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Getcha Rocks Off: Sex & Excess. Bust-Ups & Binges. Life & Death on the Rock ‘N' Roll Road
by Mick WallHanging out with rock stars, trying to steal their chicks, or throwing up over their guitars after launching into the hospitality a little too enthusiastically, Mick Wall spent much of the 1980s sprawled in limos and five-star hotels with the biggest rock bands in the world, including Led Zeppelin, Guns N' Roses, Metallica, Black Sabbath, Mötley Crüe, Thin Lizzy, Deep Purple, Alice Cooper, Van Halen, Motörhead and more. He was Kerrang! magazine's star writer and the presenter of Monsters of Rock, his own weekly show on Sky TV, and the decade passed in a blur of hard drugs, hot women, and some of the heaviest people your mother definitely would not like. Depicting a world where vague concepts like 'the future' are disdained in favour of nights that last a week and weeks that last forever, Getcha Rocks Off is a rock apocalypse Cider With Roadies, and a more frank and disturbing Apathy for the Devil. It is the kind of book you need to put on your leather jacket to read, open that bottle of Jack and reach for the Charlie. And let the good times roll...
Getcha Rocks Off: Sex & Excess. Bust-Ups & Binges. Life & Death on the Rock ‘N’ Roll Road
by Mick Wall'Packed with war stories from a golden age of rock, and insights into the stars that made that music' CLASSIC ROCK MAGAZINE'On reading Getcha Rocks Off you realise just how drastically things have changed in the rock industry but books like this perfectly evoke what they were like. Good times...' RECORD COLLECTORHanging out with rock stars, trying to steal their chicks, or throwing up over their guitars after launching into the hospitality a little too enthusiastically, Mick Wall spent much of the 1980s sprawled in limos and five-star hotels with the biggest rock bands in the world, including Led Zeppelin, Guns N' Roses, Metallica, Black Sabbath, Mötley Crüe, Thin Lizzy, Deep Purple, Alice Cooper, Van Halen, Motörhead and more. He was Kerrang! magazine's star writer and the presenter of Monsters of Rock, his own weekly show on Sky TV, and the decade passed in a blur of hard drugs, hot women, and some of the heaviest people your mother definitely would not like. Depicting a world where vague concepts like 'the future' are disdained in favour of nights that last a week and weeks that last forever, Getcha Rocks Off is a rock apocalypse Cider With Roadies, and a more frank and disturbing Apathy for the Devil. It is the kind of book you need to put on your leather jacket to read, open that bottle of Jack and reach for the Charlie. And let the good times roll...
Getting Good at Being You: Learning to Love Who God Made You to Be
by Lauren AlainaWith a little bit of country, a whole lot of faith, and a healthy dose of sass, award-winning singer-songwriter Lauren Alaina's debut book, Getting Good at Being You, invites you to take the road less traveled as you step right up to who God calls you to be.After years in the spotlight on American Idol and Dancing with the Stars, country music star Lauren Alaina has learned a thing or two about fighting self-doubt and feeling at home in her own skin. In Getting Good at Being You, Lauren shares stories about everything from lost loves to getting a nose ring to battling an eating disorder to grieving a loved one&’s death. Each story leads to practical tips, take-it-on-the-road strategies, and encouragement for your own personal and spiritual growth.In this book, you will be inspired to:speak to yourself with kindness and compassionchase the dreams that light your spirit on firecultivate rich relationships with family and friendsidentify self-sabotaging beliefs and behaviorsoffer forgiveness for yourself and othersThroughout the book, you will find:behind-the-scenes photos from Lauren's career in country music.lists, tips, and strategies to boost your self-confidence.prompts to help you dream big and run toward who you are.This beautiful book is a perfect gift forwomen who celebrate other womenbirthday celebrations or career promotionshigh school and college graduationsfans who want to know more about country music stardomEach of us deserves head-over-heels, can't-get-enough, shout-it-from-the-mountaintops self-love. By the final page of Getting Good at Being You, that's just the kind of confidence you'll have. As Lauren discovered, maybe life is getting good after all.
Getting Signed: Record Contracts, Musicians, and Power in Society
by David ArditiRecord contracts have been the goal of aspiring musicians, but are they still important in the era of SoundCloud? Musicians in the United States still seem to think so, flocking to auditions for The Voice and Idol brands or paying to perform at record label showcases in the hopes of landing a deal. The belief that signing a record contract will almost infallibly lead to some measure of success— the “ideology of getting signed,” as Arditi defines it—is alive and well. Though streaming, social media, and viral content have turned the recording industry upside down in one sense, the record contract and its mythos still persist. Getting Signed provides a critical analysis of musicians’ contract aspirations as a cultural phenomenon that reproduces modes of power and economic exploitation, no matter how radical the route to contract. Working at the intersection of Marxist sociology, cultural sociology, critical theory, and media studies, Arditi unfolds how the ideology of getting signed penetrated an industry, created a mythos of guaranteed success, and persists in an era when power is being redefined in the light of digital technologies.
Ghost of a Chance: A Memoir
by Peter Duchin Charles Michener“The story of [Peter] Duchin’s life has an elegiac aura of glamour and tragedy that might have come directly from the imagination of F. Scott Fitzgerald.”—The Philadelphia Inquirer “This book brings back marvelous memories of a very special time.”—Frank Sinatra Called “a living compendium of a hundred years of social history” by The New York Times Book Review, Peter Duchin has lived through tremendous highs and dismal lows. Orphaned by his glamorous parents, the Newport debutante Marjorie Oelrichs and the famous bandleader Eddy Duchin, he was raised in the privileged, old-money world of Averell Harriman, the diplomat and former governor of New York. He grew up to be one of America’s preeminent bandleaders, effortlessly entertaining and charming partygoers at thousands of society galas, from the White House to Truman Capote’s Black and White Ball. In Ghost of a Chance, he looks back on a life that another man may not have survived. And as he relates the frank, often surprising recollections of the many friends and famous figures who made up the strange family of his youth, Duchin chronicles the changing face of social life in America. Praise for Ghost of a Chance “A tale told with wit and charm . . . It is a sprightly, engaging, and at times hilarious look back at a life spent in music, show business, and what used to be called society.”—The Boston Globe“A bittersweet gem of a book.”—The Philadelphia Inquirer“Peter Duchin’s glamorous story is about absent fathers, surrogate mothers, and dwelling on the edges of money and power in a tuxedoed world.”—Gay Talese“A great read.”—Frank Sinatra
Ghosts of Country Music: Tales of Haunted Honkytonks and Legendary Spectres
by Matthew Swayne<p>Strum a Spooky Banjo, Tip that Ten-Gallon Hat, and Meet Country Music’s Greatest Ghosts. <p>Jam out to this impressive compilation of haunted hot spots, creepy curses, and celebrity spirits of country and western music. Presenting the paranormal legacy behind one of America’s oldest and most popular genres, Ghosts of Country Music takes a captivating, in-depth look at legendary musicians and the places where they perform . . . even after death. <p>Experience true stories of larger-than-life stars—including Hank Williams, Patsy Cline, and Johnny Cash—haunting their favorite homes and stages. Step inside the Music City Center, the Apollo Civic Theatre, Bobby Mackey’s Music World, and other iconic venues where ghosts love to roam. Explore the numerous recording studios, record shops, and radio stations that attract paranormal activity. This fascinating book will thrill you with much more than just a catchy tune.</p>
Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris (Variorum Collected Studies #805)
by Mark EveristNineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.
Giacomo Puccini
by Conrad WilsonGiacomo Puccini (1858--1924), composer of such popular operas as La Bohème and Madame Butterfly, is most renowned for his gift as a melodist. With his final opera, Turandot, Puccini composed the last Italian work in the genre to hold a firm place in the international repertoire. The author draws attention to the felicity, daring and extraordinary colouring of his music, countering the view held during Puccini's lifetime that he was a retrogressive who aimed to shock. Puccini is shown to have been a new force in musical drama, and yet a man who remained insecure about his creative powers. Conrad Wilson's book is a polemical, passionate and rational attempt to set the man from Lucca among the immortal greats.
Giacomo Puccini and His World
by Emanuele Senici Arman SchwartzGiacomo Puccini (1858-1924) is the world's most frequently performed operatic composer, yet he is only beginning to receive serious scholarly attention. In Giacomo Puccini and His World, an international roster of music specialists, several writing on Puccini for the first time, offers a variety of new critical perspectives on the composer and his works. Containing discussions of all of Puccini's operas from Manon Lescaut (1893) to Turandot (1926), this volume aims to move beyond clichés of the composer as a Romantic epigone and to resituate him at the heart of early twentieth-century musical modernity. This collection's essays explore Puccini's engagement with spoken theater and operetta, and with new technologies like photography and cinema. Other essays consider the philosophical problems raised by "realist" opera, discuss the composer's place in a variety of cosmopolitan formations, and reevaluate Puccini's orientalism and his complex interactions with the Italian fascist state. A rich array of primary source material, including previously unpublished letters and documents, provides vital information on Puccini's interactions with singers, conductors, and stage directors, and on the early reception of the verismo movement. Excerpts from Fausto Torrefranca's notorious Giacomo Puccini and International Opera, perhaps the most vicious diatribe ever directed against the composer, appear here in English for the first time. The contributors are Micaela Baranello, Leon Botstein, Alessandra Campana, Delia Casadei, Ben Earle, Elaine Fitz Gibbon, Walter Frisch, Michele Girardi, Arthur Groos, Steven Huebner, Ellen Lockhart, Christopher Morris, Arman Schwartz, Emanuele Senici, and Alexandra Wilson.
Giacomo Puccini: A Guide to Research (Routledge Music Bibliographies #Vol. 48)
by Linda B. FairtileFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Giant Steps: Bebop and the Creators of Modern Jazz, 1945-65 (Scene Ser.)
by Kenny MathiesonA music journalist offers a lively history of modern jazz through its formative and most vital decades—from Charlie Parker to John Coltrane.In Giant Steps, Kenny Mathieson examines the most important figures in the creation of modern jazz, detailing the emergence and evolution of bebop through the likes of Dizzy Gillespie, Fats Navarro, Bud Powell, Thelonious Monk and Miles Davis. Using this as its starting point, Mathieson then delves into the developments of jazz composition, modal jazz and free jazz. The music of the great masters is examined in detail and will provide both a fine introduction for the large audience newly attracted to the music but unsure of their direction through it, as well as an entertaining and informative read for those with a more substantial background.
Giants of Jazz (Revised and Updated)
by Studs Terkel Milly Hawk DanielReissued with the original illustrations and discography, Giants of Jazz offers a unique glimpse into the lives of America's jazz greats. Told with masterful detail, the selected portraits weave together the stories of the individual jazz musicians' lives with the history of the jazz era, and jazz music's evolution from the speakeasies of New York to the concert halls of the world's greatest cities. Details include Joe Oliver's favorite meal, Fats Waller's 1932 rendezvous in Paris with eminent organist Marcel Dupre, Dizzy Gillespie's trip as a child to the pawnshop to buy his first horn, and the origin of Billie Holiday's nickname. Other artists featured include Count Basie, Bix Beiderbecke, Benny Goodman, Woody Herman, and Bessie Smith.
Gig Posters Volume 2: Rock Show Art of the 21st Century
by Clay HayesReaders gave the first Gig Posters anthology a standing ovation—so for your viewing pleasure, here’s one heck of an encore: 700 more incredible posters from the archives of GigPosters.com, the Internet’s premier destination for concert poster art. It’s a mad jam of illustration and photography, collage and typography, bringing the contemporary music scene to exciting visual life for a generation of fans who’ve grown up in the post-album-art era.Gig Posters Volume 2 showcases bold artistic riffing by a hundred of today’s most talented designers, including David V. D’Andrea, Peter Cardoso, Graham Pilling, Tyler Stout, Marq Spusta, and Nashville’s legendary Hatch Show Print. You’ll peek inside their portfolios and hear the backstage stories of how these incredible art-and-music creations came to be.You’ll also find 101 perforated and ready-to-frame posters promoting the most dynamic musical acts of the twenty-first century, from the Black Keys, Flight of the Conchords, Ice-T, and My Morning Jacket to Norah Jones, the Avett Brothers, Coheed & Cambria, and many, many more.It’s an awesome compendium of pop-art-history in the making—and it’s also just what the walls of your apartment or office have been waiting for.
Gigs: Jazz and the Cabaret Laws in New York City (Routledge Studies in Law, Society and Popular Culture #Vol. 2)
by Paul ChevignyGigs provides a fascinating account of a unique victory for musicians against repressive entertainment licensing laws. It provides a much-needed study of the social, political, cultural and legal conditions surrounding a change in law and public attitudes toward vernacular music in New York City. This second edition includes a new preface by Hamish Birchall and an introduction by the series editors, Guy Osborn and Steve Greenfield, as well as an afterword by the author, and it will be essential reading for all those interested in the history of social attitudes toward the popular arts and the use of constitutional litigation for social change.
Gil Evans: His Life and Music
by Stephanie Stein CreaseThe life (1912-1988) and career of Gil Evans paralleled and often foreshadowed the quickly changing world of jazz through the 20th century. Gil Evans: Out of the Cool is the comprehensive biography of a self-taught musician whom colleagues often regarded as a mentor. His innovative work as a composer, arranger, and bandleader--for Miles Davis, with whom he frequently collaborated over the course of four decades, and for his own ensembles--places him alongside Duke Ellington and Aaron Copland as one of the giants of American music. His unflagging creativity galvanized the most prominent jazz musicians in the world, both black and white. This biography traces Evans's early years: his first dance bands in California during the Depression; his life as a studio arranger in Hollywood; and his early work with Claude Thornhill, one of the most unusual bandleaders of the Big Band Era. After settling in New York City in 1946, Evans's basement apartment quickly became a meeting ground for musicians. The discussions that took place there among Miles Davis, Gerry Mulligan, John Lewis, and others resulted in the "Birth of the Cool" scores for the Miles Davis Nonet and, later on, for Evans's masterpieces with Davis: "Miles Ahead," "Porgy and Bess," and "Sketches of Spain." This replaces 1556524250.
Gilbert and Sullivan's 'Respectable Capers'
by Michael GoronThis innovative account of the Gilbert and Sullivan partnership provides a unique insight into the experience of both attending and performing in the original productions of the most influential and enduring pieces of English-language musical theatre. In the 1870s, Savoy impresario Richard D'Oyly Carte astutely realized that a conscious move to respectability in a West End which, until then, had favored the racy delights of burlesque and French operetta, would attract a new, lucrative morally 'decent' audience. This book examines the commercial, material and human factors underlying the Victorian productions of the Savoy operas. Unusually for a book on 'G&S', it focuses on people and things rather than author biography or literary criticism. Examining theatre architecture, interior design, marketing, and typical audiences, as well as the working conditions and personal lives of the members of a Victorian theatre-company, 'Respectable Capers' explains how the Gilbert and Sullivan operas helped to transform the West End into the family-friendly 'theatre land' which still exists today.
Gilbert and Sullivan: Gender, Genre, Parody (Gender and Culture Series)
by Carolyn WilliamsLong before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of W. S. Gilbert and Arthur Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despite being impertinent, absurd, or inane. Some viewers may take them straight, but what looks like sexism or stereotype was actually a clever strategy of critique. Parody was a powerful weapon in the culture wars of late-nineteenth-century England, and with defiantly in-your-face sophistication, Gilbert and Sullivan proved that popular culture can be intellectually as well as politically challenging.Carolyn Williams underscores Gilbert and Sullivan's creative and acute understanding of cultural formations. Her unique perspective shows how anxiety drives the troubled mind in the Lord Chancellor's "Nightmare Song" in Iolanthe and is vividly realized in the sexual and economic phrasing of the song's patter lyrics. The modern body appears automated and performative in the "Junction Song" in Thespis, anticipating Charlie Chaplin's factory worker in Modern Times. Williams also illuminates the use of magic in The Sorcerer, the parody of nautical melodrama in H.M.S. Pinafore, the ridicule of Victorian aesthetic and idyllic poetry in Patience, the autoethnography of The Mikado, the role of gender in Trial by Jury, and the theme of illegitimacy in The Pirates of Penzance. With her provocative reinterpretation of these artists and their work, Williams recasts our understanding of creativity in the late nineteenth century.
Gilbert of Gilbert and Sullivan: His Life and Character
by Andrew CrowtherThe author of The Pirates of Penzance, The Mikado, HMS Pinafore and the other great Savoy libretti, W S Gilbert, witty, caustic and disrespectful, was one of the celebrities of the late Victorian age. In his time he had been many things: journalist, theatre critic, cartoonist, comic poet, stage director, writer of short stories, dramatist. A political satire he wrote was banned by the Lord Chamberlain at the personal insistence of the Prince of Wales. He wrote the most brilliantly inventive plays of his time. With Arthur Sullivan he wrote comic operas that defined the age. He became richer and more famous than he could have imagined, but at the price of his artistic freedom. This is the story of an angry and quarrelsome man, discontented with himself and the age he lived in, raging at life’s absurdities and laughing at them. In this book his glorious, contradictory character is explored and brought vividly to life.
Gimme Indie Rock: 500 Essential American Underground Rock Albums 1981–1996
by Andrew EarlesThe ultimate guide to one of the most revered periods and movements in American rock history.The 1980s are one of the most ridiculed and parodied epochs in popular music€ ” what with all the skinny lapels, synthesizers, spandex, and Aqua Net. However, music fans in the know recognize that beneath the glossy veneer broiled a revolutionary movement of self-directed, anti-corporate, punk-influenced bands that created a nationwide network from the ground up, thanks to independently recorded releases, photocopied fanzines, and self-financed tours.In Gimme Indie Rock, music journalist Andrew Earles describes 500 essential indie-rock albums released by 308 bands and artists from coast to coast in markets large and small. From giants of the movement (Black Flag, the Minutemen, Mission of Burma, Fugazi, Superchunk, Melvins, Dead Kennedys, Minor Threat, Hüsker Dü, the Replacements, Sonic Youth, Mudhoney, Dinosaur Jr., Big Black, the Pixies), to more obscure bands which nonetheless made their own impacts (Jesus Lizard, Cows, Low, Mercury Rev, Polvo, Squirrel Bait, Karp, Bongwater, Naked Raygun, Sun City Girls, and many others) and scores of artists who still await their proper due (Fly Ashtray, Dumptruck, Truly, Man-Sized Action, Steel Pole Bathtub, godheadSilo, Sorry, Team Dresch, Further, Grifters, World of Pooh, Trumans Water, Malignus Youth, Eggs, and many more), Earles provides an exhaustive album guide to the era. Earles also features those bands that cut their teeth on the indie circuit but graduated to a greater degree of mainstream recognition in the late 1980s and early 1990s (acts like R.E.M., Soul Asylum, Urge Overkill, Hole, Smashing Pumpkins, and Nirvana), making Gimme Indie Rock is the definitive manual for the best of American indie music made between 1981 and 1996.
Gimme Something Better
by Silke Tudor Jack BoulwareAn oral history of the modern punk-revival?s West Coast BirthplaceOutside of New York and London, California?s Bay Area claims the oldest continuous punk-rock scene in the world. Gimme Something Better brings this outrageous and influential punk scene to life, from the notorious final performance of the Sex Pistols, to Jello Biafra?s bid for mayor, the rise of Maximum RocknRoll magazine, and the East Bay pop-punk sound that sold millions around the globe. Throngs of punks, including members of the Dead Kennedys, Avengers, Flipper, MDC, Green Day, Rancid, NOFX, and AFI, tell their own stories in this definitive account, from the innovative art-damage of San Francisco?s Fab Mab in North Beach, to the still vibrant all-ages DIY ethos of Berkeley?s Gilman Street. Compiled by longtime Bay Area journalists Jack Boulware and Silke Tudor, Gimme Something Better chronicles more than two decades of punk music, progressive politics, social consciousness, and divine decadence, told by the people who made it happen.
Gingerbread Christmas
by Jan BrettJan Brett&’s beloved character the Gingerbread Baby returns in a fun-filled Christmas caper! Gingerbread Baby and his friend, Matti, take his gingerbread band to the Christmas Festival where they are a hit! That is until the aroma of gingerbread reaches the children, making them hungry. That means it is time to run away. Clever Matti uses snow to disguise the gingerbread instruments while Gingerbread Baby leads the audience on a merry chase to the smartest hiding place ever--a giant Christmas tree.
Gioachino Rossini: A Research and Information Guide (Routledge Music Bibliographies)
by Denise P. GalloGiochino Rossini: A Research and Information Guide is designed as a tool for those beginning to study the life and works of Gioachino Rossini as well as for those who wish to explore beyond the established biographies and commentaries. The first edition was published in 2001, and represented a survey of some 878 publications relating to the composer’s life and works. The second edition is revised and updated to include the more than 150 books and articles written in the field of Rossini studies since then. Contents range from sources published in the early decades of the nineteenth century to works currently in progress. General subject areas include Rossini's biography, historical and analytical studies of his operatic and non-operatic compositions, his personal and professional associations, and the reassessment of his role in the development of nineteenth-century music.
Giovanni Gabrieli and His Contemporaries: Music, Sources and Collections (Variorum Collected Studies #965)
by Richard CharterisFor more than three decades Richard Charteris has researched European music, sources and collections, focusing particularly on late Renaissance England, Germany and Italy. This group of essays, many concerning previously unknown or unexplored works and materials, covers the 16th and early to mid 17th centuries. The studies involve variously 'new' compositions, music manuscripts and editions, and documents that relate to figures such as the Italians Giovanni Gabrieli, Claudio Monteverdi and Alfonso Ferrabosco the Elder, the Germans Hans Leo Hassler and Adam Gumpelzhaimer, as well as the Englishmen John Coprario, John Dowland, John Jenkins, Henry Lawes, William Lawes, Peter Philips, and the French composer Marin Marais. In addition, Charteris elucidates contemporary performance practice in relation to works by Gabrieli, investigates printed music editions that originated from the Church of St Anna, Augsburg, and evaluates materials in collections, inlcuding ones in Berlin, Hamburg, Kraków, London, Regensburg and Warsaw.
Giovanni Pierluigi da Palestrina: A Research Guide (Routledge Music Bibliographies)
by Clara MarvinFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Girl Defective
by Henry Beer Simmone HowellIn the tradition of High Fidelity and Empire Records, this is the literary soundtrack to Skylark Martin's strange, mysterious, and extraordinary summer.This is the story of a wild girl and a ghost girl; a boy who knew nothing and a boy who thought he knew everything. It's a story about Skylark Martin, who lives with her father and brother in a vintage record shop and is trying to find her place in the world. It's about ten-year-old Super Agent Gully and his case of a lifetime. And about beautiful, reckless, sharp-as-knives Nancy. It's about tragi-hot Luke, and just-plain-tragic Mia Casey. It's about the dark underbelly of a curious neighborhood. It's about summer, and weirdness, and mystery, and music. And it's about life and death and grief and romance. All the good stuff.