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Loosely Based On A Made-Up Story: A Non-Memoir
by James BluntThis book is inspired by true events but is not a biography.The truth is My Truth is not The Truth, and that's as honest as I can be. It's partially true, rather than painfully true, and I have possibly been economical with the truth, Your Honour.Basically, I made this sh*t up . . .While James Blunt's crimes against music are well-documented, he also has some stories that are not. In Loosely Based On A Made-Up Story, James reveals his most riotous anecdotes to date for your amusement - and his parents' horror - in this highly anticipated non-memoir.From his questionable Norfolk roots, eccentric family, boarding school antics, misjudged military service, rise to music stardom and tour escapades, James delves into his (surprisingly) fascinating life to date. What do you do when your mother writes irate emails to the future prime minister defending your honour? What does it take to run a male escort agency? And why exactly should you refrain from crowd-surfing? Find out here, folks . . .Were the stories in this book grossly exaggerated in an attempt to impress? Maybe. But one thing is for certain: you won't want to miss it.
Loquillo: La biografía oficial
by Felipe CabrerizoLa biografía oficial y definitiva de Loquillo, basada en materiales de archivo y entrevistas inéditas a su protagonista. Figura polémica y esquiva, Loquillo alcanzó el éxito en compañía de Intocables y Trogloditas pero, incómodo ante un personaje que había dejado de ser el suyo, no dudó en abandonarlo. Fue el inicio de una larga travesía en la que muchas veces estuvo cerca de perder el pie y de la que solo consiguió salir tras reinventarse como artista en solitario. Casi medio siglo después de su debut en un cabaret de las Ramblas, el Loco afronta una de las etapas más plenas de su carrera convertido en un referente para la cultura español y rehuyendo cualquier asomo de conformismo. Un recorrido largo y sinuoso analizado minuciosamente en este volumen, primera biografía del cantante. Escrita con gran ritmo por el reconocido periodista musical Felipe Cabrerizo, que ha entrevistado al protagonista y su círculo, la historia acaba capturando no solo una figura, sino toda una época de nuestra cultura. Sobre la biografía y el biografiado:«Loquillo nunca está dónde se le busca. Es Batman en la baticueva, Dino con los amigos, un tipo listo en los negocios y una estrella en el escenario, en el cancionero y en el imaginario de este país. Y Cabrerizo ha tenido la osadía de tomarle las hechuras con pasión y rigor a nuestro roquero de guardia, superviviente de todas las batallas».Carlos Zanón «El Loco es un tipo excéntrico que no hace concesiones. Desenfunda las palabras y las dispara con una lucidez que a veces da hasta miedo. Es un personaje de western. Se lo puede permitir. Porque él no es un cantante. Es un artista. Una estrella del Rock and Roll con cicatrices, historias que contar y un enorme talento para hacerlo a su manera. Un grande dentro y fuera del escenario, capaz de todo: incluso de romperse con un verso».Marta Robles «El Loco es un animal salvaje en peligro de extinción. Este libro es lo más cerca que va a estar de reproducirse encima de un escenario».Manuel Jabois «De Loquillo conocemos su épica. Sus hombros firmes, su mandíbula apretada. Sus frases de epitafio. Pero en este libro se adentra en terra incognita. Desvela el espíritu aún intacto del hijo único que leía a Dickens después de meterse en peleas de barrio. Del adolescente que sigue contando emocionado, como el que lanza una canasta perfecta, su paseo en un Bentley con Johnny Hallyday por los Campos Eliseos. Loquillo es todos esos. Valiente, leal, arrogante y libre. Loquillo es el gran romántico, en el sentido más alemán y menos manido del término».Silvia Grijalba «Loquillo es un Jack London de la aventura musical, un caballero andante del rock, un paladín del honor y de la amistad».Luis Alberto de Cuenca
Lords of Chaos
by Didrik Soderlind Michael Moynihan"* * * * * *! The most incredible story in the history of music ... a heavyweight book."--Kerrang!"An unusual combination of true crime journalism, rock and roll reporting and underground obsessiveness, Lords of Chaos turns into one of the more fascinating reads in a long time."--Denver PostA narrative feature film based on this award-winning book has just gone into production.
Lorenzo Allegri: Il primo libro delle musiche. . . (Venice, 1618) (Italian Instrumental Music of the Sixteenth and Seventeenth Centuries)
by Andrew Dell’AntonioFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Lorenzo Allegri: Il primo libro delle musiche. . . (Venice, 1618) (Italian Instrumental Music of the Sixteenth and Seventeenth Centuries)
by Andrew Dell’AntonioFirst Published in 1995. Il primo libro delle musiche (Venice, 1618)
Loretta Lynn: Coal Miner's Daughter
by Loretta Lynn George VecseyHere is the story of a resourceful woman whose talent has taken her a far piece from being nervous and pregnant and poor - a bride at thirteen, a mother of four by eighteen - in Butcher Holler, Kentucky, to reigning as America's undisputed queen of country music. Though still a coal miner's daughter at heart, Loretta Lynn is Big Time: the Country Music Association has feted her with more- honors than any other recording artist; she's the first woman ever named Entertainer of the Year and the first woman in country music to win a gold record.
Los Angeles's Central Avenue Jazz
by Sean J. O'ConnellFrom the late 1910s until the early 1950s, a series of aggressive segregation policies toward Los Angeles's rapidly expanding African American community inadvertently led to one of the most culturally rich avenues in the United States. From Downtown Los Angeles to the largely undeveloped city of Watts to the south, Central Avenue became the center of the West Coast jazz scene, nurturing homegrown talents like Charles Mingus, Dexter Gordon, and Buddy Collette while also hosting countless touring jazz legends such as Duke Ellington, Louis Armstrong, and Billie Holiday. Twenty-four hours a day, the sound of live jazz wafted out of nightclubs, restaurants, hotel lobbies, music schools, and anywhere else a jazz combo could squeeze in its instruments for nearly 50 years, helping to advance and define the sound of America's greatest musical contribution.
Los Lobos: Dream in Blue (American Music Series)
by Chris Morris&“An overview of the seminal California band&’s four-decade career . . . A useful cultural history that is sure to please fans and musicologists.&” —Kirkus Reviews Los Lobos leaped into the national spotlight in 1987, when their cover of &“La Bamba&” became a No. 1 hit. But what looked like an overnight achievement to the band&’s new fans was actually a way station in a long musical journey that began in East Los Angeles in 1973 and is still going strong. Across four decades, Los Lobos (Cesar Rosas, Conrad Lozano, David Hidalgo, Louie Pérez, and Steve Berlin) have ranged through virtually the entire breadth of American vernacular music, from rockabilly to primal punk rock, R&B to country and folk, Mexican son jarocho to Tex-Mex conjunto and Latin American cumbia. Their sui generis sound has sold millions of albums and won acclaim from fans and critics alike, including three Grammy Awards. Los Lobos, the first book on this unique band, traces the entire arc of the band&’s career. Music journalist Chris Morris draws on new interviews with Los Lobos members and their principal collaborators, as well as his own reporting since the early 1980s, to recount the evolution of Los Lobos&’s music. He describes the creation of every album, lingering over highlights such as How Will the Wolf Survive?, La Pistola y El Corazon, and Kiko, while following the band&’s trajectory from playing Mexican folk music at weddings and dances in East LA to international stardom and major-label success, as well as their independent work in the new millennium. Los Lobos gives one of the longest-lived and most-honored American rock bands its due.
Los Romeros: Royal Family of the Spanish Guitar (Music in American Life)
by Walter Aaron ClarkSpanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero Family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—have become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark's in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument's very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture.
Los hermanos beatboxers (¡Arriba la Lectura!, Level R #56)
by Marg McAlister David Hardy¡Logan, el hermano de Jack, hace todo bien! Sabe bailar breakdance, cantar y tocar la guitarra. Cuando decide presentarse a una audición para una agencia de publicidad, Jack también quiere intentarlo… pero no tiene ningún instrumento. NIMAC-sourced textbook
Los mariachis de Adela
by Denise VegaAdela ama todo sobre la banda mariachi de su familia, ¡excepto que ella no forma parte de la banda! Poniendo un foco de atención en la música mexicana, llena de instrumentos y bailes, ¡La banda de Adela seguramente será un éxito!Adela loves everything about her family's mariachi band--except that she isn't in it! Shining a spotlight on Mexican music, full of instruments and dancing, Adela&’s Band is sure to be a hit!Adela no desea nada más que ser parte de la banda mariachi de su familia, pero cuando intenta tocar los diferentes instrumentos, todo sale mal. La trompeta hace un ruido extraño, la vihuela emite un ruido agudo y desagradable, y cuando intenta bailar, Adela se cae al suelo. Observando a su familia, Adela sabe que la práctica hace al maestro, ¿pero podrá encontrar una manera de ser parte de la banda en el entretanto?Contado en una estructura repetitiva y divertida, ¡este libro ilustrado rítmico incorpora divertidos sonidos de instrumentos y vocabulario en español!Adela wants nothing more than to be a part of her family's mariachi band, but when she tries the different instruments, everything comes out wrong. La trompeta fizzles, la vihuela squeaks, and trying to dance makes Adela fall on her face. From watching her family, Adela knows that practice makes perfect, but can she find a way to be part of the band in the meantime?A new go-to read-aloud favorite that comes complete with funny instrument sounds, a rythmic text, and Spanish vocabulary. Strike up the band!
Los secretos del Gran Maestro entre música y masonería
by Paolo Nuti Heredia RojasGiacomo Puccini y la masonería: ¿que vínculo hay entre uno de los mas grandes compositores italianos de todos los tiempos y la controversial institución? En un inteligente tejido entre novela y autobiografía el autor nos ofrece anécdotas personales y referencias históricas, levantando dudas, poniendo interrogantes, y acompañando al lector en un fascinante viaje de descubrimiento a los secretos del Gran Maestro.
Los secretos del vallenato
by Julio Cesar Oñate MartinezUn apasionante recorrido por la historia del vallenato llena de maravillosas anécdotas. La verdadera leyenda de Francisco el Hombre, la llegada del acordeón desde Europa a Colombia, la diferencia entre 'acordeonero' y 'acordeonista', los secretos detrás de las letras de algunas canciones célebres, todo descrito con el sabor del bullicio de acordeones, cajas y guacharacas propios de la parranda vallenata que los colombianos identificamos como propia. Esta es la historia, amena y necesaria, de uno de los géneros musicales colombianos más conocidos en el mundo. Hechos cruciales y anécdotas, narrados de manera agradable y desenfadada con la óptica privilegiada de uno de sus protagonistas.
Los vecinos mueren en las novelas
by Sergio AguirrePorque todo comenzará así: un hombre llega a la casa de una anciana absolutamente desconocida. El mismo no sabe, hasta que llama a la puerta, que ha decidido matarla.
Losers: Historias de famosos perdedores del rock
by Maximiliano PoterMaxi Poter (re)descubre a esos músicos a los que el destino les jugó una broma pesada que los dejó en el backstage de la gloria. Los artistas que -por azar, tragedias, desencuentros, traiciones, pifies, pelotas en el palo, confusiones y tropiezos cósmicos- se quedaron viendo la consagración desde afuera. Alguna vez The Police fue un desastroso cuarteto. Los Rolling Stones eran seis, pero a uno lo echaron por "feo". En varios países, los Beatles fueron John, Paul, George y un tal "Jimmie". Kiss tuvo un guitarrista con artrosis y Led Zeppelin casi elige al cantante más desafortunado del mundo. La biografía de los más grandes íconos del rock está llena de ilustres desconocidos que, por diversas razones, se quedaron al borde de la fama y hoy son ocultas notas al pie de mitos y leyendas. Maximiliano Poter (re)descubre y (re)valoriza a los otros "Pete Best" de la historia: esos músicos que aun teniendo todo lo que hace falta (talento, carisma, atractivo, dedicación, oportunismo, contactos y hasta la imprescindible "suerte") se quedaron en el backstage de la gloria. Losers reúne las maravillosas y agridulces vidas de esos desdichados que son parte fundamental de la crónica universal del rock pero que -por azar, tragedias, peleas, traiciones, pifies, confusiones, macanas, pelotas en el palo y hasta injusticias cósmicas- no recibieron su merecida consagración. Estos son los más exitosos "casi famosos".
Losing Music: A Memoir
by John Cotter“In his moving memoir, John Cotter anticipates a world without sound . . . a compelling portrait of how deafness isolates people.” —The Washington PostJohn Cotter was thirty years old when he first began to notice a ringing in his ears. Soon the ringing became a roar inside his head. Next came partial deafness, then dizziness and vertigo that rendered him unable to walk, work, sleep, or even communicate. At a stage of life when he expected to be emerging fully into adulthood, teaching and writing books, he found himself “crippled and dependent,” and in search of care.When he is first told that his debilitating condition is likely Ménière’s Disease, but that there is “no reliable test, no reliable treatment, and no consensus on its cause,” Cotter quits teaching, stops writing, and commences upon a series of visits to doctors and treatment centers. What begins as an expedition across the country navigating and battling the limits of the American healthcare system, quickly becomes something else entirely: a journey through hopelessness and adaptation to disability. Along the way, hearing aids become inseparable from his sense of self, as does a growing understanding that the possibilities in his life are narrowing rather than expanding. And with this understanding of his own travails comes reflection on age-old questions around fate, coincidence, and making meaning of inexplicable misfortune.A devastating memoir that sheds urgent, bracingly honest light on both the taboos surrounding disability and the limits of medical science, Losing Music is refreshingly vulnerable and singularly illuminating—a story that will make readers see their own lives anew.
Losing My Virginity: How I've Survived, Had Fun, and Made a Fortune Doing Business My Way
by Richard Branson"Oh, screw it, let's do it." That's the philosophy that has allowed Richard Branson, in slightly more than twenty-five years, to spawn so many successful ventures. From the airline business (Virgin Atlantic Airways), to music (Virgin Records and V2), to cola (Virgin Cola), to retail (Virgin Megastores), and nearly a hundred others, ranging from financial services to bridal wear, Branson has a track record second to none. Losing My Virginity is the unusual, frequently outrageous autobiography of one of the great business geniuses of our time. When Richard Branson started his first business, he and his friends decided that "since we're complete virgins at business, let's call it just that: Virgin." Since then, Branson has written his own "rules" for success, creating a group of companies with a global presence, but no central headquarters, no management hierarchy, and minimal bureaucracy. Many of Richard Branson's companies--airlines, retailing, and cola are good examples--were started in the face of entrenched competition. The experts said, "Don't do it." But Branson found golden opportunities in markets in which customers have been ripped off or underserved, where confusion reigns, and the competition is complacent. And in this stressed-out, overworked age, Richard Branson gives us a new model: a dynamic, hardworking, successful entrepreneur who lives life to the fullest. Family, friends, fun, and adventure are equally important as business in Branson's life. Losing My Virginity is a portrait of a productive, sane, balanced life, filled with rich and colorful stories: Crash-landing his hot-air balloon in the Algerian desert, yet remaining determined to have another go at being the first to circle the globe Signing the Sex Pistols, Janet Jackson, the Rolling Stones, Boy George, and Phil Collins Fighting back when British Airways took on Virgin Atlantic and successfully suing this pillar of the British business establishment Swimming two miles to safety during a violent storm off the coast of Mexico Selling Virgin Records to save Virgin Atlantic Staging a rescue flight into Baghdad before the start of the Gulf War ... And much more. Losing My Virginity is the ultimate tale of personal and business survival from a man who combines the business prowess of Bill Gates and the promotional instincts of P. T. Barnum.
Losing Tempo (Band Together)
by Keith WainEveryone is too busy for the band. Well, everyone except Lewis. He needs to find a way to bring the band back together.
Lost Delta Found: Rediscovering the Fisk University-Library of Congress Coahoma County Study, 1941-1942
by Lewis Wade Jones John W Work III Samuel C Adams JrBlues Hall of Fame Inductee—Named a "Classic of Blues Literature" by the Blues Foundation, 2019 This remarkable book recovers three invaluable perspectives, long thought to have been lost, on the culture and music of the Mississippi Delta. In 1941 and &’42 African American schol-ars from Fisk University—among them the noted composer and musicologist John W. Work III, sociologist Lewis Wade Jones, and graduate student Samuel C. Adams Jr.—joined folklorist Alan Lomax of the Library of Congress on research trips to Coahoma County, Mississippi. Their mission was &“to document adequately the cultural and social backgrounds for music in the community.&” Among the fruits of the project were the earliest recordings by the legendary blues singer and guitarist Muddy Waters. The hallmark of the study was to have been a joint publication of its findings by Fisk and the Library of Congress. While this publication was never completed, Lost Delta Found is composed of the writings, interviews, notes, and musical transcriptions produced by Work, Jones, and Adams in the Coahoma County study. Their work captures, with compelling immediacy, a place, a people, a way of life, and a set of rich musical traditions as they existed in the 1940s. Illustrated with photos and more than 160 musical transcriptions.
Lost Delta Found: Rediscovering the Fisk University-Library of Congress Coahoma County Study, 1941-1942
by John W. Work III Lewis Wade Jones Samuel C. Adams Jr.Blues Hall of Fame Inductee—Named a "Classic of Blues Literature" by the Blues Foundation, 2019 This remarkable book recovers three invaluable perspectives, long thought to have been lost, on the culture and music of the Mississippi Delta. In 1941 and '42 African American scholars from Fisk University—among them the noted composer and musicologist John W. Work, sociologist Lewis Wade Jones, and graduate student Samuel C. Adams Jr.—joined folklorist Alan Lomax of the Library of Congress on research trips to Coahoma County, Mississippi. Their mission was to explore the musical habits and history of the black community there and "to document adequately the cultural and social backgrounds for music in the community." Among the fruits of the project were the earliest recordings by the legendary blues singer and guitarist Muddy Waters. The hallmark of the study was to have been a joint publication of its findings by Fisk and the Library of Congress. However, the field notes and manuscripts by the Fisk researchers became lost in Washington. Lomax's own book drawing on the project's findings, The Land Where the Blues Began, did not appear until 1993, and although it won a National Book Critics Circle Award, it was flawed by a number of historical inaccuracies. Recently uncovered by author and filmmaker Robert Gordon, the writings, interviews, notes, and musical transcriptions produced by Work, Jones, and Adams in the Coahoma County study now appear in print for the first time. Their work captures, with compelling immediacy, a place, a people, a way of life, and a set of rich musical traditions as they existed sixty years ago. Until the surfacing of these documents, Lomax's perspective was all that was known of the Coahoma County project and its research. Now, at last, the voices of the other contributors can be heard. Including essays by Bruce Nemerov and Gordon on the careers and contributions of Work, Jones, and Adams, Lost Delta Found will become an indispensable historical resource, as marvelously readable as it is enlightening. Illustrated with photos and more than 160 musical transcriptions.
Lost Genius: The Curious and Tragic Story of an Extraordinary Musical Prodigy
by Kevin BazzanaBorn in 1903, pianist Ervin Nyiregyházi was the subject of the first book devoted to the scientific study of a single prodigy. By twenty-five he had all but disappeared. Mismanaged, exploited, and unfashionably romantic, his career floundered in adulthood. He drank heavily, married ten times, and was reduced to penury, sometimes living on the subway. He settled in Los Angeles where he performed sporadically, counting many of Holly-wood's elite among his friends, including Gloria Swanson, a likely lover. Rediscovered in the 1970s, he enjoyed a sensational and controversial renaissance, before slipping back into obscurity.
Lost Highway: Journeys and Arrivals of American Musicians
by Peter GuralnickThis masterful exploration of American roots music--country, rockabilly, and the blues--spotlights the artists who created a distinctly American sound, including Ernest Tubb, Bobby "Blue" Bland, Elvis Presley, Merle Haggard, and Sleepy LaBeef. In incisive portraits based on searching interviews with these legendary performers, Peter Guralnick captures the boundless passion that drove these men to music-making and that kept them determinedly, and sometimes almost desperately, on the road.
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919
by Tim BrooksAvailable in paperback for the first time, this groundbreaking in-depth history of the involvement of African Americans in the early recording industry examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved. Applying more than thirty years of scholarship, Tim Brooks identifies key black artists who recorded commercially and provides illuminating biographies for some forty of these audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, as well as a host of lesser-known voices. Many of these pioneers faced a difficult struggle to be heard in an era of rampant discrimination and "the color line," and their stories illuminate the forces--both black and white--that gradually allowed African Americans greater entree into the mainstream American entertainment industry. The book also discusses how many of these historic recordings are withheld from the public today because of stringent U.S. copyright laws. Lost Sounds includes Brooks's selected discography of CD reissues, and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.
Lost in Music: Culture, Style and the Musical Event (Routledge Library Editions: Popular Music #5)
by Avron Levine WhiteThis collection of essays, first published in 1987, provides a sociological treatment of many musical forms – rock, jazz, classical – with special emphasis on the perspective of the practising musician. Among the topics covered are the legal structures governing musical production and the question of copyright; recording and production technology; the social character of musical style; and the impact of lyrical content, considered socially and historically.
Lost in the Grooves: Scram's Capricious Guide to the Music You Missed
by Kim Cooper Tom Neely David SmayDo you remember these great pop stars and their hits? Deerhoof's The Man, The King, The Girl Butch Hancock's West Texas Waltzes and Dust Blown Tractor Tunes, Swamp Dogg's Cuffed, Collared and Tagged, Michael Head's The Magical World Of The Strands, John Trubee's The Communists Are Coming to Kill Us, John Phillips's Wolf King of L.A., and Michel Magne's Moshe Mouse Crucifiction? You will when you read Lost in the Grooves, a fascinating guide to the back alleys off the pop music superhighway.Pop music history is full of little-known musicians, whose work stands defiantly alone, too quirky, distinctive, or demented to appeal to a mass audience. This book explores the nooks and crannies of the pop music world, unearthing lost gems from should-have-been major artists (Sugarpie DeSanto, Judee Sill), revisiting lesser known works by established icons (Marvin Gaye's post-divorce kissoff album, Here My Dear; The Ramones' Subterranean Jungle), and spotlighting musicians who simply don't fit into neat categories (k. mccarty, Exuma). The book's encyclopedic alphabetical structure throws off strange sparks as disparate genres and eras rub against each other: folk-psych iconoclasts face louche pop crooners; outsider artists set their odd masterpieces down next to obscurities from the stars; lo-fi garage rock cuddles up with the French avant-garde; and roots rock weirdoes trip over bubblegum. This book will delight any jukebox junkie or pop culture fan.