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Burning Down the Haus: Punk Rock, Revolution, and the Fall of the Berlin Wall
by Tim Mohr“A rallying call against authoritarianism everywhere.” —Ruth Franklin, author of the NBCC Award–winning Shirley Jackson: A Rather Haunted Life It began with a handful of East Berlin teens who heard the Sex Pistols on a British military radio broadcast to troops in West Berlin, and it ended with the collapse of the East German dictatorship. Punk rock was a life-changing discovery. The buzz-saw guitars, the messed-up clothing and hair, the rejection of society and the DIY approach to building a new one: in their gray surroundings, where everyone’s future was preordained by some communist apparatchik, punk represented a revolutionary philosophy—quite literally, as it turned out. But as these young kids tried to form bands and became more visible, security forces—including the dreaded secret police, the Stasi—targeted them. They were spied on by friends and even members of their own families; they were expelled from schools and fired from jobs; they were beaten by police and imprisoned. Instead of conforming, the punks fought back, playing an indispensable role in the underground movements that helped bring down the Berlin Wall. This secret history of East German punk rock is not just about the music; it is a story of extraordinary bravery in the face of one of the most oppressive regimes in history. Rollicking, cinematic, deeply researched, highly readable, and thrillingly topical, BurningDown the Haus brings to life the young men and women who successfully fought authoritarianism three chords at a time—and is a fiery testament to the irrepressible spirit of revolution.
Burning Down the House: Talking Heads and the New York Scene That Transformed Rock
by Jonathan Gould"Definitive...Not just for Talking Heads fans—it’s a masterful dive into downtown New York in the 70s, and the changing face of rock music.”—Town & Country"Riveting"—New York Post"A masterful achievement." —Booklist (starred review)On the 50th anniversary of Talking Heads, acclaimed music biographer Jonathan Gould presents the long-overdue, definitive story of this singular band, capturing the gritty energy of 1970s New York City and showing how a group of art students brought fringe culture to rock’s mainstream, forever changing the look and sound of popular music. “Psycho Killer.” “Take Me to the River.” “Road to Nowhere.” Few musical artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of New York’s downtown 1970s music scene, Talking Heads have endured as a musical and cultural force for decades. Their unique brand of transcendent, experimental rock remains a lingering influence on popular music—despite their having disbanded over thirty years ago.Now New Yorker contributor Jonathan Gould offers an authoritative, deeply researched account of a band whose sound, fame, and legacy forever connected rock music to the cultural avant-garde. From their art school origins to the enigmatic charisma of David Byrne and the internal tensions that ultimately broke them apart, Gould tells the story of a group that emerged when rock music was still young and went on to redefine the prevailing expectations of how a band could sound, look, and act. At a time when guitar solos, lead-singer swagger, and sweaty stadium tours reigned supreme, Talking Heads were precocious, awkward, quirky, and utterly distinctive when they first appeared on the ragged stages of the East Village. Yet they would soon mature into one of the most accomplished and uncompromising recording and performing acts of their era.More than just a biography of a band, Gould masterfully captures the singular time and place that incubated and nurtured this original music: downtown New York in the 1970s, that much romanticized, little understood milieu where art, music, and commerce collided in the urban dystopia of Lower Manhattan. What emerges is an expansive portrait of a unique cultural moment and an iconoclastic band that shifted the paradigm of popular music by burning down the house of mainstream rock.
Burning Up: On Tour with the Jonas Brothers
by Joe Jonas Nick Jonas Kevin JonasBurning Up: On Tour with the Jonas Brothers is your backstage pass to life with Kevin, Joe, and Nick Jonas. It includes never-before-seen photos of the Jonas Brothers' Look Me in the Eyes tour and exclusive images taken during Hannah Montana & Miley Cyrus's Best of Both Worlds tour. You'll get a behind-the-scenes look at the band warming up, performing, and having fun backstage. This sizzling souvenir will also give you a glimpse of the downtime that the brothers have between gigs. In addition to pictures of the group laying down tracks at the recording studio for A Little Bit Longer, giving radio interviews, and sight-seeing in London, you'll see snap-shots of them bowling, racing Go-karts, and playing video games with the Bonus Jonas, younger brother Frankie. The dynamic photography is accompanied by a candid narrative by the Jonas Brothers themselves, chronicling their life on the road and their experiences growing up in the music world. They discuss everything from the songwriting process to the importance of family to their favorite kind of ice cream (Kevin's is rocky road!) So pick up your guitar and get ready to strum along--you're going on tour with the Jonas Brothers!
Business Model Innovation in Creative and Cultural Industries (Routledge Research in the Creative and Cultural Industries)
by Pierre Roy Estelle Pellegrin-BoucherBusiness model innovation occurs when an organization discovers a new way of creating revenues or profits via its products or services. This book examines the concept as it applies across the creative and cultural industries in practice.This book examines market, social and political environments which impact creative and cultural organizations' business models, such as sustainability, new forms of competition, digitalization and data management, emerging technologies like AI, and shifting social trends and lifestyles. This book not only analyses these influences but also presents best practices, key success factors, and compelling case studies. Employing a case study format, a range of creative or cultural sectors are analysed, including fashion, architecture and gaming.The result is a book which delivers value for researchers, advanced students, and reflective practitioners involved in the creative economy around the world.
But Enough About Me: How a Small-Town Girl Went from Shag Carpet to the Red Carpet
by Jancee Dunn“Breezy . . . juicy . . . irresistible” this memoir from a former Rolling Stone reporter is “as entertaining as the megastars she has built a career on profiling” (Entertainment Weekly).New Jersey in the 1980s had everything Jancee Dunn wanted: trips down the shore, Bruce Springsteen, a tantalizing array of malls, and, especially, her family. But one night she met a girl who worked at Rolling Stone magazine in New York City. To Jancee, who visited the city exactly once a year, New York might as well have been in Canada. But she loved music, so she passed along her résumé.Soon Jancee was behind the scenes, interviewing some of the most famous people in the world, among them Madonna, Cameron Diaz, and Beyoncé. She trekked to the Canadian Rockies to hike with Brad Pitt, was chased by paparazzi who mistook her for Ben Affleck’s new girlfriend, snacked on Velveeta with Dolly Parton, and danced drunkenly onstage with the Beastie Boys. She even became a TV star as a pioneering VJ on MTV2.As her life spun faster, she traded her good-girl suburban past for late nights and hipster guys. But then a chance meeting turned Jancee’s life in an unexpected direction and helped her to finally learn to appreciate where she came from, who she was, and what she wanted to be.Hilarious and touching, But Enough About Me is the story of an outsider who couldn’t quite bring herself to become an insider and introduces readers to a lovable real-life heroine.“An inside look at being a celebrity journalist.” —New Yorker“Disarmingly funny.” —People“Relentlessly readable.” —New York Magazine“Pitch-perfect.” —Vogue
But He Doesn't Know the Territory
by Meredith WillsonComposer Meredith Willson once described The Music Man as &“an Iowan&’s attempt to pay tribute to his home state.&” Never once forgetting his roots, Willson reflects on the ups and downs, surprises and disappointments, and finally successes of the making of one of America&’s most popular musicals. His whimsical, personable writing style will bring readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. A newfound admiration for The Music Man—and the man behind the music—is sure to follow.
But Will You Love Me Tomorrow?: An Oral History of the '60s Girl Groups
by Laura Flam Emily Sieu LiebowitzFeaturing over 300 hours of new interviews with 100+ subjects, an oral history of the girl groups (such as The Ronettes, The Shirelles, The Supremes, and The Vandellas) that redefined the early 1960s The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to the top of the charts, girl groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. While the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. With more than 100 subjects that made the music, from the singers to the songwriters, to their agents, managers, and sound engineers—and even to the present-day celebrities inspired by their lasting influence–But Will You Love Me Tomorrow: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.
Butter-Finger
by Bob Cattell John AgardButter-Finger follows the story of Riccardo Small, who misses a vital catch and is dropped from the cricket team. Riccardo takes refuge in his beloved calypso poems, written by John Agard, when he meets Count Crayfish, who helps him think of a way to still help the team. Ages 7 and up.
Buyers Beware: Insurgency and Consumption in Caribbean Popular Culture (Critical Caribbean Studies)
by Patricia Joan SaundersBuyers Beware offers a new perspective for critical inquiries about the practices of consumption in (and of) Caribbean popular culture. The book revisits commonly accepted representations of the Caribbean from “less respectable” segments of popular culture such as dancehall culture and 'sistah lit' that proudly jettison any aspirations toward middle-class respectability. Treating these pop cultural texts and phenomena with the same critical attention as dominant mass cultural representations of the region allows Patricia Joan Saunders to read them against the grain and consider whether and how their “pulp” preoccupation with contemporary fashion, music, sex, fast food, and television, is instructive for how race, class, gender, sexuality and national politics are constructed, performed, interpreted, disseminated and consumed from within the Caribbean.
Buying Pianos for an Institution
by Larry FineThe Piano Buyer Essentials SeriesThe Piano Buyer Essentials Series brings together in one place the very best and most important articles from our 30 years of publishing on the subject of buying and owning a piano. Each e-book is a compilation of articles from current and past issues of Acoustic & Digital Piano Buyer, a semiannual consumer publication devoted to the purchase of new, used, and restored acoustic pianos and digital pianos. The e-books may also contain excerpts from The Piano Book, by Larry Fine, and from pieces published only on PianoBuyer.com. For reader convenience, articles and excerpts have been grouped by subject. However, because some pieces apply to more than one subject, there is some duplication of articles among the e-books in the series.
Buzzin': The Nine Lives of a Happy Monday
by BezAt the height of his initial, turn-of-the-1990's infamy as the maraca-wielding dancer with 'Madchester' giants Happy Mondays, the pop-eyed Mark Berry, forever known to the world as Bez, was visibly a danger to society. He became the so-called Chemical Generation's bug-eyed pied piper, every weekend leading millions out to oblivion and beyond, as they adopted his E-gobbling party lifestyle.Neither an accomplished musician nor even a very good dancer, Bez was a prime candidate for fleeting celebrity, soon to sink into 'Where Are They Now?' obscurity. That, however, never happened, nor does it show any sign of happening. Through Black Grape, the second band he co-fronted with the Mondays' Shaun Ryder, and his ever-presence in the mass media, Bez's popularity has grown exponentially, his star rocketing ever upwards.When he bowled into Celebrity Big Brother in 2005, he ended up winning the series, as viewers came to understand his fundamental decency and sunny outlook. His adult life has been extraordinary: unbelievable scrapes with mortality, periods of financial ruin, mindfuck moments like when David Bowie genuflected before him, and enough narcotic-strewn hi-jinx to fill several more volumes of memoir.This is the story of a bad lad who has turned his life good, tracing his passage from early-thirty-something casualty to middle-aged politician, eco-warrior and bee-aficionado.
Buzzin': The Nine Lives of a Happy Monday
by BezAt the height of his initial, turn-of-the-1990's infamy as the maraca-wielding dancer with 'Madchester' giants Happy Mondays, the pop-eyed Mark Berry, forever known to the world as Bez, was visibly a danger to society. He became the so-called Chemical Generation's bug-eyed pied piper, every weekend leading millions out to oblivion and beyond, as they adopted his E-gobbling party lifestyle.Neither an accomplished musician nor even a very good dancer, Bez was a prime candidate for fleeting celebrity, soon to sink into 'Where Are They Now?' obscurity. That, however, never happened, nor does it show any sign of happening. Through Black Grape, the second band he co-fronted with the Mondays' Shaun Ryder, and his ever-presence in the mass media, Bez's popularity has grown exponentially, his star rocketing ever upwards.When he bowled into Celebrity Big Brother in 2005, he ended up winning the series, as viewers came to understand his fundamental decency and sunny outlook. His adult life has been extraordinary: unbelievable scrapes with mortality, periods of financial ruin, mindfuck moments like when David Bowie genuflected before him, and enough narcotic-strewn hi-jinx to fill several more volumes of memoir.This is the story of a bad lad who has turned his life good, tracing his passage from early-thirty-something casualty to middle-aged politician, eco-warrior and bee-aficionado.
Byron and the Discourses of History (The Nineteenth Century Series)
by Carla PomarèIn her study of the relationship between Byron’s lifelong interest in historical matters and the development of history as a discipline, Carla Pomarè focuses on drama (the Venetian plays, The Deformed Transformed), verse narrative (The Siege of Corinth, Mazeppa) and dramatic monologue (The Prophecy of Dante), calling attention to their interaction with historiographical and pseudo-historiographical texts ranging from monographs to dictionaries, collections of apophthegms, autobiographies and prophecies. This variety of discourses, Pomarè suggests, not only served as a source of the historical information Byron cherished, providing the subject matter for countless episodes in his works, but also and primarily supplied him with epistemological models. From them, Byron drew such trademark textual practices as his massive use of notes and paratexts, which satisfied his ingrained need for ’authenticity’ - a sentiment expressed in his oft-quoted, ’I hate things all fiction’. As Pomarè argues, Byron’s meticulous tracing of the process that links events, documents and historical representations ultimately answers his desire to retrieve what might be lost during the transmission of historical knowledge. Thus does he betray his preoccupation with the ideological uses of history writing, projecting his own discourses of history into the present of their composition.
Béla Bartók
by Prof. David Cooper"This deeply researched biography of Bela Bartok (1881-1945) provides a more comprehensive view of the innovative Hungarian musician than ever before. David Cooper traces Bartok's international career as an ardent ethno-musicologist and composer, teacher, and pianist, while also providing a detailed discussion of most of his works. Further, the author explores how Europe's political and cultural tumult affected Bartok's work, travel, and reluctant emigration to the safety of America in his final years. Cooper illuminates Bartok's personal life and relationships, while also expanding what is known about the influence of other musicians-Richard Strauss, Zoltan Kodaly, and Yehudi Menuhin, among many others. The author also looks closely at some of the composer's actions and behaviors which may have been manifestations of Asperger syndrome. The book, in short, is a consummate biography of an internationally admired musician. ""
Béla Bartók: A Research and Information Guide (Routledge Music Bibliographies)
by Elliott Antokoletz Paolo SusanniThis research guide is an annotated bibliography of primary and secondary sources and catalogue of Bartók’s compositions. Since the publication of the second edition, a wealth of information has been proliferating in the field of Bartók research. The third edition of this research guide provides an update in this field and represents the multidisciplinary research areas in the growing Bartók literature.
C'mon, Get Happy . . .: Fear and Loathing on the Partridge Family Bus
by David Cassidy Chip DeffaaThis memoir by David Cassidy tells the real story behind his phenomenal ’70s stardom—and the sadness that shadowed it. Includes photos and a new afterword. Barely out of his teens, David Cassidy landed a role on a new sitcom about a musical family that toured in a psychedelic bus. The critics blasted it—but TV viewers loved it! And the young female audience especially loved Keith Partridge. Not only did they tune in each week, they bought The Partridge Family’s hit single, “I Think I Love You,” in the millions, and plastered David’s image on their bedroom walls. Throughout the early seventies, David Cassidy was a phenomenon. In this wry, witty memoir, he recounts not only those wild youthful years and Hollywood relationships—with, among others, stepmom Shirley Jones, costar Susan Dey, actress Meredith Baxter, and two guest stars who soon found greater fame on Charlie’s Angels—but also the darker parts of his life as well. David delves into his painful family history and his childhood in West Orange, New Jersey, and the groupies and drugs he indulged in as his success began to overwhelm him. He also shares his encounters with the icons of the era—Lennon and McCartney, Elvis, the Beach Boys, and more. Most of all, he takes us back to a time when the world seemed more innocent—at least until the camera stopped rolling. Includes a new afterword about David’s final years by friend and coauthor Chip Deffaa. “A chatty read about becoming an overnight success and all the trappings that came with it: Tiger Beat magazine, sold-out stadium shows, hit records, willing girls in every hotel lobby.” —Star Tribune
C'mon, Get Happy: The Making of Summer Stock
by Tom Johnson David FantleIn their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. Despite its riveting production history, charismatic lead actors, and classic musical moments, the movie has not received the same attention as other musicals from MGM’s storied dream factory. In C’mon, Get Happy: The Making of “Summer Stock,” authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion picture, from start to finish and after its release.The production coincided at a critical point in the careers of Kelly and an emotionally spent Garland. Kelly, who starred in An American in Paris just one year later, was at the peak of his abilities. On the other hand, Summer Stock was Garland’s final film at MGM, and she gamely completed it despite her own personal struggles. Summer Stock includes Kelly’s favorite solo dance routine and Garland’s signature number “Get Happy.”The authors discuss in rich detail the contributions of the cast (which included Gloria DeHaven, Eddie Bracken, Phil Silvers, and Marjorie Main); the director (Charles Walters); the producer (Joe Pasternak); the script writers (George Wells and Sy Gomberg); the songwriters (which included Harry Warren and Mack Gordon); and top MGM executives (Louis B. Mayer and Dore Schary). The volume features extensive interviews, conducted by the authors, with Kelly, Walters, Warren, and others, who shared their recollections of making the movie. Deeply researched, C’mon, Get Happy reveals the studio system at work during Hollywood’s Golden Era.Additionally, the authors have written a special section called “Taking Stock” that buttonholes numerous contemporary dancers, singers, choreographers, musicians, and even Garland impersonators for their take on Summer Stock, its stars, and any enduring legacy they think the film might have. Artists from Mikhail Baryshnikov, Ben Vereen, and Tommy Tune to Garland’s and Kelly’s daughters, Lorna Luft and Kerry Kelly Novick, respectively, offer their unique perspective on the film and its stars.
C.P.E. Bach (The\late Eighteenth-century Composers Ser.)
by David SchulenbergThe second son of Johann Sebastian Bach, C.P.E. Bach was an important composer in his own right, as well as a writer and performer on keyboard instruments. He composed roughly a thousand works in all the leading genres of the period, with the exception of opera, and Haydn, Mozart and Beethoven all acknowledged his influence. He was also the author of a two-volume encyclopedic book about performance on keyboard instrument. C.P.E. Bach and his music have always been the subject of significant scholarship and publication but interest has sharply increased over the past two or three decades from performers as well as music historians. This volume incorporates important writings not only on the composer and his chief works but also on theoretical issues and performance questions. The focus throughout is on relatively recent scholarship otherwise available only in hard-to-access sources.
C.P.E. Bach: A Guide to Research (Routledge Music Bibliographies)
by Doris PowersAlthough he is the son of J. S. Bach, C. P. E. Bach is an important composer in his own right, this long-awaited annotated bibliography presents a complete listing of the works of C. P. E. Bach. This volume in the Routledge Music Bibliographies series includes many different aspects of his work: the editing of his father's masterpieces, his concert
CLEP® Humanities Book + Online (CLEP Test Preparation)
by Robert Liftig Marguerite BarrettEarn College Credit with REA’s Test Prep for CLEP Humanities Everything you need to pass the exam and get the college credit you deserve. REA leads the way in helping students pass their College Board CLEP exams and earn college credit while reducing their tuition costs. With 25+ years of experience in test prep for the College-Level Examination Program (CLEP), REA is your trusted source for the most up-to-date test-aligned content. Whether you’re an adult returning to finish your degree, a traditional-age college student, a military service member, or a high school or home-schooled student looking to get a head start on college and shorten your path to graduation, CLEP is perfect for you. REA’s expert authors know the CLEP tests inside out. And thanks to our partners at Proctortrack (proctortrack.com/clep), you can now take your exam at your convenience, from the comfort of home. Prep for success on the CLEP Humanities exam with REA’s personalized three-step plan: (1) focus your study, (2) review with the book, and (3) measure your test-readiness. Our Book + Online prep gives you all the tools you need to make the most of your study time: Diagnostic exam: Pinpoint what you already know and what you need to study.Targeted subject review: Learn what you’ll be tested on.Two full-length practice exams: Zero in on the topics that give you trouble now so you’ll be confident and prepared on test day.Glossary of key terms: Round out your prep with must-know vocabulary.REA is America’s recognized leader in CLEP preparation. Our test prep helps you earn valuable college credit, save on tuition, and accelerate your path to a college degree.
CRASH: The World's Greatest Drum Kits From Appice to Peart to Van Halen
by David FrangioniFrom snares to cymbals, drums are taking over the stage in this first-ever collected look into some of the most famous drum kits of rock and roll history. Crash is the definitive Illustrated history of the drum kits of rock &’n&’ roll legends. Featuring images from live concerts, outdoor festivals, and private recording sessions, this spectacular volume captures the personal connection between artist and instrument. Along with the makes and models, each kit is accompanied by commentary about the history of the kit, its special characteristics, as well as its significance to rock history. Including photographs of Neil Peart, Carl Palmer, Ginger Baker, Keith Moon, Ringo Starr, and many more, Crash is the ultimate photographic guide to the world of rock &’n&’ roll&’s most famous drum kits.
CSNY: Crosby, Stills, Nash and Young
by Peter DoggettAn engaging and illuminating biography focused on the formative and highly influential early years of &“rock&’s first supergroup&” (Rolling Stone) Crosby, Stills, Nash, and Young—when they were the most successful, influential, and politically potent band in America.After making their marks in popular bands such as the Hollies and the Byrds, David Crosby, Stephen Stills, and Graham Nash released their first album in May 1969. By the time they arrived at Woodstock a few months later, Neil Young had joined their ranks and together, their transcendent harmonies and evocative lyrics channeled all the romantic idealism and radical angst of their time. Now, music journalist Peter Doggett chronicles these legendary musicians and the movement they came to represent at the height of their popularity and influence: 1969 to 1974. Based on interviews with the band and colleagues, along with exclusive access to CSNY&’s archive, Doggett provides new insights into their incredible catalog, from their delicate acoustic confessionals like &“Suite: Judy Blue Eyes&” to their timeless classics such as &“Our House.&” Doggett also uncovers plenty of new stories and perspectives on the four tenacious and volatile songwriters&’ infamously reckless, hedonistic, and often combative lifestyles that led to their continuous breakups and behaviors—extreme even by rock star standards. &“A must for CSNY fans and anyone who remembers the era when it ruled the pop charts&” (Kirkus Reviews, starred review), CSNY is a quintessential and definitive account of one of the biggest bands of the Woodstock generation.
Cabin Boys, Milkmaids, and Rough Seas: Identity in the Unexpurgated Repertoire of Stan Hugill
by Jessica M. FloydDuring his correspondence with erotic folklore collector Gershon Legman, famed chantey singer and collector Stan Hugill (1906–1992) shared unexpurgated versions of the songs in his repertoire. These bawdy songs were meant to be a part of Legman’s larger project concerning erotic folksong. Upon Legman’s death in 1999, the unfinished and unpublished manuscript sank into obscurity and was believed by many to be permanently lost. Thankfully this “holy grail” of chantey texts had been safe in the private collection of Legman’s widow, Judith Legman, all along. Cabin Boys, Milkmaids, and Rough Seas: Identity in the Unexpurgated Repertoire of Stan Hugill is the first critical investigation of this repository, reproduced here for the first time. Training an interdisciplinary lens on twenty-four unexpurgated texts, author Jessica M. Floyd interrogates the articulation of gender, sexuality, and identity as it is expressed in these cultural artifacts of the sea. Opening with both a critical explication of the chantey genre, as well as situating Hugill’s repertoire in the canon of folksong, the book introduces readers to the critical realities that attend this rich cultural tradition. Analytical chapters demonstrate the kaleidoscopic representation of gender and sexuality in this finite repertoire. Each inquiry is connected and overlapping, demonstrating an ebb and flow not unlike the waters on which the songs were sung. Words of warning, heteronormative economies, and queer undercurrents each collide to present an image of sailing life that is nuanced and complicated, provocative and evocative, transgressive and sometimes radical. The volume allows scholars to place a finger on the pulse of maritime life, feeling and experiencing one voice among the din of working-class song traditions.
Cabo Verdean Rhythms: Kolá San Jon, Spatialization, and the Performance of Creolidade (SOAS Studies in Music)
by Martin RingsmutCabo Verdean Rhythms examines the rhythms, movements, and performances of Kolá San Jon, a performative tradition central to Cabo Verde’s Festas Juninas, as a lens for understanding the ongoing negotiations of social and cultural boundaries in Cabo Verde.The book examines Kolá San Jon as a site of spatialization and creolization, processes that are closely linked to the colonial and postcolonial histories of the archipelago. Beginning with an examination of the concept of Creolidade as a dynamic and contested process, the book goes on to trace the historical connections between the islands of São Vicente and Santo Antão, exploring how these inter-island relationships have shaped the Kolá San Jon tradition. It analyzes the construction of identity and sense of belonging through drumming and dance, and considers processional performances as key moments of spatial and social organization. Through the concept of ritual failure, the book reflects on the fragility and contested nature of these practices.Bringing together the interdisciplinary fields of ethnomusicology, postcolonialism, and spatial politics, Cabo Verdean Rhythms offers novel perspectives for understanding the nexus of sound, space, and identity, which will be of interest to both researchers and postgraduate students.
Cafe Society: The Wrong Place for the Right People (Music in American Life)
by Dan Morgenstern Barney Josephson Terry Trilling-JosephsonSet against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as "the wrong place for the Right people," Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, the boogie-woogie pianists, and legendary gospel and folk artists. A trailblazer in many ways, Josephson welcomed black and white artists alike to perform for mixed audiences in a venue whose walls were festooned with artistic and satiric murals lampooning what was then called "high society." Featuring scores of photographs that illustrate the vibrant cast of characters in Josephson's life, this exceptional book speaks richly about Cafe Society's revolutionary innovations and creativity, inspired by the vision of one remarkable man.