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African Americans in the Jazz Age: A Decade of Struggle and Promise
by Mark Robert SchneiderThe victorious end to the first World War offered hope to African Americans who had fought for freedom abroad and hoped to find it at home. In this new work, historian Mark R. Schneider analyzes the dynamic 1920s that saw the enormous migration of African Americans to Northern urban centers and the formation of important <p><p>African American religious, social and economic institutions. Yet, even with considerable efforts to promote civil rights and advancements in the arts, many African Americans in the rural south continued to live under conditions unchanged from a century before. African Americans in the Jazz Age recounts the history of this turbulent era, paying particular attention to the ways in which African Americans actively challenged Jim Crow and firmly expressed pride in their heritage. <p><p>Supplemented by primary sources, this work serves as an ideal introduction to this critical period in U.S. history and allows students to examine the issues first-hand and draw their own conclusions.
African: A Children's Picture Book (LyricPop)
by Peter ToshAn AALBC Recommended New Book! Included in Publishers Weekly's Children's Galleys to Grab at Winter Institute! A beautiful children's picture book featuring the lyrics of Peter Tosh's global classic celebrating children of African descent. So don't care where you come from As long as you're a black man, you're an African No mind your nationality You have got the identity of an African African is a children's book featuring lyrics by Peter Tosh and illustrations by Jamaican artist Rachel Moss. The song "African" by Peter Tosh was originally released in 1977 on his second solo record, Equal Rights. He wrote the song during a time of civil unrest in Jamaica as a reminder to all black people that they were part of the same community. The album is considered one of the most influential reggae works of all time. A key song from the classic 1970s era of reggae Peter Tosh was one of the founding members of the iconic reggae group the Wailers
African Diaspora: A Musical Perspective (Critical and Cultural Musicology)
by Ingrid MonsonThe African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music.
The African Diaspora: A Musical Perspective (Critical and Cultural Musicology)
by Ingrid MonsonThe African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, North America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Featured here are jazz, wassoulou music, and popular and traditional musics of the Caribbean and Africa, framed with attention to the reciprocal relationships of the local and the global.
African Music: A People's Art
by Francis BebeyEngaging and enlightening, this guide explores African music's forms, musicians, instruments, and place in the life of the people. A discography classified by country, theme, group, and instrument is also included.
African Music, Power, and Being in Colonial Zimbabwe
by Mhoze ChikoweroIn this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.
African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms
by John M. Chernoff"We have in this book a Rosetta stone for mediating, or translating, African musical behavior and aesthetics." --Andrew Tracey, African Music. "John Miller Chernoff, who spent 10 years studying African drumming, has a flair for descriptive writing, and his first-person narratives should be easily understood by any reader, while ringing unmistakably true for the reader who has also been to West Africa." --Roderick Knight, Washington Post Book World. "Ethnomusicologists must be proud that their discipline has produced a book that will, beyond doubt, rank as a classic of African studies." --Peter Fryer,Research in Literatures. "A marvelous book. ... Not many scholars will ever be able to achieve the kind of synthesis of 'doing' and 'writing about' their subject matter that Chernoff has achieved, but he has given us an excellent illustration of what is possible." --Chet Creider, Culture. "Chernoff develops a brilliant and penetrating musicological essay that is, at the same time, an intensely personal and even touching account of musical and cultural discovery that anyone with an interest in Africa can and should read. ... No other writing comes close to approaching Chernoff's ability to convey a feeling of how African music 'works'." --James Koetting, Africana Journal. "Four stars. One of the few books I know of that talks of the political, social, and spiritual meanings of music. I was moved. It was so nice I read it twice." --David Byrne of "Talking Heads". The companion cassette tape has 44 examples of the music discussed in the book. It consists of field recordings illustrating cross-rhythms, multiple meters, call and response forms, etc.
African Rhythms: The Autobiography of Randy Weston
by Randy WestonThe pianist, composer, and bandleader Randy Weston is one of the world's most influential jazz musicians and a remarkable storyteller whose career has spanned five continents and more than six decades. Packed with fascinating anecdotes, African Rhythms is Weston's life story, as told by him to the music journalist Willard Jenkins. It encompasses Weston's childhood in Brooklyn's Bedford-Stuyvesant neighborhood--where his parents and other members of their generation imbued him with pride in his African heritage--and his introduction to jazz and early years as a musician in the artistic ferment of mid-twentieth-century New York. His music has taken him around the world: he has performed in eighteen African countries, in Buddhist temples and Shinto shrines, in the Canterbury Cathedral, and at the grand opening of the Bibliotheca Alexandrina: The New Library of Alexandria. Africa is at the core of Weston's music and spirituality. He has traversed the continent on a continuous quest to learn about its musical traditions, produced its first major jazz festival, and lived for years in Morocco, where he opened a popular jazz club, the African Rhythms Club, in Tangier. Weston's narrative is replete with tales of the people he has met and befriended, and with whom he has worked. He describes his unique partnerships with Langston Hughes, the musician and arranger Melba Liston, and the jazz scholar Marshall Stearns, as well as his friendships and collaborations with Duke Ellington, Dizzy Gillespie, Coleman Hawkins, Thelonious Monk, Billy Strayhorn, Max Roach, Charlie Parker, Miles Davis, the novelist Paul Bowles, the Cuban percussionist Candido Camero, the Ghanaian jazz artist Kofi Ghanaba, the Gnawa musicians of Morocco, and many others. With African Rhythms, an international jazz virtuoso continues to create cultural history.
Afrofuturism and Black Sound Studies: Culture, Technology, and Things to Come (Palgrave Studies in Sound)
by Erik SteinskogThis book interrogates the meeting point between Afrofuturism and Black Sound Studies. Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspective. The sounds of Afrofuturism are deeply embedded in the speculative - demonstrated in mythmaking - in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future. This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies.
After All These Years: Our Story
by Mick Foster Tony AllenThis is the combined life story of Mick Foster and Tony Allen, revealing how these most unlikely of stars toured the world and entered the record books. A charming narrative told with heaps of Celtic charm, it is filled with nostalgic reminiscences about growing up in rural Ireland in the 1950s and 60s, and spans the breadth of their long career, including appearing on Top of the Pops alongside Bob Geldof and being feted by Terry Wogan, and the extraordinary moment when they found themselves at the very top of the charts, beating Take That to the number-one slot.
After Django: Making Jazz In Postwar France
by Tom PerchardHow did French musicians and critics interpret jazz--that quintessentially American music--in the mid-twentieth century? How far did players reshape what they learned from records and visitors into more local jazz forms, and how did the music figure in those angry debates that so often suffused French cultural and political life? After Django begins with the famous interwar triumphs of Josephine Baker and Django Reinhardt, but, for the first time, the focus here falls on the French jazz practices of the postwar era. The work of important but neglected French musicians such as André Hodeir and Barney Wilen is examined in depth, as are native responses to Americans such as Miles Davis and Thelonious Monk. The book provides an original intertwining of musical and historical narrative, supported by extensive archival work; in clear and compelling prose, Perchard describes the problematic efforts towards aesthetic assimilation and transformation made by those concerned with jazz in fact and in idea, listening to the music as it sounded in discourses around local identity, art, 1968 radicalism, social democracy, and post colonial politics.
After Mahler
by Stephen DownesThe music of Gustav Mahler repeatedly engages with Romantic notions of redemption. This is expressed in a range of gestures and procedures, shifting between affirmative fulfilment and pessimistic negation. In this groundbreaking study, Stephen Downes explores the relationship of this aspect of Mahler's music to the output of Benjamin Britten, Kurt Weill and Hans Werner Henze. Their initial admiration was notably dissonant with the prevailing Zeitgeist – Britten in 1930s England, Weill in 1920s Germany and Henze in 1950s Germany and Italy. Downes argues that Mahler's music struck a profound chord with them because of the powerful manner in which it raises and intensifies dystopian and utopian complexes and probes the question of fulfilment or redemption, an ambition manifest in ambiguous tonal, temporal and formal processes. Comparisons of the ways in which this topic is evoked facilitate new interpretative insights into the music of these four major composers.
After Sibelius: Studies in Finnish Music
by Tim HowellDuring the last twenty years, the rest of the world has come to focus on the music of Finland. The seemingly disproportionate creative energy from this small country defies prevalent trends in the production of classical music. Tim Howell provides an engaging investigation into Finnish music and combines elements of composer biography and detailed analysis within the broader context of cultural and national identity. The book consists of a collection of eight individual composer studies that investigate the historical position and compositional characteristics of a representative selection of leading figures, ranging from the beginning of the twentieth century to the present day. These potentially self-contained studies subscribe to a larger picture, which explains the Sibelian legacy, the effect of this considerable influence on subsequent generations and its lasting consequences: an internationally acclaimed school of contemporary music. Outlining a particular perspective on modernism, Howell provides a careful balance between biographical and analytical concerns to allow the work to be accessible to the non-specialist. Each composer study offers a sense of overview followed by progressively more detail. Close readings of selected orchestral works provide a focus, while the structure of each analysis accommodates the different levels of engagement expected by a wide readership. The composers under consideration are Aarre Merikanto, Erik Bergman, Joonas Kokkonen, Einojuhani Rautavaara, Aulis Sallinen, Paavo Heininen, Kaija Saariaho and Magnus Lindberg. The concluding discussion of issues of national distinctiveness and the whole phenomenon of why such a small nation is compositionally so active, is of wide-ranging significance. Drawing together various strands to emerge from these individual personalities, Howell explores the Finnish attitude to new music, in both its composition and reception, uncovering an enlightened view of the value of creativity from which
After the Dance
by David Ritz Jan GayeA searing memoir of love, drugs, sex, and old-school R&B, from the former wife of the legendary soul icon Marvin GayeStuck in a foster home with an abusive caregiver, Janis Hunter found solace in her dreams of an encounter with Marvin Gaye--the soulful prince of Motown, with the seductive liquid voice, whose chart-topping, socially conscious album What's Going On had recently made him a superstar.They met in February 1973. Despite a seventeen-year age difference and Marvin's marriage to the sister of Berry Gordy, Motown's founder, the enchanted teenager and the emotionally volatile singer began a scorching relationship. One moment Jan was a high school student, the next she was Marvin's soulmate. Their romance navigated the hippie high life of the seventies and took the couple from one adventure to another.But the distractions and burdens of fame, the chaos of dysfunctional families, and the irresistible temptation of drugs complicated the love they shared. Marvin and Jan hurt each other, and their relationship descended into a dark place, but the attraction was too magnetic and the love was too strong to let go. Largely silent since Marvin's tragic death in 1984, Jan has at last opened up, sharing the moving, passionate story of one of music history's most fabled relationships. Unsparing in its honesty and insight, After the Dance reveals what it's like to be in love with an artistic genius, a man whose words and music have touched the world and made him a legend.
After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 (Film and Culture Series)
by Michael SlowikMany believe Max Steiner's score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry's early sound era (1926–1934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's initial development, recasting the history of film sound and its relationship to the "Golden Age" of film music (1935–1950). <P><P>Slowik follows filmmakers' shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of the advent of synchronized dialogue. He concludes with a reassessment of King Kong and its groundbreaking approach to film music, challenging the film's place and importance in the timeline of sound achievement.
After the Silents
by Michael SlowikViewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's initial development
After Tupac and D Foster
by Jacqueline WoodsonD Foster showed up a few months before Tupac got shot that first time and left us the summer before he died. <P><P> The day D Foster enters Neeka and her best friend's lives, the world opens up for them. D comes from a world vastly different from their safe Queens neighborhood, and through her, the girls see another side of life that includes loss, foster families and an amount of freedom that makes the girls envious. Although all of them are crazy about Tupac Shakur's rap music, D is the one who truly understands the place where he's coming from, and through knowing D, Tupac's lyrics become more personal for all of them. The girls are thirteen when D's mom swoops in to reclaim D--and as magically as she appeared, she now disappears from their lives. Tupac is gone, too, after another shooting; this time fatal. As the narrator looks back, she sees lives suspended in time, and realizes that even all-too-brief connections can touch deeply. <P> A Discussion Guide to After Tupac and D Foster by Jacqueline Woodson .<P> Newbery Honor book
Aftermath of Forever: How I Loved and Lost and Found Myself. The Mix Tape Diaries (Punx Ser.)
by Natalye ChildressThe Aftermath of Forever: How I Loved and Lost and Found Myself is a memoir that chronicles the romantic coming-of-age of a woman in her 20s experiencing dating in the San Francisco Bay Area. After the disappointment of a failed marriage, Natalye Childress embarks on a soul-searching journey to discover what happens when the one you thought you would be with forever breaks your heart. Using music as a vehicle to express herself, she revisits ten men from her past and paints a portrait of their relationships through the mixtapes she has made them. Her quest for love takes the form of delving into the hedonistic world of noncommittal beaus, abusive boyfriends, and friends with benefits. She candidly dissects her love life on the page as she shares the inspiring and hopeful moments alongside the awkward and painful realizations that accompany dating in the present day, when everyone is looking for something different. These men, although they leave her life almost as quickly as they entered it, collectively help shape her future as she embarks on a quest not only to find love, but to find herself. Ultimately, she learns the age-old lesson that in order to truly be loved, she needs to first love herself.
Afternoons with the Blinds Drawn
by Brett Anderson'A compelling personal account of the dramas of a singular British band' Neil TennantThe trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet. Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. Anderson's creative partnership with guitarist Bernard Butler exposed a unique and brilliant hybrid of lyric and sound; together they were a luminescent team - burning brightly and creating some of the era's most revered songs and albums.In Afternoons with the Blinds drawn, Anderson unflinchingly explores his relationship with addiction, heartfelt in the regret that early musical bonds were severed, and clear-eyed on his youthful persona. 'As a young man . . . I oscillated between morbid self-reflection and vainglorious narcissism' he writes. His honesty, sharply self-aware and articulate, makes this a compelling autobiography, and a brilliant insight into one of the most significant bands of the last quarter century.
Afternoons with the Blinds Drawn
by Brett Anderson'A compelling personal account of the dramas of a singular British band' Neil TennantThe trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet. Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. Anderson's creative partnership with guitarist Bernard Butler exposed a unique and brilliant hybrid of lyric and sound; together they were a luminescent team - burning brightly and creating some of the era's most revered songs and albums.In Afternoons with the Blinds drawn, Anderson unflinchingly explores his relationship with addiction, heartfelt in the regret that early musical bonds were severed, and clear-eyed on his youthful persona. 'As a young man . . . I oscillated between morbid self-reflection and vainglorious narcissism' he writes. His honesty, sharply self-aware and articulate, makes this a compelling autobiography, and a brilliant insight into one of the most significant bands of the last quarter century.
Afternoons with the Blinds Drawn
by Brett Anderson'A compelling personal account of the dramas of a singular British band' Neil TennantThe trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet. Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. Anderson's creative partnership with guitarist Bernard Butler exposed a unique and brilliant hybrid of lyric and sound; together they were a luminescent team - burning brightly and creating some of the era's most revered songs and albums.In Afternoons with the Blinds drawn, Anderson unflinchingly explores his relationship with addiction, heartfelt in the regret that early musical bonds were severed, and clear-eyed on his youthful persona. 'As a young man . . . I oscillated between morbid self-reflection and vainglorious narcissism' he writes. His honesty, sharply self-aware and articulate, makes this a compelling autobiography, and a brilliant insight into one of the most significant bands of the last quarter century.
Again Josefina (American Girls Short Stories #8)
by Valerie TrippAny child who has taken piano lessons will get a kick out of this book. Josefina finds unique ways to "practice," and even baby Antonio gets into the act of encouraging her to practice more. Humor, warmth, and lots of repetition lead Josefina to become a player of songs. Other books about Josefina are also available from Bookshare. In order for this file to make an excellent embossed braille copy, attention must be paid to the words written in Spanish.
Against the Written Word: Toward A Universal Illiteracy
by Ian F. SvenoniusIf the Gutenberg Bible is the alpha, Against the Written Word is the OMEGA. Against the Written Word is the most important, most revolutionary book produced since the advent of the printing press; the book that will liberate readers from reading, writers from writing, and booksellers from peddling their despicable wares. This book ushers in a new era of freedom from reading and all its attendant bedfellows such as Enlightenment thinking and the mass alienation wrought by the phonetic alphabet. Against the Written Word will be a tremendous best seller and simultaneously the last book that anyone will read. With nineteen essays ripping, shredding, tearing apart all the bugaboos that haunt humanity nowadays, Against the Written Word is a must-read for any aspiring radical or would-be gnostic who has a penchant for words, thought, clothes, intoxicants, music, art, expression, etc. The work is presented in a range of writing: essays, screenplays, lectures, sci-fi stories, and manifestos, with topics that include “the rise of incorporated man,” “tourism as the neoliberal mode of military occupation,” a workshop on songwriting for the purpose of suggestion and mind control, and many more. This handsome, illustrated book will correct the paucity of thought that characterizes the modern bookstore, and will practically sell itself. It will call out from the shelf to ingratiate itself to the unsuspecting everyday book browser, who will be hooked and then hungrily consume it. Infected with a wild-eyed evangelism, they will then proliferate it amongst their friends and acquaintances. These new readers will disseminate it, and so on; soon this slim, innocuous volume will define an epoch and steer thought from here on out. The bookseller will be surprised and pleased to find that it will be the only book they need to stock. Against the Written Word will be dominant in a manner the market has not seen since the Bible tore up best-seller lists in the Middle Ages or Mao’s Little Red Book wowed the critics in Red China.
The Age of Anxiety: A Novel - The Times Bestseller
by Pete TownshendThe Age of Anxiety is a great rock novel, but that is one of the less important things about it. The narrator is a brilliant creation - cultured, witty and unreliable. The novel captures the craziness of the music business and displays Pete Townshend's sly sense of humour and sharp ear for dialogue. First conceived as an opera, The Age of Anxiety deals with mythic and operatic themes including a maze, divine madness and long-lost children. Hallucinations and soundscapes haunt this novel, which on one level is an extended meditation on manic genius and the dark art of creativity.
The Age of Anxiety: A Novel - The Times Bestseller
by Pete TownshendThe debut novel by Pete Townshend, one of the world's greatest rock stars.The Age of Anxiety is a great rock novel, but that is one of the less important things about it. The narrator is a brilliant creation - cultured, witty and unreliable. The novel captures the craziness of the music business and displays Pete Townshend's sly sense of humour and sharp ear for dialogue. First conceived as an opera, The Age of Anxiety deals with mythic and operatic themes including a maze, divine madness and long-lost children. Hallucinations and soundscapes haunt this novel, which on one level is an extended meditation on manic genius and the dark art of creativity.(P)2019 Hodder & Stoughton Limited