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American Orchestras in the Nineteenth Century
by John SpitzerStudies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes.This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
American Popular Music
by David Lee JoynerThis text provides an overview of the four major areas of American contemporary music: jazz, rock, country, and musical theater. Each genre is approached chronologically with the emphasis on the socio-cultural aspects of the music. Readers will appreciate Joyner's engaging writing style and come away with the fundamental skills needed to listen critically to a variety of popular music styles.
American Popular Music: New Approaches to the Twentieth Century
by Rachel Rubin Jeffrey MelnickDesigned as a broad introductory survey, and written by experts in the field, this book examines the rise of American music over the 20th century - the period in which that music came into its own and achieved unprecedented popularity. Beginning with a look at music as a business, 11 essays explore a variety of popular musical genres, including Tin Pan Alley, blues, jazz, country, gospel, rhythm and blues, rock and roll, folk, rap, and Mexican American corridos. Reading these essays, we come to see that the forms created by one group often appeal to, and are in turn influenced by, other groups - across lines of race, ethnicity, class, gender, region and age. The chapters speak to one another, arguing for the primacy of such concepts as minstrelry, urbanization, hybridity and crossover as the most powerful tools for understanding American popular music. Moving beyond outdated music-industry categories and misleading genre labels, while acknowledging the complexities of the market, the book recovers and reinforces the essential blackness of much popular music - even a presumably white form like country and western.
American Popular Music: From Minstrelsy to MP3
by Larry Starr Christopher WatermanExplore the rich terrain of American popular music with the most complete, colorful, and authoritative introduction of its kind. In the fifth edition of their best-selling text, American Popular Music: From Minstrelsy to MP3, Larry Starr and Christopher Waterman provide a unique combination of cultural and social history with the analytical study of musical styles.
American Popular Music: From Minstrelsy To Mp3
by Larry Starr Christopher WatermanIn American Popular Music: From Minstrelsy to MP3, Second Edition, Larry Starr and Christopher Waterman examine popular music in the United States from its beginnings into the 21st century, offering a comprehensive look at the music, the cultural history of the times, and the connections between them. Using well-chosen examples, insightful commentaries, and an engaging writing style, this text traces the development of jazz, blues, country, rock, Motown, hip-hop, and other popular styles,highlighting the contributions of diverse groups to the creation of distinctly American styles. It combines an in-depth treatment of the music itself--including discussions of stylistic elements and analyses of musical examples--with solid coverage of the music's attendant historical, social, and cultural circumstances. The authors incorporate strong pedagogy including numerous boxed inserts on significant individuals, recordings, and intriguing topics; coverage of early American popular music; and a rich illustration program. Detailed listening charts explain the most important elements of recordings discussed at length in the text. The charts are complemented by two in-text audio CDs and--new to this edition--an iMix published at iTunes, which makes most of the songs immediately available to students and instructors. Features of the Second Edition * Integrates full color throughout * Provides more coverage of women artists, with new material on women in rock 'n' roll inChapter 8 and a box on Queen Latifah in Chapter 14 * Reorganizes the discussion of post-1970s music: disco is now included with mainstream 70s pop, while hip-hop is treated in two chapters (12 and 14) in order to emphasize its significance and diversity * Adds new material on the recent alternative country music explosion * Includes new developments in music technology in the thoroughly revised concluding chapter * Offers revised and more vivid visual elements, including more than 100 new photos (most in full color) and an illustrated timeline * Provides redesigned listening guides, enhanced by an iMix published at iTunes (accessible at www. oup. com/us/popmusic) * Supplemented by a Companion Website at www. oup. com/us/popmusic (containing both student and instructor resources) and an Instructor's Manual and a Computerized Test Bank on CD * FREE with the purchase of this book: a 6-month subscription to Grove Music Online (www. grovemusic. com)--a $180 value Remarkably accessible,American Popular Music, Second Edition, is ideal for courses in American Popular Music, the History of Popular Music, Popular Music in American Culture, and the History of Rock 'n' Roll. Its welcoming style and warm tone will captivate readers, encouraging them to become more critically aware listeners of popular music.
American Popular Music: From Minstrelsy to MP3
by Larry Starr Christopher Waterman Brad OsbornExplore the rich terrain of American popular music with the most complete introduction of its kind. With the sixth edition of the bestselling text American Popular Music: From Minstrelsy to MP3, Starr and Waterman help students hear more in the music around them with a cultural and social history of popular music.
The American Song Treasury: 100 Favorites
by Theodore Raph". . . besides innumerable good old tunes running in our heads, [there's] a sense of having actually lived in the years [covered by] this book." -- The International MusicianMusic has always played an important part in American life--from the hymns sung in colonial days, to partisan songs that supported independence, and war songs that boosted morale. Immigration, westward movement and industrialization all helped contribute to America's musical archives. This outstanding collection of 100 all-time favorite songs offers an unbeatable combination: the music and lyrics of well-known tunes in easy-to-sing keys, together with equally entertaining background information on each song. Assembled by noted composer, arranger and musical director Theodore Raph, this impressive volume spans 300 years--from the haunting strains of Greensleeves to songs that reached new peaks of popularity in the 1950s (He's Got the Whole World in His Hand).Perfect for party sing-alongs or for one's own enjoyment, these appealing songs all made past his parades. Yankee Doodle was "on the charts" during the Revolutionary War; Clementine and Sweet Betsy from Pike were widely hummed, sung, whistled and played in the mid-nineteenth century. She'll Be Comin' Round the Mountain and Wabash Cannonball heralded the era of transcontinental railroad construction; and regional songs such as My Old Kentucky Home, On the Banks of the Wabash, and Home on the Range became nationwide favorites.Easy-to-play piano accompaniments, guitar chords and complete lyrics make these familiar melodies ideal ice-breakers on picnics, boating excursions, camping trips and a host of other group activities. Because they're in the public domain, these tunes are also desirable for professional and commercial use. (No permission or royalty payments necessary!) Singers, pianists, students, teachers -- songsters at all levels of expertise -- will be delighted with these musical moments from bygone eras.
The American Symphony (Routledge Revivals)
by Neil ButterworthFirst published in 1998, this volume is the first book to focus on the American symphony. Neil Butterworth surveys the development of the symphony in the United States from early European influences in the last century to the present day, and asks why American composers have shown such allegiance to a musical form which their European contemporaries appear to have discarded. An overview of the growth of musical societies in America during the eighteenth century and the establishment of the first professional orchestras during the early part of the nineteenth century is followed by chronological analyses of the works of those composers who have played important parts in the progress of symphony in the United States, from Charles Ives, Aaron Copland and Leonard Bernstein, to contemporary figures such as William Bolcom and John Harbison. Complete with a comprehensive catalogue of symphonies and an extensive discography, this book is an indispensable reference work.
Americana Portrait Sessions
by Jeff FasanoAmericana Portrait Sessions is the first photography book to take a comprehensive view of contemporary Americana music. The collection features intimate portraits that reveal the strength, heart, and soul of nearly two hundred great artists from the big tent that is Americana music, all shot through the expert lens of Jeff Fasano. Fasano's unparalleled access to Americana artists like Sheryl Crow, Rhiannon Giddens, Vince Gill, Keb' Mo', Judy Collins, John Oates, The Avett Brothers, The McCrary Sisters, Lucinda Williams, Margo Price, Blind Boys of Alabama, and Kris Kristofferson gives Americana Portrait Sessions the kind of authority that comes from true reach into the breadth of the genre. But this collection is as important for the artists few fans know as for the ones with successful careers behind them. While the book champions the diversity of race, gender, sexuality, and age inherent in Americana music, it also spans career arcs to bring lesser-known acts into the spotlight.Americana Portrait Sessions brings you backstage to the greenrooms and quiet corners where artists like The War and Treaty, Jewel, Jason Isbell, and The Wooten Brothers aren't just artists performing, but people hanging out.
The Americana Revolution: From Country and Blues Roots to the Avett Brothers, Mumford and Sons, and Beyond (Roots of American Music: Folk, Americana, Blues, and Country)
by Michael Scott CainAmericana is a music that defies definition. It isn’t rock, although it does encompass rock. It isn’t folk, but folk is there. It isn’t Celtic, but it is woven with Celtic threads. It is a blend of forms, music that draws on a wide range of influences. Gathering these many genres together, Americana continually reinvents itself and actively tells the story of its origins and its future. <p><p> The Americana Revolution: From Country and Blues Roots to the Avett Brothers, Mumford & Sons, and Beyond is an informal social history that describes Americana as both a musical genre and a movement, showing what it is, where it came from, and where it is going. Musician and historian Michael Scott Cain examines how the idea of genre, especially Americana, affects the creation and consumption of music. He tries to discern the formulas of this slippery genre and seeks out the places where artists have broken or bent those formulas in the name of creativity. Through anecdotes and interviews, Cain provides a firsthand view into the creation of Americana to clarify how the genre can be categorized and defined. <p><p> Through the stories of its creators both long gone and new to the scene, Americana music comes alive as a diverse melting pot of creative genius. With this book, Cain grants music lovers from all backgrounds an unparalleled view into the future of a music that embraces new influences but never forgets its roots.
Americanaland: Where Country & Western Met Rock 'n' Roll (Music in American Life #1)
by John MilwardA musical genre forever outside the lines With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward’s Americanaland is filled with the enduring performers and vivid stories that are at the heart of Americana. At base a hybrid of rock and country, Americana is also infused with folk, blues, R&B, bluegrass, and other types of roots music. Performers like Bob Dylan, Johnny Cash, Ray Charles, and Gram Parsons used these ingredients to create influential music that took well-established genres down exciting new roads. The name Americana was coined in the 1990s to describe similarly inclined artists like Emmylou Harris, Steve Earle, and Wilco. Today, Brandi Carlile and I’m With Her are among the musicians carrying the genre into the twenty-first century. Essential and engaging, Americanaland chronicles the evolution and resonance of this ever-changing amalgam of American music. Margie Greve’s hand-embroidered color portraits offer a portfolio of the pioneers and contemporary practitioners of Americana.
America's Musical Landscape
by Jean FerrisThis textbook for music appreciation undergraduates surveys American music, relating it to the other arts and social and cultural contexts. Ferris (music history and appreciation, Arizona State U.) first explains the elements of music, then takes the reader on a chronological tour of American music, from North American Indian and folk music to contemporary mainstream concert music. Along the way, religious and secular music are discussed, as well as nineteenth century popular and concert music; country, folk, jazz, Latin music, and rock and roll; and musical theater, film music, and American opera. Listening charts are incorporated. This edition has been updated and reorganized, the amount of vernacular music has been expanded, and the recordings have been updated to match. Timelines are also new. No bibliography is provided. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com)
America's Musical Life: A History
by Richard CrawfordAn Introduction to America's Music tells the fascinating story of music in the United States, from the sacred music of its earliest days to the jazz and rock that enliven the turn of the millennium. Beginning with the music of Native Americans and continuing with traditions introduced by European colonizers and Africans brought here as slaves, the book reveals how this bountiful heritage was developed and enhanced in the nineteenth and twentieth centuries to produce the music we hear today.
America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley
by Philip Furia Michael LasserFirst published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
America's Songs II: Songs from the 1890s to the Post-War Years
by Michael LasserAmerica’s Songs II: Songs from the 1890's to the Post-War Years continues to tell the stories behind popular songs in our country’s history, serving as a sequel to the bestselling America’s Songs: Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. Beginning in 1890 and ending in post-war America, America's Songs II is a testament to the richness of popular music in the first half of the 20th century. This volume builds on the unique features of the first volume, delving deeper into the nature of the collaboration between well-known songwriters of the time but also shedding light on some of the early performers to turn songs into hits. The book’s structure – a collection of short easy-to-read essays – allows the author to provide historical context to certain songs, but also to demonstrate how individual songs facilitated the popularity of specific genres, including ragtime, jazz, and blues, which subsequently reshaped the landscape of American popular music. America’s Songs II: Songs from the 1890's to the Post-War Years will appeal to American popular music enthusiasts but will also serve as an ideal reference guide for students or as a supplement in American music courses.
America’s Songs III: Rock!
by Bruce PollockAmerica’s Songs III: Rock! picks up in 1953 where America’s Songs II left off, describing the artistic and cultural impact of the rock ’n’ roll era on America’s songs and songwriters, recording artists and bands, music publishers and record labels, and the all-important consuming audience. The Introduction presents the background story, discussing the 1945-1952 period and focusing on the key songs from the genres of jump blues, rhythm ’n’ blues, country music, bluegrass, and folk that combined to form rock ‘n’ roll. From there, the author selects a handful of songs from each subsequent year, up through 2015, listed chronologically and organized by decade. As with its two preceding companions, America’s Songs III highlights the most important songs of each year with separate entries. More than 300 songs are analyzed in terms of importance—both musically and historically—and weighted by how they defined an era, an artist, a genre, or an underground movement. Written by known rock historian and former ASCAP award winner Bruce Pollock, America’s Songs III: Rock! relays the stories behind America’s musical history.
Amor a lo diminuto
by MacacoUna colección de textos inéditos escritos a vuelapluma entre concierto y concierto: apuntes al natural que nos hablan de la trayectoria de Macaco, de su filosofía de vida, y que nos muestran la faceta más literaria de un músico excepcional. «Estos pequeños escritos (no sé si son aforismos, rimas, pensamientos, cuentos, poemas y, la verdad, me da igual), como mis canciones, son mi patio de recreo, donde mi alma y mi cuerpo van a una buscando el mismo juego. Por eso escribo y canto, porque al padre del hombre que soy, es decir, el niño que fui, como decía el maestro José Saramago, le gustaban las piezas sueltas de los muñecos rotos, las cartas desparejadas o el resto de un puzle incompleto. Porque él, igual que yo, amaba lo diminuto.» Todos estos textos y fotos nacieron en trenes, aviones, coches, hoteles, viajando y girando por España, Francia, Portugal, Brasil, México, Argentina y los campamentos de refugiados saharauis. Unlibro en el que Dani Macaco hace partícipes a los lectores de sus viajes y su vida urbana. «... hablo sobre mí y los de mi raza, no hablo de pieles sino de soñadores, devoradores animados y metepatas, hablo sobre mochilas en la espalda que pesan mucho y no llevan nada, hablo sobre el presente del paso, y la zancadilla del pasado, hablo sobre lo minúsculo, lo diminuto, lo que aparentemente no está, pero al final es lo que decidirá hacia dónde se inclinará la balanza.» Dani Macaco
Amore: The Story of Italian American Song
by Mark RotellaAmore is Mark Rotella's celebration of the "Italian decade"—the years after the war and before the Beatles when Frank Sinatra, Perry Como, Dean Martin, and Tony Bennett, among others, won the hearts of the American public with a smooth, stylish, classy brand of pop. In Rotella's vivid telling, the stories behind forty Italian American classics (from "O Sole Mio," "Night and Day," and "Mack the Knife" to "Volare" and "I Wonder Why") show how a glorious musical tradition became the sound track of postwar America and the expression of a sense of style that we still cherish. Rotella follows the music from the opera houses and piazzas of southern Italy, to the barrooms of the Bronx and Hoboken, to the Copacabana, the Paramount Theatre, and the Vegas Strip. He shows us the hardworking musicians whose voices were to become ubiquitous on jukeboxes and the radio and whose names—some anglicized, some not—have become bywords for Italian American success, even as they were dogged by stereotypes and prejudice. Amore is the personal Top 40 of one proud son of Italy; it is also a love song to Italian American culture and an evocation of an age that belongs to us all.
Amos Bull: The Collected Works (Music of the New American Nation: Sacred Music from 1780 to 1820)
by Karl KroegerFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Amos's Killer Concert Caper
by Gary PaulsenAmos is desperate. He's desperate for two tickets to the romantic event of his young life...the Road Kill concert! He'll do anything to get them because he heard from a friend of a friend of a friend of Melissa Hansen that: she's way into Road Kill.
Amplifications of Black Sound from Colonial Mexico: Vocality and Beyond (Critical Mexican Studies)
by Sarah FinleyThinkers like W. E. B. Du Bois and Paul Gilroy have long championed sound as an affective register of Black subjectivity, particularly in the African Atlantic. Prior studies in this vein focus on Anglophone or Caribbean contexts, a tendency that furthers Mexico&’s marginalization within narratives of the Black and African diaspora and mutes Afro-descendant traditions that date back to the sixteenth century. Indeed, the New Spanish archive contains whispers of the region&’s Black sound cultures, including monetary records for the voices of enslaved singers and representations of Black music in casta paintings. Despite such evidence, it is difficult to attend fully to these subaltern voices, for the cultural filters of the lettered elite often mute or misinterpret non-European sounds.Amplifications of Black Sound from Colonial Mexico is the first extensive study of Afro-descendant sonorities in New Spain or elsewhere in colonial Latin America. In this context, it attends to Black sounds through a framework that remixes Jacques Derrida&’s reading of the ear&’s anatomy with theories like Gilroy&’s lower frequencies or Fred Moten&’s phonic materiality. Sarah Finley&’s aim is to unsettle the divide between self and other so the auditory archive might emerge as a polyphonic record that exceeds dichotomies of sounding object / listening subject. Through sampling the Afro-descendant sounds of this archive, this book recovers and rearticulates Black voices and auditory practices in New Spain.
Amy, 27
by Howard SounesThe death of Amy Winehouse at the age of 27 was a tragedy.She was one of the brightest music stars in years -a brilliant, original song writer with a mighty voice and great personal charm. Amy was loveable, but troubled. She was as notorious for her messy personal life, drug addiction and alcoholism, as she was celebrated for her songs, and her death in 2011, while shocking, was not unexpected.Amy was also the latest in a series of iconic music stars who died at the same young age; starting with Brian Jones of the Rolling Stones whose death in 1969 was followed by Jimi Hendrix and Janis Joplin in 1970, Jim Morrison in 1971, and Kurt Cobain in 1994. All were gifted. All were dissipated. All were 27.The 27 Club was first used as a collective term for these lost souls after a comment by Kurt Cobain's mother. 'He's gone and joined that stupid club,' she said after Kurt shot himself. 'I told him not to ...'In this ground-breaking book, Howard Sounes delivers a detailed and insightful study of Amy Winehouse's life, and sets that life in the context of the 27 Club. That six big music stars died at 27 -- along with 44 less well-known names -- is on one level a coincidence. But behind this coincidence Sounes reveals is a disturbing common narrative that explains how these artists met their fate, and casts new light on Amy's death in particular.
Amy, 27
by Howard SounesThe death of Amy Winehouse at the age of 27 was a tragedy.She was one of the brightest music stars in years -a brilliant, original song writer with a mighty voice and great personal charm. Amy was loveable, but troubled. She was as notorious for her messy personal life, drug addiction and alcoholism, as she was celebrated for her songs, and her death in 2011, while shocking, was not unexpected.Amy was also the latest in a series of iconic music stars who died at the same young age; starting with Brian Jones of the Rolling Stones whose death in 1969 was followed by Jimi Hendrix and Janis Joplin in 1970, Jim Morrison in 1971, and Kurt Cobain in 1994. All were gifted. All were dissipated. All were 27.The 27 Club was first used as a collective term for these lost souls after a comment by Kurt Cobain's mother. 'He's gone and joined that stupid club,' she said after Kurt shot himself. 'I told him not to ...'In this ground-breaking book, Howard Sounes delivers a detailed and insightful study of Amy Winehouse's life, and sets that life in the context of the 27 Club. That six big music stars died at 27 -- along with 44 less well-known names -- is on one level a coincidence. But behind this coincidence Sounes reveals is a disturbing common narrative that explains how these artists met their fate, and casts new light on Amy's death in particular.(P)2013 Hodder & Stoughton
Amy, My Daughter
by Mitch WinehouseRevealing details about icon Amy Winehouse’s childhood, musical influences and substance abuse, this biography by her father “can’t fail to move”(The Sunday Times).The intimate, inside story of the life of multiple Grammy Award-winning singer and songwriter Amy Winehouse is told by the one person most able to tell it—Amy’s closest advisor, her inspiration, and best friend: her father, Mitch.Sifting fact from fiction, Mitch Winehouse reveals the events and the people that shaped Amy’s youth—from her mischievous childhood to her grandmother’s Jazz Age stories, to her father singing Frank Sinatra around the house. Shedding light on Amy’s musical coming-of-age, Mitch explores how she honed her distinctive sound, created her unforgettable look, and channeled her own life into hits such as “You Know I’m No Good”, “Rehab”, and “Back to Black” —some of the most memorable and personal pop music in years.Mitch holds nothing back about Amy’s addiction to drugs and alcohol and the toll it took on the family and friends who refused to give up on her. Dispelling many of the rumors about her tumultuous marriage to Blake Fielder-Civil, Mitch exposes the years of behind-the-scenes drama and explains how, for those who knew Amy in her last months, the greatest tragedy of all was that she finally appeared to be conquering her demons.Amy, My Daughter includes exclusive, never-before-seen photos and paints an open and honest portrait of one of the greatest musical talents of our time.“An unsparing portrait of addiction.” —The Times “Mitch does a fine job of fleshing out his daughter in all contradictory glory.” —Observer “An unflinchingly honest memoir.” —Independent
Amy Winehouse (Lives of the Musicians)
by Kate SolomonIn her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.