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Louder Than Hell: The Definitive Oral History of Metal
by Jon Wiederhorn Katherine TurmanThe definitive oral history of heavy metal, Louder Than Hell by renowned music journalists Jon Wiederhorn and Katherine Turman includes hundreds of interviews with the giants of the movement, conducted over the past 25 years. Unlike many forms of popular music, metalheads tend to embrace their favorite bands and follow them over decades. Metal is not only a pastime for the true aficionados; it’s a lifestyle and obsession that permeates every aspect of their being. Louder Than Hell is an examination of that cultural phenomenon and the much-maligned genre of music that has stood the test of time. Louder than Hell features more than 250 interviews with some of the biggest bands in metal, including Black Sabbath, Metallica, Megadeth, Anthrax, Slayer, Iron Maiden, Judas Priest, Spinal Tap, Pantera, White Zombie, Slipknot, and Twisted Sister; insights from industry insiders, family members, friends, scenesters, groupies, and journalists.
Louder and Faster: Pain, Joy, and the Body Politic in Asian American Taiko (American Crossroads #55)
by Deborah WongA free open access ebook is available upon publication. Learn more at www.luminosoa.org.Louder and Faster is a cultural study of the phenomenon of Asian American taiko, the thundering, athletic drumming tradition that originated in Japan. Immersed in the taiko scene for twenty years, Deborah Wong has witnessed cultural and demographic changes and the exponential growth and expansion of taiko particularly in Southern California. Through her participatory ethnographic work, she reveals a complicated story embedded in memories of Japanese American internment and legacies of imperialism, Asian American identity and politics, a desire to be seen and heard, and the intersection of culture and global capitalism. Exploring the materialities of the drums, costumes, and bodies that make sound, analyzing the relationship of these to capitalist multiculturalism, and investigating the gender politics of taiko, Louder and Faster considers both the promises and pitfalls of music and performance as an antiracist practice. The result is a vivid glimpse of an Asian American presence that is both loud and fragile.
Loudest Beagle on the Block (Pet Trouble, Book #2)
by Tui T. SutherlandWhen Ella's great aunt's beagle comes to live at her house, Ella doesn't think she has time for a dog, especially when it turns out that every time the beagle hears music, she wants to sing along! How is Ella supposed to win the talent show when all she can hear every time she rehearses is AAOOOWWAAAOOOOOO?
Louie Louie: The History and Mythology of the World's Most Famous Rock 'n Roll Song; Including the Full Details of Its Torture and Persecution at the Hands of the Kingsmen, J. Edgar Hoover's FBI, and a Cast of Millions; and Introducing for the First Time Anywhere, the
by Dave MarshA new edition of Dave Marsh's classic work on the three-chord song that rocked the world "A tale as compelling as any John Grisham thriller." -Rolling Stone "Dave Marsh's Louie Louie is part rant, part rock criticism and part cultural analysis, with a good dose of Ripley's Believe It or Not! thrown in." -The New York Times Book Review "Marsh keeps the story of one trashy song interesting by revealing how 'three chords and a cloud of dust' contains within it the history and future of rock 'n' roll." -Booklist "What you don't know about 'Louie Louie' probably won't hurt you. But everything you need to know is in Marsh's book, including the lyrics-the real ones and the ones people thought they heard. If there is a better measure of your pop-cultural IQ, I don't know where to find it." -USA Today Since his days as the original editor of Creem, Dave Marsh has been revered as one of rock's greatest critics. During the 70s he was record editor at Rolling Stone, and in 1983 he founded Rock & Roll Confidential. His other books include Glory Days: Bruce Springsteen in the 1980s (1987), and Before I Get Old: The Story of the Who (1983).
Louis Andriessen: De Staat (Landmarks In Music Since 1950 Ser.)
by Robert AdlingtonLouis Andriessen is one of the foremost composers in the world today. His music, with its distinctive blend of jazz, minimalism, Stravinsky and the European avant-garde, has attracted wide audiences internationally and made him a sought-after teacher among younger generations of composers. De Staat ('The Republic') brought Andriessen to international attention in 1976, and it remains his best-known work. This book is the first extended, single-author study of Andriessen in any language. It opens with a detailed account of Andriessen's involvement in the political upheavals of the 1960s and 1970s which formed the basis for his later views on instrumentation and musical style. The following chapters assess the principal influences on his music and the musical structure of De Staat. The book closes with an extensive discussion of the meaning of De Staat in the light of the composer's firmly held socio-political views. The downloadable resources include a thrilling live recording of De Staat from the 1978 Holland Festival, plus two earlier works not previously commercially available on compact disc - De Volharding and Il Principe.
Louis Applebaum: A Passion for Culture
by Walter PitmanCanadian composer Louis Applebaum devoted his life to the cultural awakening of his native land, and this "magnificent obsession" drove him to become a founder of the Canadian League of Composers and the Canadian Music Centre. He was an instrumental figure in the early development of the National Film Board, the Stratford Festival, and the National Art Centre in Ottawa. For nearly half a century he composed music for the Stratford Festival, television, radio, and films. This illustrated biography explores the man who was beloved by his fellow artists and the icon to whom every Canadian, knowingly or not, is indebted.
Louis Armstrong and Paul Whiteman: Two Kings of Jazz
by Joshua BerrettThe jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners--Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman's fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the "King of Jazz" in 1930 in a Universal Studios feature film, Whiteman's imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king's crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges--a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
Louis Armstrong and the Jazz Age (Cornerstones of Freedom, 2nd Series)
by Dan ElishIn 1900, Louis Armstrong was born to a teenage mother in a depressed part of New Orleans. Jazz was born at around the same time. From the moment Louis began playing the trumpet as a young boy, "it was hypnosis at first hearing," said another young musician. Louis would go on to become one of the major driving forces behind the development of jazz, one of America's most important native-born art forms. Elish describes the emergence of the Jazz Age in American society and Armstrong's role in its success.
Louis Armstrong's Horn (Fountas & Pinnell Classroom, Guided Reading)
by J. C. Kane Charly PalmerNIMAC-sourced textbook. A LUCKY BREAK. Louis Armstrong was eleven years old when he was sent to live in a home for troubled boys. He thought it was the worst thing that had ever happened to him. But it turned out to be the best.
Louis Armstrong's New Orleans
by Thomas Brothers"The best book ever produced about Louis Armstrong by anyone other than the man himself."--Terry Teachout, Commentary In the early twentieth century, New Orleans was a place of colliding identities and histories, and Louis Armstrong was a gifted young man of psychological nimbleness. A dark-skinned, impoverished child, he grew up under low expectations, Jim Crow legislation, and vigilante terrorism. Yet he also grew up at the center of African American vernacular traditions from the Deep South, learning the ecstatic music of the Sanctified Church, blues played by street musicians, and the plantation tradition of ragging a tune. Louis Armstrong's New Orleans interweaves a searching account of early twentieth-century New Orleans with a narrative of the first twenty-one years of Armstrong's life. Drawing on a stunning body of first-person accounts, this book tells the rags-to-riches tale of Armstrong's early life and the social and musical forces that shaped him. The city and the musician are both extraordinary, their relationship unique, and their impact on American culture incalculable. Some images in this ebook are not displayed owing to permissions issues.
Louis Armstrong, Master of Modernism
by Thomas BrothersFinalist for the 2015 Pulitzer Prize in Biography. "Profoundly evocative and altogether admirable...The writing and detail are so brilliant that I found the volume revelatory." --Tim Page, Washington Post Nearly 100 years after bursting onto Chicago's music scene under the tutelage of Joe "King" Oliver, Louis Armstrong is recognized as one of the most influential artists of the twentieth century. A trumpet virtuoso, seductive crooner, and consummate entertainer, Armstrong laid the foundation for the future of jazz with his stylistic innovations, but his story would be incomplete without examining how he struggled in a society seething with brutally racist ideologies, laws, and practices. Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong's New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers's expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America. Louis Armstrong, Master of Modernism blends cultural history, musical scholarship, and personal accounts from Armstrong's contemporaries to reveal his enduring contributions to jazz and popular music at a time when he and his bandmates couldn't count on food or even a friendly face on their travels across the country. Thomas Brothers combines an intimate knowledge of Armstrong's life with the boldness to examine his place in such a racially charged landscape. In vivid prose and with vibrant photographs, Brothers illuminates the life and work of the man many consider to be the greatest American musician of the twentieth century.
Louis Armstrong: An American Genius
by James Lincoln CollierLouis Armstrong. "Satchmo." To millions of fans, he was just a great entertainer. But to jazz aficionados, he was one of the most important musicians of our times--not only a key figure in the history of jazz but a formative influence on all of 20th-century popular music. Set against the backdrop of New Orleans, Chicago, and New York during the "jazz age", Collier re-creates the saga of an old-fashioned black man making it in a white world. He chronicles Armstrong's rise as a musician, his scrapes with the law, his relationships with four wives, and his frequent feuds with fellow musicians Earl Hines and Zutty Singleton. He also sheds new light on Armstrong's endless need for approval, his streak of jealousy, and perhaps most important, what some consider his betrayal of his gift as he opted for commercial success and stardom. A unique biography, knowledgeable, insightful, and packed with information, it ends with Armstrong's death in 1971 as one of the best-known figures in American entertainment.
Louis Armstrong: An Extravagant Life
by Laurence BergreenLouis Armstrong was the founding father of jazz and one of this century's towering cultural figures, yet the full story of his extravagant life has never been told.Born in 1901 to the sixteen-year-old daughter of a slave, he came of age among the prostitutes, pimps, and rag-and-bone merchants of New Orleans. He married four times and enjoyed countless romantic involvements in and around his marriages. A believer in marijuana for the head and laxatives for the bowels, he was also a prolific diarist and correspondent, a devoted friend to celebrities from Bing Crosby to Ella Fitzgerald, a perceptive social observer, and, in his later years, an international goodwill ambassador.And, of course, he was a dazzling musician. From the bordellos and honky-tonks of Storyville--New Orleans's red light district--to the upscale nightclubs in Chicago, New York, and Hollywood, Armstrong's stunning playing, gravelly voice, and irrepressible personality captivated audiences and critics alike. Recognized and beloved wherever he went, he nonetheless managed to remain vigorously himself.Now Laurence Bergreen's remarkable book brings to life the passionate, courageous, and charismatic figure who forever changed the face of American music.
Louis Armstrong: Young Music Maker (Childhood of Famous Americans Series)
by Dharathula H. MillenderA fictionalized biography of a trumpeter of humble origin who received international acclaim as a jazz entertainer.
Louis Jordan: Son of Arkansas, Father of R&B (Music Ser.)
by Stephen KochThough you may not know the man, you probably know his music. Arkansas-born Louis Jordan's songs like "Baby, It's Cold Outside," "Caldonia" and "Ain't Nobody Here But Us Chickens" can still be heard today, decades since Jordan ruled the charts. In his five-decade career, Jordan influenced American popular music, film and more and inspired the likes of James Brown, B.B. King, Chuck Berry and Ray Charles. Known as the "King of the Jukeboxes," he and his combo played a hybrid of jazz, swing, blues and comedy music during the big band era that became the start of R&B. In a stunning narrative portrait of Louis Jordan, author Stephen Koch contextualizes the great, forgotten musician among his musical peers, those he influenced and the musical present.
Louis Laloy (Routledge Revivals)
by Deborah PriestFirst published in 1999, this is the first study of the noted French music critic and scholar Louis Laloy, and the first collection of his writings. His writings were unique in their time and have never previously been translated. Laloy’s ideas on Debussy, Ravel and Stravinsky are presented here with an introduction by Deborah Priest to each extract, placing it in the context of the period and the composer’s work. Detailed annotations explain technical and cultural references. As a friend of all three composers, but especially of Debussy, Laloy wrote with great authority and influence: his work provides recollections, analytical insights, and insights into reception and performance practice. His erudition and wide range of reference make for fascinating and enlightening reading about the period. Deborah Priest provides a detailed introduction which sets Laloy’s work against the background of the Paris music scene from 1900- 1940.
Louise Farrenc: Nonet for Winds and Strings (New Cambridge Music Handbooks)
by Marie Sumner LottAs well as being a virtuoso pianist, Louise Farrenc became the first woman to hold a permanent position as Professor at the Paris Conservatoire while continuing to compose symphonic and chamber music. This handbook introduces readers to Farrenc and her contemporaries with a focus on professional women musicians in nineteenth-century Paris. Farrenc's music was much admired by her contemporaries including Robert Schumann and Hector Berlioz. The acclaimed Nonet (1849) incorporated playful dialogue within the ensemble, virtuosic display, and an artful balance of newer and older compositional methods, garnering critical and artistic success and official recognition for the composer. Its performance history shows how musicians managed the logistics of professional life: forming and sustaining relationships, organizing concerts and tours, and promoting their work in the musical press. The book's nuanced analytical approach and historical insights will allow students, performers and listeners a fresh appreciation of Farrenc's work.
Louise Talma: A Life in Composition (Cms Monographs And Sourcebooks In American Music Ser.)
by Kendra Preston LeonardAmerican composer Louise Talma (1906-1996) was the first female winner of two back-to-back Guggenheim Awards (1946, 1947), the first American woman to have an opera premiered in Europe (1962), the first female winner of the Sibelius Award for Composition (1963), and the first woman composer elected to the American Academy and Institute of Arts and Letters (1974). This book analyses Talma’s works in the context of her life, focusing on the effects on her work of two major changes she made during her adult life: her conversion to Catholicism as an adult, under the guidance of Nadia Boulanger, and her adoption of serial compositional techniques. Employing approaches from traditional musical analysis, feminist and queer musicology, and women’s autobiographical theory to examine Talma’s body of works, comprising some eighty pieces, this is the first full-length study of this pioneering composer. Exploring Talma’s compositional language, text-setting practices, and the incorporation of autobiographical elements into her works using her own letters, sketches, and scores, as well as a number of other relevant documents, this book positions Talma’s contributions to serial and atonal music in the United States, considers her role as a woman composer during the twentieth century, and evaluates the legacy of her works and career in American music.
Louisiana Saturday Night: Looking for a Good Time in South Louisiana's Juke Joints, Honky-Tonks, and Dance Halls (Southern Messenger Poets)
by Alex V. CookFrom backwoods bars and small-town dives to swampside dance halls and converted clapboard barns, Louisiana Saturday Night offers an anecdotal history and experiential guidebook to some of the Gumbo State's most unique blues, Cajun, and zydeco clubs. Music critic Alex V. Cook uncovers south Louisiana's wellspring of musical tradition, showing us that indigenous music exists not as an artifact to be salvaged by preservationists, but serves as a living, breathing, singing, laughing, and crying part of Louisiana culture. Louisiana Saturday Night takes the reader to both offbeat and traditional venues in and around Baton Rouge, Cajun country, and New Orleans, where we hear the distinctive voices of musicians, patrons, and owners -- like Teddy Johnson, born in the house that now serves as Teddy's Juke Joint. Along the way, Cook ruminates on the cultural importance of the people and places he encounters, and shows their critical role in keeping Louisiana's unique music alive. A map, a journal, a snapshot of what goes on in the little shacks off main roads, Louisiana Saturday Night provides an indispensable and entertaining companion for those in pursuit of Louisiana's quirky and varied nightlife.
Louisiana's Zydeco
by Sherry T. BroussardThe bayou sings and the trees sway with the untold stories of many unsung heroes, including Louisiana's amazing Zydeco musicians. The music is an extraordinary blend of the accordion, the bass and electric guitars, the drums, the rub or scrub board, and other instruments. It tells stories about finding and losing love, life lessons, and other revelatory events that rise from the skillful hands of musicians playing the diatonic and piano accordions. The diverse population of Louisiana creates a rich culture with Zydeco festivals, Creole foods, and the unique music that fills the air with a foot-stomping beat like no other. Louisiana's Zydeco is a snapshot of some of the many musicians who live and play the homegrown music known as Zydeco.
Louisville Jug Music: From Earl McDonald to the National Jubilee (Music Ser.)
by Michael L. JonesForged on the Ohio and Mississippi Rivers during the nineteenth century, jug band music was the early soundtrack for a new nation. Louisville was at the heart of it all. German and Irish immigrants, former slaves en route to Chicago and homesteaders moving into the city created a fertile ground for this new sound. Artists like Earl McDonald and his Original Louisville Jug Band made the city legendary. Some stayed in this so-called money town, passing on licks and melodies that still influence bands like the Juggernaut Jug Band. Tune in to Louisville's jug band music history with local writer Michael Jones and discover a tradition that has left a long-lasting impression on America's musical culture.
Love & Death: The Murder of Kurt Cobain
by Ian Halperin Max WallaceA stunning and groundbreaking investigation into the death of one of the great rock icons of our times -- revealing new evidence that points to a terrible conclusion. On Friday, April 8, 1994, a body was discovered in a room above a garage in Seattle. For the attending authorities, it was an open-and-shut case of suicide. What no one knew then, however, and which is only being revealed here for the very first time, is that the person found dead that day -- Kurt Cobain, the superstar frontman of Nirvana -- was murdered. In early April 1994, Cobain went missing for days, or so it seemed; in fact, some people knew where he was, and one of them was Courtney Love. Now a star in Hollywood and rock music, in early 1994 she was preparing to release her major label debut with her band, Hole, and what she knew then, though few others did, was that Cobain was planning to divorce her. Love & Death paints a critical portrait of Courtney Love; it also reveals for the first time the case tapes made by Love's own P.I., Tom Grant, a man on a mission to find the truth about Kurt Cobain's demise; and introduces us to a number of characters who feature in various theories about plots to kill Cobain. In addition, Cobain's grandfather goes public, charging that his grandson was murdered. Drawing on new forensic evidence and police reports obtained under the Freedom of Information Act, the book explodes the myths that have long convinced the world that Cobain took his own life, and reveals that the official scenario was scientifically impossible. Against a background of at least sixty-eight copycat suicides since 1994, award-winning investigative journalists Max Wallace and Ian Halperin have conducted a ten-year crusade for the truth, and in Love & Death they are finally able to present a chilling and convincing case that each and every one of these suicides was preventable -- and in doing so, they call for this case to be reopened and properly investigated.
Love & Pain: The epic times and crooked lines of life inside and outside Silverchair
by Ben Gillies Chris JoannouThis is the powerful, untold story of two of the three members of Silverchair, Australia's most awarded musical act. From their beginnings in Ben Gillies' garage, this trio of high school kids from Newcastle, New South Wales, became famous with their smash-hit single 'Tomorrow', setting them on a path to domination of the Australian charts, worldwide touring and fame.So much has been written about Silverchair over the years but very little has been said by the band's members. In Love & Pain, childhood friends Ben Gillies (drummer) and Chris Joannou (bass player) tell us tales about growing up across the road from each other and starting in Silverchair, wild stories from the peak of their days in the spotlight, and the ups and downs of how their lives have panned out since.While there are some funny, unforgettable rock 'n' roll stories, there is also all the love and pain that came with being in the band: the cost of fame and intense pressure on two teenagers who had no way of preparing for it; the navigation of their friendships with each other and their relationships with friends and family members; the mistakes they made and the successes they cherished. Gillies and Joannou write with vulnerability and raw and blistering honesty, making for an extraordinary account of a band adored by so many.
Love Becomes a Funeral Pyre: A Biography of The Doors
by Mick Wall'Explodes in to life from the opening paragraph' RECORD COLLECTORThink you know the story of Jim Morrison and The Doors? This revelatory and explosive biography from critically acclaimed rock journalist Mick Wall will make you think again.'The pick of the best guitar tomes: Wall's account pulls no punches, cataloguing each of the primal scenes - early performances, indecent exposure, Jim's sexuality, decline and death' GUITARISTIn 1971, Jim Morrison was found dead in a club toilet in Paris. He was 27 years old. Since then, The Doors have been the subject of a mystery fuelled by sensationalised rumours and empty conjecture.In this definitive account of Jim Morrison and The Doors, critically acclaimed rock writer Mick Wall unravels the myths surrounding the iconic band and its frontman, and captures the unique and unforgettable spirit of the sixties. A brilliantly penetrating and long-overdue biography, Love Becomes a Funeral Pyre questions the idolisation of Jim Morrison and considers the story of The Doors in all of its uncomfortable truth.
Love Becomes a Funeral Pyre: A Biography of The Doors
by Mick Wall'Explodes in to life from the opening paragraph' RECORD COLLECTORThink you know the story of Jim Morrison and The Doors? This revelatory and explosive biography from critically acclaimed rock journalist Mick Wall will make you think again.'The pick of the best guitar tomes: Wall's account pulls no punches, cataloguing each of the primal scenes - early performances, indecent exposure, Jim's sexuality, decline and death' GUITARISTIn 1971, Jim Morrison was found dead in a club toilet in Paris. He was 27 years old. Since then, The Doors have been the subject of a mystery fuelled by sensationalised rumours and empty conjecture.In this definitive account of Jim Morrison and The Doors, critically acclaimed rock writer Mick Wall unravels the myths surrounding the iconic band and its frontman, and captures the unique and unforgettable spirit of the sixties. A brilliantly penetrating and long-overdue biography, Love Becomes a Funeral Pyre questions the idolisation of Jim Morrison and considers the story of The Doors in all of its uncomfortable truth.