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Cured: The Tale of Two Imaginary Boys
by Lol Tolhurst"On our first day of school, Robert and I stood at the designated stop at Hevers Avenue with our mothers, and that's when we met for the very first time. We were five years old."So began a lifelong friendship that fourteen years later would result in the formation of The Cure, a quintessential post-punk band whose albums-such as Three Imaginary Boys, Pornography, and Kiss Me, Kiss Me, Kiss Me-remain among the best-loved and most influential of all time.As two of the first punks in the provincial English town of Crawley, Lol Tolhurst and Robert Smith didn't have it easy. Outsiders from the start, theirs was a friendship based initially on proximity and a shared love of music, from the punk that was raging in nearby London to the groundbreaking experimentation of David Bowie's "Berlin Trilogy." First known as The Easy Cure, they began playing in pubs and soon developed their own unique style and approach to songwriting, resulting in timeless songs that sparked a deep sense of identification and empathy in listeners, songs like "Boys Don't Cry," "Just Like Heaven," and "Why Can't I Be You?," spearheading a new subculture dubbed "Goth" by the press. The music of The Cure was not only accessible but also deeply subversive, challenging conventional notions of pop music and gender roles while inspiring a generation of devoted fans and a revolution in style.Cured is not only the first insider account of the early days of the band, it is a revealing look at the artistic evolution of the enigmatic Robert Smith, the iconic lead singer, songwriter, and innovative guitarist at the heart of The Cure. A deeply rebellious, sensitive, tough, and often surprisingly "normal" young man, Smith was from the start destined for stardom, a fearless non-conformist and provocateur who soon found his own musical language through which to express his considerable and unique talent.But there was also a dark side to The Cure's intense and bewildering success. Tolhurst, on drums and keyboards, was nursing a growing alcoholism that would destroy his place in The Cure and nearly end his life. Cured tells the harrowing and unforgettable story of his crash-and-burn, recovery, and rebirth.Intensely lyrical and evocative, gripping and unforgettable, Cured is the definitive story of a singular band whose legacy endures many decades hence, told from the point of view of a participant and eyewitness who was there when it happened-and even before it all began.
Cured: The Tale of Two Imaginary Boys
by Lol TolhurstThe inside story of The Cure'Beautifully realised' Irish TimesComing of age in Thatcher's Britain in the late 70s and early 80s was really tough, especially if you lived in Crawley. But against the grinding austerity, social unrest and suburban boredom, the spark of rebellion that was punk set alight three young men who would become one of the most revered and successful bands of their generation. The Cure.Cured is a memoir by Lol Tolhurst, one of the founding imaginary boys, who met Robert Smith when they were five. Lol threads the genesis of The Cure through his schoolboy years with Smith, the iconic leader of the group, and the band's most successful era in the 1980s. He takes us up to the present day, a riveting forty years since the band's inception.The band's journey to worldwide success is woven into a story not only of great highs and lows but also of love, friendship, pain, forgiveness and, ultimately, redemption on a beach in Hawaii.Cured highlights those parts of the creative journey that are not normally revealed to fans, incorporating many first-hand recollections around Lol's personal odyssey. From suburban London to the Mojave desert, Cured brings an acute eye for the times to bear on a lifelong friendship, with tales of addiction and despair along the way. Cured is the story of a timeless band and a life truly lived.
Cured: The Tale of Two Imaginary Boys
by Lol TolhurstComing of age in Thatcher's Britain in the late 70s and early 80s was really tough, especially if you lived in Crawley. But against the grinding austerity, social unrest and suburban boredom, the spark of rebellion that was punk set alight three young men who would become one of the most revered and successful bands of their generation. The Cure.Cured is a memoir by Lol Tolhurst, one of the founding imaginary boys, who met Robert Smith when they were six. Lol threads the genesis of The Cure through his schoolboy years with Smith, the iconic leader of the group, and the band's most successful era in the 1980s. He takes us up to the present day, a riveting forty years since the band's inception.The band's journey to worldwide success is woven into a story not only of great highs and lows but also of love, friendship, pain, forgiveness and, ultimately, redemption on a beach in Hawaii.Cured highlights those parts of the creative journey that are not normally revealed to fans, incorporating many first-hand recollections around Lol's personal odyssey. From suburban London to the Mojave desert, Cured brings an acute eye for the times to bear on a lifelong friendship, with tales of addiction and despair along the way. Cured is the story of a timeless band and a life truly lived.
Curepedia: An A-Z of The Cure
by Simon PriceThe Cure are arguably the biggest alternative rock band in the world. Between 1985 and 2000 every album they released went to at least Gold in the UK, the US or both. In America they have earned four Platinum albums, and they are estimated to have sold 30 million albums worldwide. Their iconic status as elder statesmen of Alternative Rock remains undiminished - if anything, their tireless touring has ensured that it has grown with every passing year - and lead singer Robert Smith is an endlessly fascinating figure to successive generations of fans. The Cure's influence reverberates through genres including Emo, Goth, Industrial and Indie Rock.The book is an encyclopaedic A-Z of The Cure examining and riffing on miscellaneous trivia, biographies of the band members past and present, summaries of each album and selected songs, details of the band's various tours and films, and essays on broader topics such as their image, their politics and their influences. Playful, eccentric and irreverent - true to the spirit of the band itself - CUREPEDIA is a comprehensive biography of one of the biggest alternative rock bands in the world. The hardback edition features interior pages printed in red and black ink, a ribbon marker, and bespoke C-U-R-E letter endpapers specially designed by Andy Vella - celebrated artist and collaborator (as part of Parched Art) with The Cure on their album artwork for four decades.
Curepedia: The A–Z of The Cure
by Simon PriceA definitive and truly unique visual biography of Robert Smith and company, The Cure, chronicling their 40+ year history with hundreds of entries in A to Z fashion. With illustrations by Andy Vella, longtime Cure visual artist.The Cure remain, 40 years into their career, one of the biggest rock bands in the world. With 12 studio albums, tours that pack stadiums all over the world—including 65,000 in Hyde Park for their 40th Anniversary show in 2019 and three sold out nights in a row the last time they played Madison Square Garden, they were the first alternative band to be inducted into the rock and roll hall of fame—in 2019 by Trent Reznor. Their influence is heard in bands as wide ranging as Chvrches to Interpol to My Chemical Romance. Curepedia is a full-scale look at the long list of band members, current and past, trivia, tours, summaries of every album, song, films, as well as essays on the image of the band, their influence, their style, and their enduring legacy. Organized in an easy to follow A–Z format, including photos and illustrations from longtime visual collaborator Andy Vella, this will be the perfect introduction for new fans, and a must-have for the obsessive as well.
Curious George Harvest Hoedown (Curious George)
by H. A. ReyIn this new book based on the Emmy Award-winning PBS show, Curious George, the man with the yellow hat can’t wait to join the Uptown Bluegrass Band for a good old-fashioned country hoedown. When George accidentally ruins the man’s guitar while trying to clean it, George and Allie decide to make a new guitar! With a shoestring, rubber band, fishing wire, and yoyo, George and Allie's creation has a truly unique sound! Bonus activities help reinforce the concepts in the story, including instructions for building your very own homemade string instrument!
Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy
by Rebecca CypessEarly seventeenth-century Italy saw a revolution in instrumental music. Large, varied, and experimental, the new instrumental repertoire was crucial for the Western tradition--but until now, the impulses that gave rise to it had yet to be fully explored. Curious and Modern Inventions offers fresh insight into the motivating forces behind this music, tracing it to a new conception of instruments of all sorts--whether musical, artistic, or scientific--as vehicles of discovery. Rebecca Cypess shows that early modern thinkers were fascinated with instrumental technologies. The telescope, the clock, the pen, the lute--these were vital instruments for leading thinkers of the age, from Galileo Galilei to Giambattista Marino. No longer used merely to remake an object or repeat a process already known, instruments were increasingly seen as tools for open-ended inquiry that would lead to new knowledge. Engaging with themes from the history of science, literature, and the visual arts, this study reveals the intimate connections between instrumental music and the scientific and artisanal tools that served to mediate between individuals and the world around them.
Current Directions in Ecomusicology: Music, Culture, Nature (Routledge Research in Music)
by Aaron S. Allen Kevin DaweThis volume is the first sustained examination of the complex perspectives that comprise ecomusicology—the study of the intersections of music/sound, culture/society, and nature/environment. Twenty-two authors provide a range of theoretical, methodological, and empirical chapters representing disciplines such as anthropology, biology, ecology, environmental studies, ethnomusicology, history, literature, musicology, performance studies, and psychology. They bring their specialized training to bear on interdisciplinary topics, both individually and in collaboration. Emerging from the whole is a view of ecomusicology as a field, a place where many disciplines come together. The topics addressed in this volume—contemporary composers and traditional musics, acoustic ecology and politicized soundscapes, material sustainability and environmental crisis, familiar and unfamiliar sounds, local places and global warming, birds and mice, hearing and listening, biomusic and soundscape ecology, and more—engage with conversations in the various realms of music study as well as in environmental studies and cultural studies. As with any healthy ecosystem, the field of ecomusicology is dynamic, but this edited collection provides a snapshot of it in a formative period. Each chapter is short, designed to be accessible to the nonspecialist, and includes extensive bibliographies; some chapters also provide further materials on a companion website: http://www.ecomusicology.info/. An introduction and interspersed editorial summaries help guide readers through four current directions—ecological, fieldwork, critical, and textual—in the field of ecomusicology.
Current Thought in Musicology
by John W. GrubbsCurrent Thought in Musicology covers a variety of topics, ranging from the Middle Ages to the present and touching on all the major disciplines of musicology: music history, theory and composition, music education, and performance. Taken together, the nine papers constitute a broad overview of the direction of music scholarship in the 1970s. In “Tractatus Esthetico-Semioticus: Model of the Systems of Human Communication,” Charles Seeger presents a model of the situations in which the study of humanistic art may best be conducted. Charles Hamm writes in “The Ecstatic and the Didactic: A Pattern in American Music” of the pattern of conflicting points of view in music history and theory. American composer Elliott Carter, in his chapter titled “Music and the Time Screen,” presents a lucid explanation of his compositional process, including his concept of musical time. In “Instruments and Voices in the Fifteenth-Century Chanson,” Howard Mayer Brown suggests the nature of fifteenth-century performance, drawn from iconography and various musical sources. “Nottebohm Revisited,” by Lewis Lockwood, reexamines Beethoven’s sketchbooks, showing the extent to which performing editions of his work must be updated. Daniel Heartz’s article, “The Chanson in the Humanist Era,” is multidisciplinary and will interest a variety of scholars, including French historians and French literary historians. Gilbert Chase applies structuralism to musicological studies in his chapter, “Musicology, History, and Anthropology: Current Thoughts.” The concluding essays, “The Prospects for Research in Medieval Music in the 1970’s,” by Gilbert Reaney, and “The Library of the Mind: Observations on the Relationship between Musical Scholarship and Bibliography,” by Vincent Duckles, provide a unique view of the opportunities for further work in these areas. The volume also includes an introduction by the editor, notes on the contributors, and an index. Current Thought in Musicology is the result of a symposium held at the University of Texas at Austin in 1971.
Current Thought in Musicology
by John W. GrubbsNine lectures from the 1971 symposium at the University of Texas at Austin, on music history, theory and composition, education, and performance. Ranging from the Middle Ages to the present and touching on all the major disciplines of musicology, the nine papers collected in this volume constitute a broad overview of the direction of music scholarship in the 1970s. In &“Tractatus Esthetico-Semioticus: Model of the Systems of Human Communication,&” Charles Seeger presents a model of the situations in which the study of humanistic art may best be conducted. Charles Hamm writes in &“The Ecstatic and the Didactic: A Pattern in American Music&” of the pattern of conflicting points of view in music history and theory. American composer Elliott Carter, in his chapter titled &“Music and the Time Screen,&” presents a lucid explanation of his compositional process, including his concept of musical time. In &“Instruments and Voices in the Fifteenth-Century Chanson,&” Howard Mayer Brown suggests the nature of fifteenth-century performance, drawn from iconography and various musical sources. &“Nottebohm Revisited,&” by Lewis Lockwood, reexamines Beethoven&’s sketchbooks, showing the extent to which performing editions of his work must be updated. Daniel Heartz&’s article, &“The Chanson in the Humanist Era,&” is multidisciplinary and will interest a variety of scholars, including French historians and French literary historians. Gilbert Chase applies structuralism to musicological studies in his chapter, &“Musicology, History, and Anthropology: Current Thoughts.&” The concluding essays, &“The Prospects for Research in Medieval Music in the 1970s,&” by Gilbert Reaney, and &“The Library of the Mind: Observations on the Relationship between Musical Scholarship and Bibliography,&” by Vincent Duckles, provide a unique view of the opportunities for further work in these areas. Also included is an introduction by the editor, notes on the contributors, and an index.
Cursed Questions: On Music and Its Social Practices
by Richard TaruskinRichard Taruskin’s sweeping collection of essays distills a half century of professional experience, demonstrating an unparalleled insider awareness of relevant debates in all areas of music studies, including historiography and criticism, representation and aesthetics, musical and professional politics, and the sociology of taste. Cursed Questions, invoking a famous catchphrase from Russian intellectual history, grapples with questions that are never finally answered but never go away. The writings gathered here form an intellectual biography that showcases the characteristic wit, provocation, and erudition that readers have come to expect from Taruskin, making it an essential volume for anyone interested in music, politics, and the arts.
Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera
by Gundula KreuzerIn this innovative book, Gundula Kreuzer argues for the foundational role of technologies in the conception, production, and study of nineteenth-century opera. She shows how composers increasingly incorporated novel audiovisual effects in their works and how the uses and meanings of the required apparatuses changed through the twentieth century, sometimes still resonating in stagings, performance art, and popular culture today. Focusing on devices (which she dubs “Wagnerian technologies”) intended to amalgamate opera’s various media while veiling their mechanics, Kreuzer offers a practical counternarrative to Wagner’s idealist theories of total illusionism. At the same time, Curtain, Gong, Steam’s multifaceted exploration of the three titular technologies repositions Wagner as catalyst more than inventor in the history of operatic production. With its broad chronological and geographical scope, this book deepens our understanding of the material and mechanical conditions of historical operatic practice as well as of individual works, both well known and obscure.
Cybersonic Arts: Adventures in American New Music
by Christian Wolff Michelle Fillion Gordon MummaComposer, performer, instrument builder, teacher, and writer Gordon Mumma has left an indelible mark on the American contemporary music scene. A prolific composer and innovative French horn player, Mumma is recognized for integrating advanced electronic processes into musical structures, an approach he has termed "Cybersonics." Musicologist Michelle Fillion curates a collection of Mumma's writings, presenting revised versions of his classic pieces as well as many unpublished works from every stage of his storied career. Here, through words and astonishing photos, is Mumma's chronicle of seminal events in the musical world of the twentieth century: his cofounding the Cooperative Studio for Electronic Music; his role in organizing the historic ONCE Festivals of Contemporary Music; performances with the Sonic Arts Union; and working alongside John Cage and David Tudor as a composer-musician with the Merce Cunningham Dance Company. In addition, Mumma describes his collaborations with composers, performers, dancers, and visual artists ranging from Robert Ashley and Pauline Oliveros to Marcel Duchamp and Robert Rauschenberg. Candid and insightful, Cybersonic Arts is the eye-opening account of a broad artistic community by an active participant and observer.
Cyndi Lauper: A Memoir
by Cyndi LauperLegendary singer, songwriter, actress, and activist Cyndi Lauper offers a personal account of the journey that led her to become an international superstar in this “moving story of an American musical original” (Kirkus Reviews).Icon Cyndi Lauper offers a poignant account of the journey that led her to become an international superstar—from her years growing up in Queens, New York, to the making of enduring hits like “Time After Time,” “Girls Just Want to Have Fun,” and “True Colors,” to becoming an actress, a mother, an outspoken activist, and maintaining a music career that has lasted more than thirty years. After leaving her childhood home at seventeen, Cyndi took on a series of jobs: racetrack hot walker, IHOP waitress, and, as she puts it, “gal Friday the thirteenth,” as she pursued her passion for music. She worked her way up playing small gigs and broke out in 1983 with She’s So Unusual, which earned her a Grammy for Best New Artist and made her the first female artist in history to have four top-five singles on a debut album. And while global fame wasn’t always what she expected, she has remained focused on what matters most. Cyndi is a gutsy real-life heroine who has never been afraid to speak her mind and stick up for a cause—whether it’s women’s rights, gay rights, or fighting against HIV/AIDS. With her trademark warmth and humor, Cyndi fearlessly writes of a life she’s lived only on her own terms, perfect for fans of Patti Smith’s Just Kids and Billy Idol’s Dancing with Myself.
Czech Bluegrass: Notes from the Heart of Europe
by Lee Bidgood Tony TrischkaBluegrass has found an unlikely home, and avid following, in the Czech Republic. The music’s emergence in Central Europe places it within an increasingly global network of communities built around bluegrass activities. Lee Bidgood offers a fascinating study of the Czech bluegrass phenomenon that merges intimate immersion in the music with on-the-ground fieldwork informed by his life as a working musician. Drawing on his own close personal and professional interactions, Bidgood charts how Czech bluegrass put down roots and looks at its performance as a uniquely Czech musical practice. He also reflects on “Americanist” musical projects and the ways Czech musicians use them to construct personal and social identities. Bidgood sees these acts of construction as a response to the Czech Republic’s postsocialist environment but also to US cultural prominence within our global mediascape.
Céline Dion and René Angelil Library Bundle: The Making of Céline Dion
by David Homel Georges-Hebert Germain Jean Beaunoyer Jean BeaulneCéline Dion is quite possibly Canada’s most famous singer and an icon in her own home province of Quebec. Possessed of an incandescent voice and a vibrant personality, she has moved huge audiences all over the world. These two books tell her story. Céline is the story of her journey from being just one child in a huge family to becoming the world’s songbird. René Angélil fills in the gaps by presenting the life of her manager and husband, who helps guide both Céline’s career and life and has played a key role in her success. IncludesCélineRené Angelil: The Making of Céline Dion
Céline: The Authorized Biography
by David Homel Georges-Hebert GermainSimply entitled Céline, this is the long-awaited, authorized biography of Céline Dion, the rags-to-riches story of a woman who has become the leading recording artist in the world. First published in French in Quebec in December 1997, Céline has sold in excess of 120,000 copies in Quebec alone. A French-language edition will be released in France this fall, to coincide with the release of a new French album. Céline Dion is one of the world’s best-loved and best-selling recording artists; her singles and albums have topped the international charts for several years. Her awards include numerous Junos, Grammys, and World Music Awards. Her most recent album, Let’s Talk About Love, has already sold over 25 million units world-wide since its release in November 1997. The song "My Heart Will Go On" from the box-office record-setting film Titanic is now the most frequently heard single in the history of American radio. Céline is the story of Céline Dion, her family, and her husband; it is the story of a child, with thirteen siblings, from a lower middle-class family, who grew up to achieve the status of pop icon and global diva. Along the way, she garnered the respect of some of the top people in the music industry, such as David Foster, Barbra Streisand, Luciano Pavarotti, and Sir George Martin. Germain gives the reader the full story of how René Angélil became Céline’s manager and, eventually, her husband. He also tells how René brought Céline to the status of pop icon in Quebec and then worked to help her achieve the same status on a global level. The competitive world of the contemporary music industry is revealed how the deals are put together, how the marketing machinery is motivated, and how songs come to be chosen and produced. Making it to the top demands talent certainly, but also overriding ambition, good luck, and marketing savvy. Céline is also a close-up of American popular culture, and the impact it has around the world. The book shows how a singing sensation becomes the guest of prime ministers, presidents, and sultans.
Cómo grabar audiolibros
by George Smolinski M. Celeste Espina¡El audio es fantástico! No es ninguna novedad el hecho de que, ya sea en podcast o en audiolibros, la gente prefiere escuchar contenido más que verlo o leerlo. ¡Comience a grabar su propio audiolibro! Esta es una completa guía con instrucciones en video que le permitirán crear su propio producto. ¡Lo sé porque yo utilicé ÉSTAS MISMAS TÉCNICAS para grabar este libro para Audible! Los audiolibros son hoy la tendencia más candente en edición. Hubo un crecimiento explosivo en las ventas de audiolibros durante los últimos cuatro años, y hoy usted necesita tener su libro en este formato. Esta guía le enseñará los pormenores de la creación de audiolibros, ¡incluso si desea hacer la grabación usted mismo! Ésta guía abarca: 1. Qué equipamiento necesitará para la grabación y narración de su libro. 2. Cómo comenzar a grabar con los softwares GarageBand y Audacity. 3. Trucos y consejos para ayudarlo a comenzar con buen pie en la narración de audiolibros. 4. Cómo subir su libro terminado a Audible y a iTunes. 5. Recursos útiles para externalizar su producción en el caso de que usted no sea una persona hábil para el "hágalo usted mismo". ¡Súbase al carro de los audiolibros y aprenda a realizarlos hoy mismo!
D. O. DOUBLE G: The Og Since 1993 (The\little Book Of... Ser.)
by Orange Hippo!America's Original Gangsta. Snoop Doggy Dogg fired up the burgeoning U.S. rap scene in 1993 with his outstanding debut, Doggystyle. It not only revolutionised a genre, it also put West Coast ganstas at the top of the charts for the first time ever. With producer Dr Dre, Snoop lit the spark for many other famous rappers to find fame and built a global apparel empire and brand that now branches out into multiple bestselling products, all available on his online 'Snoopermarket'.This little guide is the pick-me-up every Snoop fan deserves. With more than 175 whip smart wisecracks from America's highest pop culture power, The Little Guide to Snoop Dogg is the best way to celebrate 30 years of Doggystyle without putting your back out.'I felt like I was out of pocket. I apologised to him, and let him know and I'm just bettering myself. I make mistakes. I ain't perfect. I'm Snoop Dogg.'
D. O. DOUBLE G: The Og Since 1993 (The\little Book Of... Ser.)
by Orange Hippo!America's Original Gangsta. Snoop Doggy Dogg fired up the burgeoning U.S. rap scene in 1993 with his outstanding debut, Doggystyle. It not only revolutionised a genre, it also put West Coast ganstas at the top of the charts for the first time ever. With producer Dr Dre, Snoop lit the spark for many other famous rappers to find fame and built a global apparel empire and brand that now branches out into multiple bestselling products, all available on his online 'Snoopermarket'.This little guide is the pick-me-up every Snoop fan deserves. With more than 175 whip smart wisecracks from America's highest pop culture power, The Little Guide to Snoop Dogg is the best way to celebrate 30 years of Doggystyle without putting your back out.'I felt like I was out of pocket. I apologised to him, and let him know and I'm just bettering myself. I make mistakes. I ain't perfect. I'm Snoop Dogg.'
D.H. Lawrence, Music and Modernism (Palgrave Studies in Music and Literature)
by Susan ReidThis first book-length study of D. H. Lawrence’s lifelong engagement with music surveys his extensive musical interests and how these permeate his writing, while also situating Lawrence within a growing body of work on music and modernism. A twin focus considers the music that shaped Lawrence’s novels and poetry, as well as contemporary developments in music that parallel his quest for new forms of expression. Comparisons are made with the music of Debussy, Schoenberg, Stravinsky, Wagner, and British composers, including Bax, Holst and Vaughan Williams, and with the musical writings of Forster, Hardy, Hueffer (Ford), Nietzsche and Pound. Above all, by exploring Lawrence and music in historical context, this study aims to open up new areas for study and a place for Lawrence within the field of music and modernism.
DIO: The Complete Unofficial Chronicle of Ronnie James Dio’s Solo Canon
by Martin PopoffIn Dio: The Unholy Scriptures, embark on an electrifying journey through the tumultuous yet triumphant saga of one of heavy metal&’s most legendary bands: Dio. Told through gripping anecdotes and candid interviews conducted with the author over the decades, Dio: The Unholy Scriptures unveils the untold stories behind the Dio band&’s timeless anthems, revealing the passion, perseverance, and sheer audacity that defined the band&’s unparalleled sound and style. Formed in 1982 by iconic vocalist Ronnie James Dio after departing from Black Sabbath, Dio emerged as a pioneering force in the heavy-metal scene. From epic stage performances to backstage dramas, experience the full spectrum of Dio&’s rollercoaster ride through the annals of rock history, from the formation of the band through to Ronnie&’s death in 2010. A must-read for metal heads and music enthusiasts alike, Dio: The Unholy Scriptures celebrates the enduring legacy of Ronnie James Dio&’s namesake band, ensuring that their thunderous legacy reverberates through the ages.
DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community (SOAS Studies in Music)
by David VerbučDIY House Shows and Music Venues in the US is an interdisciplinary study of house concerts and other types of DIY ("do- it- yourself") music venues and events in the United States, such as warehouses, all- ages clubs, and guerrilla shows, with its primary focus on West Coast American DIY locales. It approaches the subject not only through a cultural analysis of sound and discourse, as it is common in popular music studies, but primarily through an ethnographic examination of place, space, and community. Focusing on DIY houses, music venues, social spaces, and local and translocal cultural geographies, the author examines how American DIY communities constitute themselves in relation to their social and spatial environment. The ethnographic approach shows the inner workings of American DIY culture, and how the particular people within particular places strive to achieve a social ideal of an "intimate" community. This research contributes to the sparse range of Western popular music studies (especially regarding rock, punk, and experimental music) that approach their subject matter through a participatory ethnographic research.
DJ (Earning $50,000 - $100,000 with a High S #14)
by Christie MarloweFor many high school graduates, college is a way to get ahead, but going to college is not the only way for young adults to succeed. Many people choose to enter the workforce after high school to start earning money and gaining experience right away. These motivated young workers can have rewarding jobs without ever having to earn a 4-year college degree. If you're interested in radio or music and don't know that you want to--or can--go to college, a career as a D.J. might be for you. Young people need only a high school diploma or equivalent to start work as a D.J., and they can eventually earn more than $50,000 a year. In D.J., you'll learn how to start a career as a radio or event D.J. and what you need to succeed in the field. Find out about the prospects for D.J. careers in the future, how much D.J.s can make each year, and whether your path to success includes a career as a D.J.
DJ Rising
by Love MaiaThe first thing I hear is music. The first thing I've always heard is music.Meet Marley, an unassuming high school junior who breathes in music like oxygen. In between caring for his heroin-addicted mother, and keeping his scholarship at a fancy prep school, he dreams of becoming a professional DJ.When chance lands Marley his first real DJ job, his career as "DJ Ice" suddenly skyrockets. But when heart-rending disaster at home brings Marley crashing back down to earth, he is torn between obligation and following his dreams.