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World Music: A Global Journey
by Andrew Shahriari Terry E. MillerWorld Music: A Global Journey, Fifth Edition, explores the diversity of musical expression around the world, taking students across the globe to experience cultural traditions that challenge the ear, the mind, and the spirit. It surveys world music within a systematic study of the world’s major cultures, supported by a strong pedagogical framework. Providing historical and cultural overviews of the world’s seven continents, and fortified by in-depth studies of varied musical traditions, World Music: A Global Journey is known for its student-friendly approach and lively visits to “sites” that host musics of the world. The robust companion website with audio is ideal for online coursework. FEATURES Easy-to-follow proven chapter structure, organized by geographic region Listening Guides, detailed maps, and hundreds of colorful photos, with more than two dozen new images Coverage of an eclectic blend of world musics, including both popular and traditional music New “Inside Look” entries spotlight distinguished ethnomusicologists and musicians, such as Patricia Shehan-Campbell, Oleg Kruglyakov, Chan E. Park, Vivek Virani, and Mia Gormandy New “Musical Markers” feature that summarizes key musical elements of each audio example New site visiting Georgia, a new “Explore More” feature focused on Slovenian Polka, a new track for North Indian Raga with sitar, and much more New streamed music delivery! Hosted on the book’s dedicated website Audiobook—extra value! Presented by chapter on the book website Used in classrooms around the globe, World Music: A Global Journey, Fifth Edition, is an internationally acclaimed and best-selling fundamental resource for students and instructors to begin their exploration of world music and culture.
World Music: A Very Short Introduction
by Philip V. BohlmanWorld Music draws readers into a remarkable range of historical encounters, in which music had the power to evoke the exotic and to give voice to the voiceless. In the course of the volume's eight chapters the reader witnesses music's involvement in the modern world, but also the individual moments and particular histories that are crucial to an understanding of music's diversity. This book is wide-ranging in its geographical scope, yet individual chapters provide in-depth treatments of selected music cultures and regional music histories. The book frequently zooms in on repertoires and musicians--such as Bob Marley, Dana International, Bartok, and Nusrat Fateh Ali Khan--and attempts to account for world music's growing presence and popularity at the beginning of the twenty-first century.
World Music: Blank Sheet Music Staff Manuscript Paper, 12 Plain Staves Per Page, 130 Pages, 8. 5 X 11
by Donna PriceNiccolo’s parents are professional musicians who play with a symphony orchestra. They want Niccolo to spend the summer playing violin with the youth symphony orchestra. Niccolo enjoys classical music and playing his violin, but after meeting his new neighbors, Jeremy and Melly, he wants to try something different.
World Music: Traditions and Transformations
by Michael B. BakanWorld Music: Traditions and Transformations has long been a market leader among introductory-level textbooks on diverse global music. It assumes no prior education in music and avoids the use of notation. Though written principally for non-music majors, it is appropriate for courses enrolling non-music and music students alike. The work’s unique traditions-and-transformations approach offers a coherent pathway to exploring the world’s music, from ancient to contemporary genres and experimental to top-of-the-charts popular styles.
World Within a Song: Music That Changed My Life and Life That Changed My Music
by Jeff TweedyAn exciting and heartening mix of memories, music, and inspiration from Wilco front man and New York Times bestselling author Jeff Tweedy, sharing fifty songs that changed his life, the real-life experiences behind each one, as well as what he’s learned about how music and life intertwine and enhance each other. <p><p> What makes us fall in love with a song? What makes us want to write our own songs? Do songs help? Do songs help us live better lives? And do the lives we live help us write better songs? <p><p> After two New York Times bestsellers that cemented and expanded his legacy as one of America’s best-loved performers and songwriters, Let’s Go (So We Can Get Back) and How to Write One Song, Jeff Tweedy is back with another disarming, beautiful, and inspirational book about why we listen to music, why we love songs, and how music can connect us to each other and to ourselves. <p><p>Featuring fifty songs that have both changed Jeff’s life and influenced his music—including songs by the Replacements, Mavis Staples, the Velvet Underground, Joni Mitchell, Otis Redding, Dolly Parton, and Billie Eilish—as well as Jeff’s “Rememories,” dream-like short pieces that related key moments from Jeff’s life, this book is a mix of the musical, the emotional, and the inspirational in the best possible way. <p> <b>New York Times Bestseller</b>
World in My Eyes: The Autobiography
by Richard BladeRichard Blade&’s autobiography is much more than a spotlight on any one decade. Instead, he gives you a jaw-dropping, uncensored insider&’s look into the world of music, movies, and television and its biggest stars, starting in the sixties and continuing through to the new century. Richard takes you on a journey that few have experienced: from his early days as a student at Oxford to the wild, lascivious nights of being a disco DJ touring the clubs of Europe, to coming to America and working with Michael Jackson, Barbra Streisand, and Sarah Jessica Parker and finally breaking through into the L.A. radio scene and becoming the number one morning drive personality in California. From his TV and radio shows to his feature films and live gigs, Richard shares stories that have until now remained secret. His unique perspective will take you on the road with Depeche Mode, to Australia with Spandau Ballet, into the recording studio with Morrissey, and onto the main stage at Live Aid with Duran Duran. He opens up about his friendships with Michael Hutchence and George Michael, as well as his passionate love affair with Terri Nunn of Berlin. This is a no-holds-barred look at life, sex, and death, set to a pulsing backbeat of music. For the first time, Richard Blade shares his extraordinary story, allowing us to see the world through his eyes.
World in Six Songs, The
by Daniel J. LevitinThe author of the New York Times bestseller This Is Your Brain on Music reveals music's role in the evolution of human culture-and "will leave you awestruck" (The New York Times) Daniel J. Levitin's astounding debut bestseller, This Is Your Brain on Music, enthralled and delighted readers as it transformed our understanding of how music gets in our heads and stays there. Now in his second New York Times bestseller, his genius for combining science and art reveals how music shaped humanity across cultures and throughout history. Dr. Levitin identifies six fundamental song functions or types-friendship, joy, comfort, religion, knowledge, and love-then shows how each in its own way has enabled the social bonding necessary for human culture and society to evolve. He shows, in effect, how these "six songs" work in our brains to preserve the emotional history of our lives and species. Dr. Levitin combines cutting-edge scientific research from his music cognition lab at McGill University and work in an array of related fields; his own sometimes hilarious experiences in the music business; and illuminating interviews with musicians such as Sting and David Byrne, as well as conductors, anthropologists, and evolutionary biologists. The World in Six Songs is, ultimately, a revolution in our understanding of how human nature evolved-right up to the iPod. Read Daniel Levitin's posts on the Penguin Blog.
World of the Teton Sioux Indians: Their Music, Life, and Culture
by Frances Theresa DensmoreSometime in August 1913, two Sioux warriors, Old Buffalo and Swift Dog, met with Frances Densmore at a makeshift recording site in McLaughlin, South Dakota. What Old Buffalo and Swift Dog said that day—about life as they knew it before the reservation era began—lives on still in the pages of this fascinating book. Densmore went on to interview numerous Sioux (or Lakota)/Teton (Lakota) Sioux men and women, collecting both their songs and their stories. The present version is an abridged edition of Teton Sioux Music, which according to William Powers is &“one of the few monographs universally regarded as a true classic of Lakota culture.&” It has been skillfully edited to focus less on musical technicality and more on the cultural value of Densmore's work. Its subjects include the Sun Dance, dreams, treatment of the sick, military societies, buffalo hunts, and social dances. Also included are over 130 color and black-and-white illustrations which further bring to life the world of the Teton Sioux.
Worlds of Music
by Timothy J. Cooley Jeff Todd Titon Anne K. Rasmussen Jonathan P. J. Stock David Locke David B. Reck Christopher A. Scales John M. Schechter R. Anderson SuttonOpen yourself to a world of music with bestselling WORLDS OF MUSIC, Sixth Edition. The text presents an in-depth exploration of the world’s music cultures, with a new chapter on Native American music. Based on the authors’ fieldwork and expertise, the text’s case study approach gives you a true sense of both the music and the culture that created it.
Worlds of Sound: The Story of Smithsonian Folkways
by Richard CarlinA man, a microphone, and a dreamWhen he opened his tiny recording studio in New York in 1940, Moses Asch had a larger-than-life dream: To document and record all the sounds of his time. He created Folkways Records to achieve his goal, not just a record label but a statement that all sounds are equal and every voice deserves to be heard. The Folkways catalog grew to include a myriad of voices, from world- and roots-music to political speeches; the voices of contemporary poets and steam engines; folk singers Lead Belly and Woody Guthrie and jazz pianists Mary Lou Williams and James P. Johnson; Haitian vodoun singers and Javanese court musicians; deep-sea sounds and sounds from the outer ring of Earth's atmosphere. Until his death in 1986, Asch—with the help of collaborators ranging from the eccentric visionary Harry Smith to academic musicologists—created more than 2000 albums, a sound-scape of the contemporary world still unequalled in breadth and scope. Worlds of Sound documents this improbable journey. Along the way you'll meet:A young Pete Seeger, revolutionizing the world with his five-string banjo The amazing vocal ensembles of the Ituri PygmiesNorth American tree frogsElla Jenkins's children's musicLead Belly singing "The Midnight Special"The nueva canción of Suni Paz. Folkways became a part of the Smithsonian Institution's collections shortly after Asch's death. Today Smithsonian Folkways continues to make the "worlds of sound" Moe Asch first dreamed of 60 years ago available to all. The Folkways vision is expansive and all-inclusive, and Worlds of Sound advances its rich and lively spirit.
Worship Across the Racial Divide: Religious Music and the Multiracial Congregation
by Gerardo MartiMany scholars and church leaders believe that music and worship style are essential in stimulating diversity in congregations. Gerardo Marti draws on interviews with more than 170 congregational leaders and parishioners, as well as his experiences participating in worship services in a wide variety of Protestant, multiracial Southern Californian churches, to present this insightful study of the role of music in creating congregational diversity. <p><p>Worship across the Racial Divide offers a surprising conclusion: that there is no single style of worship or music that determines the likelihood of achieving a multiracial church. Far more important are the complex of practices of the worshipping community in the production and absorption of music. <p><p>Multiracial churches successfully diversify by stimulating unobtrusive means of interracial and interethnic relations; in fact, preparation for music apart from worship gatherings proves to be just as important as its performance during services. Marti shows that aside from and even in spite of the varying beliefs of attendees and church leaders, diversity happens because music and worship create practical spaces where cross-racial bonds are formed. <p><p>This groundbreaking book sheds light on how race affects worship in multiracial churches. It will allow a new understanding of the dynamics of such churches, and provide crucial aid to church leaders for avoiding the pitfalls that inadvertently widen the racial divide.
Worship Leaders, We Are Not Rock Stars
by Stephen MillerWhy do you lead worship?Often the motives are mixed. You find yourself wanting to point people to Jesus but also feeling a desire to be noticed and praised, to make yourself the center of attention. Stephen Miller is the worship pastor for a large church of young, energetic Christians. He and his band record albums and lead worship for conferences all over the country. He knows the temptation to make himself the show, to pursue fame, to seek the applause of other people. And he has learned to want nothing to do with it. In this book, Miller exhorts his fellow worship leaders to make Jesus the center of all their efforts. He teaches how to do this with Scripture, teaching, prayer, story, and song. In all, Miller&’s call for worship leaders is to lead worship, whole-hearted and whole-minded exalting of God, rather than making a spectacle out of it. Worship Leaders, We&’re Not Rock Stars will encourage and challenge worship leaders by clarifying their purpose and identity, and by doing so will bless those they lead.
Worship Leaders, We Are Not Rock Stars
by Stephen MillerWhy do you lead worship?Often the motives are mixed. You find yourself wanting to point people to Jesus but also feeling a desire to be noticed and praised, to make yourself the center of attention. Stephen Miller is the worship pastor for a large church of young, energetic Christians. He and his band record albums and lead worship for conferences all over the country. He knows the temptation to make himself the show, to pursue fame, to seek the applause of other people. And he has learned to want nothing to do with it. In this book, Miller exhorts his fellow worship leaders to make Jesus the center of all their efforts. He teaches how to do this with Scripture, teaching, prayer, story, and song. In all, Miller&’s call for worship leaders is to lead worship, whole-hearted and whole-minded exalting of God, rather than making a spectacle out of it. Worship Leaders, We&’re Not Rock Stars will encourage and challenge worship leaders by clarifying their purpose and identity, and by doing so will bless those they lead.
Worship Through the Ages: How the Great Awakenings Shape Evangelical Worship
by Elmer L. Towns Vernon M. WhaleyThrough the Ages provides a practical, historical and philosophical study of the Great Spiritual Awakenings as related to the worship of evangelicals around the globe. This is a fascinating story that reveals a unifying, unbroken thread of events whereby one can trace the development of worship practices through the ages. With each move of God came a change in the way people worshiped. <P><P>New paradigms were created, debated, accepted and passed on to the next generation. Narrative for this study is energized by telling "the story" of engaging personalities, influencers and movers and shakers. Emphasis is given to changes in worship practices from the Early Church, Reformation, the Great Awakenings, revival movements, large evangelistic crusades of the 1940s and 1950s, Jesus Movement, and the Praise and Worship movement. A chart tracing the development of worship from Genesis 4 to the twenty-first century is included.
Worship and the World to Come: Exploring Christian Hope in Contemporary Worship (Dynamics of Christian Worship)
by Glenn PackiamChristians sing because we are people of hope. Yet our hope is unlike other kinds of hope. We are not optimists; nor are we escapists. Christian hope is uniquely shaped by the resurrection of Jesus Christ from the dead and by the promise of our own future resurrection. How is that hope both expressed and experienced in contemporary worship? In this volume in the Dynamics of Christian Worship series, pastor, theologian, and songwriter Glenn Packiam explores what Christians sing about when they sing about hope and what kind of hope they experience when they worship together. Through his analysis and reflection, we find that Christian worship is crucial to both the proclamation and the formation of Christian hope.
Worship in Song: A Biblical Approach to Music and Worship
by Scott AniolFew books have been written that carefully distinguish between secular music that we listen to every day, and sacred music, " Scott Aniol says. "After discussing some foundational matters, the first section considers how to make God-pleasing choices regarding the secular music we listen to, and the second deals more narrowly with sacred music. "Contending that much of the confusion about the music issue is primarily a theological misunderstanding, Aniol discusses such issues as what does Sola Scriptura really mean? the nature of biblical affections, the essence of biblical worship, and the purpose of music in the church. Cultural issues discussed include meaning in music, the nature of pop culture, and different kinds of emotion. Each chapter concludes with aids for discussion so that the book may be used in small groups and classrooms. Further resources are available at worshipinsongbook.com or at the website for Aniol's music and consulting ministry, religiousaffections.org.
Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds
by Charles L. Granata Tony AsherWhen he first started working on Pet Sounds, Brian Wilson said that he was going to write "the greatest rock album ever made." That album, released in 1966, fifty years ago, changed the face of popular music.From conception and composition to arrangement and production, Pet Sounds was the work of one extraordinary man. Turning his back on the protest songs and folk rock of his contemporaries and even on the bright surf sound of his own creation, Brian Wilson reached deep within himself to make music that struck an emotional chord and touched people's souls. Embracing the rapidly advancing recording technology of the time, he expertly created an original studio sound that would inspire generations of listeners and musicians.Featuring a detailed track-by-track analysis of the songs and extensive interviews with key personalities, this unique book reveals the influences--musical, personal, and professional--that together created this groundbreaking album. Now revised to include new information and recent developments, this is the definitive book on one of the greatest albums ever made.
Wrecking Crew: The Really Bad News Griffith Park Pirates
by John Albert"You never know what's going to save you. "After years of dingy nightclubs and drug addiction, John Albert and his hard-luck friends certainly never expected their salvation to arrive in the form of a pastime most often associated with Mom, God, and apple pie. Wrecking Crew -- a highly unusual chronicle of recovery and redemption -- documents the transformation of a group of musicians, struggling screenwriters, and wannabe actors into a competitive band of hardballers. For over a decade, it seemed to be enough: the narcotics, gambling, whores, and aimless rebellion. But as they stumbled into their thirties, the blithe pursuit of self-destruction had simply become exhausting to these battle-scarred denizens of the L. A. counterculture. The romantic squalor of being perpetually broken-down, periodically drug-addled, and irresponsible began to lose its charm. The idea of fielding a baseball team to compete in a hard-knocks amateur league seemed merely the latest in a string of half-hearted stabs at restoring order to their ragged lives. But this escapade was different. When these men donned their team uniforms, the old obsessions started to fade and something incredible began to happen. This is the unforgettable story of the Griffith Park Pirates.
Write Songs Right Now
by Alex ForbesWrite Songs Right Now is a hands-on, step-by-step guide to creating original pop songs—an approach that has been road-tested by thousands of Alex’s students and coaching clients in New York City, some of whom have gone on to achieve great success. With insight, enthusiasm, and humor, Alex guides listeners through the process of brainstorming for ideas, crafting effective lyrics, and putting those lyrics to music. Whether you’ve written one song or one hundred, this audiobook will show you how to take your songwriting to new levels. Each chapter lays out the basics of a different element of songwriting, including song form, lyrics, melodies, chord construction, song dynamics, and the essential ingredients of a killer hook. There are lots of fun exercises to strengthen your songwriting muscles and increase your confidence. Alex also encourages up-and-coming writers to participate in songwriting communities locally and online, and makes a strong case for collaborating as a way to generate even better material.
Write and Produce Your Own Songs: Audio eBook
by Sam InglisIs this the right book for me?This book is an essential companion for any aspiring songwriter, and is ideal for those with no formal musical education. Covering every genre of popular contemporary music, from rock and pop to musical theatre and country/western, it tracks everything from what harnessing your creative potential to finding a hook and selling, performing and promoting your songs. It also offers some material for those at a slightly more advanced level who'd like to understand things such as chords and sequencing. With straightforward notation and embedded audio which showcases the process at work, this accessible guide from a professional songwriter will prove indispensable for creating and peforming your own songs.Write and Produce Your Own Songs includes:Chapter 1: Tools of the tradeChapter 2: HooksChapter 3: Basic theoryChapter 4: Developing a hookChapter 5: Developing lyricsChapter 6: Song structureChapter 7: Arranging and recording your songsChapter 8: Playing live and forming a bandChapter 9: Promoting your music on the InternetChapter 10: The professional songwriteLearn effortlessly with a new easy-to-read page design and added features: Not got much time?One, five and ten-minute introductions to key principles to get you started.Author insightsLots of instant help with common problems and quick tips for success, based on the author's many years of experience.Test yourselfTests in the book and online to keep track of your progress.Extend your knowledgeExtra online articles to give you a richer understanding of the subject.Five things to rememberQuick refreshers to help you remember the key facts.Try thisInnovative exercises illustrate what you've learnt and how to use it.
Write and Produce Your Own Songs: Teach Yourself
by Sam InglisIs this the right book for me?This book is an essential companion for any aspiring songwriter, and is ideal for those with no formal musical education. Covering every genre of popular contemporary music, from rock and pop to musical theatre and country/western, it tracks everything from what harnessing your creative potential to finding a hook and selling, performing and promoting your songs. It also offers some material for those at a slightly more advanced level who'd like to understand things such as chords and sequencing. With straightforward notation and embedded audio which showcases the process at work, this accessible guide from a professional songwriter will prove indispensable for creating and peforming your own songs.Write and Produce Your Own Songs includes:Chapter 1: Tools of the tradeChapter 2: HooksChapter 3: Basic theoryChapter 4: Developing a hookChapter 5: Developing lyricsChapter 6: Song structureChapter 7: Arranging and recording your songsChapter 8: Playing live and forming a bandChapter 9: Promoting your music on the InternetChapter 10: The professional songwriteLearn effortlessly with a new easy-to-read page design and added features: Not got much time?One, five and ten-minute introductions to key principles to get you started.Author insightsLots of instant help with common problems and quick tips for success, based on the author's many years of experience.Test yourselfTests in the book and online to keep track of your progress.Extend your knowledgeExtra online articles to give you a richer understanding of the subject.Five things to rememberQuick refreshers to help you remember the key facts.Try thisInnovative exercises illustrate what you've learnt and how to use it.
Writing Better Lyrics Second Edition: Essential Guide To Lyric Form And Structure: Tools And Techniques For Writing Better Lyrics (Songwriting And Lyrics Ser.)
by Pat PattisonPattison presents a unique, in-depth approach to the process of lyric writing. Songwriters will examine 17 extraordinary songs and learn the distinct elements that make them so effective. Pattison then presents more than 30 lyric-writing exercises designed to achieve the same results. From generating lyric ideas and managing repetition to developing verses, it's all here. Songwriters will: find warm-up exercises that revolutionize songwriting imagery; use a rhyming dictionary and a thesaurus to generate ideas and find snappy rhyme; create meaningful metaphors and similes while avoiding cliches; develop verses by using or breaking conventional rules; experiment with point of view in every lyric to make a song stand out
Writing Gordon Lightfoot: The Man, the Music, and the World in 1972
by Dave BidiniFrom acclaimed musician and author Dave Bidini comes a brilliantly original look at a folk-rock legend and the momentous week in 1972 that culminated in the Mariposa Folk Festival.July, 1972. As musicians across Canada prepare for the nation's biggest folk festival, held on Toronto Island, a series of events unfold that will transform the country politically, psychologically--and musically. As Bidini explores the remarkable week leading up to Mariposa, he also explores the life and times of one of the most enigmatic figures in Canadian music: Gordon Lightfoot, the reigning king of folk at the height of his career. Through a series of letters, Bidini addresses Lightfoot directly, questioning him, imagining his life, and weaving together a fascinating, highly original look at a musician at the top of his game. By the end of the week, the country is on the verge of massive change and the '72 Mariposa folk fest--complete with surprise appearances by Bob Dylan, Neil Young, Joni Mitchell, and yes, Lightfoot--is on its way to becoming legendary.From the Hardcover edition.
Writing Interactive Music for Video Games: A Composer's Guide (Game Design)
by Michael SweetWritten by the developer of Berklee School of Music’s pioneering game scoring program, this guide covers everything professional composers and music students need to know about composing interactive music for video games, and contains exclusive tools for interactive scoring―tools that were previously available only at Berklee. <p><p> Drawing on twenty years of professional experience in the game industry, Michael Sweet helps you master the unique language of music storytelling in games. Next, he walks you through the entire music composition process, from initial conceptualization and creative direction through implementation. <p><p> Inside, you’ll find dozens of examples that illustrate adaptive compositional techniques, from small downloadable games to multimillion dollar console titles. In addition, this guide covers the business side of video game composition, sharing crucial advice about contracts, pricing, sales, and marketing.
Writing Jazz: Conversations with Critics and Biographers (Excelsior Editions)
by Sascha FeinsteinFourteen interviews with distinguished jazz writers that explore the exciting challenges of writing about jazz.Writing Jazz presents interviews with fourteen distinguished jazz scholars: Whitney Balliett, Bob Blumenthal, Stanley Crouch, Linda Dahl, Maxine Gordon, Farah Jasmine Griffin, John Edward Hasse, Willard Jenkins, Hettie Jones, Robin D. G. Kelley, Laurie Pepper, Tom Piazza, Ricky Riccardi, and A. B. Spellman. This literary jam session explores the many challenges and thrills of writing about jazz in various prose forms, including liner notes, memoirs, biographies, and critical guides. The distinguished writers interviewed in this collection obviously share a passion for jazz, and each has produced a hefty amount of literature that illuminates both the music and its practitioners. A well-known writer on jazz, Sascha Feinstein has explored the relationship of jazz and literature throughout his career, making Writing Jazz an essential contribution to the field of jazz-related literature.