style that emerged in the 1940s. From the earliest recording artists, such as the Tweedy Brothers and David Miller, who was blind, to contemporary stars like Kathy Mattea and Brad Paisley, West Virginians and others have held their musicians in high esteem.