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Who Was Wolfgang Amadeus Mozart?
by Yona Zeldis McdonoughWho Was Wolfgang Amadeus Mozart? a) A six-year-old who dazzled the empress of Austria with his piano brilliance b) A composer who wrote more than 600 concertos, sonatas, symphonies, and operas in his thirty-five-year lifetime c) A serious musician who loved to tell silly jokes d) All of the above! Find out more about the real Wolfgang Amadeus Mozart in this fun and exciting biography!
Who Was Wolfgang Amadeus Mozart? (Who Was?)
by Yona Zeldis Mcdonough Carrie RobbinsBorn in Austria in 1756, Wolfgang Amadeus Mozart composed his first piece of music, a minuet, when he was just five years old! Soon after, he was performing for kings and emperors. Although he died at the young age of thirty-five, Mozart left a legacy of more than 600 works. This fascinating biography charts the musician's extraordinary career and personal life while painting a vivid cultural history of eighteenth-century Europe. Black-and-white illustrations on every spread explore such topics as the history of opera and the evolution of musical instruments. There is also a timeline and a bibliography. Illustrated by Carrie Robbins. Cover illustration by Nancy Harrison.
Who Were the Beatles?
by Geoff EdgersReaders will learn about their Liverpudlian childhoods, their first forays into rock music, what Beatlemania was like, and why they broke up. It's all here in an easy-to-read narrative with plenty of black and white illustrations.
Who Were the Beatles? (Who Was?)
by Geoff Edgers Jeremy TugeauAlmost everyone can sing along with the Beatles, but how many young readers know their whole story? Geoff Edgers, a Boston Globe reporter and hard-core Beatles fan, brings the Fab Four to life in this Who Was...? book. <P><P>Readers will learn about their Liverpudlian childhoods, their first forays into rock music, what Beatlemania was like, and why they broke up. It's all here in an easy-to-read narrative with plenty of black-and-white illustrations!
Who Wrote The Book Of Love?
by Richard Crouse¸ The words to Little Richard's "Tutti Frutti" were initially so risqué they had to be completely rewritten - in the hallway of the studio, as time was running out - before the song could be recorded. (He wrote the original version while working as a dishwasher in a bus station in Georgia. ) ¸ Paul Simon's 1972 hit "Mother and Child Reunion" takes its name from an elaborate chicken and egg dish served at Say Eng Look Restaurant in New York City. ¸ Nirvana's huge hit "Smells Like Teen Spirit," interpreted by music critics and fans alike as an angst-ridden cry of teen rebellion, actually sprang from a bit of graffiti accusing Kurt Cobain of smelling like an antiperspirant for young women.
Who You Think I Am?: Masken in der Pop-Musik (Essays zur Gegenwartsästhetik)
by Sebastian BerlichPop-Stars sind uns nahe. In ihren Songs, ihren Bildern, ihren Stories auf Instagram. Gesucht ist ein authentischer Eindruck. Echte Gefühle auf echten Gesichtern. Aber was passiert, wenn sie ihr Gesicht mit einer Maske verdecken? Und zwar dauerhaft, als zweites Gesicht. Das Phänomen findet sich im Mainstream wie im Underground. Die Maske bricht dabei nicht mit dem Ideal von Authentizität. Vielmehr verweist sie je nach Inszenierung auf verschiedenste Diskurse, kann cool oder grotesk wirken, zum Logo werden oder Anonymität herstellen. Der Essay zeigt an zwei Beispielfällen (Sido, Slipknot), wie die Maske die Persona von Pop-Stars konstruiert – und enthüllt damit Strukturen der Pop-Musik.
Who You Think I Am?: Masks in Pop Music
by Sebastian BerlichPop stars are close to us. In their songs, their pictures, their stories on Instagram. What we are looking for is an authentic impression. Real feelings on real faces. But what happens when they cover their face with a mask? Permanently, as a second face. The phenomenon can be found in the mainstream as well as in the underground. The mask does not break with the ideal of authenticity. Rather, depending on how it is staged, it refers to the most diverse discourses, can appear cool or grotesque, become a logo or create anonymity. The essay uses mainly two examples (Sido, Slipknot) to show how the mask constructs the persona of pop stars - and thus reveals structures of pop music.
A Whole Lot of History
by Kimberley WalshIn 2002 - along with Cheryl Cole, Nadine Coyle, Sarah Harding and Nicola Roberts - Kimberley Walsh won a place in the Popstars The Rivals band Girls Aloud, and her life changed forever. Ten years later, after six platinum albums, twenty top-ten singles, a Brit Award, an entry in the Guinness Book of Records and a triumphant sell-out reunion tour, the girls have decided to go their separate ways. What better time for Kimberley - a professional, hardworking businesswoman as well as a multi-talented actress and songstress - to tell her story. What was it like behind the scenes of a such a hugely successful band? Was there any truth in the rumours of endless feuds within Girls Aloud? How did she manage to maintain such a strong loving relationship with her partner Justin during the 10 years she was in the band? And how does it feel when your best friend becomes the most famous person in the land? Full of the warmth and laughter that makes Kimberley such a national treasure, with lots of insider secrets revealed too, this book is like curling up on the sofa for a gossip with a friend. There is lots still to come from the UK's favourite Northern lass. Just watch this space.
A Whole Lot of History
by Kimberley WalshIn 2002 - along with Cheryl Cole, Nadine Coyle, Sarah Harding and Nicola Roberts - Kimberley Walsh won a place in the Popstars The Rivals band Girls Aloud, and her life changed forever.Ten years later, after six platinum albums, twenty top-ten singles, a Brit Award, an entry in the Guinness Book of Records and a triumphant sell-out reunion tour, the girls have decided to go their separate ways. What better time for Kimberley - a professional, hardworking businesswoman as well as a multi-talented actress and songstress - to tell her story. What was it like behind the scenes of a such a hugely successful band? Was there any truth in the rumours of endless feuds within Girls Aloud? How did she manage to maintain such a strong loving relationship with her partner Justin during the 10 years she was in the band? And how does it feel when your best friend becomes the most famous person in the land? Full of the warmth and laughter that makes Kimberley such a national treasure, with lots of insider secrets revealed too, this book is like curling up on the sofa for a gossip with a friend. There is lots still to come from the UK's favourite Northern lass. Just watch this space.(P)2013 Headline Digital
Whole Lotta Led: Our Flight With Led Zeppelin
by null Ralph Hulett null Jerry ProchnickyIn September 1968, four English lads gathered together for the first time in a small, stuffy London rehearsal room in a basement filled with wall-to-wall amplifiers. It was their first big tryout as musicians, and each of them was nervous. Would they come together as a band? Or would they crash and burn, becoming nothing but a rock footnote? Then the room exploded, with wailing chords, howling vocals, and a locked-tight rhythm section—a sonic assault of heretofore unknown power. Here for the first time was Led Zeppelin: the screaming rock guitar of Jimmy Page, the scorching blues vocals of Robert Plant, the driving jazz bass of John Paul Jones, and the power drumming of John Bonham. The session was amazing, electrifying, and stunning. The Zepp had arrived. There was no turning back. And rock entertainment would never be the same again.Told by the band, the musicians, the groupies, and the fans themselves, this chronicle of one of rock's greatest and most innovative bands comes alive with the hiss of turntables, the sweat of the crowd at the Fillmore East, the hustle and bustle of backstage life, and the electricity of small clubs where rock history was about to be made. It's a story about a band's influence on two impressionable guys, and the countless others who came to get the Led out and stayed to become part of rock 'n' roll legend. With exclusive and rare photos
Whole Lotta Led Zeppelin: The Illustrated History of the Heaviest Band of All Time
by Jon BreamThis second edition of the history of rock's heaviest band gives you even more reasons to rock!This all-star tribute features many of today's top rock journalists from Rolling Stone, CREEM, Billboard, and more, as well as reflections on the band from some of rock's greatest performers, including members of the Kinks, Aerosmith, Heart, Mott the Hoople, the Minutemen, the Hold Steady, and many more.Glorious concert and behind-the-scenes photography cover the band from the first shows in 1968 as the New Yardbirds through today. More than 450 rare concert posters, backstage passes, tickets, LPs and singles, t-shirts, buttons, and more illustrate the book. A discography and tour itinerary complete the package, making a book as epic as the band it documents.Created from the ashes of the Yardbirds by guitarist and session wizard Jimmy Page, Led Zeppelin featured virtuoso bass player John Paul Jones, gonzo drummer John Bonham, and Robert Plant, a vocalist like no other before him. The band single-handedly defined what rock 'n' roll could be, leaving in their wake tales as tall or as real as we wanted them to be.All of that, plus exclusive commentary from Ray Davies of the Kinks, Steve Earle, Kid Rock, Ace Frehley of Kiss, Rob Thomas of Matchbox Twenty, Chris Robinson of the Black Crowes, Jon Bon Jovi and Richie Sambora, Lenny Kravitz, Dolly Parton, and many more make this book one that no fan of Led Zeppelin will want to miss!
Whole World in an Uproar: Music, Rebellion and Repression – 1955-1972
by Aaron LeonardHow the radical music of the 1960s was birthed amid unprecedented upheaval and systemic repression.Seventy years since the radical music of the 1960s first hit the airwaves, the anthems of the era continue to resonate with our current times. Through studying these musicians and the political contexts in which their pioneering songs were birthed; amidst paranoia, psychedelic delusions, desire and civil unrest; Aaron Leonard&’s Whole World in an Uproar is an important new critical history of countercultural music from the Summer of Love to the unwelcome arrival of Bob Dylan.
Whores: An Oral Biography of Perry Farrell and Jane's Addiction
by Brendan MullenJane's Addiction's 1988 breakthrough album, Nothing's Shocking, had a seismic impact on the music scene of the late 80s. With a bracing combination of metal, punk, and psychedelica, coupled with lead singer Perry Farrell's banshee-in-a-windtunnel vocals, the arrival of Jane's Addiction put what would soon be co-opted as "alternative" on the map. Rising from the depths of Venice Beach's junkie-surfer demonade, Jane's Addiction freely mixed the decadent with the innocent, and paved the way for the mainstream success of bands like the Red Hot Chili Peppers and Nirvana. After Nothing's Shocking, Jane's Addiction released another classic album, Ritual de Lo Habitual (featuring the hit "Been Caught Stealing"), founded the Lollapalooza festival, and openly celebrated a bacchanalian lifestyle that blurred all lines of gender and sexuality. Drawn from original interviews with the band (including Farrell and guitarist Dave Navarro), their friends, and musical colleagues, Whores will take readers through the early days of the band to their drug-addled breakup and eventual triumphant reunion with the 2003 release of their album Strays. Along the way, providing a candid, sometimes disturbing glimpse into the dynamic alternative rock scene of Los Angeles in the '80s and '90s.
Who's Afraid of Opera?: A Highly Opinionated, Informative, and Entertaining Guide to Appreciating Opera
by Michael WalshFor anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, WHO’S AFRAID OF OPERA? offers a lively, readable guide to what author Michael Walsh describes as "the greatest art form yet invented by humankind." From opera's origins in Renaissance Italy to The Who's rock odyssey “Tommy” and Stephen Sondheim's “Into the Woods,” Walsh explores what opera is and what it's not, what makes a great singer, and why it takes Tristan so long to die. So curtain up! It's time to settle into your seat, close up your program, and watch the house lights go down. And get ready for the musical ride of your lives.
Who's 'Bout to Bounce?: Who's 'bout To Bounce (The Cheetah Girls #3)
by Deborah GregoryDorinda&’s dance teacher tells her that she&’s got what it takes to audition as a back-up dancer for the singing sensation Money Monique. This is Dorinda&’s chance to really make it. But since Dorinda has always been the best dancer in the Cheetah Girls, she&’s been the one to make up the group&’s &“phat&” dance moves. If she gets chosen to tour with Money Monique, she&’ll have to leave the Cheetah Girls and Mrs. Bosco, her foster mother, behind.
Who's 'Bout to Bounce, Baby? (Cheetah Girls #3)
by Deborah GregoryDorinda's dance teacher tells her that she's got what it takes to audition as a back-up dancer for the singing sensation Money Monique. But if she gets chosen to tour with Money Monique, she'll have to leave The Cheetah Girls and Mrs. Bosco, her foster mother, behind.
Who's Crazee Now?: My Autobiography
by Lisa Verrico Noddy HolderAs lead singer and extraordinary frontman of SLADE, Noddy Holder was one of the most successful musicians of the '70s and '80s. The epitome of the Glam Rock look and lifestyle, they released anthem after anthem as they mixed pure pop madness with football chant choruses. Seemingly on a mission to corrupt the spelling of a generation, the hits are songs we still hold dear today: MAMA WEER ALL CRAZEE NOW, LOOK WOT YOU DUN, CUM ON FEEL THE NOIZE. . . In a short few years they had 12 top five hits, 6 of them making #1 spot. Their albums also topped the charts and their huge Christmas anthem MERRY CHRISTMAS EVERYBODY has entered the top twenty over 7 times. In the '80s Slade made a brilliant revival with even more hits, especially RUN RUN AWAY and the classic MY OH MY. Today Noddy is as loved by the British public as he has ever been and in this hilarious autobiography he will tell us his complete life story, from growing up in the Midlands, to performing in the working men's clubs. The information of their first group, The N'Betweens and the mutation into an unlikely skinhead group, Ambrose Slade. And then, of course, Glam Rock and all the excesses of lifestyle that accompanied the outrageous clothes, not to mention guitarist Dave Hill's incredible hair style.
Who's That Girl?: A Memoir
by EveThe definitive autobiography from Eve, the multiplatinum, Grammy Award®–winning, Emmy®-nominated rapper, singer-songwriter, actor, mother, philanthropist, and entrepreneur.In 1999, Eve Jihan Cooper made history with her solo debut album, Let There Be Eve…Ruff Ryders&’ First Lady, reaching number one on the Billboard 200, marking her as the third female rapper to ever obtain that position. She later made history again as the first recipient ever of the Grammy Award®for Best Rap/Sung Collaboration for her platinum single &“Let Me Blow Ya Mind&” with Gwen Stefani. Following up with three chart-topping albums that made unrivaled waves in the world of hip-hop and music, as well as trailblazing moments in TV/film and fashion, Eve now looks back on her groundbreaking career.West Philadelphia was not for the faint of heart—Eve knows that better than anyone. However, she navigated those Philly streets (and later the rest of the world) seamlessly, though it was not without strength and resilience. She incorporates that unbridled ambition into every bar that she writes and every stage/set that she stands on. With a gritty realness that speaks to her style, she shares her experiences going from the Mill Creek Projects to Hollywood. In this memoir, Eve delves into her entrance as "Eve of Destruction" into a male-dominated hip-hop industry, the deeper story behind Scorpion that was never told until now, and the internal battle with her music, her label, and herself after Lip Lock. This fearless, empowering, and inspirational memoir from hip-hop sensation Eve explores her rise to stardom as a female MC, her lasting legacy on pop culture and music, and her incredible yet enduring struggle balancing her personal life with her professional one.
Who’s Who and What’s What in Wagner
by Jonathan LewseyWho‘s Who and What‘s What in Wagner aims to fill a notable gap in the extensive literature surrounding the works of Richard Wagner. It is a comprehensive reference work in which all the many complexities of character, plot and language in Wagner‘s operas, from Die Feen to Parsifal, are elucidated. For ease of reference the book is arranged alphabetically in the style of an encyclopaedia. Herein will be found succinct synopses of all the operas; in-depth biographies of all the characters; a lexicon of difficult words and phrases; plus an appendix comprising a select bibliography and discography. Whether the reader be a casual opera lover, or specialist involved in the production or performance of Wagner‘s works, this book will prove to be an invaluable companion. Contents include: Alphabetical Listing including: 86 in-depth character studies; Synopsis for each of the 13 operas; Over 1,000 further entries about names, places and artifacts that feature in Wagner‘s works; Index.
Whose Blues?: Facing Up to Race and the Future of the Music
by Adam GussowMamie Smith's pathbreaking 1920 recording of "Crazy Blues" set the pop music world on fire, inaugurating a new African American market for "race records." Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's "No black. No white. Just the blues," as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if "blues is black music," as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities? In Whose Blues?, award-winning blues scholar and performer Adam Gussow confronts these challenging questions head-on. Using blues literature and history as a cultural anchor, Gussow defines, interprets, and makes sense of the blues for the new millennium. Drawing on the blues tradition's major writers including W. C. Handy, Langston Hughes, Zora Neale Hurston, and Amiri Baraka, and grounded in his first-person knowledge of the blues performance scene, Gussow's thought-provoking book kickstarts a long overdue conversation.
Whose Music?: Sociology of Musical Languages
by John ShepherdWhose Music? combines historical, musicological, and sociological materials and styles of analysis in ways that connect to the field of sociology. The analyses of social class systems presented here speak in translatable ways to analyses of musical forms. Not only that, both are connected to an understanding of the organizations through which works are distributed to their audiences. Perhaps most importantly for the contemporary reader, this book depicts the part of the process by which dominant class groups justify their domination--cultural and otherwise.
Why AC/DC Matters
by Anthony BozzaAustralian rock giants AC/DC have sold more records in the U.S. than Michael Jackson, Bruce Springsteen, Aerosmith, and than the Rolling Stones, yet have always been undervalued and unappreciated by mainstream rock music critics. In Why AC/DC Matters, former Rolling Stone staff writer and New York Times bestselling author Anthony Bozza addresses this inequity, penning a just tribute to these monsters of rock. Brimming with fascinating stories and insights from musicians, fans, music scholars, and the author himself, Why AC/DC Matters is an overdue homage to arguably the greatest rock and roll band of all time.
Why Are We Attracted to Sad Music?
by Sandra GarridoIn this book, perspectives in psychology, aesthetics, history and philosophy are drawn upon to survey the value given to sad music by human societies throughout history and today. Why do we love listening to music that makes us cry? This mystery has puzzled philosophers for centuries and tends to defy traditional models of emotions. Sandra Garrido presents empirical research that illuminates the psychological and contextual variables that influence our experience of sad music, its impact on our mood and mental health, and its usefulness in coping with heartbreak and grief. By means of real-life examples, this book uses applied music psychology to demonstrate the implications of recent research for the use of music in health-care and for wellbeing in everyday life.
“Why Aren't They Talking?”: The Sung-Through Musical from the 1980s to the 2010s (Elements in Musical Theatre)
by Alex BádueIn the American musical theater, the most typical form of structuring musicals has been the book musical, in which songs interrupt spoken dialogue and add means to depict characters and dramatic situations. After 1980, a form of structuring musicals that expands upon the aesthetic conventions of the book musical came to prominence. Sung-through musicals challenged the balance between talking and singing in musical theater in scripts that are entirely or nearly entirely sung. Although often associated with British musicals, this Element focuses on American sung-through musicals composed and premiered between 1980 and 2019. Their creative teams have employed specific procedures and compositional techniques through which music establishes characterization and expression when either very little or nothing is spoken and thus define how the musical reinvented itself toward and in the twenty-first century.
Why Beethoven: A Phenomenon in One Hundred Pieces
by Norman LebrechtWithout Beethoven, music as we know it wouldn&’t exist. By examining one hundred of his compositions, a portrait emerges of the man behind the music.Lebrecht has immersed himself in the rich catalog of Beethoven recordings and presents a unique picture of the man through his music. He selects the best recordings of one hundred key pieces, showing the composer as we&’ve never seen him before. Unruly, offensive, and hopeless in so much of his life, yet driven to a fault and devoted to his art, conquering deafness to pen masterpieces. Norman Lebrecht has been grappling with this icon at the heart of music for his entire life. Who was the irascible, unpredictable, warped genius who stretched what music could do to the breaking point? In this unique examination, Lebrecht attempts to understand the power of this man through his compositions, the history of who has performed them, and what it has meant to successive generations of audiences. In turn a detective story (we learn who Elise of &“Fur Elise&” is for the first time) and a confession, Why Beethoven aims to rise to the challenge of how to encompass the relentless energy of this singular genius. With a narrative that mirrors the wayward sequence of Beethoven&’s compositions, Beethoven emerges as a cornerstone of the world as we know it.