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Making and Marketing Music: The Musician's Guide to Financing, Distributing, and Promoting Albums
by Jodi SummersThis industry-savvy guide will help musicians of all levels make the album that best complements their skills and meets their career objectives. Revealed here are the who, what, where, when and how of album making, and the tools to sell and prosper in the business. Included are interviews with P. Diddy, Ozzy Osbourne, and members of Linkin Park, and other top industry professionals.Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Making the Great Book of Songs: Compilation and the Author's Craft in Abû I-Faraj al-Isbahânî's Kitâb al-aghânî (Routledge Studies in Middle Eastern Literatures)
by Hilary KilpatrickThis is the first systematic literary study of one of the masterpieces of classical Arabic literature, the fourth/tenth century Kitâb al-aghânî (The Book of Songs) by Abû I-Faraj al-Isbahânî. Until now the twenty-four volume Book of Songs has been regarded as a rather chaotic but priceless mine of information about classical Arabic music, literature and culture. This book approaches it as a work of literature in its own right, with its own internal logic and coherence. The study also consistently integrates the musical component into the analysis and proposes a reading of the work in which individual anecdotes and poems are related to the wider context, enhancing their meaning.
Making the March King: John Philip Sousa's Washington Years, 1854-1893
by Patrick WarfieldJohn Philip Sousa's mature career as the indomitable leader of his own touring band is well known, but the years leading up to his emergence as a celebrity have escaped serious attention. In this revealing biography, Patrick Warfield explains the making of the March King by documenting Sousa's early life and career. Covering the period 1854 to 1893, this study focuses on the community and training that created Sousa, exploring the musical life of late nineteenth-century Washington, D.C., and Philadelphia as a context for Sousa's development. Warfield examines Sousa's wide-ranging experience composing, conducting, and performing in the theater, opera house, concert hall, and salons, as well as his leadership of the United States Marine Band and the later Sousa Band, early twentieth-century America's most famous and successful ensemble. Sousa composed not only marches during this period but also parlor, minstrel, and art songs; parade, concert, and medley marches; schottisches, waltzes, and polkas; and incidental music, operettas, and descriptive pieces. Warfield's examination of Sousa's output reveals a versatile composer much broader in stylistic range than the bandmaster extraordinaire remembered as the March King. Warfield presents the story of Sousa as a self-made business success, a gifted performer and composer who deftly capitalized on his talents to create one of the most entertaining, enduring figures in American music.
Making the Scene in the Garden State: Popular Music in New Jersey from Edison to Springsteen and Beyond
by Dewar MacLeodMaking the Scene in the Garden State explores New Jersey’s rich musical heritage through stories about the musicians, listeners and fans who came together to create sounds from across the American popular music spectrum. The book includes chapters on the beginnings of musical recording in Thomas Edison’s factories in West Orange; early recording and the invention of the Victrola at Victor Records’ Camden complex; Rudy Van Gelder’s recording studios (for Blue Note, Prestige, and other jazz labels) in Hackensack and Englewood Cliffs; Zacherley and the afterschool dance television show Disc-o-Teen, broadcast from Newark in the 1960s; Bruce Springsteen’s early years on the Jersey Shore at the Upstage Club in Asbury Park; and, the 1980s indie rock scene centered at Maxwell’s in Hoboken. Concluding with a foray into the thriving local music scenes of today, the book examines the sounds, sights and textures of the locales where New Jerseyans have gathered to rock, bop, and boogie.
Malayan Emergency: Triumph of the Running Dogs, 1948–1960 (Cold War, 1945–1991)
by Gerry van TonderWhen the world held its breath It is 25 years since the end of the Cold War, now a generation old. It began over 75 years ago, in 1944long before the last shots of the Second World War had echoed across the wastelands of Eastern Europewith the brutal Greek Civil War. The battle lines are no longer drawn, but they linger on, unwittingly or not, in conflict zones such as Iraq, Somalia and Ukraine. In an era of mass-produced AK-47s and ICBMs, one such flashpoint was Malaya By the time of the 1942 Japanese occupation of the Malay Peninsula and Singapore, the Malayan Communist Party (MCP) had already been fomenting merdeka independence from Britain. The Japanese conquerors, however, were also the loathsome enemies of the MCPs ideological brothers in China. An alliance of convenience with the British was the outcome. Britain armed and trained the MCPs military wing, the Malayan Peoples Anti-Japanese Army (MPAJA), to essentially wage jungle guerrilla warfare against Japanese occupying forces. With the cessation of hostilities, anti-Japanese became anti-British, and, using the same weapons and training fortuitously provided by the British army during the war, the MCP launched a guerrilla war of insurgency.Malaya was of significant strategic and economic importance to Britain. In the face of an emerging communist regime in China, a British presence in Southeast Asia was imperative. Equally, rubber and tin, largely produced in Malaya by British expatriates, were important inputs for British industry. Typically, the insurgents, dubbed Communist Terrorists, or simply CTs, went about attacking soft targets in remote areas: the rubber plantations and tin mines. In conjunction with this, was the implementation of Maos dictate of subverting the rural, largely peasant, population to the cause. Twelve years of counterinsurgency operations ensued, as a wide range of British forces were joined in the conflict by ground, air and sea units from Australia, New Zealand, Southern and Northern Rhodesia, Fiji and Nyasaland.
Mallarmé Wagner: Music and Poetic Language
by Heath LeesThis book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannhäuser, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to
Mama Don't Allow
by Thacher HurdTOO LOUD! WHAT A RACKET! UNBEARABLE! Why don't you practice outside, dear? Not only Miles' parents, but the whole neighborhood has had enough of Miles' new saxophone! However, when Miles teams up with three other musicians to form the Swamp Band, their music suddenly gets a startlingly different reception. "We love that Swamp Band music!" yell the sharp-toothed, long-tailed, yellow-eyed alligators. "We like it LOUD! Come and play for the Alligator Ball." The Swamp Band is delighted . . . but little do they know what is in store for them after their first all-night jamboree. Every noise-loving child (and noise-hating parent) will revel in Thacher Hurd's funny, jazzy tale inspired by the traditional American song "Mama Don't Allow." Presch-3
Mama Mable's All-Gal Big Band Jazz Extravaganza!
by Annie SiegDebut author-illustrator Annie Sieg takes young readers on an inspiring trip to the music halls of the 1940s, when groups of young female musicians broke racial and gender barriers--and forever changed the face of jazz. Everyone knows about Rosie the Riveter, the icon for working women during World War II. Now prepare to meet a group of young women who did the same for music! From saxophonists and drummers to trumpeters, pianists, trombonists, and singers, talented young women across the country picked up their instruments--and picked up the spirits of an entire nation--during the dark days of World War II. Together they formed racially integrated female bands and transformed the look and sound of jazz, taking important strides for all women in the world of music. Debut author-illustrator Annie Sieg shines a spotlight on the young women who epitomized the sound and spirit of jazz of the era, while opening young readers' eyes and ears to the role of women then and now in music.
Man in the Music: The Creative Life And Work Of Michael Jackson
by Joseph VogelFor half a century, Michael Jackson’s music has been an indelible part of our cultural consciousness. Landmark albums such as Off the Wall and Thriller shattered records, broke racial barriers, amassed awards, and set a new standard for popular music. While his songs continue to be played in nearly every corner of the world, however, they have rarely been given serious critical attention. The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with the collaborators, engineers, producers, and songwriters who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals the inspirations, demos, studio sessions, technological advances, setbacks and breakthroughs, failures and triumphs, that gave rise to an immortal body of work.
Man of Constant Sorrow: My Life and Times
by Ralph StanleyA legend looks back on his six decades in music. <P> Ralph Stanley was born in 1927 in a corner of Virginia known as Big Spraddle Creek, a place where music echoed from the ridge tops, was belted out by workers in the fields, and resonated in the one-room country church where Ralph first found his voice. For his eleventh birthday, Ralph was given five dollars, and had to chose between buying a sow or a banjo. He chose the banjo, which his mother taught him to play in the clawhammer style. In 1946, he combined his banjo with his brother Carter's guitar, and the two blended their voices into one as the Stanley Brothers. For twenty years the Stanleys chased the dream through good times and hard times, until the hard times caught up to Carter and he succumbed to liver disease at age 41. In the four decades since his brother's passing, Ralph has brought his music from the hills and hollows of southwest Virginia to the wide world. <P> Now in his eighties and still touring, Ralph has at last grown into his voice and is ready to tell his story. In Man of Constant Sorrow, Ralph looks back on his career in what most call bluegrass but what he prefers to call "old time mountain music." He recounts the creation of hundreds of classic tracks, including "White Dove," "Rank Stranger," and his signature song, "Man of Constant Sorrow." He tells tales from a life spent on road with his band the Clinch Mountain Boys, explains his distinctive "Stanley style" of banjo-playing, crosses paths with everyone from Bill Monroe to Bob Dylan, and reflects on his late-career resurgence sparked by an unlikely Grammy win in 2002 for his song "O Death." He also raises a dirge for Appalachia, his mountain home that is quickly disappearing. <P> Harmonized with equal measures of tragedy and triumph, Man of Constant Sorrow is the stirring testament of a giant of American music.
Man of La Mancha: A Musical Play
by Dale WassermanThis is a powerful story of a man, disillusioned with everyday life, who decides to become a Knight Errant and go out forth into the world righting all wrongs.
Man on the Run
by Tom DoyleAn illuminating look at the most tumultuous decade in the life of a rock icon--the only McCartney biography in decades based on firsthand interviews with the ex-Beatle himself. As the 1970s began, the Beatles ended, leaving Paul McCartney to face the new decade with only his wife Linda by his side. Holed up at his farmhouse in Scotland, he sank into a deep depression. To outsiders, McCartney seemed like a man adrift--intimidated by his own fame, paralyzed by the choices that lay before him, cut loose from his musical moorings. But what appeared to be the sad finale of a glorious career was just the start of a remarkable second act. The product of a long series of one-on-one interviews between McCartney and Scottish rock journalist Tom Doyle, Man on the Run chronicles Paul McCartney's decadelong effort to escape the shadow of his past, outrace his critics, and defy the expectations of his fans. From the bitter and painful breakup of the Beatles to the sobering wake-up call of John Lennon's murder, this is a deeply revealing look at a sometimes frightening, often exhilarating period in the life of the world's most famous rock star. Sensing that he had nowhere to go but up, Paul McCartney started over from scratch. With emotional--and musical--backing from Linda, he released eccentric solo albums and embarked on a nomadic hippie lifestyle. He formed a new band, Wings, which first took flight on a ramshackle tour of British university towns and eventually returned Paul to the summit of arena rock superstardom. In Man on the Run, Doyle follows McCartney inside the recording sessions for Wings' classic album Band on the Run--and provides context for some of the baffling misfires in his discography. Doyle tracks the dizzying highs and exasperating lows of a life lived in the public spotlight: the richly excessive world tours, the Japanese drug bust that nearly ended McCartney's career, his bitter public feuds with his erstwhile Beatle bandmates, and the aftermath of an infamous drug-and-alcohol-fueled jam session where McCartney helped reconcile the estranged John Lennon and Yoko Ono. For Paul McCartney, the 1970s were a wild ride with some dark turns. Set against the backdrop of a turbulent decade, Man on the Run casts the "sunny Beatle" in an entirely new light.Advance praise for Man on the Run "Tom Doyle's Man on the Run is a riveting dispatch from the seventies. Paul McCartney's story is told with clever pacing, unflinching honesty, and a gripping narrative drive that benefits from his intimate participation via interviews and support. This is simply one of the best rock biographies anyone has written."--Stephen Davis, bestselling author of Hammer of the Gods and Watch You Bleed "Man on the Run is simply brimming with enough fascinating facts and expertly rendered anecdotes to make even the most ardent McCartney follower do an abrupt about-face. Maybe I'm amazed? You better believe it."--Kent Hartman, music industry executive and bestselling author of The Wrecking Crew "What happens when you can do anything you like but nothing will ever be good enough? Doyle makes sense of a stoned shaggy dog story that has none of the narrative neatness of the Beatles' rise and fall."--The Guardian (U.K.), "Music Books of the Year" "[Doyle] offers a level-headed and admirably nonjudgmental portrait of a turbulent ten years, punctuated by great music, creative misfires and frequent run-ins with the law."--Sunday Express (U.K.)From the Hardcover edition.
Managing Artists in Pop Music: What Every Artist and Manager Must Know to Succeed
by Mitch Weiss Perri GaffneyMusic managers and artists will learn the secrets of successful management with scenarios from a manager's work life along with the legal and business skills to master them. Through stories of real-life famous artist-manager teams, the authors analyze, criticize, and detail what a manager ought to learn to be an effective advisor and representative.The book teaches future music managers and artists how to acquire clients, negotiate contracts, develop image, administer taxes and finances, and deal with promoters, media, attorneys, and unions. A special chapter addresses artists, advising them on what to look for in a manager, how to sign fair management contracts, and how to avoid career manipulation. Packed with industry guidelines, sample contracts, and sure-fire career tips from industry icons, this book is a professional springboard for music managers, recording artists, singers, and rock bands alike.
Manchester's Military Legacy (Military Legacy)
by Steven DickensThe establishment of the Roman fort of Mamucium in AD79 is the first known record of any military construction, or presence, in the area that is now the Castlefield district of the city. The Roman auxiliary units posted here used the fort as a garrison, located at Mamucium for the purpose of protecting the Roman road from Chester (Deva Victrix) to York (Eboracum). The site was previously occupied, as a defensive hill fort, by the ancient Britons, or Brigantes, who were native to the area.The next epoch of military activity at Manchester occurred in the Civil War and the Siege of Manchester in 1642. Manchesters declaration as a Parliamentarian town had far-reaching consequences, in terms of its military legacy, on the voting rights of Mancunians. Upon his restoration Charles II removed Manchesters two MPs from Parliament and Manchester was not to receive any political representation until the Reform Act of 1832.The Peterloo Massacre, of August 1819, was the scene of a mass rally brought about by a desire to repeal the Corn Laws, introduce universal suffrage and reform other repressive legislation. The cavalry charge which resulted in the deaths of an estimated eighteen innocent protesters and the wounding of over 500, took place at St. Peters Field (now Square) in the heart of the city. Its legacy resulted in the establishment of the Manchester Guardian and the rise of radical freethinking in the city, not always welcomed by those in authority.Both World Wars have had a profound influence on the city. The establishment of the Manchester Regiment is detailed and later the Manchester Pals are recalled through the pages of the local press. Heaton Park became their base, whilst General Kitchener visited the city, in order to boost recruitment. Later the Luftwaffes bombing campaign of December 1940, the Manchester Blitz, left the city with a legacy that has changed it beyond all recognition into the twenty-first century.
Mandolin Exercises For Dummies
by Don JulinLearn to:Build your skills playing scalesPlay arpeggios with confidenceMaster chord forms and progressionsPractise makes perfect with this hands-on resource for mandolin players of all skill levelsFor mandolin players, practise makes perfect! Use this hands-on resource to get the most out of your practise sessions. Get hundreds of exercises in various keys and positions, use drills to help practise time, build your technique like a pro, practise scales and full-length pieces, and much more. Take your mandolin playing to the next level today!Get ready -- pick up an overview of the fundamentals, use exercises to limber up, and much moreExplore arpeggios -- dive into the major and minor arpeggios with triad patterns, then move on to major 7th and minor 7th patternsAll about chords -- practise major and minor inversions, and get groovy with major 7th chord inversionsGet on the scales -- start up with the major scales, then move on to mastering the minor scales with practise exercisesTips and tricks -- get tips to help you practise better, including using a metronome, playing with recordings, and moreOpen the book and find:A full review of the basics and reading musicWarm-ups specific to mandolin playersMajor and minor scale patternsPractise exercises for chords and scalesTips and exercises for connecting scale patternsTricks for chord progressions, along with practise notesTen tunes to practise everything at once
Mandolin For Dummies
by Don JulinThe fun and easy way to learn to play the mandolinThe newest addition to the highly successful Dummies instrument-instruction line, Mandolin For Dummies gives you easy-to-follow, step-by-step instruction on learning to play the mandolin. Following the time-tested Dummies format, Mandolin For Dummies provides a level of content and instruction greater than anything currently available.Mandolin For Dummies breaks down the fundamentals of this instrument and provides the resources you need to practice and improve your ability over time.Packed with individualized instruction on key mandolin-friendly musical styles, including Irish and Celtic, "old time" American music, blues, bluegrass, swing, and jazzFiles available via download provide audio tracks from the book and exercises so you can play along and build your skills -- almost 2 hours of music!Clear and useful photos and diagrams ensure you fret, strum, and pick with precisionIncludes a mandolin buying guide to help ensure you make the right purchasesTips on restringing mandolins and other DIY care and maintenance topicsIf you're an aspiring mandolin player, don't fret! Mandolin For Dummies has you covered.
Mandolin For Dummies
by Don JulinLearn how fretting and picking can entertain friends! The mandolin is making a big comeback among music enthusiasts. A longtime staple of bluegrass, folk, jazz, and country music, this fast-pickin’ favorite featured heavily in traditional music from around the world is now seeing a resurgence in global pop. In Mandolin For Dummies, accomplished composer, performer, and mandolin guru Don Julin breaks down the history and fundamentals of this versatile instrument, showing how you too can fret, pick, and strum with the best in the business. Packed with photos and diagrams to help you perfect your hand positioning, you’ll make your way through a plethora of mandolin-friendly musical styles and learn how to take good care of your instrument—paying it back for all the pleasure it brings to you and your friends. Buy the right mandolin for you Pick up key musical styles Play along with downloadable exercises Restring your instrument Whether this is your first instrument or you’re adding to your repertoire, this little number has everything you need to get the most out of your mandolin!
Mandolin Man: The Bluegrass Life of Roland White (Music in American Life)
by Bob BlackRoland White’s long career has taken him from membership in Bill Monroe’s Blue Grass Boys and Lester Flatt’s Nashville Grass to success with his own Roland White Band. A master of the mandolin and acclaimed multi-instrumentalist, White has mentored a host of bluegrass musicians and inspired countless others. Bob Black draws on extensive interviews with White and his peers and friends to provide the first in-depth biography of the pioneering bluegrass figure. Born into a musical family, White found early success with the Kentucky Colonels during the 1960s folk revival. The many stops and collaborations that marked White's subsequent musical journey trace the history of modern bluegrass. But Black also delves into the seldom-told tale of White's life as a working musician, one who endured professional and music industry ups-and-downs to become a legendary artist and beloved teacher. An entertaining merger of memories and music history, Mandolin Man tells the overdue story of a bluegrass icon and his times.
Manic Street Preachers: Album by Album
by Marc BurrowsIn a career that’s spanned thirty-five years and generated fourteen albums, fifty-three singles (two of them UK number ones), four Brit Awards, two Ivor Novellas and inspired literally hundreds of university dissertations, quite a few PhD’s and the odd specialist subject on Mastermind, Manic Street Preachers have become, in the words of their 2011 singles collection, national treasures. The Welsh trio (who, to many, will always be a quartet) have a uniquely intense impact on their fans; educating them as much as they entertain and inspire. This book collects fourteen brand new essays, one for each Manics album, from fourteen different writers from diverse backgrounds, tracing the band’s impact on fans and culture and setting each of their works, from 1992’s Generation Terrorists to 2018’s Resistance Is Futile and beyond, into context. The essays are linked by a detailed month-by-month biography by music critic and Manics fan Marc Burrows (The Guardian, The Quietus, Drowned In Sound), who compiled and edited the book, tracing the band’s development from glamourpuss upstart intellectuals to the elder statesmen of British indie rock, via an era-defining run of hits, an historic trip to Cuba and one vanished genius. Manic Street Preachers: Album by Album includes a complete discography and is sourced from in-depth archival research, making it one of the most comprehensive and detailed works devoted to the band yet compiled.
Manifest Technique: Hip Hop, Empire, and Visionary Filipino American Culture (Asian American Experience #1)
by Mark R. VillegasAn obscured vanguard in hip hop Filipino Americans have been innovators and collaborators in hip hop since the culture’s early days. But despite the success of artists like Apl.de.Ap of the Black Eyed Peas and superstar producer Chad Hugo, the genre’s significance in Filipino American communities is often overlooked. Mark R. Villegas considers sprawling coast-to-coast hip hop networks to reveal how Filipino Americans have used music, dance, and visual art to create their worlds. Filipino Americans have been exploring their racial position in the world in embracing hip hop’s connections to memories of colonial and racial violence. Villegas scrutinizes practitioners’ language of defiance, placing the cultural grammar of hip hop within a larger legacy of decolonization. An important investigation of hip hop as a movement of racial consciousness, Manifest Technique shows how the genre has inspired Filipino Americans to envision and enact new ideas of their bodies, their history, and their dignity.
Manuel de Falla and Visions of Spanish Music
by Michael ChristoforidisMichael Christoforidis is widely recognized as a leading expert on one of Spain's most important composers, Manuel de Falla. This volume brings together both new chapters and revised versions of previously published work, some of which is made available here in English for the first time. The introductory chapter provides a biographical outline of the composer and characterisations of both Falla and his music during his lifetime. The sections that follow explore different facets of Falla’s mature works and musical identity. Part II traces the evolution of his flamenco-inspired Spanish style through contacts with Claude Debussy, Maurice Ravel and Igor Stravinsky, while Part III explores the impact of post-World War I modernities on Falla’s musical nationalism. The final part reflects on aspects of Falla’s music and the politics of Spain in the 1930s and 1940s. Situating his discussion of these aspects of Falla's music within a broader context, including currents in literature and the visual arts, Christoforidis provides a distinctive and original contribution to the study of Falla as well as to the wider fields of musical modernism, exoticism, and music and politics.
Manuscript Inscriptions in Early English Printed Music (Music and Material Culture)
by David GreerWho were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of … T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
Mapping India: Transitions and Transformations, 18th–19th Century
This book presents an alternate history of colonial India in the 18th and the 19th centuries. It traces the transitions and transformations during this period through art, literature, music, theatre, satire, textiles, regime changes, personal histories and migration. The essays in the volume examine historical events and movements which questioned the traditional parameters of identity and forged a new direction for the people and the nation. Viewing the age through diverse disciplinary angles, the book also reflects on the various reimaginings of India at the time. This volume will be of interest to academics and researchers of modern Indian history, cultural studies and literature. It will also appeal to scholars interested in the anthropological, sociological and psychological contexts of imperialism.
Mapping Musical Signification (Numanities - Arts and Humanities in Progress #15)
by Joan GrimaltThis book is a unique attempt to systematize the latest research on all that music connotes. Musicological reflections on musically expressive content have been pursued for some decades now, in spite of the formalist prejudices that can still hindermusicians and music lovers. The author organizes this body of research so that both professionals and everyday listeners can benefit from it – in plain English, but without giving up the level of depth required by the subject matter. Two criteria have guided his choice among the many ways to speak about musical meaning: its relevance to performance, and its suitability to the teaching context.The legacy of the so-called art music, without an interpretive approach that links ancient traditions to our present, runs the risk of missing the link to the new generations of musicians and listeners. Complementing the theoretical, systematic content, each chapter includes a wealth of examples, including the so-called popular music.
Mapping the Motet in the Post-Tridentine Era
by Esperanza Rodríguez-García Daniele V. FilippiMapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. <P><P>Beyond the genre’s rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. <P><P>Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).