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All These Things That I've Done: My Insane, Improbable Rock Life
by Mitchell Cohen Matt Pinfield"The most trusted opinion in rock music" (Billy Corgan, The Smashing Pumpkins), Matt Pinfield offers the ultimate music fan's memoir, a chronicle of the songs and artists that inspired his improbable career alongside some of the all-time greats, from The Beatles to KISS to U2 to The Killers.Matt Pinfield is the ultimate music fan. He's the guy who knows every song, artist, and musical riff ever recorded, down to the most obscure band's B-side single on its vinyl-only EP import. As a child, music helped Pinfield make sense of the world. Later, as a teenager, Pinfield would approach his music idols after concerts and explain why he loved their music. As an adult, rock music inspired his career, fueled relationships, and, at times, became a life raft. In this expansive, no-holds-barred memoir Pinfield traces his lifelong music obsession--from the heavy metal that infused his teenage years, to his first encounters with legends like Lou Reed and The Ramones and how, through his post-MTV years, he played a major role in bringing nineties alt rock mainstream. Over his long career Pinfield has interviewed everyone from Paul McCartney to Nirvana to Jay-Z, earning the trust and admiration of artists and fans alike. Now, for the first time, Pinfield shares his five decades of stories from the front lines of rock and roll, exploring how, with nothing more than passion and moxy, he became a sought-after reporter, unlikely celebrity, and the last word in popular music. Featuring a rousing collection of best-of lists, favorite tracks, and artist profiles, All These Things That I've Done explains how a born outsider wound up in the inner circle.
All Things Must Pass Away: Harrison, Clapton, and Other Assorted Love Songs
by Jason Kruppa, Kenneth Womack Jason Kruppa Kenneth WomackGeorge Harrison and Eric Clapton embarked upon a singular personal and creative friendship that impacted rock's unfolding future in resounding and far-reaching ways. All Things Must Pass Away: George Harrison, Eric Clapton, and Other Assorted Love Songs will trace the emergence of their relationship from 1968 though the early 1970s. In particular, authors Womack and Kruppa devote close attention to the climax of Harrison and Clapton's shared musicianship—the November 1970 releases of All Things Must Pass, Harrison's powerful emancipatory statement in the wake of the Beatles, and Layla and Other Assorted Love Songs, Clapton's impassioned reimagining of his art via Derek and the Dominos, the band that he created from the wreckage of Cream and Blind Faith. All Things Must Pass Away will provide readers with a powerful overview of Harrison and Clapton's relationship, especially in terms of the ways their revolutionary musicianship and songwriting would eclipse rock music as an evolving genre. With All Things Must Pass and Layla, Harrison and Clapton bequeathed twin recorded statements that advanced rock 'n' roll from a windswept 1960s idealism into the edgy new reality of the 1970s.
All Things Must Pass Away: Harrison, Clapton, and Other Assorted Love Songs
by Kenneth Womack and Jason Kruppa"Womack and Kruppa present a thorough history of Harrison and Clapton's songmaking and recording sessions." — BooklistNewly revised and expanded, this paperback edition features exclusive material from the Malcolm Frederick Evans archives and draws on rare material released by the Harrison Estate. A new appendix includes a detailed sessionography and personnel listings for All Things Must Pass, assembled from recently discovered documentation. George Harrison and Eric Clapton embarked upon a singular personal and creative friendship that impacted rock's unfolding future in resounding and far-reaching ways. All Things Must Pass Away: Harrison, Clapton, and Other Assorted Love Songs traces the emergence of their relationship from 1968 though the early 1970s and the making of their career-defining albums, both released in November 1970. Authors Womack and Kruppa devote close attention to the climax of Harrison and Clapton's shared musicianship— the creation of All Things Must Pass, Harrison's powerful emancipatory statement in the wake of the Beatles, and Layla and Other Assorted Love Songs, Clapton's impassioned reimagining of his art via Derek and the Dominos— two records that advanced rock 'n' roll from a windswept 1960s idealism into the wild and expansive new reality of the 1970s. All Things Must Pass Away reveals the foundations of Harrison and Clapton's friendship, focusing on the ways their encouragement and support of each other drove them to produce works that would cast long shadows over the evolving world of rock music.
All Together Now (Eagle Rock Series #2)
by Hope LarsonAll Together Now is New York Times bestselling author and illustrator Hope Larson's pitch-perfect graphic novel follow-up for fans of All Summer Long, music lovers, and anyone navigating the ups and downs of friendship.Middle-schooler Bina is having the best time playing in her new band with her friends, Darcy and Enzo. But both the band and her friendships begin to crumble when Darcy and Enzo start dating, effectively relegating Bina to third-wheel status. To make matters worse, Bina's best friend, Austin, starts developing a crush on her . . . one she is not sure she reciprocates. Now Bina must follow her heart. Can she navigate its twists and turns before the lights come up and the music starts playing?
All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono
by John Lennon Yoko Ono David SheffTwenty years ago David Sheff climbed the back steps of the Dakota into the personal thoughts and dreams of John Lennon and Yoko Ono. From the kitchen to the studio and up those fateful Dakota steps, Sheff recorded 20 hours of tape, discussing everything from childhood to the Beatles.Sheff gives a rare and last glimpse of John and Yoko, one that seemed to look beyond the kitchen table to the future of the world with startling premonitions of what was to come.
All Yesterdays' Parties: The Velvet Underground in Print, 1966-1971
by Clinton HeylinThe Velvet Underground, among the most influential bands of all time, are credited with creating a streetwise, pre-punk sensibility that has become inseparable from the popular image of downtown New York. "Discovered" by Andy Warhol in 1966, the VU - with their original line-up of Lou Reed, John Cale, Sterling Morrison, and Mo Tucker - would soon become the house band of the avantgarde, composing songs simultaneously furious in their abrasiveness and beautiful in their pathos, standing in striking contrast to the prevailing flower power of the era. All Yesterdays' Parties gathers for the first time almost all of the published writings contemporary with the band's existence-from sources as mainstream as the New York Times to vanished voices of the counterculture like Oz, Fusion, and Crawdaddy! The book is a revealing snapshot of an era by trailblazing rock writers such as Lester Bangs, Robert Greenfield, and Paul Williams. With photographs, posters, and other visual evocations of the period throughout, All Yesterdays' Parties is an invaluable resource, a trove of lore for anyone interested in the VU, their roots, and legacy.
All You Need Is Love: Unpublished, Unvarnished, and Told by The Beatles and Their Inner Circle
by Peter Brown Steven GainesTHE NEW YORK TIMES BESTSELLERAn oral history of The Beatles from never-before-seen interviews.All You Need Is Love is a groundbreaking oral history of the one of the most enduring musical acts of all time. The material is comprised of intimate interviews with Paul McCartney, Yoko Ono, George Harrison, Ringo Starr, their families, friends and business associates that were conducted by Beatles intimate Peter Brown and author Steven Gaines in 1980-1981 during the preparation of their international bestseller, The Love You Make, which spent four months on the New York Times bestseller list in 1983 and remains the biggest selling biography worldwide about the Beatles Only a small portion of the contents of these transcribed interviews have ever been revealed. The interviews are unique and candid. The information, stories, and experiences, and the authority of the people who relate to them, have historic value. No collection like this can ever be assembled again. In addition to interviews with Paul, Yoko, Ringo and George, Brown and Gaines also include interviews from ex-wives Cynthia Lennon, Pattie Harrison Clapton, and Maureen Starkey, as well as the major social and business figures of the Beatles’ inner circle. Among other sought-after information the interviews contribute definitively as to why the Beatles broke up.
All You Need Is Love: The End of the Beatles - An Oral History by Those Who Were There
by Steven Gaines Peter Brown'I can think of no one better placed to tell the story behind The Beatles than Peter Brown.' -Pattie Boyd Harrison'A revealing oral history of the forces that spurred the band's breakup... drawing from a trove of never before published conversations. Beatles fans will be impatient to get their hands on this.' -Publishers Weekly'**** A gossipy, insider oral history' -MOJO magazineAll You Need is Love is a ground-breaking oral history of the Beatles and how it all came to an end. Based on never-before-published or heard interviews with Paul McCartney, Yoko Ono, George Harrison, Ringo Starr, and their families, friends, and business associates, this is a landmark book, containing stunning new revelations, about the biggest band the world has ever seen.In 1980-1981 former COO of Apple Corp, Peter Brown and author Steven Gaines interviewed everyone in the Beatles' inner circle and included a small portion of the transcripts in their international bestselling book The Love You Make, which spent four months on the New York Times bestseller list. But left in their archives was a treasure trove of unique and candid interviews that they chose not to publish, until now. A powerful work assembled through honest, intimate, sometimes contradictory and always fascinating testimony, All You Need is Love is a one-of-a-kind insight into the final days, weeks, months and years of the Beatles phenomenon.
All You Need Is Love: The End of the Beatles - An Oral History by Those Who Were There
by Steven Gaines Peter Brown'I can think of no one better placed to tell the story behind The Beatles than Peter Brown.' -Pattie Boyd Harrison'A revealing oral history of the forces that spurred the band's breakup... drawing from a trove of never before published conversations. Beatles fans will be impatient to get their hands on this.' -Publishers Weekly'**** A gossipy, insider oral history' -MOJO magazineAll You Need is Love is a ground-breaking oral history of the Beatles and how it all came to an end. Based on never-before-published or heard interviews with Paul McCartney, Yoko Ono, George Harrison, Ringo Starr, and their families, friends, and business associates, this is a landmark book, containing stunning new revelations, about the biggest band the world has ever seen.In 1980-1981 former COO of Apple Corp, Peter Brown and author Steven Gaines interviewed everyone in the Beatles' inner circle and included a small portion of the transcripts in their international bestselling book The Love You Make, which spent four months on the New York Times bestseller list. But left in their archives was a treasure trove of unique and candid interviews that they chose not to publish, until now. A powerful work assembled through honest, intimate, sometimes contradictory and always fascinating testimony, All You Need is Love is a one-of-a-kind insight into the final days, weeks, months and years of the Beatles phenomenon.
All You Need to Know About the Music Business: Ninth Edition
by Donald S. PassmanThe definitive, essential guide to the music industry, now in its eighth edition--revised and updated with crucial information on the industry's major changes in response to rapid technological advances and economic uncertainty.The past two decades have seen file-sharing technology and digital streaming services transform the music business from top to bottom, and the changes keep coming at breakneck speed. How are record labels adapting to the demand for instantly accessible, low-cost music while coping with piracy? And what does it all mean for aspiring and established artists today? Donald Passman, one of the most trusted music lawyers in the country, offers his sage advice for creating, selling, sharing, and protecting your music in the Information Age in this updated eighth edition of All You Need to Know About the Music Business. Called "the industry bible" by the Los Angeles Times, Passman's comprehensive guide--which has sold hundreds of thousands of copies over the past twenty years--draws on his unparalleled experience and up-to-the-minute knowledge of industry trends. Executives and artists, experts and novices alike, will benefit from Passman's detailed yet easy-to-understand explanations of the latest technology, legalities, and practices shaping the music business, such as: * Royalties for music transmitted via digital down- loads, streaming services, cloud lockers, and apps * Updated licensing regulations and industry agreements * The most recent recording and music publishing deals * The new challenges for performing rights societies He also gives guidance on the basics, such as how to: * Select and hire a winning team of advisors--personal and business managers, agents, and attorneys--and structure their commissions, percentages, and fees in a way that will protect you and maximize these relationships * Master the major and finer points of contract negotiations * Navigate the ins and outs of songwriting and music publishing * Maximize concert, touring, and merchandising agreements Anyone interested in making and marketing music--musicians, songwriters, agents, promoters, publishers, managers, and record company executives--needs this crucial text to keep up with the frenetic pace of technological and legal change. No one understands the music business better than Passman. Let him show you how to "make it" in one of the world's most dynamic and challenging industries.
All You Need to Know About the Music Business: 10th Edition
by Donald S. PassmanAll You Need to Know About the Music Business by veteran music lawyer Don Passman—dubbed &“the industry bible&” by the Los Angeles Times—is now updated to address the biggest transformation of the music industry yet: streaming.For more than twenty-five years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its tenth edition, Donald Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls. For the first time in history, music is no longer monetized by selling something—it&’s monetized by how many times listeners stream a song. And that completely changes the ecosystem of the business, as Passman explains in detail. Since the advent of file-sharing technology in the late 1990s to the creation of the iPod, the music industry has been teetering on the brink of a major transformation—and with the newest switch to streaming music, this change has finally come to pass. Passman&’s comprehensive guide offers timely, authoritative information from how to select and hire a winning team of advisors and structure their commissions and fees; navigate the ins and outs of record deals, songwriting, publishing, and copyrights; maximize concert, touring, and merchandising deals; and how the game is played in a streaming world. &“If you want to be in music, you have to read this book,&” says Adam Levine, lead singer and guitarist of Maroon 5. With its proven track record, this updated edition of All You Need to Know About the Music Business is more essential than ever for musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—anyone trying to navigate the rapid transformation of the industry.
All You Need to Know About the Music Business: Eleventh Edition
by Donald S. PassmanDubbed &“the industry bible&” by the Los Angeles Times, All You Need to Know About the Music Business by veteran music lawyer Donald Passman is the go-to guide for everyone in the music business through ten editions, over thirty years, and over a half a million copies sold. Now with updates explaining why musicians have more power today than ever in history; discussion of the mega-million-dollar sales of artists&’ songs and record catalogs; how artist access to streaming media, and particularly TikTok, has completely reshaped the music business; the latest on music created by AI; and a full update of the latest numbers and trends.For more than thirty years, All You Need to Know About the Music Business has been universally regarded as the definitive guide to the music industry. Now in its eleventh edition, Passman leads novices and experts alike through what has been the most profound change in the music business since the days of wax cylinders and piano rolls: streaming. For the first time in history, music is no longer monetized by selling something—it&’s monetized by how many times a listener streams a song. And also, for the first time, artists can get their music to listeners without a record company gatekeeper, creating a new democracy for music. The &“industry bible&” (Los Angeles Times), now updated, is essential for anyone in the music business—musicians, songwriters, lawyers, agents, promoters, publishers, executives, and managers—and the definitive guide for anyone who wants to be in the business. So, whether you are—or aspire to be—in the music industry, veteran music lawyer Passman&’s comprehensive guide is an indispensable tool. He offers timely information about the latest trends, including the reasons why artists have more clout than ever in history, the massive influence of TikTok, the mega million dollar sales of artists&’ songs and record catalogs, music in Web3 and the Metaverse, music created by AI, and a full update of the latest numbers and practices.
All You Need to Know About the Music Business (7th edition)
by Donald S. PassmanThis revised and updated edition provides crucial information on the industry's adaptations to today's technological advances and uncertain economy.
Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock & Roll
by Fred GoodmanThe story of the notorious rock and roll manager, revealing new, behind-the-scenes details about some of the biggest bands in music history. Allen Klein was like no one the music industry had seen before. Though he became infamous for allegedly causing the Beatles&’ breakup and robbing the Rolling Stones, the truth is both more complex and more fascinating. As the manager of both groups—not to mention Sam Cooke, Pete Townshend, Donovan, The Kinks, and numerous others—he taught young soon-to-be legends how to be businessmen as well as rock stars. While Klein made millions for his clients, he was as merciless with them as he was with anyone, earning himself an outsize reputation for villainy that has gone unchallenged until now. Through unique, unprecedented access to Klein&’s archives, veteran music journalist Fred Goodman tells the full story of how the Beatles broke up, the Stones achieved the greatest commercial success in rock history, and the music business became what it is today. &“Fred Goodman makes this world come alive, and any fan of rock or insider tales of the music industry will be in heaven reading about this fascinating, troubling character.&” —Judd Apatow &“Writing about contracts, percentages and deals can be tedious, but Goodman makes it as exciting as reading about an artist&’s sex life. The book explodes with inside dope.&” —Daily News (New York) &“Succeed[s] both as a compelling work of rock-&’n&’-roll history and as a cautionary business primer.&” —The Wall Street Journal
Alltagsklänge - Einsätze einer Kulturanthropologie des Hörens (Kulturelle Figurationen: Artefakte, Praktiken, Fiktionen)
by Jochen BonzVon der Frage geleitet, wie die Gegenwartskulturforschung aus der Berücksichtigung klanglicher Phänomene Erkenntnisgewinne ziehen kann, verknüpft die Studie Überlegungen aus Popkultur- und Soundscape-Forschung, Empirischer Kulturwissenschaft, Musikethnologie, Kulturtheorie und Medienwissenschaft zu einem kulturanthropologischen Forschungsansatz. Sie nähert sich ihren Phänomenen interpretativ und erprobt ein begriffliches Instrumentarium, das die subjektivierenden Effekte klanglicher Medialität benennbar macht. Auf diese Weise entwirft die Studie eine Vorstellung vom Forschungsstand kulturwissenschaftlich orientierter Sound Studies und ihren Möglichkeiten.
Allusion as Narrative Premise in Brahms’s Instrumental Music (Musical Meaning and Interpretation)
by Jacquelyn E. SholesWho inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.
Allusion as Narrative Premise in Brahms's Instrumental Music (Musical Meaning And Interpretation Ser.)
by Jacquelyn E. SholesA musicologist offers a fresh look at how Brahms used the inspiration of earlier composers in his own instrumental works.As Jacquelyn E. C. Sholes reveals in this study, an essential aspect of Johannes Brahms’s art was the canny use of musical references to the works of others. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, Sholes demonstrates how a historical reference in one movement can resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized.Brahms masterfully wove such references into broad, movement-spanning narratives. Sholes argues that these narratives served as expressive outlets for his complicated attitudes toward the material to which he alludes. Ultimately, Brahms’s music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to establish his own artistic voice and place in musical history.
Alma Mahler and Her Contemporaries: A Research and Information Guide (Routledge Music Bibliographies)
by Susan M. FillerThis selective annotated bibliography places Alma Mahler with three other female composers of her time, covering the first generation of active female composers in the twentieth century. It uncovers the wealth of resources available on the lives and music of Mahler, Florence Price, Yuliya Lazarevna Veysberg, and Maria Teresa Prieto and supports emerging scholarship and inquiry on four women who experienced both entrenched sexual discrimination and political upheaval, which affected their lives and influenced composers of subsequent generations.
The Almain in Britain, c.1549-c.1675: A Dance Manual from Manuscript Sources
by Ian PayneThis complete scholarly edition of the collection of manuscript choreographies from c.1565-c.1675 associated with the Inns of Court is the first full-length study of these sources to be published. It offers practical reconstructions of the dances and provides a selection of musical settings simply but idiomatically arranged for four-part instrumental ensemble or keyboard. � Part One centres on the manuscript sources which transmit the Almain, and on the trends and influences that shaped its evolution in Britain from c. 1549 to c. 1675, taking account of both music and choreography.� In viewing the Almain within its broader historical context, Ian Payne throws new light on the dance, arguing that, together with the �measures� which accompany it in the choreographies, it owes an even greater debt to the English country dance than has hitherto been acknowledged, a popular style that received its fullest expression in Playford's English Dancing Master of 1651. � The second part of the book focuses on the dances themselves. The steps are described in detail and reconstructions provided for the nine Almains and some of the other measures included in the manuscripts. Part Three comprises a complete critical edition of the manuscripts. � These easily performable versions of the dances will be an invaluable aid to those wishing to learn the dances, reconstruct them for stagings of Shakespeare's plays or Jacobean masques, and for dance historians.
The Almond Blossom Appreciation Society
by Chris StewartThe good life abroad just keeps getting better as Christ Stewart, one-time Genesis drummer, turned sheepshearer, trned bestselling writer, returns with a new book on his life in the decidedly oddball region of Las Alpujarras, south of Granada.THE ALOMOND BLOSSOM APPRECIATION SOCIETY finds Chris and his family still living on their farm, El Varo - but life there never stands still. You will find yourself laughing out loud as Chris is instructed by his daughter on the way to treat dung beetles; bluffs his way as an art history guide to millionaire Bostonians; collects seeds in North Africa; and joins an Almond Blossom Appreciation Society. And you'll cringe as he tries his hand at office work in an immigrants' advice centre in Granada...In this sequel to DRIVING OVER LEMONS and A PARROT IN A PEPPER TREE, Chris Stewart's optimism and zest for life is as infectious as ever.Read by Chris Stewart(p) 2006 Orion Publishing Group
Almost a Full Moon
by Hawksley WorkmanAlmost a Full Moon is a warm-hearted story of family, community, food and home. A boy and his grandmother host a gathering in their small cabin in the middle of winter. Friends travel from near and far, and some new friends even turn up. The walls of the cabin are elastic and the soup pot bottomless; all are welcome. Based on the lyrics of Hawksley Workman's song from his holiday album Almost a Full Moon, this book evokes both the cold and the coziness of a winter's night: crisp clean air, sparkling snow, the light of the moon, welcoming windows, glowing candles, family and friends. The spare text is beautifully complemented with the rich illustrations of Jensine Eckwall, a new talent to Tundra. She brings beauty and a hint of magic to Workman's evocative lyrics; together, they create a world and a night that will enchant readers of all ages.
Almost Like A Song
by Ronnie Milsap Tom CarterRonnie Milsap, a legend in country music, shares the story of his life including the obstacles and opportunities created by his blindness. He describes his childhood in the rural south and gives an insider's view of life at a school for the blind. He chronicles his entry into country music and shares stories about his travels.
Aloud: Voices From The Nuyorican Poets Cafe
by Miguel Algarin Bob HolmanCompiled by poets who have been at the center of the Nuyorican Poets Cafe in New York City, Aloud! showcases the work of the most innovative and accomplished word artists from around America.
Altamont: The Rolling Stones, the Hells Angels, and the Inside Story of Rock's Darkest Day
by Joel SelvinIn this breathtaking cultural history filled with exclusive, never-before-revealed details, celebrated rock journalist Joel Selvin tells the definitive story of the Rolling Stones’ infamous Altamont concert, the disastrous historic event that marked the end of the idealistic 1960s.In the annals of rock history, the Altamont Speedway Free Festival on December 6, 1969, has long been seen as the distorted twin of Woodstock—the day that shattered the Sixties’ promise of peace and love when a concertgoer was killed by a member of the Hells Angels, the notorious biker club acting as security. While most people know of the events from the film Gimme Shelter, the whole story has remained buried in varied accounts, rumor, and myth—until now.Altamont explores rock’s darkest day, a fiasco that began well before the climactic death of Meredith Hunter and continued beyond that infamous December night. Joel Selvin probes every aspect of the show—from the Stones’ hastily planned tour preceding the concert to the bad acid that swept through the audience to other deaths that also occurred that evening—to capture the full scope of the tragedy and its aftermath. He also provides an in-depth look at the Grateful Dead’s role in the events leading to Altamont, examining the band’s behind-the-scenes presence in both arranging the show and hiring the Hells Angels as security.The product of twenty years of exhaustive research and dozens of interviews with many key players, including medical staff, Hells Angels members, the stage crew, and the musicians who were there, and featuring sixteen pages of color photos, Altamont is the ultimate account of the final event in rock’s formative and most turbulent decade.
Alternative Chinese Opera in the Age of Globalization
by Daphne P. LeiBringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese 'opera' in locations around the Pacific Rim, including Hong Kong, Taiwan and California.