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Me & Patsy Kickin' Up Dust: My Friendship with Patsy Cline

by Loretta Lynn Patsy Lynn Russell

Me & Patsy Kickin' Up Dust shares the"important and inspiring" (Miranda Lambert) never-before-told complete story of the remarkable relationship between country music icons Patsy Cline and Loretta Lynn. Loretta Lynn and the late Patsy Cline are legends--country icons and sisters of the heart. For the first time ever Loretta tells their story: a celebration of their music and their relationship up until Patsy's tragic and untimely death.Full of laughter and tears, this eye-opening, heartwarming memoir paints a picture of two stubborn, spirited country gals who'd be damned if they'd let men or convention tell them how to be. Set in the heady streets of the 1960s South, this nostalgia ride shows how Nashville blossomed into the city of music it is today. Tender and fierce, Me & Patsy Kickin' Up Dust is an up-close-and-personal portrait of a friendship that defined a generation and changed country music indelibly--and a meditation on love, loss and legacy.

Me and Mr. Jones: My Life with David Bowie and the Spiders from Mars

by Suzi Ronson

A luminescent memoir from the stylist who created David's iconic Ziggy Stardust look, painting a dazzling picture of Bowie and the wild world of his entourage during this pivotal moment in pop history. From the stylist behind David Bowie&’s Ziggy Stardust look, an electrifying memoir taking readers behind the curtains during a legendary chapter of pop culture history. Suzi Ronson was working in an English hair salon in the early 1970s when Mrs. Jones came in for her weekly shampoo and set. After being introduced to her son, David, and his wife, Angie, she soon finds herself at the Bowies' bohemian apartment and embroiled in their raucous world. Having crafted his iconic Ziggy Stardust hairstyle, Suzi becomes the only working woman in David's touring party and joins The Spiders from Mars as they perform around the globe. Amid the costume blunders, parties, and groupies she meets her husband-to-be, Mick Ronson, and together they traverse the absurdities of life in rock & roll, falling in with the likes of Iggy Pop, Bob Dylan, and Lou Reed along the way. Dazzling and intimate in equal measure, Me and Mr. Jones provides not only a unique perspective into one of the most beguiling stars in the history of pop music but also of a world on the cusp of cultural transformation.

Me and Paul: Untold Stories of a Fabled Friendship

by Willie Nelson

&“I&’ve got this song that begs to be a book and a book that begs to read like a song--a long, romping ballad of sweetness and scandal bridging seven decades of friendship . . .&”Immortalized in Willie Nelson&’s road song &“Me and Paul,&” Paul English was the towering figure who for 70 years acted as Willie&’s drummer, bodyguard, accountant, partner in crime, and right-hand man.Together, the two men roamed the country, putting on shows, getting into a few scrapes, raising money for good causes, and bringing the joy of their music to fans worldwide. Stories of Willie and Paul&’s misadventures became legendary, but many have gone untold--until now.Set against the backdrop of the exploding Americana music scene and told in Willie&’s inimitable, colorful style, Me and Paul follows the two performers through their decades-long careers.

Me and Sister Bobbie: True Tales of the Family Band

by David Ritz Willie Nelson Bobbie Nelson

The untold story of Willie Nelson and his sister, Bobbie, who, over the course of their lives together, supported each other through personal tragedies and triumphs and forged an unbreakable bond through their shared love of music <p><p> Abandoned by their parents as toddlers, Willie and Bobbie Nelson found their love of music almost immediately through their grandparents, who raised them in a small Texas town. Their close relationship—which persists today—is the longest-lasting bond in both their lives. <p> In alternating chapters, this heartfelt dual memoir weaves together both their stories as they experienced them side by side and apart. The Nelsons share powerful, emotional moments from growing up, playing music in public for the first time, and facing trials in adulthood, as Willie pursued songwriting and Bobbie faced a series of challenging relationships and a musical career that took off only when attitudes about women began to change in Texas. The memoir is Bobbie’s first book, and in it she candidly shares her life story in full for the first time. Her deeply affecting chapters delve into her personal relationships and life as a mother and as a musician with technical skills that even Willie admits surpass his own. In his poignant stories, Willie shares the depth of his bond with his sister, and how that bond carried him through his most troubled moments. Willie and Bobbie have supported each other through unthinkable personal heartbreak, and they’ve always shared in each other’s victories. Through dizzying highs and traumatic lows, spanning almost nine decades of life, Willie and Bobbie have always had each other’s back. <p> Their story is an inspiring, lyrical statement of how family always finds the way.

Me and a Guy Named Elvis

by Chuck Crisafulli Jerry Schilling

Commemorating the thirtieth anniversary of Elvis?s death, an intimate memoir of a friendship with the greatest artist in rock and roll history, taking you from late-night parties at Graceland to the bright lights of Hollywood sets and glittering stages of Vegas. On a lazy Sunday in 1954, twelve-year-old Jerry Schilling wandered into a Memphis touch football game, only to discover that his team was quarterbacked by a nineteen-year-old Elvis Presley, the local teenager whose first record, ?That?s All Right,? had just received its first play on Memphis radio. The two became fast friends, even as Elvis turned into the world?s biggest star. In 1964, Elvis invited Jerry to work for him as part of his ?Memphis Mafia,? and Jerry soon found himself living with Elvis full-time in a Bel Air mansion and, later, in his own room at Graceland. Over the next thirteen years Jerry would work for Elvis in various capacities?from bodyguard to photo double to co-executive producer on a karate film. Me and a Guy Named Elvis looks at Presley from a friend?s perspective, offering readers the man rather than the icon. Spanning Elvis?s meteoric rise to those later troubled years, Jerry?s story offers never-before-told stories about life inside Elvis?s inner circle, and an insightful, emotional recounting of the great times, hard times, and unique times he and Elvis shared. Schilling?s vivid memories will be priceless to Elvis?s millions of fans, and his compelling life story will be fascinating to an even wider audience.

Me, Inc.

by Mr Gene Simmons

The quintessential self-made man, master of brand identity, New York Times bestselling author, and award-winning executive--KISS's Gene Simmons--shares his manifesto for business success.KISS did not become one of the most successful rock bands in history by accident. Long before he first took the stage, Gene Simmons had a clear-cut operating plan for the business. Over the past forty years, KISS has sold more than 100 million CDs and DVDs worldwide and manages 5,000 licensed merchandise items--from comic books and coffins to action figures and video games. The band received a star on the Hollywood Walk of Fame, and in 2014 was inducted into the Rock and Roll Hall of Fame. In addition to KISS, Simmons's lucrative ventures include two hit reality shows, a professional sports team, a restaurant chain, and a record label. A recipient of the Forbes Lifetime Achievement Award, this brilliant executive runs all of his businesses on his own--no personal assistant, few handlers, and as little red tape as possible.In Me, Inc., Simmons gives aspiring entrepreneurs the critical tools they need to succeed. He discusses how to build a solid business strategy, harness the countless tools available in the digital age, educate yourself, and be the architect for the business entity that is you. Inspired by The Art of War, Me, Inc. is organized around thirteen specific, easy-to-understand principles for success--"The Art of More"--drawn from Simmons's own triumphs and failures. From finding the confidence necessary to get started, to surrounding yourself with the right people, to knowing when to pull the plug and when to double-down, these principles can help you attain the freedom and wealth of your dreams.

Me, the Mob, and the Music: One Helluva Ride with Tommy James & The Shondells

by Tommy James

Now in paperback, after five hardcover printings, Tommy James’s wild and entertaining true story of his career—part rock & roll fairytale, part valentine to a bygone era, and part mob epic—that “reads like a music-industry version of Goodfellas” (The Denver Post).Everyone knows the hits: “Hanky Panky,” “Mony Mony,” “I Think We’re Alone Now,” “Crimson and Clover,” “Crystal Blue Persuasion.” All of these songs, which epitomize great pop music of the late 1960s, are now widely used in television and film and have been covered by a diverse group of artists from Billy Idol to Tiffany to R.E.M. Just as compelling as the music itself is the life Tommy James lived while making it. James tells the incredible story, revealing his complex and sometimes terrifying relationship with Roulette Records and Morris Levy, the legendary Godfather of the music business. Me, the Mob, and the Music is a fascinating portrait of this swaggering, wildly creative era of rock ’n’ roll, when the hits kept coming and payola and the strong-arm tactics of the Mob were the norm, and what it was like, for better or worse, to be in the middle of it.

Me: Elton John Official Autobiography

by Elton John

In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life, from his rollercoaster lifestyle as shown in the film Rocketman, to becoming a living legend. <p><p> Christened Reginald Dwight, he was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed of becoming a pop star. By the age of twenty-three he was performing his first gig in America, facing an astonished audience in his bright yellow dungarees, a star-spangled T-shirt, and boots with wings. Elton John had arrived and the music world would never be the same again. <p> His life has been full of drama, from the early rejection of his work with song-writing partner Bernie Taupin to spinning out of control as a chart-topping superstar; from half-heartedly trying to drown himself in his LA swimming pool to disco-dancing with Princess Diana and Queen Elizabeth; from friendships with John Lennon, Freddie Mercury, and George Michael to setting up his AIDS Foundation to conquering Broadway with Aida, The Lion King, and Billy Elliot the Musical. All the while Elton was hiding a drug addiction that would grip him for over a decade. <p> In Me, Elton also writes powerfully about getting clean and changing his life, about finding love with David Furnish and becoming a father. In a voice that is warm, humble, and open, this is Elton on his music and his relationships, his passions and his mistakes. This is a story that will stay with you by a living legend.

Meal Deal With the Devil (Punx Ser.)

by Dan Abbot

Meal Deal With The Devil combines a five-song EP (including two "story songs") from the devious San Francisco Bay Area musical satirists Bobby Joe Ebola and the Children MacNuggits.<P><P> This read-along storybook, illustrated by Jason Chandler of Horrible Comics, is an adult version of those children's books you used to have with the record that let you know when to turn the page. The Meal Deal ebook will also magically play you three brand new & exclusive Bobby Joe Ebola tracks for bratty little monsters of all ages, as well as a two story song tracks that you can read along with! Chandler's detailed, full-color art brings the MacNuggits' wry, twisted humor to the page, an epic mashup that results in a hilarious carnival ride for the eyes and ears. This mutant offspring of comics and rock from the heroes of the underground is definitely for you, not your kiddos-and it's destined to be the kind of collector's item that won't stay on the shelf!

Mean Deviation: Four Decades of Progressive Heavy Metal

by Steven Wilson Jeff Wagner

Revered former Metal Maniacs editor Jeff Wagner analyzes the heady side of metal in this exhaustive narrative history of a relentlessly ambitious musical subculture. Beginning with the hugely influential mid-1970s efforts of Rush and King Crimson, Wagner unfurls a huge tapestry of sounds and styles, including Queensryche, Fates Warning, and Dream Theater; extreme prog pioneers Voivod and Celtic Frost; Norway’s post-black metal avant garde acts Ulver and Arcturus; and the 1990s global movement that spawned Ayreon, Pain of Salvation, and others. <p><p> Fighting a tide of tradition and conservatism, progressive metal has proven to be one of the most viable, malleable forms in all of modern music; here its preeminent scholar tells the tale.

Meaning and Interpretation of Music in Cinema

by David P. Neumeyer

By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film.

Meaning-Making in the Contemporary Congregational Song Genre

by Daniel Thornton

This book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians. Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians’ engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures.

Meanings of Music Participation: Scenarios from the United States (Routledge New Directions in Music Education Series)

by C. Victor Fung Lisa J. Lehmberg

This book uncovers the multifaceted nature of music participation through a collection of studies in a wide variety of musical contexts across the United States. The contributors combine personal voices and vivid narratives with scholarship to present many potential meanings of music participation, and lay out research-based implications for lifelong music education. Exploring music participation in choral and instrumental ensembles; school music classes and community groups; in-person and virtual spaces; among children, young adults, and older adults; and for native-born citizens and immigrants, the 10 original studies in this volume present a diverse portrait of musical engagement. The chapters draw out themes including enjoyment, identity development, learner autonomy, social interaction, motivation, commitment, and quality of life, and draw connections between musical meanings and philosophical principles from both Western and Eastern traditions. Linked by interludes that connect the empirical studies with philosophical interpretations, this volume brings together multiple methodologies and perspectives to consider the social, cultural, and psychological meanings of lifelong music participation. It offers a valuable resource for scholars, professionals, and students working in school and community music or music education research, as well as readers interested in general education, social psychology, lifelong learning, and aging studies.

Meantone Temperaments on Lutes and Viols (Publications of the Early Music Institute)

by David Dolata

Written for musicians by a musician, Meantone Temperaments on Lutes and Viols demystifies tuning systems by providing the basic information, historical context, and practical advice necessary to easily achieve more satisfying tuning results on fretted instruments. Despite the overwhelming organological evidence that many of the finest lutenists, vihuelists, and viola da gamba players in the Renaissance and Baroque eras tuned their instruments in one of the meantone temperaments, most modern early instrument players today still tune to equal temperament. In this handbook richly supplemented with figures, diagrams, and music examples, historical performers will discover why temperaments are necessary and how they work, descriptions of a variety of temperaments, and their application on fretted instruments. This technical book provides downloadable audio tracks and other tools for fretted instrument players to achieve more stable consonances, colorful dissonances, and harmonic progressions that vividly propel the music forward.

Mecano: El grupo español más importante de la historia

by Javier Adrados

La biografía definitiva y autorizada de Mecano. Hace cuarenta años que un adolescente llamado José María Cano le pidió a su hermano, Nacho, y a su novia, Ana, que le acompañaran en sus conciertos como cantautor por colegios mayores y bares de Madrid. En ese ambiente conocieron al productor musical Miguel Ángel Arenas, el "Capi", quien les recomendó que la voz principal fuera la de Ana y les consiguió un contrato con CBS. Así nació Mecano, sin imaginar que se convertiría en el fenómeno pop más importante de nuestra historia. Pero aún hay muchas preguntas sin responder sobre el grupo que ha vendido más de veinticinco millones de discos en todo el mundo. ¿Cómo se construyó Mecano? ¿Por qué provocaron esa feroz animadversión en los grupos de la movida madrileña? ¿Qué causó las tensiones entre los miembros de la banda que les llevaron a disolverse? Esta biografía es la respuesta a todos los interrogantes, un recorrido por la historia del grupo que aun a pesar de su desaparición, no ha dejado de sonar en ninguna de las emisoras de radio. La música de Mecano es presente

Media, Materiality and Memory: Grounding the Groove (Music and Material Culture)

by Elodie A. Roy

Media, Materiality and Memory: Grounding the Groove examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels, including Sarah Records, Ghost Box and Finders Keepers. Moving from Edison’s phonograph to digital music files, from record collections to online archives, Roy argues that materiality plays a crucial role in constructing and understanding the territory of recorded sound. How do musical objects ‘write’ cultural narratives? How can we unearth and reactivate past histories by looking at yesterday’s media formats? What is the nature, and fate, of the physical archive in an increasingly dematerialized world? In what ways do physical and digital musical objects coexist and intersect? With its innovative theoretical approach, the book explores the implications of materialization in the fashioning of a musical world and its cultural transmission. A substantial contribution to the field of music and material culture studies, Media, Materiality and Memory also provides a nuanced and timely reflection on nostalgia and forgetting in the digital age.

Medical Grade Music

by Steve Davis Kavus Torabi

The story of two outsiders and obsessives whose collision prompted an evangelistic alliance on the furthest frontiers of underground music.Steve Davis first met Kavus Torabi - guitarist with Gong, Guapo, Cardiacs and Knifeworld - in the mid-2000's at a gig by French underground rock legends Magma. Over the next few years, this unlikely duo's shared affinity for visionary psychedelic music would become the foundation of not only a firm friendship, but also the most infectiously inclusive broadcasting style since the much-mourned death of John Peel. In their weekly radio shows and a one-of-a-kind live DJ roadshow which included a legendary appearance at Glastonbury, Steve and Kavus mapped out a musical landscape of rare enchantment, where the only passport needed was a pair of open ears. No-one, least of all Davis and Torabi themselves, was expecting the 6-time former World Snooker champion and a British-Iranian underground rock musician to become one of the most trusted brands in British alternative music.As Steve and Kavus were starting to get to grips with the challenge of their newfound status, events took a further unexpected turn. Suddenly they found themselves in a band together. And not just any band ... as two thirds of Britain's (if not the world's) leading harmonium, guitar and analogue synth power-trio (with Michael J.York of Coil)The Utopia Strong, the two friends found themselves plunging into a vortex of spontaneous compositional excitement. How Steve and Kavus pulled this off is just one of the many questions MEDICAL GRADE MUSIC will try to answer. Part sonic memoir, part Socratic dialogue, part gonzo mission to the heart of what makes music truly psychedelic this book is the first work of joint autobiography to ever trace the evolution of a life-changing friendship through the discographies of Gentle Giant and Voivod. From the chip-shops of Plumstead to the the wildest shores of Plymouth's nineties thrash scene. it's a funny and fearless buddy movie of the soul, with a soundtrack that will make your eyes bleed.

Medieval Instrumental Dances

by Timothy J. McGee

In Europe the tradition of secular dance has continued unbroken until the present. In the late Middle Ages it was an important and frequent event—for the nobility a gracious way to entertain guests, for the peasantry a welcome relaxation from the toils of the day. Now back in print, this collection presents compositions that are known or suspected to be instrumental dances from before ca. 1420. The 47 pieces vary in length and style and come from French, Italian, English, and Czech sources. Timothy McGee relates medieval dances to the descriptions found in literary, theoretical, and archival sources and to the depictions in the iconography of the Middle Ages. In a section on instrumental performance practices, he provides information about ornamenting the dances and improvising in a historically appropriate style. This comprehensive edition brings together in one volume a repertory that has been scattered over many years and countries.

Medieval Music (Routledge Library Editions: The Medieval World #8)

by John Caldwell

Originally published in 1978, Medieval Music explores the fascinating development of medieval western music from its often obscure origins in the Jewish synagogue and early Church, to the mid-fifteenth century. The book is intended as a straightforward survey of medieval music and emphases the technical aspects such as form, style and notation. It is illustrated by nearly one hundred musical examples, the majority of which have been transcribed from original sources and many of which contains chapters on Latin chant and other forms of sacred monophony, secular song, early polyphony, the ars antiqua, French and Italian fourteenth-century music, English music, and fifteenth-century music. Each chapter is followed by a classified bibliography divided into musical sources, literary sources and modern studies; in addition to a comprehensive bibliography.

Medieval Music, Legend, and the Cult of St. Martin

by Yossi Maurey

St Martin of Tours was a protector saint of numerous French kings. His was one of the most successful saintly cults in medieval Europe, and the city of Tours functioned as a religious metropolis, drawing pilgrims from all over the continent. Until now, little has been known about how St Martin came to inspire such a lively folkloric tradition, numerous works of art, and the establishment of thousands of churches and numerous confraternities. In this book, Yossi Maurey addresses these questions by focusing on the church dedicated to the saint in Tours, which acted as the crucible for Martin's cult. Maurey explores the music and liturgy of the cult - the most effective means of its dissemination - to reveal its enormous diffusion and impact. Building a more concrete picture of how saints' cults operated and shaped medieval realities, this book also provides new insights into the interactions between contemporary religion, art and politics.

Medieval Polyphony and Song (Cambridge Introductions to Music)

by Helen Deeming Frieda van der Heijden

What characterises medieval polyphony and song? Who composed this music, sang it, and wrote it down? Where and when did the different genres originate, and under what circumstances were they created and performed? This book gives a comprehensive introduction to the rich variety of polyphonic practices and song traditions during the Middle Ages. It explores song from across Europe, in Latin and vernacular languages (precursors to modern Dutch, English, French, German, Italian, Portuguese and Spanish); and polyphony from early improvised organum to rhythmically and harmonically complex late medieval motets. Each chapter focuses on a particular geographical location, setting out the specific local contexts of the music created there. Guiding the reader through the musical techniques of melody, harmony, rhythm, and notation that distinguish the different genres of polyphony and song, the authors also consider the factors that make modern performances of this music sound so different from one another.

Medieval Sex Lives: The Sounds of Courtly Intimacy on the Francophone Borders

by Elizabeth Eva Leach

Medieval Sex Lives examines courtly song as a complex cultural product and social force in the early fourteenth century, exploring how it illuminates the relationship between artistic production and the everyday lives of the elites for whom this music and poetry was composed and performed. In a focused analysis of the Oxford Bodelian Library's Douce 308 manuscript—a fourteenth-century compilation that includes over five hundred Old French lyrics composed over two centuries alongside a narrative account of elaborate courtly festivities centered on a week-long tournament—Elizabeth Eva Leach explores two distinct but related lines of inquiry: first, why the lyric tradition of "courtly love" had such a long and successful history in Western European culture; and, second, why the songs in the Bodleian manuscript would have been so important to the book's compilers, owners, and readers. The manuscript's lack of musical notation and authorial attributions make it unusual among Old French songbooks; its arrangement of the lyrics by genre invites inquiry into the relationship between this long musical tradition and the emotional and sexual lives of its readers. Combining an original account of the manuscript's contents and their likely social milieu with in-depth musical and poetic analyses, Leach proposes that lyrics, whether read or heard aloud, provided a fertile means of propagating and enabling various sexual scripts in the Middle Ages. Drawing on musicology, literary history, and the sociology and psychology of sexuality, Medieval Sex Lives presents a provocative hypothesis about the power of courtly songs to model, inspire, and support sexual behaviors and fantasies.

Medieval Song from Aristotle to Opera

by Sarah Kay

Focusing on songs by the troubadours and trouvères from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as "words plus music" but rather as a distinctive way of sounding words. Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song's songlike quality—as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils—Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard. Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances. Medieval Song from Aristotle to Opera features a companion website (cornellpress.manifoldapp.org/projects/medieval-song) hosting twenty-four audio or video recordings, realized by professional musicians specializing in early music, of pieces discussed in the book, together with performance scores, performance reflections, and translations of all recorded texts. These audiovisual materials represent an extension in practice of the research aims of the book—to better understand the sung dimension of medieval song.

Medieval Song: An Anthology of Hymns and Lyrics (Routledge Library Editions: Medieval Culture, Society, & Religion)

by James J. Wilhelm

Originally published in 1972, Medieval Song assembles the whole tradition of early European poetry, from the writings of the late Roman Empire to the time of the Hundred Years War. It covers a vast range of languages and cultures, beginning with the Latin of pagan song and Christian hymn and ending with the Middle English ballads of the time of Chaucer. The selection stresses the interdependence of the sacred and the profane. The sequence of the translations shows how the dawn songs or albas of France, Germany and Italy are clearly related to the sacred songs in Latin. Professor Wilhelm’s translations reflect a variety of voices, from the earthy lyrics of Duke William IX of Aquitaine – the first known ‘modern’ poet – to the graceful, sophisticated poems of Charles d’Orléans. The book shows that the literature of the Middle Ages had its origins in the tradition of Latin composition, and developed in radically different ways in the various European communities. The book collects 230 poems.

Medievalism and Nationalism in German Opera: Euryanthe to Lohengrin (Routledge Research in Music)

by Michael S. Richardson

Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.

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