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Yellow Dog Blues
by Alice Faye DuncanA lyrical road trip through the Mississippi Delta, exploring the landmarks that shaped one of America’s most beloved musical traditions. <p><p>One morning Bo Willie finds the doghouse empty and the gate wide open! Farmer Fred says Yellow Dog hit Highway 61 and started running. Aunt Jessie picks up Bo Willie in her pink Cadillac, and together they look for his missing puppy love. <p><p>Their search leads them from juke joints to tamale stands to streets ringing with the music of B.B. King and Muddy Waters. Where, where did that Yellow Dog go? <p><p>Acclaimed creators Alice Faye Duncan and Chris Raschka present a boogie-woogie journey along the Mississippi Blues Trail. With swinging free verse and stunning hand-stitched art, Yellow Dog Blues is a soulful fable about what happens when the blues grabs you and holds on tight.
Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age
by Andrew F. JonesYellow Music is the first history of the emergence of Chinese popular music and urban media culture in early-twentieth-century China. Andrew F. Jones focuses on the affinities between "yellow" or "pornographic" music--as critics derisively referred to the "decadent" fusion of American jazz, Hollywood film music, and Chinese folk forms--and the anticolonial mass music that challenged its commercial and ideological dominance. Jones radically revises previous understandings of race, politics, popular culture, and technology in the making of modern Chinese culture. The personal and professional histories of three musicians are central to Jones's discussions of shifting gender roles, class inequality, the politics of national salvation, and emerging media technologies: the American jazz musician Buck Clayton; Li Jinhui, the creator of "yellow music"; and leftist Nie Er, a former student of Li's whose musical idiom grew out of virulent opposition to this Sinified jazz. As he analyzes global media cultures in the postcolonial world, Jones avoids the parochialism of media studies in the West. He teaches us to hear not only the American influence on Chinese popular music but the Chinese influence on American music as well; in so doing, he illuminates the ways in which both cultures were implicated in the unfolding of colonial modernity in the twentieth century.
Yellow Power, Yellow Soul: The Radical Art of Fred Ho
by Roger N. Buckley Tamara RobertsThis dynamic collection explores the life, work, and persona of saxophonist Fred Ho, an unabashedly revolutionary artist whose illuminating and daring work redefines the relationship between art and politics. Scholars, artists, and friends give their unique takes on Ho's career, articulating his artistic contributions, their joint projects, and personal stories. Exploring his musical and theatrical work, his political theory and activism, and his personal life as it relates to politics, Yellow Power, Yellow Soul offers an intimate appreciation of Fred Ho's irrepressible and truly original creative spirit. Contributors are Roger N. Buckley, Peggy Myo-Young Choy, Jayne Cortez, Kevin Fellezs, Diane C. Fujino, Magdalena Gómez, Richard Hamasaki, Esther Iverem, Robert Kocik, Genny Lim, Ruth Margraff, Bill V. Mullen, Tamara Roberts, Arthur J. Sabatini, Kalamu ya Salaam, Miyoshi Smith, Arthur Song, and Salim Washington.
Yes Is The Answer
by Rick Moody Marc Weingarten Charles Bock Seth Greenland Tyson CornellProgressive rock is maligned and misunderstood. Critics hate it, hipsters scoff at it. Yes Is The Answer is a pointed rebuke to the prog-haters, the first literary anthology devoted to the sub genre. Featuring acclaimed novelists, Rick Moody, Wesley Stace, Seth Greenland, Charles Bock, and Joe Meno, as well as musicians Matthew Sweet, Nathan Larson, and Peter Case, Yes Is The Answer is the first book that dares to thoughtfully reclaim prog-rock as a subject worthy of serious consideration. So take a Topographic Journey into a 21st Century Schizoid land of Prog-Lit!
Yes, Yes Y'all: The Experience Music Project Oral History of Hip-Hop's First Decade
by Nelson George Jim Fricke Charlie AhearnAn account of the origins of hip-hop music as presented by its founders and stars traces the work of such performers as DJ Kool Herc, Grandmaster Flash, and DMC.
Yesterday Once More: The Carpenters Reader
by Randy L. SchmidtWith a string of number-one hits showcasing Karen Carpenter's warm and distinctive vocals and Richard Carpenter's sophisticated compositions and arrangements, the Carpenters were responsible for some of the most popular music of the 1970s, and this compendium collects more than 50 articles, interviews, essays, reviews, and reassessments that chronicle the lives and career of this brother-sister musical team. Writings from pop journalists and historians such as Daniel J. Levitin, John Tobler, Digby Diehl, Ray Coleman, Robert Hilburn, and Lester Bangs provide insight into the music and personalities of the duo who produced such timeless pop music. From serious musical analyses of the Carpenters' arrangements to lighter pieces in which Karen and Richard discuss dating, cars, and high school, this new edition has been revised and expanded to include nearly a dozen additional pieces, some of which have never been published.
Yip Harburg: Legendary Lyricist and Human Rights Activist (Music/Interview)
by Harriet Hyman AlonsoKnown as "Broadway's social conscience," E. Y. Harburg (1896–1981) wrote the lyrics to the standards, "Brother, Can You Spare a Dime?," "April in Paris," and "It's Only a Paper Moon," as well as all of the songs in The Wizard of Oz, including "Over the Rainbow." Harburg always included a strong social and political component to his work, fighting racism, poverty, and war. Interweaving close to fifty interviews (most of them previously unpublished), over forty lyrics, and a number of Harburg's poems, Harriet Hyman Alonso enables Harburg to talk about his life and work. He tells of his early childhood on the Lower East Side of Manhattan, his public school education, how the Great Depression opened the way to writing lyrics, and his work on Broadway and Hollywood, including his blacklisting during the McCarthy era. Finally, but most importantly, Harburg shares his commitment to human rights and the ways it affected his writing and his career path. Includes an appendix with Harburg's key musicals, songs, and films.
Yo
by Elton JohnLa primera y única autobiografía de Elton John. Un retrato sincero, alegre y profundo del compositor y cantante con la más larga y exitosa trayectoria musical de la historia. Reginald Dwight, su verdadero nombre, fue un chico tímido con gafas a lo Buddy Holly que creció en Pinner, un pequeño municipio a las afueras de Londres, y soñaba en convertirse en una estrella del pop. Con solo veintitrés años dio su primer concierto en Estados Unidos, ante un público sorprendido por su insólito aspecto: un mono amarillo chillón, una camiseta estampada de estrellas y un par de botas aladas. Elton John había llegado y el mundo de la música jamás volvería a ser el mismo. Su vida está repleta de momentos dramáticos, desde el rechazo que sufrieron sus primeros trabajos con su colaborador y letrista Bernie Taupin hasta la locura que le envolvió cuando era una superestrella que dominaba las listas de ventas, pasando por su flirteo con el suicidio en la piscina de su residencia en Los Ángeles, por la noche en que bailó con la reina de Inglaterra en el castillo de Windsor, por su amistad con John Lennon, Freddie Mercury y George Michael, o por su decisión de montar una fundación contra el sida. Mientras tanto, Elton escondía una adicción que lo atrapó durante más de una década. En Yo, Elton también escribe de manera inspiradora sobre su proceso de rehabilitación y cómo cambió de vida, sobre cómo encontró el amor en los brazos de David Furnish y se convirtió en padre. Su voz en este libro es cálida, modesta y franca, y nos habla de su música y de las personas que entraron en su vida, de sus pasiones y de sus errores. Esta historia permanecerá contigo para siempre, de la mano de una leyenda viva. «Lo mejor del rock and roll es que alguien como yo puede convertirse en una estrella.»
Yo
by Elton JohnLa primera y única autobiografía de Elton John. Un retrato sincero, alegre y profundo del compositor y cantante con la más larga y exitosa trayectoria musical de la historia. Reginald Dwight, su verdadero nombre, fue un chico tímido con gafas a lo Buddy Holly que creció en Pinner, un pequeño municipio a las afueras de Londres, y soñaba en convertirse en una estrella del pop. Con solo veintitrés años dio su primer concierto en Estados Unidos, ante un público sorprendido por su insólito aspecto: un mono amarillo chillón, una camiseta estampada de estrellas y un par de botas aladas. Elton John había llegado y el mundo de la música jamás volvería a ser el mismo. Su vida está repleta de momentos dramáticos, desde el rechazo que sufrieron sus primeros trabajos con su colaborador y letrista Bernie Taupin hasta la locura que le envolvió cuando era una superestrella que dominaba las listas de ventas, pasando por su flirteo con el suicidio en la piscina de su residencia en Los Ángeles, por la noche en que bailó con la reina de Inglaterra en el castillo de Windsor, por su amistad con John Lennon, Freddie Mercury y George Michael, o por su decisión de montar una fundación contra el sida. Mientras tanto, Elton escondía una adicción que lo atrapó durante más de una década. En Yo, Elton también escribe de manera inspiradora sobre su proceso de rehabilitación y cómo cambió de vida, sobre cómo encontró el amor en los brazos de David Furnish y se convirtió en padre. Su voz en este libro es cálida, modesta y franca, y nos habla de su música y de las personas que entraron en su vida, de sus pasiones y de sus errores. Esta historia permanecerá contigo para siempre, de la mano de una leyenda viva. «Lo mejor del rock and roll es que alguien como yo puede convertirse en una estrella.»
Yo-Yo Ma and Silkroad
by Paul A. Gompers Rohit Deshpande Scott Duke Kominers"Yo-Yo Ma, world-famous cellist and musical icon, stood inside the Visitor Center of the Tanglewood Music Center, a performance and music education complex in Lenox, Massachusetts. Through a window, he gazed out at the Koussevitzky Music Shed, a gorgeous open-air concert hall in which Ma had performed many, many times. It was midday—no music was playing—but the familiar setting, with its internal echoes of concerts past, helped Ma organize his thoughts."
Yo-Yo Ma and Silkroad
by Rohit Deshpande Paul Gompers Scott Kominers"Yo-Yo Ma, world-famous cellist and musical icon, stood inside the Visitor Center of the Tanglewood Music Center, a performance and music education complex in Lenox, Massachusetts. Through a window, he gazed out at the Koussevitzky Music Shed, a gorgeous open-air concert hall in which Ma had performed many, many times. It was midday—no music was playing—but the familiar setting, with its internal echoes of concerts past, helped Ma organize his thoughts."
Yo-Yo Ma: Internationally Acclaimed Cellist
by Myra WeatherlyYo-Yo Ma ranks among the world's greatest and most popular cello players. He came to national attention at age 15 when he performed on television. After college, Ma began a career as a solo cellist performing with the world's major orchestras. He has expanded his career to serve as a musical educator and ambassador, sharing the common language of music with others throughout the world.
Yodel in Hi-Fi
by Bart PlantengaYodel in Hi-Fiexplores the vibrant and varied traditions of yodelers around the world. Far from being a quaint and dying art, yodel is a thriving vocal technique that has been perennially renewed by singers from Switzerland to Korea, from Colorado to Iran. Bart Plantenga offers a lively and surprising tour of yodeling in genres from opera to hip-hop and in venues from cowboy campfires and Oktoberfests to film soundtracks and yogurt commercials. Displaying an extraordinary versatility, yodeling crosses all borders and circumvents all language barriers to assume its rightful place in the world of music.
Yodel-Ay-Ee-Oooo: The Secret History of Yodeling Around the World
by Bart PlantengaFirst Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Yodeling and Meaning in American Music (American Made Music Series)
by Timothy E. WiseTimothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?To answer such questions, Wise applies the perspectives of critical musicology, semiotics, and cultural studies to the changing semantic associations of yodeling in an unexplored repertoire stretching from Beethoven to Zappa. This volume marks the first musicological and ideological analysis of this prominent but largely ignored feature of American musical life.Maintaining high scholarly standards but keeping the general reader in mind, the author examines yodeling in relation to ongoing cultural debates about singing, music as art, social class, and gender. Chapters devote attention to yodeling in nineteenth-century classical music, the nineteenth-century Alpine-themed song in America, the Americanization of the yodel, Jimmie Rodgers, and cowboy yodeling, among other topics.
Yoga of Sound: The Life and Teachings of the Celestial Songman, Swami Nada Brahmananda
by Michael GrossoA guide to harnessing the vibration that created the universe for healing and spiritual awakening• Shares profound lessons from Swami Nada Brahmananda, a master of the yoga of sound and vibration• Centers on three life-enhancing themes: controlling the mind, diet and practices conducive to healing and perfect health, and how music can be used to transform consciousness and enrich our spiritual life• Also paints a vivid portrait of New York City in the 1970s and its underground arts and music sceneNot long after obtaining his Ph.D. in philosophy from Columbia University in 1971, Michael Grosso had an extraordinary experience in Greenwich Village, New York, that led him to realize he needed to balance his overly intellectual life with music. He met Swami Nada Brahmananda, a former court musician for the King of Mysore, famous throughout India for being a master of Taan music and sound yoga as well as for his supernatural control of his body. Grosso began studying with Swami Nada and found his life profoundly changed. Sharing the lessons of Swami Nada Brahmananda as well as painting a vivid portrait of New York City in the 1970s—and its vibrant and chaotic underground arts and music scene—Grosso explores Swami Nada&’s Indian yoga of sacred sound in depth. He reveals how the tradition centers on the sound or vibration that created the universe, its personal cultivation, and its power to heal, enlighten, and offer insight about how to live in the Kali Yuga, the Age of Conflict. Grosso also examines the siddhis, or extraordinary powers, that can arise from this work, detailing the otherworldly abilities of his master. The lessons that Grosso shares center on three life-enhancing themes: controlling the mind, which provides the very essence of a happy life; diet and practices conducive to healing and perfect health—Swami Nada himself never knew a day of sickness in all of his 97 years; and how music in all its forms can be used to transform consciousness and enrich our spiritual life. Revealing Swami Nada Brahmananda as the very embodiment of a Celestial Songman, Grosso shows how, by practicing the yoga of sound, we can embody Swami Nada&’s greatest lesson of all: that we can all learn to make music from the discordant notes of our lives and sing our way out of the Kali Yuga.
Yoknapatawpha Blues: Faulkner's Fiction and Southern Roots Music (Southern Literary Studies)
by Tim A. RyanDuring the 1920s and 1930s, Mississippi produced two of the most significant influences upon twentieth-century culture: the modernist fiction of William Faulkner and the recorded blues songs of African American musicians like Charley Patton, Geeshie Wiley, and Robert Johnson. In Yoknapatawpha Blues, the first book examining both Faulkner and the music of the south, Tim A. Ryan identifies provocative parallels of theme and subject in diverse regional genres and texts. Placing Faulkner's literary texts and prewar country blues song lyrics on equal footing, Ryan illuminates the meanings of both in new and unexpected ways. He provides close analysis of the Great Mississippi Flood of 1927 in Faulkner's "Old Man" and Patton's "High Water Everywhere"; racial violence in the story "That Evening Sun" and Wiley's "Last Kind Words Blues"; and male sexual dysfunction in Sanctuary and Johnson's "Dead Shrimp Blues." This interdisciplinary study reveals how the characters of Yoknapatawpha County and the protagonists in blues songs similarly strive to assert themselves in a threatening and oppressive world. By emphasizing the modernism found in blues music and the echoes of black vernacular culture in Faulkner's writing, Yoknapatawpha Blues links elucidates the impact of both Faulkner's fiction and roots music on the culture of the modern South, and of the nation.
Yoko Ono: Collector of Skies
by Nell Beram Carolyn Boriss-KrimskyThis lyrical biography explores the life and art of Yoko Ono, from her childhood haiku to her avant-garde visual art and experimental music. An outcast throughout most of her life, and misunderstood by every group she was supposed to belong to, Yoko always followed her own unique vision to create art that was ahead of its time and would later be celebrated. Her focus remained on being an artist, even when the rest of world saw her only as the wife of John Lennon. Yoko Ono’s moving story will inspire any young adult who has ever felt like an outsider, or who is developing or questioning ideas about being an artist, to follow their dreams and find beauty in all that surrounds them.
Yoko Writes Her Name
by Rosemary WellsYoko is so excited for the first day of school. She's just learned to write her name. But when Mrs. Jenkins asks Yoko to show everyone, Olive and Sylvia make fun of her Japanese writing. "Yoko can't write. She's only scribbling!
Yoruba Oral Tradition in Islamic Nigeria: A History of Dàdàkúàdá (Global Africa)
by Abdul-Rasheed Na'AllahThis book traces Dàdàkúàdá’s history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa. Foregrounding the role of Dàdàkúàdá in Ilorin, and of Ilorin in Dàdàkúàdá the book covers the history, cultural identity, performance techniques, language, social life and relationship with Islam of the oral genre. The author examines Dàdàkúàdá’s relationship with Islam and discusses how the Dàdàkúàdá singers, through their songs and performances, are able to accommodate Islam in ways that have ensured their continued survival as a traditional African genre in a predominantly Muslim community. This book will be of interest to scholars of traditional African culture, African art history, performance studies and Islam in Africa.
Yorùbá Bàtá Goes Global: Artists, Culture Brokers, and Fans
by Debra L. KleinResponding to growing international interest in the Yorùbá culture of southwestern Nigeria, practitioners of bàtá—a centuries-old drumming, dancing, and singing tradition—have recast themselves as traditional performers in a global market. As the Nigerian market for ritual bàtá has been declining, international opportunities for performance have grown. Debra L. Klein’s lively ethnography explores this disjunction, revealing the world of bàtá artists and the global culture market that helps to sustain their art. Yorùbá Bàtá Goes Global describes the dramatic changes and reinventions of traditional bàtá performance in recent years, showing how they are continually recreated, performed, and sold. Klein delves into the lives of Yorùbá musicians, focusing on their strategic collaborations with artists, culture brokers, researchers, and entrepreneurs worldwide. And she explores how reinvigorated performing ensembles are beginning to parlay success on the world stage into increased power and status within Nigeria. Klein’s study of the interwoven roles of innovation and tradition will interest scholars of African, global, and cultural studies, anthropology, and ethnomusicology alike.
You Are Beautiful and You Are Alone: The Biography of Nico
by Jennifer Otter BickerdikeA new, definitive biography of the iconic and mysterious singer, Warhol superstar, Velvet Underground collaborator: influential solo artist Nico.YOU ARE BEAUTIFUL AND YOU ARE ALONE is a new biography of Nico, the mysterious singer best known for her work with the Velvet Underground and her solo album Chelsea Girl. Her life is tangled in myth--much of it of her own invention. Rock and roll cultural historian Jennifer Bickerdike delivers a definitive book that unravels the story while making a convincing case for Nico's enduring importance. Over the course of her career, Nico was an ever-evolving myth: art film house actress, highly coveted fashion model, Dietrich of Punk, Femme Fatale, Chelsea Girl, Garbo of Goth, The Last Bohemian, Heroin Junkie. Lester Bangs described her as 'a true enigma.' At age 27, Nico became Andy Warhol's newest Superstar, featuring in his one commercial break out hit film Chelsea Girls and garnering the position of chanteuse for the Velvet Underground. It wasn't Nico's musical chops which got her the gig; it was her striking beauty. Her seeming otherworldly and unattainable presence was further amplified by her reputation for dating rock stars (Brian Jones, Bob Dylan, Jim Morrison, among others). She became famous for being Nico. Yet Nico's talent and her contribution to rock culture are often overlooked. She spent most of her career as a solo artist on the road, determined to make music, seemingly against all the odds, enduring empty concert halls, abusive fans, and the often perilous reality of being an ageing artist and drug addict. She created mesmerizing and unique projects that inspired a generation of artists, including Henry Rollins, Morrissey, Siousxie Sioux and the Banshees and Iggy Pop. Drawing on the archives at the Andy Warhol Museum and at Nico's record labels, various private collections, and rarely seen footage, and featuring exclusive new interviews from those who knew her best, including Iggy Pop and Danny Fields, and those inspired by her legacy, YOU ARE BEAUTIFUL AND YOU ARE ALONE reveals the complicated, often compromised, self-destructive and always head strong woman behind the one-dimensional myths.
You Are Fierce: A Book for the Littlest Beyoncé Fans (The Littlest Fans)
by Odd DotYou run the world, babyA talent that comes only once in a lifetimeA girl that wastes no timeFollow your dreams, work ‘til you hold it, and be inspired by the life of Queen Bey! This inspiring read aloud is a heartfelt wish for all children and a timeless introduction to one of the most awarded, iconic, and beloved musical artists of all time.Perfect for Beyoncé fans of all ages!
You Are My Sunshine: Jimmie Davis and the Biography of a Song
by Robert MannIn You Are My Sunshine, Robert Mann weaves together the birth of country music, Louisiana political history, World War II, and the American civil rights movement to produce a compelling biography of one of the world’s most popular musical compositions. This is the story of a song that, despite its simple, sweet melody and lyrics, holds the weight of history within its chords.The song’s journey to global fame began in 1939, when two obscure “hillbilly” groups recorded it. By the century’s end, it was a cultural phenomenon covered by hundreds of artists spanning every genre. It entered the Grammy Hall of Fame in 1999 and the Library of Congress’s National Recording Registry in 2012.At the center of this story is Jimmie Davis, who capitalized on his country music stardom to win two terms as Louisiana’s governor. In 1940, Davis became the third artist to record “Sunshine,” after he bought it and claimed it as his composition. The song became his anthem and a staple of his political rallies, radiating warmth and wholesomeness. Its sunny tune encouraged listeners to forget Davis’s earlier recording career, marked by risqué blues recordings that clashed with the upright, gospel-singing image he later cultivated. As “You Are My Sunshine” grew in popularity, so did its link to Louisiana’s “singing governor.” In 1977, the Louisiana Legislature made it a state song. In this biography, equal parts the story of Davis and the odyssey of his song, we discover that “Sunshine” shaped the early rise of country music but became tangled in Davis’s pro-segregation policies, briefly overshadowing its legacy. You Are My Sunshine explores the song’s contested origins, its rise to legendary status, and its ongoing resonance with millions. This is more than the story of a simple song; it’s a biography of a cultural icon, enduring and ubiquitous as sunshine itself.
You Are Not I: A Portrait of Paul Bowles
by Millicent DillonThe famously enigmatic writer-composer Paul Bowles is the subject of Millicent Dillon's unforgettable new book. Her portrait of the chameleonlike artist is much more than an account of Bowles's life, however. It is also a meditation on biography that questions the biographer's role, the subject's credibility, and the very nature of "truth" in the telling of a life.Millicent Dillon first met Paul Bowles in Tangier in 1977, when she was writing a biography of his wife, the author Jane Bowles, who died in 1973. Dillon returned to Morocco in 1992 to work with Bowles on a book about his own life. In Bowles's book-lined apartment often crowded with visitors, Dillon observes the magnetism the aging artist exerts on anyone who comes into his circle. Bowles talks of his difficult childhood and of his grief over Jane's long illness, of exile, dreams, and madness. He is charming and evasive with Dillon, generous and devious. As the book unfolds, Dillon's own reflections and concerns surface alongside details of Bowles's daily life, his physical condition, his interactions with others. Her portrait of the artist is seen simultaneously with her construction of that portrait, and in a kind of literary legerdemain we are able to observe Dillon on the biographical canvas along with Bowles and his deceased wife.Author of the international bestseller The Sheltering Sky and numerous other works, as well as an acclaimed composer, Paul Bowles has had an immensely rich creative life. Millicent Dillon seems to have been destined to write this unconventional biography of the artist, and the result is wonderful, disturbing, and strangely compelling, like Paul Bowles himself.