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Bounce: Rap Music and Local Identity in New Orleans
by Matt MillerOver the course of the twentieth century, African Americans in New Orleans helped define the genres of jazz, rhythm and blues, soul, and funk. In recent decades, younger generations of New Orleanians have created a rich and dynamic local rap scene, which has revolved around a dance-oriented style called "bounce." Hip-hop has been the latest conduit for a "New Orleans sound" that lies at the heart of many of the city's best-known contributions to earlier popular music genres. Bounce, while globally connected and constantly evolving, reflects an enduring cultural continuity that reaches back and builds on the city's rich musical and cultural traditions. In this book, the popular music scholar and filmmaker Matt Miller explores the ways in which participants in New Orleans's hip-hop scene have collectively established, contested, and revised a distinctive style of rap that exists at the intersection of deeply rooted vernacular music traditions and the modern, globalized economy of commercial popular music. Like other forms of grassroots expressive culture in the city, New Orleans rap is a site of intense aesthetic and economic competition that reflects the creativity and resilience of the city's poor and working-class African Americans.
Bound for America: Three British Composers
by Nicholas TemperleyNicholas Temperley documents the lives, careers, and music of three British composers who emigrated from England in mid-career and became leaders in the musical life of Federal-era America. William Selby of London and Boston (1738-98), Rayner Taylor of London and Philadelphia (1745-1825), and George K. Jackson of London, New York, and Boston (1757-1822) were among the first trained professional composers to make their homes in America and to pioneer the building of an art-music tradition in the New World akin to the esteemed European "classical" music. Temperley compares their lives, careers, and compositional styles in the two countries and reflects on American musical nationalism and the changing emphasis in American musical historiography.
Bound for Glory
by Woody GuthrieBound for Glory is the autobiography of Woody Guthrie, the founder of modern American folk music. It is a funny, cynical, earthy and tragic account of his life in an Oklahoma oil-boom town, of the Depression that followed,and of his subsequent travels in, on,and under trains, in stolen cars and on his feet, round an America going rotten from the top downwards
Bourdieu and the Sociology of Music Education
by Pamela Burnard Ylva Hofvander TrulssonPierre Bourdieu has been an extraordinarily influential figure in the sociology of music. For over four decades, his concepts have helped to generate both empirical and theoretical interventions in the field of musical study. His impact on the sociology of music taste, in particular, has been profound, his ideas directly informing our understandings of how musical preferences reflect and reproduce inequalities between social classes, ethnic groups, and men and women. Bourdieu and the Sociology of Music Education draws together a group of international researchers, academics and artist-practitioners who offer a critical introduction and exploration of Pierre Bourdieu’s rich generative conceptual tools for advancing sociological views of music education. By employing perspectives from Bourdieu’s work on distinction and judgement and his conceptualisation of fields, habitus and capitals in relation to music education, contributing authors explore the ways in which Bourdieu’s work can be applied to music education as a means of linking school (institutional habitus) and learning, and curriculum and family (class habitus). The volume includes research perspectives and studies of how Bourdieu’s tools have been applied in industry and educational contexts, including the primary, secondary and higher music education sectors. The volume begins with an introduction to Bourdieu’s contribution to theory and methodology and then goes on to deal in detail with illustrative substantive studies. The concluding chapter is an extended essay that reflects on, and critiques, the application of Bourdieu’s work and examines the ways in which the studies contained in the volume advance understanding. The book contributes new perspectives to our understanding of Bourdieu’s tools across diverse settings and practices of music education.
Bow-wow Wow!: Bow-wow Wow! (The Cheetah Girls #14)
by Deborah GregoryIt&’s only been four weeks since Chanel&’s ballet accident put her on crutches, but for a Cheetah Girl, a month without dancing feels like an eternity. When she finally ditches the cast, she has trouble getting up to speed. The Cheetahs are further than ever from landing a record deal, but Chanel&’s friends don&’t seem to care about anything besides their new puppies. Worst of all, Chanel gained some weight while she was off her feet, and she feels like she doesn&’t fit in with the other Cheetahs.As the group gets ready to get back in the studio, Chanel goes on an all-carrot diet in hopes of shedding those pesky pounds. But when dizzy spells start striking her on the street, Chanel begins to wonder if carrots are enough to sustain a hungry Cheetah.
Bowie at the BBC: A life in interviews
by David Bowie Tom HaglerThe life of an icon, in his own words.David Bowie had a unique relationship with the BBC, making more appearances on 'the beeb' than any other broadcaster throughout his career. An anonymous pre-fame teenager, a blossoming starlet, a white-hot rock star and a veritable elder statesman of pop: the BBC had the inside scoop on it all.In this fascinating collection of BBC television and radio transcripts, Bowie's life story is told in his own words, across more than 35 appearances spanning over forty years. Each provides an illuminating snapshot of moments in a remarkable career. But read together, they offer a completely new take on Bowie himself, a first-person look at the rise and rise of a star.Compiled and guided by David Bowie expert and BBC journalist Tom Hagler, Bowie at the BBC is the complete story of an incredible life lived on the airwaves.
Bowie at the BBC: A life in interviews
by David Bowie Tom HaglerThe life of an icon, in his own words.David Bowie had a unique relationship with the BBC, making more appearances on 'the beeb' than any other broadcaster throughout his career. An anonymous pre-fame teenager, a blossoming starlet, a white-hot rock star and a veritable elder statesman of pop: the BBC had the inside scoop on it all.In this fascinating collection of BBC television and radio transcripts, Bowie's life story is told in his own words, across more than 35 appearances spanning over forty years. Each provides an illuminating snapshot of moments in a remarkable career. But read together, they offer a completely new take on Bowie himself, a first-person look at the rise and rise of a star.Compiled and guided by David Bowie expert and BBC journalist Tom Hagler, Bowie at the BBC is the complete story of an incredible life lived on the airwaves.
Bowie at the BBC: A life in interviews
by David Bowie Tom HaglerThe life of an icon, in his own words.David Bowie had a unique relationship with the BBC, making more appearances on 'the beeb' than any other broadcaster throughout his career. An anonymous pre-fame teenager, a blossoming starlet, a white-hot rock star and a veritable elder statesman of pop: the BBC had the inside scoop on it all.In this fascinating collection of BBC television and radio transcripts, Bowie's life story is told in his own words, across more than 35 appearances spanning over forty years. Each provides an illuminating snapshot of moments in a remarkable career. But read together, they offer a completely new take on Bowie himself, a first-person look at the rise and rise of a star.Compiled and guided by David Bowie expert and BBC journalist Tom Hagler, Bowie at the BBC is the complete story of an incredible life lived on the airwaves.
Bowie at the BBC: A life in interviews
by David Bowie Tom HaglerA LOUDER THAN WAR BOOK OF THE YEAR'A unique insight... An excellent companion for both the casual and obsessive Bowie fan'Louder Then WarThe life of an icon, in his own words.David Bowie had a unique relationship with the BBC, making more appearances on 'the beeb' than any other broadcaster throughout his career. An anonymous pre-fame teenager, a blossoming starlet, a white-hot rock star and a veritable elder statesman of pop: the BBC had the inside scoop on it all.In this fascinating collection of BBC television and radio transcripts, Bowie's life story is told in his own words, across more than 35 appearances spanning over forty years. Each provides an illuminating snapshot of moments in a remarkable career. But read together, they offer a completely new take on Bowie himself, a first-person look at the rise and rise of a star.Compiled and guided by David Bowie expert and BBC journalist Tom Hagler, Bowie at the BBC is the complete story of an incredible life lived on the airwaves.
Bowie by O'Neill: The definitive collection with unseen images
by Terry O'Neill'This is not just another Bowie book. This, it's fair to say, is THE Bowie book... Essential for any fan.'THE SUNDAY TELEGRAPH'A truly sparkling collection.'THE DAILY MAIL'More than 500 photos of immense breadth and depth.'VOGUEChosen as one of Vogue's Best David Bowie Books.This book is the breathtaking result of iconic photographer Terry O'Neill's creative partnership with David Bowie that spanned over a number of years, including images published here for the first time.Containing rare and never-before-seen photographs, their work together includes images from the last Ziggy Stardust performance, recording sessions for Young Americans and the renowned studio portraits for Diamond Dogs - plus live shows, film shoots, backstage moments and more. With more than 500 photographs, this is the ultimate portrait of an inspiring, challenging and ever-changing artist.
Bowie by O'Neill: The definitive collection with unseen images
by Terry O'NeillThis book is the breathtaking result of iconic photographer Terry O'Neill's creative partnership with David Bowie that spanned over a number of years, including images published here for the first time.Containing rare and never-before-seen photographs, their work together includes images from the last Ziggy Stardust performance, recording sessions for Young Americans and the renowned studio portraits for Diamond Dogs - plus live shows, film shoots, backstage moments and more. With more than 500 photographs, this is the ultimate portrait of an inspiring, challenging and ever-changing artist.
Bowie on Bowie: Interviews and Encounters with David Bowie
by Sean EganBowie on Bowie presents some of the best interviews David Bowie has granted in his near five-decade career. Each featured interview traces a new step in his unique journey, successively freezing him in time in all of his various incarnations, from a young novelty hit-maker and Ziggy Stardust to plastic soul player, 1980s sell-out, and the artistically reborn and beloved elder statesman of challenging popular music. In all of these iterations he is remarkably articulate and also preternaturally polite as almost every interviewer remarks upon his charm. The features in this book come from outlets both prestigious--Melody Maker, MOJO, New Musical Express, Q, Rolling Stone--and less well-known--the Drummer, Guitar, Ikon, Mr. Showbiz--but no matter the renown of the magazine, newspaper, or website, Bowie lets us approach the nerve center of his notoriously creative output.
Bowie: A Biography
by Marc Spitz<P>David Bowie is one of the most protean figures in rock music, one of the ten highest-selling acts in British pop history, and a subject of perennial fascination even when artistically lying low. It is a decade since the last major biography, and now Marc Spitz considers afresh Bowie's remarkable life and music. <P>From south London beginnings immediately after the war, Bowie embarked on a life of endless self re-invention: first he took the surname of an American frontiersman and joined the nascent sixties R&B scene in London among bands like Manfred Mann and the Stones. By the early seventies he had become the androgynous, white-faced waifs of Ziggy Stardust and Aladdin Sane. <P>Then there was the lounge-lizard classiness of the Thin White Duke, followed by his pensive, austere Berlin period, and subsequently the raucous racket-making aberration of his Tin Machine phase. Along the way he became a distinguished film actor in The Man Who Fell to Earth and Merry Christmas, Mr Lawrence. <P>But now that Bowie, happily married to Iman, is into his sixties, has he said goodbye to his musical career, or is he just biding his time before another yet another unexpected and wrong-footing renaissance? <P>One thing is for sure: this succession of alter egos has always been symptomatic of a restless musical creativity and endless quest for innovation. His astonishing run of canonical albums, from The Rise and Fall of Ziggy Stardust through Young Americans and Low to Scary Monsters, and countless classic tracks of which Changes, Sound and Vision and Space Oddity are just a taste, span psychedelia, glam-rock, 'plastic soul', electronic and industrial influences to disco, pop and even heavy metal. <P>Now, Marc Spitz has talked to those who know or have worked with Bowie to produce an even-handed, thoroughly researched and quirkily readable portrait of an enigmatic and elusive individual, for whose recent musical silence we are all the poorer. <P><b>A New York Times Bestseller</b>
Bowie: An Illustrated Life
by María Hesse Fran RuizDavid Bowie was a master of artifice and reinvention. In that same spirit, illustrator María Hesse and writer Fran Ruiz have created a vivid retelling of the life of David Robert Jones, from his working-class childhood to glam rock success to superstardom, concluding with the final recording sessions after his cancer diagnosis.Narrated from the rock star’s point of view, Bowie colorfully renders both the personal and the professional turning points in a life marked by evolution and innovation. We see Bowie facing the sorrow of his brother’s mental illness, kicking a cocaine habit while other musicians succumbed to deadly overdoses, contending with a tumultuous love life, and radiating joy as a father. Along the way, he describes how he shattered the boundaries of song and society with a counterculture cast that included Iggy Pop, Brian Eno, and Freddie Mercury—as well as his own creations, Ziggy Stardust and the Thin White Duke.Evocatively illustrated from start to finish, Bowie is a stellar tribute to an inimitable star.
Bowie: An Illustrated Life
by María Hesse Fran Ruiz&“An entertaining and informative glimpse of Bowie&’s public and private life, music and disappearance from this earth.&” —Shelf Media Group David Bowie was a master of artifice and reinvention. In that same spirit, illustrator María Hesse and writer Fran Ruiz have created a vivid retelling of the life of David Robert Jones, from his working-class childhood to glam rock success to superstardom, concluding with the final recording sessions after his cancer diagnosis. Narrated from the rock star&’s point of view, Bowie colorfully renders both the personal and the professional turning points in a life marked by evolution and innovation. We see Bowie facing the sorrow of his brother&’s mental illness, kicking a cocaine habit while other musicians succumbed to deadly overdoses, contending with a tumultuous love life, and radiating joy as a father. Along the way, he describes how he shattered the boundaries of song and society with a counterculture cast that included Iggy Pop, Brian Eno, and Freddie Mercury, as well as his own creations, Ziggy Stardust and the Thin White Duke. Evocatively illustrated from start to finish, Bowie is a stellar tribute to an inimitable star. &“While Bowie portrayed many larger-than-life characters in his music, this book attempts to turn Bowie himself into a similarly superhuman character, adding a few extra dashes of magic, wonder and awe into his already stunning life as an artist.&” —Paste &“Beautifully illustrated . . . Not a &‘graphic biography&’ but something more imaginative.&” —Shepherd Express &“The art reflects a man consumed with himself as an evolving art project, at once self-absorbed and self-sacrificing, cooly aesthetic and curiously, lovably human.&” —Publishers Weekly
Bowie: The Biography
by Wendy LeighZiggy Stardust, Aladdin Sane, the Thin White Duke. Gender Bender. Rebel. Songwriter. Fashion Icon. Rock God. One of the most influential creative artists of his generation, David Bowie morphed from one glittering incarnation to the next over the course of five decades--an enduring superstar who remained endlessly enigmatic and always ahead of his time. Discover the man behind the myth in this intimate and in-depth biography--featuring a full-color sixteen-page photo insert.David Bowie passed away after an eighteen-month battle with cancer on January 10, 2016. Few knew of his illness, and Bowie flawlessly orchestrated his last goodbye with the release of his final (and some say best) album, Blackstar, featuring the haunting song "Lazarus," and its accompanying video, a farewell message to his millions of fans. Throughout his iconic career that included such hits as "Let's Dance," "Space Oddity," "Heroes," "Modern Love," and "Life on Mars," Bowie managed to retain his Hollywood star mystique. Through in-depth interviews with those who knew him best, New York Times bestselling author Wendy Leigh reveals the man behind Bowie's myriad images--up to and including his role as stay-at-home dad, happily monogamous in his quarter-of-a-century-plus marriage to supermodel Iman. In this "sizzling" (Radar Online) new biography, Leigh brings fresh insights to Bowie's battles with addiction; his insatiable sex life--from self-avowed gay to bisexual to resolutely heterosexual--and countless conquests; his childhood in a working-class London neighborhood and the troubling family influences that fueled his relentless pursuit of success; and much more. This exploration of an artist beloved by so many reveals the man at the center of the mythos.
Bowie: The Illustrated Story
by Pat GilbertA tribute "with enough insight into every phase of the Thin White Duke's career to send even the most devoted superfans into moonage daydreams of their own" (Creative Loafing: Tampa Bay).David Bowie released an incredible twenty-seven studio albums, beginning with his eponymous 1967 debut and ending with Blackstar, released just two days before his untimely death in January 2016. Widely regarded as one of the most influential musicians and performers of the previous five decades, Bowie demolished what were thought to be the limitations of stagecraft in rock music, as well as proving it possible for an artist to constantly—and successfully—redefine himself. As a result, Bowie has been credited with inspiring genres as disparate as glam and punk rock.This sharply written and gorgeously designed retrospective follows Bowie's career from the folkie baroque rock of his debut, to his breakthrough single "Space Oddity," and on to his flamboyant glam rock alter ego,Ziggy Stardust. Author Pat Gilbert continues through Bowie's soul phase, his electronic Berlin trilogy, his massive pop success in the 1980s, and his turn to electronica in the 1990s, as well as subsequent tours, notable performances, collaborations, and accolades.Nearly every page is illustrated withstunning concert and candid offstage photography, including gig posters, seven-inch picture sleeves, concert ticket stubs, and more. The result isa fitting tribute to one of the most influential and admired stars in rock history. "A labor of love . . . For those looking for an excuse to live in Bowie's world for just a small amount of time, there is little doubt to this book's appeal." —Spectrum Culture
Boy Bands and the Performance of Pop Masculinity
by Georgina GregoryBoy Bands and the Performance of Pop Masculinity provides a history of the boy band from the Beatles to One Direction, placing the modern male pop group within the wider context of twentieth- and twenty-first-century popular music and culture. Offering the first extended look at pop masculinity as exhibited by boy bands, this volume links the evolving expressions of gender and sexuality in the boy band to wider economic and social changes that have resulted in new ways of representing what it is to be a man. The popularity of boy bands is unquestionable, and their contributions to popular music are significant, yet they have attracted relatively little study. This book fills that gap with chapters exploring the challenges of defining the boy band phenomenon, its origins and history from the 1940s to the present, the role of management and marketing, the performance of gender and sexuality, and the nature of fandom and fan agency. Throughout, the author illuminates the ways in which identity politics influence the production and consumption of pop music and shows how the mainstream pop of boy bands can both reinforce and subvert gender and class hierarchies.
Boy on Fire: The Young Nick Cave
by Mark MordueThe first volume of the long-awaited, near-mythical biography of Nick Cave, by award-winning writer Mark Mordue. An intensely beautiful, profound, and poetic biography of the formative years of the dark prince of rock 'n' roll, Boy on Fire is Nick Cave's creation story, a portrait of the artist first as a boy, then as a young man. A deeply insightful work that charts his family, friends, influences, milieu, and, most of all, his music, the book reveals how Nick Cave shaped himself into the extraordinary artist he would become. A powerful account of a singular, uncompromising artist, Boy on Fire is also a vivid and evocative rendering of a time and place, from the fast-running dark rivers and ghost gums of country-town Australia to the torn wallpaper, sticky carpet, and manic energy of the nascent punk scene which hit staid 1970s Melbourne like an atom bomb. Boy on Fire is a stunning biographical achievement.
Boy's Own: The Complete Fanzines 1986-92
by Frank BroughtonThere’s a moment in Jack Kerouac’s 1962 autobiographical come-down novel ‘Big Sur’ where ‘the King of the Beats’ (a term he hated) comes face to face with “some sort of Beat Jesus”, an 18 year old proto-hippy “with a beard and crazy hair”, in San Francisco a good eight or nine years before Woodstock, and a forbearer of a subcultural, generational shift that arguably changed Western culture for good. Boys Own, the Complete Fanzines, 1986-92, has Big Sur moments peppered through the 1986-88 issues, as a small crew of West London football lads, clubbers, music freaks and blaggers start to realise that they’re not just near the centre of Acid House as it starts to emerge from the primordial soup of mid 80’s UK subculture, they and the faces around them are helping create it. Just as Kerouac refused to be dragged into the patchouli scented embrace of the idealistic movement he helped create, by Autumn 1988 the Boys Own central committee were already kicking back against the commercialised explosion in Acid House culture : The TV documentary crews lurking around raves were mocked, the first wave of mass market ravers in Top Shop bought smiley t shirts were famously branded ‘Teds’, the plain clothes coppers in bandanas and day glo laughed at. But whilst Kerouac’s bitterness against the hippies he’d helped create solidified into a destructive, reactionary, booze fuelled hatred, the Boys Own lot carried on throwing parties, dj ing and making records, always ready to have a laugh from the side lines at the assumed self-importance of those same activities. The Boys Own Fanzines, like Oz and International Times for the hippies, or Sniffing Glue and Vague for the punks, remain an invaluable collection of first hand accounts and sharp witted commentaries documenting the pre-history, moment of inception, and after-shocks of Acid House, one of the more exciting and important moments in our modern subcultural history.
Boys Keep Swinging: A Memoir
by Jake Shears“Wow! So brutally honest and such a really addictive read.” —Elton John “One courageous joyride of a memoir. It should be illegal for rock stars to write so beautifully.” —Armistead Maupin “A wild, sexy, emotional ride through underground New York at the millennium…a tale that speaks to the outsider in all of us.” —Andy Cohen In this deeply affecting memoir, one of rock music’s most entrancing figures transforms the vividness of his musical world into an unforgettable literary account of overcoming the odds and finding his true voice.Long before hitting the stage as the lead singer of the iconic glam rock band Scissor Sisters, Jake Shears was Jason Sellards, a teenage boy living a fraught life, resulting in a confusing and confining time in high school as his classmates bullied him and few teachers showed sympathy. It wasn’t until years later, while living and studying in New York City, that Jason would find his voice as an artist and, with a group of friends and musicians who were also thirsting for stardom and freedom, form the band Scissor Sisters. First performing in the smoky gay nightclubs of New York, then finding massive success in the United Kingdom, Scissor Sisters would become revered by the LGBTQ community, sell out venues worldwide, and win multiple accolades with hits like “Take Your Mama” and “I Don’t Feel Like Dancin’,” as well as their cult-favorite cover of Pink Floyd’s “Comfortably Numb.” Candid and courageous, Shears’s writing sings with the same powerful, spirited presence that he brings to his live performances. Following a misfit boy’s development into a dazzling rock star, Boys Keep Swinging is a raucously entertaining memoir that will be an inspiration to anyone with determination and a dream.
Boys in the Trees: A Memoir
by Carly SimonSimon's memoir reveals her remarkable life, beginning with her storied childhood as the third daughter of Richard L. Simon, the co-founder of publishing giant Simon & Schuster, her musical debut as half of The Simon Sisters performing folk songs with her sister Lucy in Greenwich Village, to a meteoric solo career that would result in 13 top 40 hits, including the #1 song "You're So Vain." She was the first artist in history to win a Grammy Award, an Academy Award and a Golden Globe Award, for her song "Let the River Run" from the movie Working Girl. The memoir recalls a childhood enriched by music and culture, but also one shrouded in secrets that would eventually tear her family apart. Simon brilliantly captures moments of creative inspiration, the sparks of songs, and the stories behind writing "Anticipation" and "We Have No Secrets" among many others. Romantic entanglements with some of the most famous men of the day fueled her confessional lyrics, as well as the unraveling of her storybook marriage to James Taylor.
Boys in the Trees: A Memoir
by Carly Simon#1 New York Times BestsellerA People Magazine Top Ten Book of the Year'A sensational memoir . . . brilliantly well written. Carly Simon is incapable of writing a boring sentence . . . you can forgive anything for the unparalleled brilliance of her writing' - Lynn Barber, Sunday Times'Hugely affecting memoir . . . heartfelt and remarkable' - Fiona Sturges, IndependentCarly Simon is a household name. She was the staple of the '70s and '80s Billboard charts and was famously married to James Taylor with whom she has two children. She has had a career that has spanned four decades, resulting in thirteen top 40 hits, including the Number 1 song 'You're So Vain', numerous Grammy Awards, a Golden Globe and an Academy Award. She was the first artist in history to win a Grammy Award, an Academy Award and a Golden Globe Award for her song 'Let the River Run' (from the film Working Girl). Boys in the Trees is a rhapsodic, beautifully composed memoir of a young woman's coming of age amongst the glamorous literati and intelligentsia of Manhattan (her father was Richard Simon, co-founder of publishing giant Simon & Schuster), a reflection on a life begun amidst secrets and shame, and a powerful story of the strength to leave that all behind and forge a path of art, music and love in the Golden Age of folk and rock.At once an insider's look into a life in the spotlight, a lyric reflection on a particular time in our culture's history, and a beautiful memoir about the pains and joys of love and art, Boys in the Trees is the story Carly Simon has long been waiting to tell the world.Praise for the US edition:'One of the best celebrity memoirs of the year' Hollywood Reporter'Intelligent and captivating' People'Compelling' Rolling Stone
Boyz n the Void: a mixtape to my brother
by G'Ra AsimWriting to his brother, G'Ra Asim reflects on building his own identity while navigating Blackness, masculinity, and young adulthood--all through wry social commentary and music/pop culture critiqueHow does one approach Blackness, masculinity, otherness, and the perils of young adulthood? For G'Ra Asim, punk music offers an outlet to express himself freely. As his younger brother, Gyasi, grapples with finding his footing in the world, G'Ra gifts him with a survival guide for tackling the sometimes treacherous cultural terrain particular to being young, Black, brainy, and weird in the form of a mixtape. Boyz n the Void: a mixtape to my brother blends music and cultural criticism and personal essay to explore race, gender, class, and sexuality as they pertain to punk rock and straight edge culture. Using totemic punk rock songs on a mixtape to anchor each chapter, the book documents an intergenerational conversation between a Millennial in his 30s and his Generation Z teenage brother. Author, punk musician, and straight edge kid, G'Ra Asim weaves together memoir and cultural commentary, diving into the depths of everything from theory to comic strips, to poetry to pizza commercials to mapping the predicament of the Black creative intellectual. With each chapter dedicated to a particular song and placed within the context of a fraternal bond, Asim presents his brother with a roadmap to self-actualization in the form of a Doc Martened foot to the behind and a sweaty, circle-pit-side-armed hug. Listen to the author&’s playlist while you read! Access the playlist here: https://sptfy.com/a18b
Brahms Beyond Mastery: His Sarabande and Gavotte, and its Recompositions (Royal Musical Association Monographs #21)
by Robert PascallIn 1853 Robert Schumann identified fully-formed compositional mastery in the young Brahms, who nevertheless in the years following embarked on a period of intensive further study, producing, among other works, the neo-baroque Sarabande and Gavotte. These dances have not been properly recognized as constituting a distinct Brahms work before now, but manuscript evidence and their performance history indicate that Brahms and his friends thought of them as such in the mid-1850s, when they became the first music of his performed publicly in Gdansk, Vienna, Budapest and London. He later suppressed the dances, using them instead as a thematic quarry for three chamber music masterpieces, from different stages in his life and in distinctly different ways: the Second String Sextet, the First String Quintet and the Clarinet Quintet. This book gives an account of the compositional and performance history, stylistic features and re-uses of the dances, setting these in the wider context of Brahms‘s developing creative concerns and trajectory. It constitutes therefore a study of alost work, of how a fully-formed master opens himself tothe in-flowing from afar (in Martin Heidegger‘s terms), and of the transformative reach and concomitant expressive richness of Brahms‘s creative thought.