- Table View
- List View
Bing Crosby: A Pocketful of Dreams, The Early Years 1903 - 1940
by Gary GiddinsFrom 1934 to 1954, Bing Crosby utterly dominated North American entertainment. Nobody has ever had as many hit records, and Crosby was the number one movie star five years in a row. The rise of Bing Crosby was the rise of North American popular culture itself. In Bing Crosby, the first volume of the definitive Crosby biography, award-winning music critic Gary Giddins chronicles the ascension of Bing's career. From Crosby's early recordings, to his triumph on Americas most popular radio show, to his first success in Hollywood, Giddins provides the most detailed study yet of the rise of a North American star. This is the first definitive biography of Crosby and was written with exclusive access to unpublished materials. Giddins Visions of Jazz won the 1998 National Book Critics Circle Award. Bing Crosby was the first North American pop culture icon, and his career heavily influenced Sinatra and Elvis, as well as popular music itself.
Bing Crosby: Swinging on a Star: The War Years, 1940-1946
by Gary Giddins"The best thing to happen to Bing Crosby since Bob Hope," (WSJ) Gary Giddins presents the second volume of his masterful multi-part biography Bing Crosby dominated American popular culture in a way that few artists ever have. From the dizzy era of Prohibition through the dark days of the Second World War, he was a desperate nation's most beloved entertainer. But he was more than just a charismatic crooner: Bing Crosby redefined the very foundations of modern music, from the way it was recorded to the way it was orchestrated and performed. In this much-anticipated follow-up to the universally acclaimed first volume, NBCC Winner and preeminent cultural critic Gary Giddins now focuses on Crosby's most memorable period, the war years and the origin story of White Christmas. Set against the backdrop of a Europe on the brink of collapse, this groundbreaking work traces Crosby's skyrocketing career as he fully inhabits a new era of American entertainment and culture. While he would go on to reshape both popular music and cinema more comprehensively than any other artist, Crosby's legacy would be forever intertwined with his impact on the home front, a unifying voice for a nation at war. Over a decade in the making and drawing on hundreds of interviews and unprecedented access to numerous archives, Giddins brings Bing Crosby, his work, and his world to vivid life--firmly reclaiming Crosby's central role in American cultural history.
Bing and Billie and Frank and Ella and Judy and Barbra
by Dan CallahanCrosby, Holiday, Sinatra, Fitzgerald, Garland, and Streisand were the major interpreters of the American songbook, and this is the interlocking story of their lives and careers. Here is the epic tale of how these artists dominated American popular music over a fifty-year period, a roller coaster ride that gains momentum through the 1930s and '40s, reaches a crest of magical creativity in the 1950s and early '60s, and then crashes down by the early 1970s, a half century when the great American songbook dominated the airwaves and the fight for racial equality came to the forefront. Ella was beloved in her time, and she is still beloved. Frank is still the king of the songbook, but Bing's legacy is just as vital once you start listening to his unprecedented 1930s output. The best songs from Judy's greatest triumph, her 1963–64 TV series, are shared endlessly online. The legend of Billie grows by the year, and the basis of this should be appreciation and wonder for her own great artistry in the 1930s. Barbra is a living legend and still a commercial force to be reckoned with, the last exemplar of the songbook and its glories. All six of these singers reach out to us and show us new ways of expression and new ways to dream.Their song is largely ended but the melody lingers on.
Biografía del sonido: Anhelo de vibración
by Fernando TortajadaEl viaje de una pianista a la eternidad del silencio. <P><P>Pyotr Frankl es un pianista australiano que, a los diecinueve años, tras un trágico suceso, conoce a una profesora muy especial de sesenta años en España, doña Julia. Esta le guiará durante diez años, pues cambiará radicalmente su manera de tocar y le introducirá en una forma de entender la técnica del piano tan apasionante como incomparable. <P><P>Después de la muerte de doña Julia, Pyotr va a conocer en uno de sus recitales a Alma -comienzo del relato-, que se conmueve de tal manera con su modo de tocar que verá en él la oportunidad de trasformar su aburrida rutina actual con el instrumento. Alma, desde ese instante, va a profundizar junto a Pyotr en una insólita evolución de su técnica. Pero tras un final de la primera parte muy emotivo por lo inesperado, el destino caminará con ellos a través de todo el relato.
Biography of a Phantom: A Robert Johnson Blues Odyssey
by Robert Mack McCormickThe drama of In Cold Blood meets the stylings of a Coen brothers film in this long-lost manuscript from musicologist Robert &“Mack&” McCormick, whose research on blues icon Robert Johnson's mysterious life and death became as much of a myth as the musician himselfWhen blues master Robert Johnson&’s little-known recordings were rereleased to great fanfare in the 1960s, little was known about his life, giving rise to legends that he gained success by selling his soul to the devil. Biography of a Phantom: A Robert Johnson Blues Odyssey is musicologist Mack McCormick's all-consuming search, from the late 1960s until McCormick&’s death in 2015, to uncover Johnson's life story. McCormick spent decades reconstructing Johnson's mysterious life and developing theories about his untimely death at the age of 27, but never made public his discoveries. Biography of a Phantom publishes his compelling work for the first time, including 40 unseen black-and-white photographs documenting his search.While knocking on doors and sleuthing for Johnson's loved ones and friends, McCormick documents a Mississippi landscape ravaged by the racism of paternalistic white landowners and county sheriffs. An editor's preface and afterword from Smithsonian curator John W. Troutman provides context as well as troubling details about McCormick&’s own impact on Johnson&’s family and illuminates through McCormick&’s archive the complex legacy of white male enthusiasts assuming authority over Black people&’s stories and the history of the blues.While Johnson died before achieving widespread recognition, his music took on a life of its own and inspired future generations. Biography of a Phantom, filled with lush descriptive fieldwork and photographs, is an important historical object that deepens the understanding of a stellar musician.
Biology: God's Living Creation (3rd Edition)
by Gregory Parker Keith GrahamThis textbook is unique--different from any other biology text in print today. The study of life is presented in a traditional manner as it was discovered by the great naturalists of the past, a large majority of whom revered the biblical account of Creation. Unlike other texts, which begin by confusing students with intangible, unseen, and theoretical topics such as biochemistry, subcellular structure, genetics, and philosophy, Biology: God's Living Creation motivates students to learn by first presenting the living world around them, the things they can see, touch, and identify.
Bird of Four Hundred Voices: A Mexican American Memoir of Music and Belonging
by Eugene RodriguezFrom the founder of Los Cenzontles Cultural Arts Academy, a profoundly personal exploration of music's power to build cultural bridges that last."I wish I had studied with Eugene Rodrigeuz when I was growing up. Read this beautifully written book about culture, identity and resilience, and you will know why." —Linda RonstadtNPR Books We Love 2024: "[Rodriguez's] commitment to his community and his exploration of growing up bicultural are both inspiring."From an early age Eugene Rodriguez knew he was captivated by music. But he found himself encountering the same two problems again and again: the chilly rigidity of so much formal music education, and the underrepresentation of Mexican culture in American media. In 1989 he founded Los Cenzontles (The Mockingbirds), a group that offered music education to Bay Area youth, and that gave pride of place to Mexican musical traditions.Bird of Four Hundred Voices follows Rodriguez as he leads his young students from a California barrio to uncover their ancestral roots. From their home community in San Pablo, Los Cenzontles journey to fandangos in Veracruz, resurrect a lost mariachi tradition, and collaborate with luminaries like Linda Ronstadt, Lalo Guerrero, Taj Mahal, Jackson Browne, Flaco Jiménez, and Los Lobos. Rodriguez's story offers an honest, deeply personal look at the cultural work that confronts historical oppression and joyously challenges cultural borders. And it is a profound celebration of the powerful influence of Mexico's musical heritage on American culture.
Bird: The Life and Music of Charlie Parker (Music in American Life)
by Chuck HaddixSaxophone virtuoso Charlie "Bird" Parker began playing professionally in his early teens, became a heroin addict at 16, changed the course of music, and then died when only 34 years old. His friend Robert Reisner observed, "Parker, in the brief span of his life, crowded more living into it than any other human being." Like Louis Armstrong, Duke Ellington, Miles Davis, and John Coltrane, he was a transitional composer and improviser who ushered in a new era of jazz by pioneering bebop and influenced subsequent generations of musicians. Meticulously researched and written, Bird: The Life and Music of Charlie Parker tells the story of his life, music, and career. This new biography artfully weaves together firsthand accounts from those who knew him with new information about his life and career to create a compelling narrative portrait of a tragic genius. While other books about Parker have focused primarily on his music and recordings, this portrait reveals the troubled man behind the music, illustrating how his addictions and struggles with mental health affected his life and career. He was alternatively generous and miserly; a loving husband and father at home but an incorrigible philanderer on the road; and a chronic addict who lectured younger musicians about the dangers of drugs. Above all he was a musician, who overcame humiliation, disappointment, and a life-threatening car wreck to take wing as Bird, a brilliant improviser and composer. With in-depth research into previously overlooked sources and illustrated with several never-before-seen images, Bird: The Life and Music of Charlie Parker corrects much of the misinformation and myth about one of the most influential musicians of the twentieth century.
Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion
by Kevin FellezsBirds of Fire brings overdue critical attention to fusion, a musical idiom that emerged as young musicians blended elements of jazz, rock, and funk in the late 1960s and 1970s. At the time, fusion was disparaged by jazz writers and ignored by rock critics. In the years since, it has come to be seen as a commercially driven jazz substyle. Fusion never did coalesce into a genre. In Birds of Fire, Kevin Fellezs contends that hybridity was its reason for being. By mixing different musical and cultural traditions, fusion artists sought to disrupt generic boundaries, cultural hierarchies, and critical assumptions. Interpreting the work of four distinctive fusion artists--Tony Williams, John McLaughlin, Joni Mitchell, and Herbie Hancock--Fellezs highlights the ways that they challenged convention in the 1960s and 1970s. He also considers the extent to which a musician can be taken seriously as an artist across divergent musical traditions. Birds of Fire concludes with a look at the current activities of McLaughlin, Mitchell, and Hancock; Williams's final recordings; and the legacy of the fusion music made by these four pioneering artists.
Birth School Metallica Death, Volume 1: The Biography
by Paul Brannigan Ian WinwoodThere has never been a hard rock band like Metallica. The California quartet has sold more than 100 million albums worldwide, won nine Grammy Awards, and had five consecutive albums hit number one on the Billboard charts. But Metallica's story, epic in scope, is a tale about much more than sales figures and critical acclaim, and their journey from scuzzy Los Angeles garages to the world's most storied stadiums has been dramatic and painful, their gigantic successes often shot through with tension, tragedy, loss, and controversy.Birth School Metallica Death is the definitive story of the most significant rock band since Led Zeppelin. Volume 1 covers the band's formation up to their breakthrough eponymous fifth album, aka "The Black Album." The intense and sometimes fraught relationship between aloof-yet-simmering singer, chief lyricist, and rhythm guitarist James Hetfield and the outspoken and ambitious drummer Lars Ulrich is the saga's emotional core. Their earliest years saw the release of three unimpeachable classics-Kill 'Em All, Ride the Lightning, and Master of Puppets-genre-defining masterpieces that took hard rock to a new level, both artistically and commercially. During these tumultuous times, the band persevered through line-up changes when guitarist Dave Mustaine was replaced by Kirk Hammet, and their bass player, the beloved Cliff Burton, was tragically killed in a bus crash while on tour in Europe.But it was the breakthrough of ...And Justice for All that rent the fabric of the mainstream, hitting the top of the charts without benefit of radio airplay or the then-crucial presence on MTV. And finally in 1991, with the release of their fifth studio album, nicknamed "The Black Album," Metallica hit the next level-five hit singles including their best-known songs "Enter Sandman" and "Nothing Else Matters"-and their first album atop the Billboard charts.In Birth School Metallica Death, veteran music journalists and Metallica confidants Paul Brannigan and Ian Winwood detail this meteoric rise to international fame in an epic saga of family, community, self-belief, the pursuit of dreams, and music that rocks. Told through first-hand interviews with the band and those closest to them, the story of Metallica's rise to the mainstream has never been so vividly documented.
Birth of the Cool
by Lewis MacadamsMiles Davis and Juliette Greco, Jackson Pollock and Jack Kerouac, Marlon Brando and Bob Dylan and William Burroughs. What do all these people have in common? Fame, of course, and undeniable talent. But most of all, they were cool. Birth of the Cool is a stunningly illustrated, brilliantly written cultural history of the American avant-garde in the 1940s and 1950s -- the decades in which cool was born. From intimate interviews with cool icons like poet Allen Ginsberg, bop saxophonist Jackie McLean, and Living Theatre cofounder Judith Malina, award-winning journalist and poet Lewis MacAdams extracts the essence of cool. Taking us inside the most influential and experimental art movements of the twentieth century -- from the Harlem jazz joints where Dizzy Gillespie and Charlie Parker invented bebop to the back room at Max's Kansas City when Andy Warhol was holding court to backstage at the Newport Folk Festival the night Bob Dylan went electric, from Surrealism to the Black Mountain School to Zen -- MacAdams traces the evolution of cool from the very fringes of society to the mainstream. Born of World War II, raised on atomic-age paranoia, cast out of the culture by the realities of racism and the insanity of the Cold War, cool is now, perversely, as conventional as you can get. Allen Ginsberg suited up for Gap ads. Volvo appropriated a phrase from Jack Kerouac's On the Road for its TV commercials. How one became the other is a terrific story, and it is presented here in a gorgeous package, rich with the coolest photographs of the black-and-white era from Robert Doisneau, Henri Cartier-Bresson, Man Ray, and many others. Drawing a direct line between Lester Young wearing his pork-pie hat and his crepe-sole shoes staring out his hotel window at Birdland to the author's three-year-old daughter saying "cool" while watching a Scooby-Doo cartoon at the cusp of a new millennium, Birth of the Cool is a cool book about a hot subject...maybe even the coolest book ever.
Bit Of A Blur: The Autobiography
by Alex JamesI was the Fool-king of Soho and the number-one slag in the Groucho Club, the second drunkest member of the world's drunkest band. This was no disaster, though. It was a dream coming true.'For Alex James, music had always been a door to a more eventful life. But as bass player of Blur - one of the most successful British bands of all time - his journey was more exciting and extreme than he could ever have predicted. In Bit of a Blur he chronicles his journey from a slug-infested flat in Camberwell to a world of screaming fans and private jets - and his eventual search to find meaning and happiness (and, perhaps most importantly, the perfect cheese), in an increasingly surreal world.
Bit Of A Blur: The Autobiography
by Alex JamesFor Alex James, music had always been a door to a more exciting life: a way to travel, meet new people and, hopefully, pick up girls. But as bass player of Blur - one of the most successful British bands of all time - his journey was more exciting and extreme than he could ever have predicted. Success catapulted him from a slug-infested squat in Camberwell to a world of private jets and world-class restaurants. As 'the second drunkest member of the world's drunkest band' life was always chaotic, but Alex James retained a boundless enthusiasm and curiosity at odds with his hedonistic lifestyle. From nights in the Groucho with Damien Hirst, to dancing to Sister Sledge with Bjork, to being bitten on the nose by the lead singer of Iron Maiden, he offers a fascinating and hilarious insight into the world of celebrity. At its heart, however, A BIT OF A BLUR is the picaresque tale of one man's search to find meaning and happiness in an increasingly surreal world. Pleasingly unrepentant but nonetheless a reformed man, Alex James is the perfect chronicler of his generation - witty, frank and brimming with joie de vivre. A BIT OF A BLUR is as charming, funny and deliciously disreputable as its author.
Bit of a Blur: The Autobiography
by Alex JamesI was the Fool-king of Soho and the number-one slag in the Groucho Club, the second drunkest member of the world's drunkest band. This was no disaster, though. It was a dream coming true.'For Alex James, music had always been a door to a more eventful life. But as bass player of Blur - one of the most successful British bands of all time - his journey was more exciting and extreme than he could ever have predicted. In Bit of a Blur he chronicles his journey from a slug-infested flat in Camberwell to a world of screaming fans and private jets - and his eventual search to find meaning and happiness (and, perhaps most importantly, the perfect cheese), in an increasingly surreal world.
Bite Me: The Little Guide to Buffy the Vampire Slayer
by Orange Hippo!"I'm Buffy, the vampire slayer. And you are?"A prestige show that was ahead of its time, Buffy the Vampire Slayer brought vampires back into the mainstream and made stars of its cast, and its impact has lasted long after the show's end. With its unique blend of high-school drama, witty banter and the supernatural, Buffy the Vampire Slayer became known for ushering in golden age of television. With a devoted cult following and a growing new audience, Buffy remains a cultural icon.Reminisce some of the most iconic quotes you've ever heard in your life (or "unlife") in The Little Guide to Buffy the Vampire Slayer, filled with quips and facts about the adventures of the famous slayer and her friends against the forces of darkness."In every generation, there is a chosen one. She alone shall stand against the vampires, demons and forces of darkness. She is the slayer."Spike's trademark coat cost $2,000 from a top fashion store. It was then run over repeatedly by a truck to give it that distressed look.
Bite Me: The Little Guide to Buffy the Vampire Slayer
by Orange Hippo!"I'm Buffy, the vampire slayer. And you are?"A prestige show that was ahead of its time, Buffy the Vampire Slayer brought vampires back into the mainstream and made stars of its cast, and its impact has lasted long after the show's end. With its unique blend of high-school drama, witty banter and the supernatural, Buffy the Vampire Slayer became known for ushering in golden age of television. With a devoted cult following and a growing new audience, Buffy remains a cultural icon.Reminisce some of the most iconic quotes you've ever heard in your life (or "unlife") in The Little Guide to Buffy the Vampire Slayer, filled with quips and facts about the adventures of the famous slayer and her friends against the forces of darkness."In every generation, there is a chosen one. She alone shall stand against the vampires, demons and forces of darkness. She is the slayer."Spike's trademark coat cost $2,000 from a top fashion store. It was then run over repeatedly by a truck to give it that distressed look.
Bitten by the Blues: The Alligator Records Story (Chicago Visions and Revisions)
by Bruce Iglauer Patrick A. RobertsIt started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence’s Lounge, in the heart of Chicago’s South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog’s debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer’s memoir of a life immersed in the blues—and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it’s like to work with the greats of the blues. It’s a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America’s music to life in the clubs of Chicago’s South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have long since disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, Bitten by the Blues is a raucous journey through the world of Genuine Houserockin’ Music.
Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year
by Paul AlexanderA revelatory look at the tumultuous life of a jazz legend and American cultural icon&“A book written as only one artist could view another, with insight and sincere compassion.&” —Sandra Cisneros, best-selling author of Woman Without ShameIn the first biography of Billie Holiday in more than two decades, Paul Alexander—author of heralded lives of Sylvia Plath and J. D. Salinger—gives us an unconventional portrait of arguably America&’s most eminent jazz singer. He shrewdly focuses on the last year of her life—with relevant flashbacks to provide context—to evoke and examine the persistent magnificence of Holiday&’s artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law.During her lifetime and after her death, Billie Holiday was often depicted as a down-on-her-luck junkie severely lacking in self-esteem. Relying on interviews with people who knew her, and new material unearthed in private collections and institutional archives, Bitter Crop—a reference to the last two words of Strange Fruit, her moving song about lynching—limns Holiday as a powerful, ambitious woman who overcame her flaws to triumph as a vital figure of American popular music.
Black Bodies and the Black Church
by Kelly Brown DouglasBlues is absolutely vital to black theological reflection and to the black church's existence. In Black Bodies and the Black Church , author Kelly Douglas Brown develops a blues crossroad theology, which allows the black church to remain true to itself and relevant in black lives.
Black Bottom Stomp: Eight Masters of Ragtime and Early Jazz
by David A. Jasen Gene JonesBlack Bottom Stomp tells the compelling stories of the lives and times of nine seminal figures in American music history, including Scott Joplin, Louis Armstrong, and Jelly Roll Morton.
Black British Jazz: Routes, Ownership and Performance (Ashgate Popular and Folk Music Series)
by Jason Toynbee Catherine TackleyBlack British musicians have been making jazz since around 1920 when the genre first arrived in Britain. This groundbreaking book reveals their hidden history and major contribution to the development of jazz in the UK. More than this, though, the chapters show the importance of black British jazz in terms of musical hybridity and the cultural significance of race. Decades before Steel Pulse, Soul II Soul, or Dizzee Rascal pushed their way into the mainstream, black British musicians were playing jazz in venues up and down the country from dance halls to tiny clubs. In an important sense, then, black British jazz demonstrates the crucial importance of musical migration in the musical history of the nation, and the links between popular and avant-garde forms. But the volume also provides a case study in how music of the African diaspora reverberates around the world, beyond the shores of the USA - the engine-house of global black music. As such it will engage scholars of music and cultural studies not only in Britain, but across the world.
Black British Music in America, 1967–2000: Atlantic Crossover (Ashgate Popular and Folk Music Series)
by Mike AlleyneBlack British Music in America 1967–2000: Atlantic Crossover historically examines musical and cultural relationships through popular music recordings, exploring the transatlantic journeys via academic, critical, and commercial reception of the music. It addresses an overlooked area of Black popular music, investigating the fluctuating fortunes of artists and the contradictions of exporting such recordings to America.Examining a complex history spanning the last four decades of the twentieth century, the author reveals the chronologies and the recording industry circumstances shaping the presence of Black British music in America. Readers will discover the conditions under which key recordings were made and released, through detailed analysis and new interviews with participating producers and artists. Including exploration of chart histories, this book also dissects the content of the recordings, uncovering the elements that made many of them successful.Black British Music in America 1967–2000 will interest all those who study popular music, cultural studies, and music production, as well as popular music listeners.
Black Diamond Queens: African American Women and Rock and Roll (Refiguring American Music)
by Maureen MahonAfrican American women have played a pivotal part in rock and roll—from laying its foundations and singing chart-topping hits to influencing some of the genre's most iconic acts. Despite this, black women's importance to the music's history has been diminished by narratives of rock as a mostly white male enterprise. In Black Diamond Queens, Maureen Mahon draws on recordings, press coverage, archival materials, and interviews to document the history of African American women in rock and roll between the 1950s and the 1980s. Mahon details the musical contributions and cultural impact of Big Mama Thornton, LaVern Baker, Betty Davis, Tina Turner, Merry Clayton, Labelle, the Shirelles, and others, demonstrating how dominant views of gender, race, sexuality, and genre affected their careers. By uncovering this hidden history of black women in rock and roll, Mahon reveals a powerful sonic legacy that continues to reverberate into the twenty-first century.
Black Diva of the Thirties: The Life of Ruby Elzy (Willie Morris Books in Memoir and Biography)
by David E. WeaverWhile undergoing routine surgery to remove a benign tumor, Ruby Elzy died. She was only thirty-five. Had she lived, she would have been one of the first Black artists to appear in grand opera. Although now in the shadows, she was a shining star in her day. She entertained Eleanor Roosevelt in the White House. She was Paul Robeson's leading lady in the movie version of The Emperor Jones. She starred in Birth of the Blues opposite Bing Crosby and Mary Martin. She sang at Harlem's Apollo Theater and in the Hollywood Bowl. Her remarkable soprano voice was known to millions over the radio. She was personally chosen by George Gershwin to create one of the leading roles in his masterpiece, that of Serena in the original production of Porgy and Bess. Her signature song was the vocally demanding “My Man's Gone Now.” From obscurity she had risen to great heights. Ruby Pearl Elzy (1908-1943) was born in abject poverty in Pontotoc, Mississippi. Her father abandoned the family when she was five, leaving her mother, a strong, devout woman, to raise four small children. Ruby first sang publicly at the age of four and even in childhood dreamed of a career on the stage. Good fortune struck when a visiting professor, overwhelmed upon hearing her beautiful voice at Rust College in Mississippi, arranged for her to study music at Ohio State University. Later, on a Rosenwald Fellowship, she enrolled at the Juilliard School in New York City. After more than eight hundred performances in Porgy and Bess, she set her sights on a huge goal, to sing in grand opera. She was at the peak of her form. While she was preparing for her debut in the title role of Verdi's Aida, tragedy struck. During her brief career, Ruby Elzy was in the top tier of American sopranos and a precursor who paved a way for Leontyne Price, Jessye Norman, Kathleen Battle, and other black divas of the operatic stage. This biography acknowledges her exceptional talent, recognizes her contribution to American music, and tells her tragic yet inspiring story.
Black Ephemera: The Crisis and Challenge of the Musical Archive
by Mark Anthony NealPROSE Award- Music and Performing Arts Category WinnerA framework for understanding the deep archive of Black performance in the digital eraIn an era of Big Data and algorithms, our easy access to the archive of contemporary and historical Blackness is unprecedented. That iterations of Black visual art, such as Bert Williams’s 1916 silent film short “A Natural Born Gambler” or the performances of Josephine Baker from the 1920s, are merely a quick YouTube search away has transformed how scholars teach and research Black performance.While Black Ephemera celebrates this new access, it also questions the crisis and the challenge of the Black musical archive in a moment when Black American culture has become a global export. Using music and sound as its primary texts, Black Ephemera argues that the cultural DNA of Black America has become obscured in the transformation from analog to digital. Through a cross-reading of the relationship between the digital era and culture produced in the pre-digital era, Neal argues that Black music has itself been reduced to ephemera, at best, and at worst to the background sounds of the continued exploitation and commodification of Black culture. The crisis and challenges of Black archives are not simply questions of knowledge, but of how knowledge moves and manifests itself within Blackness that is obscure, ephemeral, fugitive, precarious, fluid, and increasingly digital. Black Ephemera is a reminder that for every great leap forward there is a necessary return to the archive. Through this work, Neal offers a new framework for thinking about Black culture in the digital world.