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Death and the Rock Star (Ashgate Popular and Folk Music Series)
by Catherine Strong Barbara LebrunThe untimely deaths of Amy Winehouse (2011) and Whitney Houston (2012), and the ’resurrection’ of Tupac Shakur for a performance at the Coachella music festival in April 2012, have focused the media spotlight on the relationship between popular music, fame and death. If the phrase ’sex, drugs and rock’n’roll’ ever qualified a lifestyle, it has left many casualties in its wake, and with the ranks of dead musicians growing over time, so the types of death involved and the reactions to them have diversified. Conversely, as many artists who fronted the rock’n’roll revolution of the 1950s and 1960s continue to age, the idea of dying young and leaving a beautiful corpse (which gave rise, for instance, to the myth of the ’27 Club’) no longer carries the same resonance that it once might have done. This edited collection explores the reception of dead rock stars, ’rock’ being taken in the widest sense as the artists discussed belong to the genres of rock’n’roll (Elvis Presley), disco (Donna Summer), pop and pop-rock (Michael Jackson, Whitney Houston, Amy Winehouse), punk and post-punk (GG Allin, Ian Curtis), rap (Tupac Shakur), folk (the Dutchman André Hazes) and ’world’ music (Fela Kuti). When music artists die, their fellow musicians, producers, fans and the media react differently, and this book brings together their intertwining modalities of reception. The commercial impact of death on record sales, copyrights, and print media is considered, and the different justifications by living artists for being involved with the dead, through covers, sampling and tributes. The cultural representation of dead singers is investigated through obituaries, biographies and biopics, observing that posthumous fame provides coping mechanisms for fans, and consumers of popular culture more generally, to deal with the knowledge of their own mortality. Examining the contrasting ways in which male and female dead singers are portrayed in the media, the book
Death by Rock ‘n’ Roll
by David J. Krajicek Marilyn J. Bardsley(A 90-page True Crime Short with photographs) On April 1, 1984, Marvin Gaye--one of the world's most beloved singers--was gunned down by his own father. A generation later, fans still puzzle over how it could be that a man who crooned about peace, love, and understanding could possibly meet with such a violent end--and from his own flesh and blood. Yet the history of popular music is written in blood. Using the slaying of Marvin Gaye as an abject example of the rock and roll lifestyle, David J. Krajicek's Death by Rock and Roll pulls together the threads of the violent ends of music stars like John Lennon, Sam Cooke, Tupac Shakur, soul saxophone legend King Curtis, and many others. Between overdoses and suicides of what are often fragile stars, rock and roll seems to qualify as one of Americas most dangerous professions. Here, experts weigh in on whether there are patterns to the violence of rock and roll and whether there have been warning signs in some cases that may have saved some lives. A fascinating read.
Death in Winterreise
by Lauri SuurpääLauri Suurpää brings together two rigorous methodologies, Greimassian semiotics and Schenkerian analysis, to provide a unique perspective on the expressive power of Franz Schubert's song cycle. Focusing on the final songs, Suurpää deftly combines textual and tonal analysis to reveal death as a symbolic presence if not actual character in the musical narrative. Suurpää demonstrates the incongruities between semantic content and musical representation as it surfaces throughout the final songs. This close reading of the winter songs, coupled with creative applications of theory and a thorough history of the poetic and musical genesis of this work, brings new insights to the study of text-music relationships and the song cycle.
Death on the Victorian Beat: The Shocking Story of Police Deaths
by Martin BaggoleyDeath on the Victorian Beat is the first book dedicated solely to the murders of police officers in the Victorian era, recalling numerous cases from across the United Kingdom. Martin Baggoley highlights the resistance faced everyday by officers of all ranks, in both the great cities and in the supposedly peaceful countryside, during this important and sometimes turbulent period in our history.Many cases are unveiled by the author, including those of: Sergeant Charles Brett, murdered on the streets of Manchester by Fenians attempting to release two of their leaders from a police van; Detective Inspector Charles Thain, fatally wounded at sea by a prisoner he was escorting back from Germany; Constable William Jump lost his life during a bitter industrial dispute involving brickmakers in Ashton-under-Lyne; and Inspector Joseph Drewitt and Constable Thomas Shorter murdered in a confrontation with poachers in Hungerford, to name but a few.This book is bursting with accounts of danger and great courage urging to be read, as the author allows the lives of these gallant officers to run through the pages.
Deaths in Venice
by Philip KitcherPublished in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Lucchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions.In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained, and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete.
Deaths in Venice: The Cases of Gustav von Aschenbach (Leonard Hastings Schoff Lectures)
by Philip KitcherPublished in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions. In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete.
Debbie Harry Sings in French
by Meagan BrothersWhen Johnny gets out of court-mandated rehab and his mother sends him to live with his uncle in North Carolina, he meets Maria, who seems to understand his fascination with the new wave band Blondie, and he learns about his deceased father's youthful forays into glam rock, all of which gives him perspective on himself, his past, and his current life.
Debby Ryan: Her Sweet Life
by Riley BrooksHow did Debby Ryan go from being a shy child to a star? Where did she live for a few years while her father was in the Army? What language is she fluent in? Who is her best friend? Find out these answers and so much more!
Debt and Redemption in the Blues: The Call for Justice (American Music History)
by Julia SimonThis volume explores concepts of freedom and bondage in the blues and argues that this genre of music explicitly calls for a reckoning while expressing faith in a secular justice to come. Placing blues music within its historical context of the post-Reconstruction South, Jim Crow America, and the civil rights era, Julia Simon finds a deep symbolism in the lyrical representations of romantic and sexual betrayal. The blues calls out and indicts the tangled web of deceit and entrapment constraining the physical, socioeconomic, and political movement of African Americans. Surveying blues music from the 1920s to the early twenty-first century, Simon’s analyses focus on economic relations, such as sharecropping, house contract sales, debt peonage, criminal surety, and convict lease. She demonstrates how the music reflects this exploitative economic history and how it is shaped by commodification under racialized capitalism. As Simon assesses the lyrics, technique, and styles of a wide range of blues musicians, including Bessie Smith, Blind Lemon Jefferson, Big Bill Broonzy, Muddy Waters, B. B. King, Albert Collins, and Kirk Fletcher, she argues forcefully that the call for racial justice is at the heart of the blues.A highly sophisticated interpretation of the blues tradition steeped in musicology, social history, and critical-cultural hermeneutics, Debt and Redemption not only clarifies blues as an aesthetic tradition but, more importantly, proves that it advances a theory of social and economic development and change.
Debussy in Context (Composers in Context)
by Simon TreziseExploring the many dimensions of Debussy's historical significance, this volume provides new perspectives on the life and work of a much-loved composer and considers how social and political contexts shape the way we approach and perform his works today. In short, focused chapters building on recent research, contributors chart the influences, relationships and performances that shaped Debussy's creativity, and the ways he negotiated the complex social and professional networks of music, literature, art, and performance (on and off the stage) in Belle Époque Paris. It probes Debussy's relationship with some of the most influential '-isms' of his time, including his fascination with early music and with the 'exotic', and assesses his status as a pioneer of musical modernism and his continuing popularity with performers and listeners alike.
Debussy, Bergson and the Music of 'la duree'
by Charles FrantzCharles Frederick Frantz provides a quantitative and qualitative analysis of Debussy’s music through the lens of Bergson’s philosophical perspective of durée, revealing his "revolution" in musical time.In fin-de-siècle Paris, Debussy was revolutionizing musical time while Bergson was establishing a metaphysics that challenged the notion of measured or spatialized time. Bergson argued that real time or durée could be grasped only through intuition as opposed to analysis. Debussy eschewed analysis of music, declaring that separating it into parts was better left to engineers. Debussy’s music and Bergson’s durée were conceived and imagined in the environs of nature. The cycle of seasons, the gracefulness of a blooming flower, or a gentle breeze all suggest continuity, flow, and uninterrupted rhythm. The time of nature is the time of Debussy’s music and Bergson’s durée. Debussy’s use of open forms and Golden Sections create a time world of an expanded present, never ceasing. Bergson’s perception of real time is ever-changing, bringing the past into the present and open to unforeseen novelty.This book is intended primarily for scholars in the disciplines of musicology, music theory, and philosophy and can be used as a text for upper-level undergraduate or graduate courses in musicology or music theory.
Debussy: A Painter in Sound
by Stephen WalshA beautifully written and original biography of one of the greatest and most popular of modern composers--which also deeply investigates his much-loved music.Claude Debussy (1862-1918) was that rare creature, a composer who reinvented the language of music without alienating the majority of music lovers. The creator of such classics as La Mer and Clair de Lune, of Pelléas et Mélisande and his magnificent, delicate piano works, he is the modernist everybody loves, the man who drove French music into entirely new regions of beauty and excitement at a time when old traditions--and the overbearing influence of Wagner--threatened to stifle it. As a central figure at the birth of modernism, Debussy's influence on French culture was profound. Yet at the same time his own life was complicated and often troubled by struggles over money, women, and ill-health. Walsh's engagingly original approach is to enrich a lively account of this life with brilliant analyses of Debussy's music: from his first daring breaks with the rules as a Conservatoire student to his mature achievements as the greatest French composer of his time. The Washington Post called Stephen Walsh's Stravinsky "one of the best books ever written about a composer." Debussy is a worthy successor.
Debut
by Christina RosenvingeChristina Rosenvinge recoge en su Debut más de veinticinco años de canciones y recorre los lugares, los relatos y las reflexiones que subyacen a sus letras. Una canción nos evoca la época en que la descubrimos. Al que la ha escrito, le devuelve al momento preciso en que la creó. Christina Rosenvinge recoge en este libro las letras de toda una carrera junto con la recreación de los cuadernos que la acompañaron en cada momento. En ellos retrata la intimidad de esos días tranquilos entre gira y gira en los que aparentemente no pasa nada, y en realidad está pasando todo. Sus textos son también testimonios de una carrera musical que ha cruzado décadas, fronteras y estilos con una lucidez insobornable. Son testimonios de la siembra, el empeño y la incertidumbre ante cada proyecto; son también reflexiones sobre el amor, la libertad y el poder femenino; son, en definitiva, reflejo de los momentos que cruzan una vida yque la memoria se empeñaría en borrar si no estuvieran pegados a la chispa eléctrica de una canción. Cruzan este libro las referencias literarias, musicales y artísticas que han influenciado la obra de la cantautora y cierra el volumen «La palabra exacta», un ensayo en el que indaga en el arte de escribir canciones, una reflexión sobre los secretos de hilvanar palabra y melodía en el verso cantado.
Debut
by Christina RosenvingeChristina Rosenvinge recoge en su Debut más de veinticinco años de canciones y recorre los lugares, los relatos y las reflexiones que subyacen a sus letras. Una canción nos evoca la época en que la descubrimos. Al que la ha escrito, le devuelve al momento preciso en que la creó. Christina Rosenvinge recoge en este libro las letras de toda una carrera junto con la recreación de los cuadernos que la acompañaron en cada momento. En ellos retrata la intimidad de esos días tranquilos entre gira y gira en los que aparentemente no pasa nada, y en realidad está pasando todo. Sus textos son también testimonios de una carrera musical que ha cruzado décadas, fronteras y estilos con una lucidez insobornable. Son testimonios de la siembra, el empeño y la incertidumbre ante cada proyecto; son también reflexiones sobre el amor, la libertad y el poder femenino; son, en definitiva, reflejo de los momentos que cruzan una vida yque la memoria se empeñaría en borrar si no estuvieran pegados a la chispa eléctrica de una canción. Cruzan este libro las referencias literarias, musicales y artísticas que han influenciado la obra de la cantautora y cierra el volumen «La palabra exacta», un ensayo en el que indaga en el arte de escribir canciones, una reflexión sobre los secretos de hilvanar palabra y melodía en el verso cantado. Críticas:«También recomendamos el libro de Christina, Debut, que ahora tendréis más tiempo libre para empaparos de buenas historias.»Mikel Erentxun, Los 40 «Debut es la manera que ha tenido esta mujer de explicarse a sí misma lo que hay de asombroso en todo si se sabe observar. Basta con unas gotas claras de inteligencia, con una sed que no desaloja el agua. Esa sed que cuando es cierta se llama coraje. Se llama asombro.»Antonio Lucas y José Aymá, El Mundo «Es un libro tan bello y tan intenso como la propia Christina Rosenvinge. No les digo más.»Marta Robles, La Razón «Su libro [...]está lleno de humor, de amor , de emoción, de canciones y de buena literatura. Y es un "Debut" tan brillante que augura nuevos y deslumbrantes textos. Yo, desde aquí, los reclamo y los espero.»Marta Robles, La Gaceta de Salamanca «Es una minuta de preguntas, de certezas, de incertidumbres, de existencia bien vivida, de apetitos musicales y literarios. Aquí dentro hay un despliegue de autenticidad.»Antonio Lucas, El Mundo «Si hasta ahora sabíamos que Christina Rosenvinge podía hacer excelentes canciones, 'Debut' la destapa como narradora diestra, manejando materiales trascendentes sin ser pretenciosa, con sentido del humor y dejando un rastro del perfume de épocas y lugares en esos textos que cubren desde 1992 en adelante.»Jordi Bianciotto, El Periódico
Decadent Enchantments: The Revival of Gregorian Chant at Solesmes (California Studies in 19th-Century Music #10)
by Katherine BergeronThe oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration."Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.
Decca Studios and Klooks Kleek: West Hampstead’s Musical Heritage Remembered
by Dick Weindling Marianne CollomsConsiderable attention has been given to the EMI Abbey Road Studios in St Johns Wood, particularly because of their association with the Beatles. In contrast, very little has been written about their great rivals Decca, who had recording studios in nearby Broadhurst Gardens, West Hampstead. This book will explore the history of Decca and specifically the Studios, where thousands of records were made between 1937 and 1980. Klooks Kleek, meanwhile, ran from 1961 to 1970 in the Railway Hotel, next door to the Decca Studios. Dick Jordan and Geoff Williams, who ran the club, share their memories here. With artists including David Bowie, The Rolling Stones, Tom Jones and The Moody Blues at Decca, and Ronnie Scott, The Cream, Fleetwood Mac, Led Zeppelin, Jimi Hendrix, Eric Clapton, Elton John, Rod Stewart, Stevie Wonder and Sonny Rollins at Klooks, this book records a unique musical heritage. Containing more than fifty photographs, many of which have never before appeared in print, it will delight music lovers everywhere.
Decentralized Music: Exploring Blockchain for Artistic Research
by Adam ŁukawskiThis book offers a thorough exploration of the potential of blockchain and AI technologies to transform musical practices. Including contributions from leading researchers in music, arts, and technology, it addresses central notions of agency, authorship, ontology, provenance, and ownership in music.Together, the chapters of this book, often navigating the intersections of post-digital and posthumanist thought, challenge conventional centralized mechanisms of music creation and dissemination, advocating for new forms of musical expression.Stressing the need for the artistic community to engage with blockchain and AI, this volume is essential reading for artists, musicians, researchers, and policymakers curious to know more about the implications of these technologies for the future of music.
Deck the Hall: The Stories of our Favourite Christmas Carols
by Andrew Gant'Christmas carols are sung in church, therefore Christmas carols have always been sung in church.Christmas carols have these words and this tune, therefore Christmas carols have always had these words and this tune.Well, not really.Our carol tradition, like us, is a rich and dynamic mixture. An ecosystem, not a still life.' Written with effervescent charm and professional knowledge, composer and conductor Andrew Gant reveals the fascinating musical and social history behind our favourite Christmas carols.From the Annunciation to Epiphany, the episodes of the Christmas story link the tales and anecdotes behind twenty-seven carols from a variety of traditions and places of origin: those that come from folk song; those we owe to Victorian moralists, and those that are, in fact, French. As Andrew says, 'Some carols were born to Christmas, some have achieved Christmas, and some have had Christmas thrust upon them.'This wonderful, rich musical treat gives us a unique insight into our Yuletide traditions and customs. A delightful gift for anyone who loves to sing, or who just loves Christmas trivia, this is the ideal companion with which to while away those lazy days between Christmas and New Year. 'Ding dong! This is my kind of Christmas present. A musical Christmas cracker - fascinating and full of interesting surprises.' Gyles Brandreth 'Enlightening and entertaining. You'll never hear or sing these carols in the same way again' Anne-Marie Minhall 'And I thought I knew about Christmas carols.' John Rutter
Deck the Hall: The Stories of our Favourite Christmas Carols
by Andrew Gant'Christmas carols are sung in church, therefore Christmas carols have always been sung in church.Christmas carols have these words and this tune, therefore Christmas carols have always had these words and this tune.Well, not really.Our carol tradition, like us, is a rich and dynamic mixture. An ecosystem, not a still life.' Written with effervescent charm and professional knowledge, composer and conductor Andrew Gant reveals the fascinating musical and social history behind our favourite Christmas carols.From the Annunciation to Epiphany, the episodes of the Christmas story link the tales and anecdotes behind twenty-seven carols from a variety of traditions and places of origin: those that come from folk song; those we owe to Victorian moralists, and those that are, in fact, French. As Andrew says, 'Some carols were born to Christmas, some have achieved Christmas, and some have had Christmas thrust upon them.'This wonderful, rich musical treat gives us a unique insight into our Yuletide traditions and customs. A delightful gift for anyone who loves to sing, or who just loves Christmas trivia, this is the ideal companion with which to while away those lazy days between Christmas and New Year. 'Ding dong! This is my kind of Christmas present. A musical Christmas cracker - fascinating and full of interesting surprises.' Gyles Brandreth 'Enlightening and entertaining. You'll never hear or sing these carols in the same way again' Anne-Marie Minhall 'And I thought I knew about Christmas carols.' John Rutter
Declassified: A Low-Key Guide to the High-Strung World of Classical Music
by Arianna Warsaw-Fan RauchThe best masterclass in classical music you never knew you needed.Arianna Warsaw-Fan Rauch&’s life-long fascination with classical music has taken her through Juilliard and into the shiny world of symphony halls and international concert tours. She&’s loved classical music her whole life. But she&’s also hated classical music her whole life. After all, if you can like Beyoncé without liking Bieber, you can certainly like Brahms without liking Bach—especially since they were born 148 years apart and the thing we call &“classical music&” is really just centuries of compositions shoved into one hodge-podge of a genre. In Declassified, Warsaw-Fan Rauch blows through the cobwebs of elitism and exclusion and invites everyone to love and hate this music as much as she does. She offers a backstage tour of the industry and equips you for every listening scenario, covering: the 7 main compositional periods (even the soul-crushingly depressing Medieval period), a breakdown of the instruments and their associated personality types (apologies to violists and conductors), what it&’s like to be a musician at the highest level (it&’s hard), how to steal a Stradivarius (and make no money in the process), and when to clap during a live performance (also: when not to). Declassified cheekily demystifies the world of High Art while making the case that classical music matters, perhaps now more than ever.
Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles (Ashgate Popular And Folk Music Ser.)
by Sara CohenHow is popular music culture connected with the life, image, and identity of a city? How, for example, did the Beatles emerge in Liverpool, how did they come to be categorized as part of Liverpool culture and identity and used to develop and promote the city, and how have connections between the Beatles and Liverpool been forged and contested? This book explores the relationship between popular music and the city using Liverpool as a case study. Firstly, it examines the impact of social and economic change within that city on its popular music culture, focusing on de-industrialization and economic restructuring during the 1980s and 1990s. Secondly, and in turn, it considers the specificity of popular music culture and the many diverse ways in which it influences city life and informs the way that the city is thought about, valued and experienced. Cohen highlights popular music's unique role and significance in the making of cities, and illustrates how de-industrialization encouraged efforts to connect popular music to the city, to categorize, claim and promote it as local culture, and harness and mobilize it as a local resource. In doing so, she adopts an approach that recognizes music as a social and symbolic practice encompassing a diversity of roles and characteristics: music as a culture or way of life distinguished by social and ideological conventions; music as sound; speech and discourse about music; and music as a commodity and industry.
Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles (Ashgate Popular and Folk Music Series)
by Sara CohenHow is popular music culture connected with the life, image, and identity of a city? How, for example, did the Beatles emerge in Liverpool, how did they come to be categorized as part of Liverpool culture and identity and used to develop and promote the city, and how have connections between the Beatles and Liverpool been forged and contested? This book explores the relationship between popular music and the city using Liverpool as a case study. Firstly, it examines the impact of social and economic change within that city on its popular music culture, focusing on de-industrialization and economic restructuring during the 1980s and 1990s. Secondly, and in turn, it considers the specificity of popular music culture and the many diverse ways in which it influences city life and informs the way that the city is thought about, valued and experienced. Cohen highlights popular music's unique role and significance in the making of cities, and illustrates how de-industrialization encouraged efforts to connect popular music to the city, to categorize, claim and promote it as local culture, and harness and mobilize it as a local resource. In doing so she adopts an approach that recognizes music as a social and symbolic practice encompassing a diversity of roles and characteristics: music as a culture or way of life distinguished by social and ideological conventions; music as sound; speech and discourse about music; and music as a commodity and industry.
Decoded
by Jay-ZDecoded is a book like no other: a collection of lyrics and their meanings that together tell the story of a culture, an art form, a moment in history, and one of the most provocative and successful artists of our time.
Decoding "Despacito": An Oral History of Latin Music
by Leila CoboA behind the scenes look at the music that is currently the soundtrack of the globe, reported on and written by Leila Cobo, Billboard's VP of Latin Music and the world's ultimate authority on popular Latin music.Decoding "Despacito" tracks the stories behind the biggest Latin hits of the past fifty years. From the salsa born and bred in the streets of New York City, to Puerto Rican reggaetón and bilingual chart-toppers, this rich oral history is a veritable treasure trove of never-before heard anecdotes and insight from a who's who of Latin music artists, executives, observers, and players. Their stories, told in their own words, take you inside the hits, to the inner sanctum of the creative minds behind the tracks that have defined eras and become hallmarks of history.FEATURING THE STORIES BEHIND SONGS BY:José Feliciano • Los Tigres Del Norte • Julio Iglesias • Gloria Estefan and Miami Sound Machine • Willie Colón • Juan Luis Guerra • Selena • Los Del Río • Carlos Vives • Elvis Crespo • Ricky Martin • Santana • Shakira • Daddy Yankee • Marc Anthony • Enrique Iglesias with Descemer Bueno and Gente De Zona • Luis Fonsi with Daddy Yankee • J Balvin with Willy William • Rosalía
Decolonising and Indigenising Music Education: First Peoples Leading Research and Practice (ISME Series in Music Education)
by Te Oti Rakena, Clare Hall, Anita Prest and David JohnsonCentring the voices of Indigenous scholars at the intersection of music and education, this co-edited volume contributes to debates about current colonising music education research and practices, and offers alternative decolonising approaches that support music education imbued with Indigenous perspectives. This unique collection is far-ranging, with contributions from Chile, New Zealand, Australia, Canada, Malaysia, India, South Africa, Kenya, and Finland. The authors interrogate and theorise research methodologies, curricula, and practices related to the learning and teaching of music. Providing a meeting place for Indigenous voices and viewpoints from around the globe, this book highlights the imperative that Indigenisation must be Indigenous-led.The book promotes Indigenous scholars’ reconceptualisations of how music education is researched and practised, with an emphasis on the application of decolonial ways of being. The authors provocatively demonstrate the value of power-sharing and eroding the gaze of non-Indigenous populations. Pushing far beyond the concepts of Western aesthetics and world music, this vital collection of scholarship presents music in education as a social and political action, and shows how to enact Indigenising and decolonising practices in a wide range of music education contexts.