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Duet
by Elise Broach★ &“Exceptional…. Rich with facts around goldfinches and music, vivid descriptions, unique characters, and carefully crafted suspense.&” —Publishers Weekly, starred review ★ &“Perfect for readers who, like Mirabelle, are sometimes spellbound by music.&” —Booklist, starred reviewA musically gifted bird, a piano-playing boy, and a real-life mystery involving three artistic geniuses Welcome to the world of Mirabelle, a young goldfinch who loves to sing and dreams of becoming a musical star. She lives with her family in the backyard of a piano teacher, and she is quickly intrigued by Mr. Starek's newest pupil. Michael Jin is an eleven-year-old keyboard sensation, but lesson after lesson, he refuses to play. With the prestigious Chopin Festival looming at summer&’s end, how will he be ready in time? Mirabelle is responsible for Michael&’s breakthrough—to her own astonishment, she sings the Chopin piece he is beginning to play at the piano. It is their first duet. Thus begins a secret adventure that will take Mirabelle and Michael further than they ever imagined—in music, in friendship, and in solving the mystery of a lost piano that could be worth millions. A house full of treasures holds the clues. There, Mirabelle, Michael, and their friend Emily will make an important discovery that links the great composer Frederic Chopin, the trailblazing author George Sand, and the French Romantic painter Eugene Delacroix. A fast-paced, history-rich mystery will have young readers hooked as they root for boy and bird in this beautifully told novel, full of emotion and suspense.A Bank Street College Best Book of the Year A Junior Library Guild Gold Standard Selection
Duke
by Terry TeachoutA major new biography of Duke Ellington from the acclaimed author of Pops: A Life of Louis Armstrong Edward Kennedy "Duke” Ellington was the greatest jazz composer of the twentieth century-and an impenetrably enigmatic personality whom no one, not even his closest friends, claimed to understand. The grandson of a slave, he dropped out of high school to become one of the world’s most famous musicians, a showman of incomparable suavity who was as comfortable in Carnegie Hall as in the nightclubs where he honed his style. He wrote some fifteen hundred compositions, many of which, like "Mood Indigo” and "Sophisticated Lady,” remain beloved standards, and he sought inspiration in an endless string of transient lovers, concealing his inner self behind a smiling mask of flowery language and ironic charm. As the biographer of Louis Armstrong, Terry Teachout is uniquely qualified to tell the story of the public and private lives of Duke Ellington. Duke peels away countless layers of Ellington’s evasion and public deception to tell the unvarnished truth about the creative genius who inspired Miles Davis to say, "All the musicians should get together one certain day and get down on their knees and thank Duke. ” .
Duke
by Terry TeachoutA major new biography of Duke Ellington from the acclaimed author of Pops: A Life of Louis Armstrong Edward Kennedy "Duke" Ellington was the greatest jazz composer of the twentieth century--and an impenetrably enigmatic personality whom no one, not even his closest friends, claimed to understand. The grandson of a slave, he dropped out of high school to become one of the world's most famous musicians, a showman of incomparable suavity who was as comfortable in Carnegie Hall as in the nightclubs where he honed his style. He wrote some fifteen hundred compositions, many of which, like "Mood Indigo" and "Sophisticated Lady," remain beloved standards, and he sought inspiration in an endless string of transient lovers, concealing his inner self behind a smiling mask of flowery language and ironic charm. As the biographer of Louis Armstrong, Terry Teachout is uniquely qualified to tell the story of the public and private lives of Duke Ellington. Duke peels away countless layers of Ellington's evasion and public deception to tell the unvarnished truth about the creative genius who inspired Miles Davis to say, "All the musicians should get together one certain day and get down on their knees and thank Duke."
Duke Ellington
by James Lincoln CollierDuke Ellington is considered to be one of the great genius' of jazz--its major composer and leader of probably the most significant of all jazz bands. Yet, other than his own not-very-revealing autobiography and a collection of reminiscences of his band members, there has never been an in-depth biography of this pre-eminent figure in twentieth century music and entertainment. Here at last is the definitive critical biography of both the man and his music. James Lincoln Collier, author of the highly acclaimed Louis Armstrong: An American Genius, has produced a fascinating work which tells the full story of Edward Kennedy Ellington, from his childhood as the pampered and adored only son of a middle-class Washington black family to his death in 1974, hailed as "America's greatest composer" (according to the New York Times obituary) and mourned at his funeral by more than 10,000 people. Collier describes Ellington's charisma--his sense of being special even from childhood, when he would announce to his cousins "I am the grand, noble, Duke; crowds will be running to me,"...the formation of his band, including some of the greatest names in jazz history, among them, Barney Bigard, Johnny Hodges, Cootie Williams, Lawrence Brown, and Paul Gonzavles...his arrival at the legendary Cotton Club in Harlem in the 1920s...his involvement with his manager Irving Mills, who manipulated and cheated him and even put his name on some of Ellington's songs, but who made him famous...his relationship with his family, including his troubled relationship with his son, his marriage and many affairs (including involvements with some of his own musician's women). But most of all, the book is about the creation of the music, from classic songs like "Sophisticated Lady" to the "sacred concerts" of Ellington's last years. Collier maintains that it is not necessary to see Ellington as a "composer" in the narrow sense of the word but as something just as important: an improvising jazz musician. His instrument was a whole band.This is a controversial book--not all will agree with Collier's assessments--but it will enthrall jazz buffs as well as anyone interested in a fascinating life and times.
Duke Ellington Studies (Cambridge Composer Studies)
by John HowlandDuke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies.
Duke Ellington and His World: A Biography
by A. H. LawrenceBased on lengthy interviews with Ellington's bandmates, family, and friends, Duke Ellington and His World offers a fresh look at this legendary composer. The first biography of the composer written by a fellow musician and African-American, the book traces Ellington's life and career in terms of the social, cultural, political, and economic realities of his times. Beginning with his birth in Washington, DC, through his first bands and work at the legendary Cotton Club, to his final great extended compositions, this book gives a thorough introduction to Ellington's music and how it was made. It also illuminates his personal life because, for Ellington, music was his life and his life was a constant inspiration for music.
Duke Ellington's America
by Harvey G. CohenDuke Ellington represented a singular, pathbreaking force in music over a half-century. Harvey G. Cohen paints a vivid picture of Ellington's life and times, taking him from his youth in the black middle class to the heights of worldwide acclaim.
Duke Ellington: Giant of Jazz
by Wendie C. OldExamines the life and career of the talented jazz composer, bandleader, and pianist, from his childhood in Washington, D.C., through his battle against racism, to his influence on the world of jazz.
Duke Ellington: His Life in Jazz with 21 Activities (For Kids series)
by Stephanie Stein CreaseCelebrating one of the most influential figures in jazz, this comprehensive biography incorporates the legendary Duke Ellington's talents into engaging activities for children. Enlisting the musician's gifts as a pianist, composer, and band leader, this interdisciplinary approach shows how to create a ragtime rhythm, make a washtub bass, write song lyrics, dance the Lindy Hop, and even design an album cover. Exploring Ellington's life and career, this activity guide includes information on additional topics such as the Harlem Renaissance, the musical evolution of jazz, and how technology has changed over the years--from piano rolls and record albums to CDs, television, and portable music devices. A time line, glossary, selected bibliography, and extensive resources--including Ellington's greatest recordings, related websites, and recommendations for further study--are also included.
Duke Ellington: The Piano Prince and His Orchestra
by Andrea Davis PinkneyEdward Kennedy "Duke" Ellington, "King of the Keys," was born on April 29, 1899, in Washington, D.C. "He was a smooth-talkin', slick-steppin', piano-playin' kid," writes master wordsmith Andrea Pinkney in the rhythmic, fluid, swinging prose of this excellent biography for early readers. It was ragtime music that first "set Duke's fingers to wiggling." He got back to work and taught himself to "press on the pearlies." Soon 19-year-old Duke was playing compositions "smoother than a hairdo sleeked with pomade" at parties, pool halls, country clubs, and cabarets. Skipping from D.C. to 1920s Harlem, "the place where jazz music ruled," Duke and his small band called the Washingtonians began performing in New York City clubs, including the Cotton Club, where Duke Ellington and his Orchestra was officially born.
Duke: The Musical Life of Duke Ellington
by Bill GutmanEdward Kennedy &“Duke&” Ellington was one of jazz&’s greatest innovators. Join Bill Gutman as he explores the fascinating life of this legend from his birth at the turn of the century to his death at the age of seventy‑five. Interviewing Duke&’s friends, fans, and fellow musicians, Gutman documents the progress of a man who dedicated his life to crafting the ever‑changing sound of jazz. Gutman plunges into the history of jazz from its origin in the honky‑tonk sounds of the Ragtime Era to the forms that are widely enjoyed today. Jazz has evolved through the years to become one of the most popular forms of music, with Duke Ellington as chief composer, artist, and perfomer. Gutman&’s account of Ellington&’s life as it parallels the history of jazz provides a fascinating history for both jazz veterans and those new to the art form.
Dunces Rock
by Kate JaimetThe Dunces—Josh, Magnolia, Wang and Wilmot—are back, and this time they’re going up against a formidable foe: Principal Hale, who has canceled their school’s drama and music program just when Wilmot needs it most. He has a guitar (given to him by a teen named Headcase), but no teacher and nowhere to practice (his dad hates rock ’n’ roll). The Dunces’ plan to convince Principal Hale to reinstate the program involves Josh’s reluctant participation in a hockey team, Magnolia’s enthusiastic role-playing and Wang’s disillusionment with a suspicious character named Hui Bing (aka Larry). But can the Dunces really rock, even when they rebrand themselves as Cousin Willy and the Wang Dang Doodles?
Dundurn Performing Arts Library Bundle — Musicians: Opening Windows / True Tales from the Mad, Mad, Mad World of Opera / Lois Marshall / John Arpin / Elmer Iseler / Jan Rubes / Music Makers / There's Music in These Walls / In Their Own Words / Emma Albani / Opera Viva / MacMillan on Music
by Walter Pitman Carol Burnett James Neufeld Stuart Hamilton Lotfi Mansouri Mark Hernandez Ezra Schabas Carl Morey Holly Higgins Jonas Michelle Labrèche-Larouche Robert PoppleThis special twelve-book bundle is a classical and choral music lover’s delight! Canada’s rich history and culture in the classical music arts is celebrated here, both in the form of in-depth biographies and autobiographies (Lois Marshall, Lotfi Mansouri, Elmer Iseler, Emma Albani and more), but also in honour of musical places (There’s Music in These Walls, a history of the Royal Conservatory of Music; In Their Own Words, a celebration of Canada’s choirs; and Opera Viva, a history of the Canadian Opera Company). Canada plays an important role in the promotion and performance of art music, and you can learn all about it in these fine books. Includes Opening Windows True Tales from the Mad, Mad, Mad World of Opera Lois Marshall John Arpin Elmer Iseler Jan Rubes Music Makers There’s Music in These Walls In Their Own Words Emma Albani Opera Viva MacMillan on Music
Dust & Grooves
by Eilon Paz RzaDust & Grooves: Adventures in Record Collecting is an inside look into the world of vinyl record collectors in the most intimate of environments--their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.From the Hardcover edition.& Grooves is a celebration of passion and discovery and a tribute to the spirit of a thriving movement.
Dust of the Zulu: Ngoma Aesthetics after Apartheid
by Louise Meintjes Tj LemonIn Dust of the Zulu Louise Meintjes traces the political and aesthetic significance of ngoma, a competitive form of dance and music that emerged out of the legacies of colonialism and apartheid in South Africa. Contextualizing ngoma within South Africa's history of violence, migrant labor, the HIV epidemic, and the world music market, Meintjes follows a community ngoma team and its professional subgroup during the twenty years after apartheid's end. She intricately ties aesthetics to politics, embodiment to the voice, and masculine anger to eloquence and virtuosity, relating the visceral experience of ngoma performances as they embody the expanse of South African history. Meintjes also shows how ngoma helps build community, cultivate responsible manhood, and provide its participants with a means to reconcile South Africa's past with its postapartheid future. Dust of the Zulu includes over one hundred photographs of ngoma performances, the majority taken by award-winning photojournalist TJ Lemon.
Dusty Springfield
by Paul HowesWhen shy convent girl Mary O'Brien reinvented herself as Dusty Springfield, one of the most glamorous, accomplished, and acclaimed pop divas of the 1960s was born. Drawing on meticulous archive research and interviews with Dusty's friends and collaborators, this comprehensive reference addresses the entire arc of Dusty's career in details, and includes more than 70 pictures of Dusty live and in the studio. This revised edition includes new chapters on the Lana Sisters and the Springfields, expanded entries on Dusty's solo tracks, and an in-depth analysis of Dusty's live work for TV and radio.
Dusty Springfield: The Authorized Biography
by Penny Valentine Vicki WickhamDusty Springfield led a tragic yet inspiring life, battling her way to the top of the charts and into the hearts of music fans world-wide. Her signature voice made songs such as "I Only Want to Be with You," "Son of a Preacher Man," and "You Don't Have to Say You Love Me," international hits. In Dancing with Demons, two of her closest friends, Valentine and Wickham, capture, with vivid memories and personal anecdotes, a Dusty most people never glimpsed in this no-holds-barred yet touching portrait of one of the world's true grand dames of popular music.
Dvorak's Prophecy: And The Vexed Fate Of Black Classical Music
by Joseph HorowitzA Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonin Dvorák prophesied a "great and noble" school of American classical music based on the searing "negro melodies" he had excitedly discovered since arriving in the United States a year before. But while Black music would found popular genres known the world over, it never gained a foothold in the concert hall. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Leonard Bernstein and Aaron Copland, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a "usable past." The result is a “new paradigm” that makes room for Black composers including Harry Burleigh, Nathaniel Dett, William Dawson, and Florence Price to redefine the classical canon.
Dweller in Shadows: A Life of Ivor Gurney
by Kate KennedyThe first comprehensive biography of an extraordinary English poet and composer whose life was haunted by fighting in the First World War and, later, confinement in a mental asylumIvor Gurney (1890–1937) wrote some of the most anthologized poems of the First World War and composed some of the greatest works in the English song repertoire, such as “Sleep.” Yet his life was shadowed by the trauma of the war and mental illness, and he spent his last fifteen years confined to a mental asylum. In Dweller in Shadows, Kate Kennedy presents the first comprehensive biography of this extraordinary and misunderstood artist.A promising student at the Royal College of Music, Gurney enlisted as a private with the Gloucestershire regiment in 1915 and spent two years in the trenches of the Western Front. Wounded in the arm and subsequently gassed during the Battle of Passchendaele, Gurney was recovering in hospital when his first collection of poems, Severn and Somme, was published. Despite episodes of depression, he resumed his music studies after the war until he was committed to an asylum in 1922. At times believing he was Shakespeare and that the “machines under the floor” were torturing him, he nevertheless continued to write and compose, leaving behind a vast body of unpublished work when he died of tuberculosis. Drawing on extensive archival research and spanning literary criticism, history, psychiatry and musicology, this compelling narrative sets Gurney’s life and work against the backdrop of the war and his institutionalisation, probing the links between madness, suffering and creativity.Facing death in the trenches, Gurney hoped that history might not “forget me quite.” This definitive account of his life and work helps ensure that he will indeed be remembered.
Dwight Yoakam: A Thousand Miles from Nowhere (American Music Series)
by Don McLeese&“[A] compulsively readable biography . . . Essential for fans of Yoakam and lovers of good music writing.&” ―Library Journal From his formative years playing pure hardcore honky-tonk for mid-&’80s Los Angeles punk rockers through his subsequent surge to the top of the country charts, Dwight Yoakam has enjoyed a singular career. An electrifying live performer, superb writer, and virtuosic vocalist, he&’s successfully bridged two musical worlds that usually have little use for each other: commercial country and its alternative/Americana/roots-rocking counterpart. Defying the label &“too country for rock, too rock for country,&” Yoakam has triumphed while many of his peers have had to settle for cult acceptance. Four decades into his career, he&’s sold more than twenty-five million records and continues to tour regularly. Now award-winning music journalist Don McLeese offers the first musical biography of this acclaimed artist. Tracing the seemingly disparate influences in Yoakam&’s music, McLeese shows how he&’s combined rock and roll, rockabilly, country, blues, and gospel into a seamless whole. In particular, McLeese explores the essential issue of &“authenticity&” and how it applies to Yoakam, as well as to country music and popular culture in general. Drawing on wide-ranging interviews with Yoakam and his management, while also benefiting from the perspectives of others closely associated with his success (including producer-guitarist Pete Anderson, partner throughout Yoakam&’s most popular and creative decades), Dwight Yoakam pays tribute to the musician who has established himself as a visionary beyond time, an artist who could title an album Tomorrow&’s Sounds Today and deliver it.
Dwight Yoakam: A Thousand Miles from Nowhere (American Music Series)
by Don McleeseFrom his formative years playing pure, hardcore honky-tonk for mid-'80s Los Angeles punk rockers through his subsequent surge to the top of the country charts, Dwight Yoakam has enjoyed a singular career. An electrifying live performer, superb writer, and virtuosic vocalist, he has successfully bridged two musical worlds that usually have little use for each other-commercial country and its alternative/Americana/roots-rocking counterpart. Defying the label "too country for rock, too rock for country," Yoakam has triumphed while many of his peers have had to settle for cult acceptance. Four decades into his career, he has sold more than 25 million records and continues to tour regularly, with an extremely loyal fan base. In Dwight Yoakam, award-winning music journalist Don McLeese offers the first musical biography of this acclaimed artist. Tracing the seemingly disparate influences in Yoakam's music, McLeese shows how he has combined rock and roll, rockabilly, country, blues, and gospel into a seamless whole. In particular, McLeese explores the essential issue of "authenticity" and how it applies to Yoakam, as well as to country music and popular culture in general. Drawing on wide-ranging interviews with Yoakam and his management, while also benefitting from the perspectives of others closely associated with his musical success (including producer-guitarist Pete Anderson, Yoakam's partner throughout his most popular and creative decades), Dwight Yoakam pays tribute to the musician who has established himself as a visionary beyond time, an artist who could title an album Tomorrow's Sounds Today and deliver it.
Dying, Bereavement and the Healing Arts
by Amy Kuebelbeck Julie Sanders Gillie Bolton Mike White Christopher Johns Nigel Hartley Ted Bowman Hilary Elfick Lindsay Buckell Lesley Schatzberger Mitzi Blennerhassett Ashley Barnes Christina Mason Steve Seagull Bobbie Farsides Anna Lidzey Filipa Pereira-Stubbs Kieran Walsh Judy Clinton Sinead Donnelly Sue Eckstein Monica Suswin Frans Meulenberg Oliver Samuel Kate D'Lima Robert Hamberger Corine Koppenol Paul Schatzberger Haifa Al Sanousi Yvonne Yi-Wood Mak Tim Metcalf Chris Rawlence Giles Legood Rogan Wolf River Wolton Sheelagh Gallagher Tim Jeeves Mark Cobb Kaichiro Tamba Sandra Bertman Diana Greenman John Graham-Pole David HeadDying, Bereavement and the Healing Arts describes a range of successful programmes pioneered by artists, writers, nurses, musicians, therapists, social workers, and chaplains in palliative care settings. These range from simple painting and writing activities to organized communal activities like writing and performing a play. The arts are shown to offer a means to reflect on memories, hopes, fears and anxieties, and gently explore the emotional, spiritual, and psychological issues which can aid a fuller understanding of oneself and one's condition. The arts also serve as a way to communicate difficult and complex feelings to professionals or family members not possible in everyday conversation. Dying, Bereavement and the Healing Arts offers valuable insights and inspiration for any practitioner working in a palliative care setting.
Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night that Split the Sixties
by Elijah WaldTHE INSPIRATION FOR THE MAJOR MOTION PICTURE A COMPLETE UNKNOWN. One of the music world’s pre-eminent critics takes a fresh and much-needed look at the day Dylan “went electric” at the Newport Folk Festival.On the evening of July 25, 1965, Bob Dylan took the stage at Newport Folk Festival, backed by an electric band, and roared into his new rock hit, Like a Rolling Stone. The audience of committed folk purists and political activists who had hailed him as their acoustic prophet reacted with a mix of shock, booing, and scattered cheers. It was the shot heard round the world—Dylan’s declaration of musical independence, the end of the folk revival, and the birth of rock as the voice of a generation—and one of the defining moments in twentieth-century music.In Dylan Goes Electric!, Elijah Wald explores the cultural, political and historical context of this seminal event that embodies the transformative decade that was the sixties. Wald delves deep into the folk revival, the rise of rock, and the tensions between traditional and groundbreaking music to provide new insights into Dylan’s artistic evolution, his special affinity to blues, his complex relationship to the folk establishment and his sometime mentor Pete Seeger, and the ways he reshaped popular music forever. Breaking new ground on a story we think we know, Dylan Goes Electric! is a thoughtful, sharp appraisal of the controversial event at Newport and a nuanced, provocative, analysis of why it matters.“In this tour de force, Elijah Wald complicates the stick-figure myth of generational succession at Newport by doing justice to what he rightly calls Bob Dylan’s ‘declaration of independence’ . . . This is one of the very best accounts I’ve read of musicians fighting for their honor.” — Todd Gitlin, author of The Sixties and Occupy Nation
Dylan on Dylan: Interviews and Encounters (Musicians in Their Own Words)
by Jeff BurgerIn a 1969 conversation with Rolling Stone editor Jann Wenner, Dylan proclaims, "I don't give interviews." But in truth, Dylan has given numerous press conferences, spoken at length with print publications large and small and with broadcast media around the world and even answered listeners' questions on call-in radio shows. Dylan can be as evasive and abstruse as he is witty; he can be cranky and sarcastic. But in the right moments, he offers candid, revealing commentary about his groundbreaking music and creative process. Those conversations reveal glimpses into the mind of one of the most important performers and songwriters of the last hundred years. Dylan on Dylan is an authoritative, chronologically arranged anthology of interviews, speeches and press conferences, as well as excerpts from nearly a hundred additional Q&As spanning Dylan's entire career—from 1961 through 2016. The majority have not been previously available in print. The material comes from renowned publications like Rolling Stone and from obscure periodicals like Minnesota Daily, a student newspaper at Dylan's alma mater. Interviewers include some of the top writers of our time, such as Jonathan Lethem, Douglas Brinkley, and Mikal Gilmore, as well as musicians like Pete Seeger and Happy Traum. Introductions put each piece in context and, in many cases, include the interviewer's reminiscences about the encounter.
Dylan, Lennon, Marx and God
by Jon StewartBob Dylan and John Lennon are two of the most iconic names in popular music. Dylan is arguably the twentieth century's most important singer-songwriter. Lennon was founder and leader of the Beatles who remain, by some margin, the most covered songwriters in history. While Dylan erased the boundaries between pop and poetry, Lennon and his band transformed the genre's creative potential. The parallels between the two men are striking but underexplored. This book addresses that lack. Jon Stewart discusses Dylan's and Lennon's relationship; their politics; their understanding of history; and their deeply held spiritual beliefs. In revealing how each artist challenged the restrictive social norms of their day, the author shows how his subjects asked profound moral questions about what it means to be human and how we should live. His book is a potent meditation and exploration of two emblematic figures whose brilliance changed Western music for a generation.