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From the Minds of Jazz Musicians, Volume II: Conversations with the Creative and Inspired
by David SchroederFrom the Minds of Jazz Musicians, Volume II is a follow-up to Volume I’s celebration of contemporary jazz artists who have toiled, struggled and succeeded in finding their creative space. Volume II was developed through transcribing and editing selected interviews with 29 jazz artists, conducted by the author since 2011, along with a historical essay on each artist. The interviews feature musicians from a broad range of musical styles and experiences, with their beginnings ranging from the 50s to the early 80s. Topics range from biographical life histories to descriptions of mentor relationships, revealing the important life lessons they learned along the way. With the goal to discover the person behind the persona, the author elicits conversations that speak of the creative process, mining the individualistic perspectives of seminal artists who witnessed history in the making. By comparing and contrasting each artist’s perspective to discover similarities in their career paths. these volumes are an important research tool for students and academics, offering direct information from leading figures in the jazz world.
From the Minds of Jazz Musicians: Conversations with the Creative and Inspired
by David SchroederFrom the Minds of Jazz Musicians: Conversations with the Creative and Inspired celebrates contemporary jazz artists who have toiled, struggled and succeeded in finding their creative space. The volume was developed through transcribing and editing selected interviews with 35 jazz artists, conducted by the author between 2009 and 2012 in New York City, with a historical essay on each artist to provide context. The interviews feature musicians from a broad range of musical styles and experiences, ranging from Gerald Wilson, born in 1918, to Chris Potter, born in 1971. Topics range from biographical life histories to artists’ descriptions of mentor relationships, revealing the important life lessons they learned along the way. With the goal to discover the person behind the persona, the author elicits conversations that speak volumes on the creative process, mining the individualistic perspectives of seminal artists who witnessed history in the making. The interviews present the artists’ candid and direct opinions on music and how they have succeeded in pursuing their unique and creative lives.
From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude
by Richard KramerRichard Kramer follows the work of Beethoven and Schubert from 1815 through to the final months of their lives, when each were increasingly absorbed in iconic projects that would soon enough inspire notions of “late style.” Here is Vienna, hosting a congress in 1815 that would redraw national boundaries and reconfigure the European community for a full century. A snapshot captures two of its citizens, each seemingly oblivious to this momentous political environment: Franz Schubert, not yet twenty years old and in the midst of his most prolific year—some 140 songs, four operas, and much else; and Ludwig van Beethoven, struggling through a midlife crisis that would yield the song cycle An die ferne Geliebte, two strikingly original cello sonatas, and the two formidable sonatas for the “Hammerklavier,” opp. 101 and 106. In Richard Kramer’s compelling reading, each seemed to be composing “against”—Beethoven, against the Enlightenment; Schubert, against the looming presence of the older composer even as his own musical imagination took full flight.From the Ruins of Enlightenment begins in 1815, with the discovery of two unique projects: Schubert’s settings of the poems of Ludwig Hölty in a fragmentary cycle and Beethoven’s engagement with a half dozen poems by Johann Gottfried Herder. From there, Kramer unearths previously undetected resonances and associations, illuminating the two composers in their “lonely and singular journeys” through the “rich solitude of their music.”
From the Streets of Shaolin: The Wu-Tang Saga
by S. H. Fernando Jr.This definitive biography of rap supergroup, Wu-Tang Clan, features decades of unpublished interviews and unparalleled access to members of the group and their associates.This is the definitive biography of rap supergroup and cultural icons, Wu-Tang Clan (WTC). Heralded as one of the most influential groups in modern music—hip hop or otherwise—WTC created a rap dynasty on the strength of seven gold and platinum albums that launched the careers of such famous rappers as RZA, GZA, Ol' Dirty Bastard, Raekwon, Ghostface Killah, Method Man, and more. During the &‘90s, they ushered in a hip-hop renaissance, rescuing rap from the corporate suites and bringing it back to the gritty streets where it started. In the process they changed the way business was conducted in an industry known for exploiting artists. Creatively, Wu-Tang pushed the boundaries of the artform dedicating themselves to lyrical mastery and sonic innovation, and one would be hard pressed to find a group who's had a bigger impact on the evolution of hip hop.S.H. Fernando Jr., a veteran music journalist who spent a significant amount of time with The Clan during their heyday of the &‘90s, has written extensively about the group for such publications as Rolling Stone, Vibe, and The Source. Over the years he has built up a formidable Wu-Tang archive that includes pages of unpublished interviews, videos of the group in action in the studio, and several notepads of accumulated memories and observations. Using such exclusive access as well as the wealth of open-source material, Fernando reconstructs the genesis and evolution of the group, delving into their unique ideology and range of influences, and detailing exactly how they changed the game and established a legacy that continues to this day. The book provides a startling portrait of overcoming adversity through self-empowerment and brotherhood, giving us unparalleled insights into what makes these nine young men from the ghetto tick. While celebrating the myriad accomplishments of The Clan, the book doesn't shy away from controversy—we're also privy to stories from their childhoods in the crack-infested hallways of Staten Island housing projects, stints in Rikers for gun possession, and million-dollar contracts that led to recklessness and drug overdoses (including Ol' Dirty Bastard's untimely death). More than simply a history of a single group, this book tells the story of a musical and cultural shift that started on the streets of Shaolin (Staten Island) and quickly spread around the world.Biographies on such an influential outfit are surprisingly few, mostly focused on a single member of the group's story. This book weaves together interviews from all the Clan members, as well as their friends, family and collaborators to create a compelling narrative and the most three-dimensional portrait of Wu-Tang to date. It also puts The Clan within a social, cultural, and historical perspective to fully appreciate their impact and understand how they have become the cultural icons they are today. Unique in its breadth, scope, and access, From The Streets of Shaolin is a must-have for fans of WTC and music bios in general.
From the Velvets to the Voidoids: The Birth of American Punk Rock
by Clinton HeylinExhaustively researched and packed with unique insights, this history journeys from the punk scene's roots in the mid-1960s to the arrival of "new wave" in the early 1980s. With a cast that includes Patti Smith, Pere Ubu, Television, Blondie, the Ramones, the MC5, the Stooges, Talking Heads, and the Dead Boys, this account is the definitive story of early American punk rock. Extraordinarily balanced, it tells the story of the music's development largely through the artists' own words, while thoroughly analyzing and evaluating the music in a lucid and cogent manner. First published in 1993, this was the first book to tell the stories of these then-little-known bands; now, this edition has been updated with a new discography, including imports and bootlegs, and an afterword detailing the post-1970s history of these bands. Filled with insights from interviews with artists such as Lou Reed, Debbie Harry, David Byrne, Patti Smith, and Richard Hell, this book has long been considered one of the essential reads on rock rebellion.
From the chanson française to the canzone d'autore in the 1960s and 1970s: Authenticity, Authority, Influence (Ashgate Popular and Folk Music Series)
by Rachel HaworthThe similarities between the chanson française and the canzone d'autore have been often noted but never fully explored. Both genres are national forms which involve the figure of the singer-songwriter, both experienced their golden age of production in the post-World War II period and both are enduringly popular, still accounting for a large proportion of record sales in their respective countries. Rachel Haworth looks beyond these superficial similarities, and investigates the nature of the relationship between the two genres. Taking a multidisciplinary approach, encompassing textual analysis of song lyrics, cultural history and popular music studies, Haworth considers the different ways in which French and Italian song is thought about, written about and constructed. Through an in-depth study of the discourse surrounding chanson and the canzone d'autore, the volume analyses the development of the genres' rules and rhetoric, identifying the key themes of Authority, Authenticity and Influence. The book finally considers the legacy of major artists, looking at modern perspectives on Georges Brassens, Jacques Brel, Léo Ferré, Fabrizio De André and Giorgio Gaber, ultimately affording a deeper understanding of the notions of quality and value in the context of chanson française and the canzone d'autore.
Fruits of the Cross: Passiontide Music Theater in Habsburg Vienna
by Robert L. KendrickIn this first detailed study of seventeenth-century sepolcri—sacred operas written for court performance on Holy Thursday and Good Friday—Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, in which music and ritual combined on the stage to produce a thoroughly original art form based on devotion to Christ’s Tomb. Through the use of allegorical characters, the musical dramas ranged from the devotionally intense, to the theologically complex, to the ugly anti-Jewish, but played a unique role in making Passion piety relevant to wider cultural concerns. Fruits of the Cross suggests that understanding the sepolcri has implications for the theatricalization of devotion, the power of allegory, the role of queenship in court ideology, the interplay between visuality and music, and not least the intellectual centrality of music theater to court self-understanding.
Fruits of the Cross: Passiontide Music Theater in Habsburg Vienna
by Robert L. KendrickIn this first detailed study of seventeenth-century sepolcri—sacred operas written for court performance on Holy Thursday and Good Friday—Robert L. Kendrick delves into the political and artistic world of Habsburg Vienna, in which music and ritual combined on the stage to produce a thoroughly original art form based on devotion to Christ’s Tomb. Through the use of allegorical characters, the musical dramas ranged from the devotionally intense, to the theologically complex, to the ugly anti-Jewish, but played a unique role in making Passion piety relevant to wider cultural concerns. Fruits of the Cross suggests that understanding the sepolcri has implications for the theatricalization of devotion, the power of allegory, the role of queenship in court ideology, the interplay between visuality and music, and not least the intellectual centrality of music theater to court self-understanding.
Fryderyk Chopin: A Life and Times
by Dr. Alan WalkerA New York Times Book Review Editors' Choice. The Sunday Times (U.K.) Classical Music Book of 2018 and one of The Economist's Best Books of 2018."A magisterial portrait." --Corinna da Fonseca-Wollheim, The New York Times Book ReviewA landmark biography of the Polish composer by a leading authority on Chopin and his timeBased on ten years of research and a vast cache of primary sources located in archives in Warsaw, Paris, London, New York, and Washington, D.C., Alan Walker’s monumental Fryderyk Chopin: A Life and Times is the most comprehensive biography of the great Polish composer to appear in English in more than a century. Walker’s work is a corrective biography, intended to dispel the many myths and legends that continue to surround Chopin. Fryderyk Chopin is an intimate look into a dramatic life; of particular focus are Chopin’s childhood and youth in Poland, which are brought into line with the latest scholarly findings, and Chopin’s romantic life with George Sand, with whom he lived for nine years.Comprehensive and engaging, and written in highly readable prose, the biography wears its scholarship lightly: this is a book suited as much for the professional pianist as it is for the casual music lover. Just as he did in his definitive biography of Liszt, Walker illuminates Chopin and his music with unprecedented clarity in this magisterial biography, bringing to life one of the nineteenth century’s most confounding, beloved, and legendary artists.
Frédéric Chopin: A Research and Information Guide (Routledge Music Bibliographies)
by William Smialek Maja TrochimczykFrédéric Chopin: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer. The second edition includes research published since the publication of the first edition and provides electronic resources.
Frédéric Chopin: The Joseffy Edition (Dover Classical Piano Music: Four Hands)
by Frédéric ChopinThis volume offers pianists a unique opportunity to study and master Chopin's two piano concertos: The Piano Concerto No. 1 in E Minor, Op. 11, and the Piano Concerto No. 2 in F Minor, Op. 21. Although the composer wrote both works to launch his career as a concert artist, he soon abandoned the concert hall for the more intimate atmosphere of the salon and turned his creative attentions to the brilliant shorter works on which his reputation rests today. The concerti remain among the composer's few ventures in longer and more comprehensive musical forms.Extended stretches of brilliant passagework and many moments of exquisite loveliness have made both works favorites with music lovers. Now pianists can explore their beauty and expressiveness with this practical playing and study edition. It contains the original solo piano parts of the concerti as well as a skillful piano reduction of the original orchestral parts. This means a pianist can play the solo part while the second piano functions as the "orchestra." Clearly printed and sturdily bound in this high-quality volume, these scores are an effective, practical way for students to learn, practice, and rehearse these masterworks of the piano repertoire.
Fuck You: Rock and Roll Portraits
by Neil ZlozowerFor more than 30 years, legendary music photographer Neil Zlozower has shot a who's-who of rock and metal titans. When the session demands, Neil has been known to yell, "Give me some fucking attitude!" The go-to gesture in the next photo frame is nearly always the rocker giving Neil the finger. Fück Yöu assembles a veritable R 'n' R hall of fame of musicians flipping the birda playful parade of obscenity and a celebration of pure rock attitude. Here and telling the world to fuck off are Slash, Eddie Van Halen, Judas Priest, Slipknot, Ratt, Motley Crue, Aerosmith, Ozzy Osbourne, Korn, Bon Jovi, Slayer, Anthrax, and many more, sharing the love with each flying finger.
Fuera de concurso
by Tania TabárezUn libro para vivir, sentir y festejar el carnaval. Hay tantos carnavales como murguistas. La diversidad en cuanto a experiencias, crecimiento, desarrollo creativo y personal que encierra el fenómeno de la murga uruguaya es tan amplia como la cantidad de artistas que la han vivido en carne propia. La murga, uno de los fenómenos culturales más característicos de nuestro país, es un coro que trasciende el tiempo y las personas y que está en permanente cambio. En este libro, la periodista Tania Tabárez –una apasionada del carnaval– nos lleva a lo más íntimo de esas entrevistas que a lo largo de los años realizó en Fuera de concurso. Tania nos hará sentir que estamos sentados allí junto a estos personajes, indagando las historias personales y grupales que marcaron sus trayectorias artísticas y que han sido claves para la realidad actual de la murga y su relación con la sociedad. Desde los más innovadores a los más clásicos, pasando por rupturistas, amantes de la competencia, cuestionadores del concurso oficial, pero sobre todo murguistas de alma. El coro de este Fuera de Concurso tiene las voces de Bananita González, Carlos Melgarejo, Catusa Silva, Cocina Márquez, Coco Rivero, Diego Bello, Eduardo Rigaud, Jorge Esmoris, Fernando Toja, Guillermo Lamolle, Mónica Santos, Pinocho Routin, Pitufo Lombardo, Raúl Castro y Tabaré Cardozo.
Fuerte y claro: Historia del metal en Uruguay
by Fernando SoriaUn recorrido histórico a través de los protagonistas y creadores del heavy metal en Uruguay. El fenómeno cultural del metal en Uruguay no es una moda. Es más que música, es cultura y forma de vida. Éstas son algunas de las conclusiones a las que el lector podrá llegar leyendo este libro.Desde las primeras expresiones a nivel mundial a mediados de la década del 70 del Siglo XX, pasando por las primeras manifestaciones en Uruguay hace más de 30 años, las características del público, los festivales y medios propios de difusión son algunas de las temáticas que Fernando Soria #autor y activo participante de la escena metalera uruguaya# logra plasmar en estas páginas. Como un riff filoso de guitarra el testimonio y la opinión juegan para crear este libro que trabaja, por primera vez en 30 años, un género que ha logrado trascender la música.Ácido, Alvacast, Cross, Chopper, Reytoro son solo algunas de las historias que se rescatan #en voz de sus integrantes# y nos permiten armar este puzle hecho de metal.
Full Circle: An Autobiographical Journal
by Janet BakerJanet Baker, the much-beloved, great English mezzo-soprano, recitalist and opera singer, journalizes her last year in opera (1981-1982). There's no gossip here, just heartfelt responses to what life has brought her and to her art. Many of her recorded performances, both opera and lieder, are still available.
Full Circle: Spiritual Therapy for the Elderly
by Kevin Kirkland Howard Mc IlveenWhen you read Full Circle: Spiritual Therapy for the Elderly, you&’ll discover a brand new therapeutic approach-spiritual therapy-to treating elderly patients with cognitive disorders. This handy guide will assist you in starting your own renowned spiritually therapeutic program for dementia patients. Full Circle is a how-to book that will prove you can trigger emotional responses in an individual or group therapy session using the right spiritual cues. In the first ten pages of Full Circle, you&’ll learn about the Spiritual Therapy Program and find the answers to general questions about how and where to establish the program. The remainder of Full Circle contains 80 thematic lesson plans for use in both group and individual sessions. The lessons are flexible and organized into lists to help you formulate the right agenda for individual dementia patients. Full Circle divides 70 themes into these easily accessible categories: Feelings: depression, anger, and shame Life Review: aging, children, and change Sensory: hearing, smell, and touch Special Occasions: Easter, Thanksgiving, and memories of Christmas Spiritual: forgiveness, heaven, and peace In addition, Full Circle has expanded units for higher-achieving seniors. You may also want to use the special notes, poetry, and quotations that are pinpointed within the appropriate specific theme for even more startling results. Full Circle's sophisticated approach to therapy will help you cater to the needs of the cognitively impaired elderly to trigger emotional responses and enhance overall quality of life.
Full Metal Jackie Certified: The 50 Most Influential Heavy Metal Songs of the '80s and the True Stories Behind Their Lyrics
by Jackie Kajzer Roger LotringJackie Kajzer collects insights from your favorite rock stars about the creative process behind the most influential metal songs of the '80s. The interviews go well beyond the already familiar stories and anecdotes, as Jackie gathers thoughts from heavy metal artists and songwriters about the cultural and social impact the songs had when they were released, as well as the continued validity and influence these songs hold today.
Fun Home
by Alison Bechdel Jeanine Tesori Lisa KronWhen her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood playing at the family's Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming, unanswerable questions about her father's hidden desires. Fun Home is a refreshingly honest, wholly original musical about seeing your parents through grown-up eyes.
Fun with Folded Fabric Boxes: All No-Sew Projects, Fat-Quarter Friendly, Elegance in Minutes
by Crystal Mills Arnold TubisA Bounty of Boxes to Fashion From Fabric & Paper. Quick and easy no-sew techniques for making beautiful origami boxes with our easy-to-follow how-to illustrations and photos. Make in a variety of sizes-and have fun embellishing them! There is no limit to the ways you can use these impressive boxes: pretty storage, home decor accents, gift boxes, party favors...Inspired by a traditional folded Japanese box (masu), the boxes can be funky, lavish, or elegant depending on the materials you choose. Perfect for fat quarters or those special papers you've been saving. Includes lots of embellishment ideas.
Fundamentals of Differential Beamforming
by Jacob Benesty Jingdong Chen Chao PanThis book provides a systematic study of the fundamental theory and methods of beamforming with differential microphone arrays (DMAs), or differential beamforming in short. It begins with a brief overview of differential beamforming and some popularly used DMA beampatterns such as the dipole, cardioid, hypercardioid, and supercardioid, before providing essential background knowledge on orthogonal functions and orthogonal polynomials, which form the basis of differential beamforming. From a physical perspective, a DMA of a given order is defined as an array that measures the differential acoustic pressure field of that order; such an array has a beampattern in the form of a polynomial whose degree is equal to the DMA order. Therefore, the fundamental and core problem of differential beamforming boils down to the design of beampatterns with orthogonal polynomials. But certain constraints also have to be considered so that the resulting beamformer does not seriously amplify the sensors' self noise and the mismatches among sensors. Accordingly, the book subsequently revisits several performance criteria, which can be used to evaluate the performance of the derived differential beamformers. Next, differential beamforming is placed in a framework of optimization and linear system solving, and it is shown how different beampatterns can be designed with the help of this optimization framework. The book then presents several approaches to the design of differential beamformers with the maximum DMA order, with the control of the white noise gain, and with the control of both the frequency invariance of the beampattern and the white noise gain. Lastly, it elucidates a joint optimization method that can be used to derive differential beamformers that not only deliver nearly frequency-invariant beampatterns, but are also robust to sensors' self noise.
Fundamentals of Instrumental and Choral Conducting
by Selim Giray Michael HanawaltProviding a thorough introduction to both choral and instrumental conducting, this textbook offers a complete package of teaching, study, and assessment materials to support a single-semester foundational conducting course.The book is designed to address the needs of students and instructors in mixed-discipline classrooms, giving equal weight to the conducting skills and repertoire of instrumental and choral ensembles. The 22 chapters are intended to fit comfortably into a single-semester course with two weekly classes. The authors cover key topics including conducting body alignment, breathing, the conducting box, baton use, cutoffs, left-hand use, conducting patterns, conducting styles, conducting subdivisions, accents, syncopation, score preparation and score reading, transpositions and clef reading, ensemble familiarity, error detection, rehearsal planning, and rehearsal techniques.This textbook and its accompanying supplemental materials are uniquely designed for the instructor to achieve an efficient and readily organized class, and for the students to receive essential fundamental conducting skills on both instrumental—including orchestral and band instruments—and choral ensembles. Addressing the conductor’s role, basic conducting skills, makeup of instrumental and choral ensembles, and solutions to common issues, the text prepares all students to engage in higher-level conducting courses.
Fundamentals of Musical Acoustics: Second, Revised Edition (Dover Books on Music)
by Arthur H. BenadeFundamentals of Musical Acoustics is a landmark book in its field, hailed for its astonishingly clear, delightfully readable statement of everything of acoustical importance to music-making. Though directed primarily to the music student who is taking an acoustics course, it is essential reading for all musicians, music lovers, and audiophiles eager to expand their musical horizons.<P><P> The book deals extensively with the fundamental modes of sound production and with the special sound-producing properties of the musical instruments in common use today -- keyboard, string, brass, woodwind, and percussion -- as well as the human voice. It further explores the critical roles played by the room and by the hearer's auditory apparatus. The basis of scales and harmony and the craft of instrument makers are also discussed in this masterly text, which includes numerous illustrations, bibliographical information, and a stimulating section of "Examples, Experiments, and Questions" at the end of each chapter. After the original publication of this book, Dr. Benade maintained a detailed set of corrections and revisions that have been incorporated into this second, revised edition.<P> <i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. To explore further access options with us, please contact us through the Book Quality link on the right sidebar. Benetech is actively working on projects to improve accessibility issues such as these.</i>
Fundamentals of Piano Pedagogy: Fuelling Authentic Student Musicians from the Beginning (SpringerBriefs in Education)
by Merlin B. ThompsonHow can piano teachers successfully foster student participation and growth from the outset? How can teachers prepare and sustain their influential work with beginner student musicians? This book presents answers to these questions by making important connections with current music education research, masters of the performance world, music philosophers, and the author’s 30-year career as a piano pedagogy instructor in Canada, the USA, Australia, New Zealand, and Japan. It investigates the multilayered role piano teachers play right from the very beginning – the formative first four to five years during which teachers empower students to explore and expand their own emerging musical foundations. This book offers a humane, emancipatory, and generous approach to teaching by grappling with some of the most fundamental issues behind and consequences of studio music teaching. More experiential than abstract and cerebral, it demonstrates how teaching beginner piano students involves an attentiveness to musical concerns like our connection to music, learning to play by ear and by reading, caring for music, the importance of tone and technique, and helping students develop fluency through their accumulated repertoire. Teaching beginner students also draws on personal aspects like independence and authenticity, the moral and ethical dignity associated with democratic relationships, and meaningful conversations with parents. Further, another layer of teaching beginners acknowledges both sides of the coin in terms of growth and rest, teaching what is and what might be, as well as supporting and challenging student development. In this view, how teachers fuel authentic student musicians from the beginning is intimately connected to the knowledge, beliefs, and values that permeate their thoughts and actions in everyday life. Fundamentals of Piano Pedagogy stands out as a much-needed instructional resource with immense personal, practical, social, philosophical, educational, and cultural relevance for today’s studio music teachers. Its humanistic and holistic approach invites teachers to consider not only who they are and what music means to them, but also what they have yet to imagine about themselves, about music, their students, and life.
Funemployed
by Justin HeazlewoodFunemployed goes beyond the press releases and the hype to show what it's really like to be a working artist in Australia. Through candid interviews, brutal honesty and lacerating wit, Justin Heazlewood (aka The Bedroom Philosopher) provides a fascinating portrait of life in Australia for artists and aspiring artists alike. Justin explores every dark corner of the arts. From starting out to giving up; running a business to burning out; the trappings of fame to the advantages of failure; the obstacles and opportunities.This is a landmark book, written with the raw passion of someone with over a decade in the 'trade'. Part confessional and part rogue self-help book, Funemployed is a wholly fascinating insight for everyone who appreciates the arts in Australia.Funemployed includes interviews with over 100 artists Gotye (Wally De Backer), Clare Bowditch, John Safran, Tony Martin, Amanda Palmer, Christos Tsiolkas, Tim Rogers, Adam Elliot and Benjamin Law.
Funk
by Peter SelzThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived</DIV