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Michael and Me: The Untold Story of Michael Jackson's Secret Romance
by Shana MangatalMore than six years after his death, Michael Jackson continues to fascinate the world. Shana Mangatal was one of Jackson's only constant and true rocks of stability for nearly two decades. Their relationship was quiet and sweet and real--a closely guarded secret, known only to a few trusted employees and friends. Shana is now coming forward to tell their love story. Her story is rich with every little detail. She witnessed the scandals, lawsuits, the release of groundbreaking albums and subsequent world tours, big-budget short films, addictions. Michael and Me entertains and inspires, but above all, Shana continues to treat Michael (and his legacy) with respect. This is not an exploitative tell-all, but rather a book that shows the side of Michael people never knew. In it, Shana paints a more intimate picture of this beloved, yet very misunderstood man.
Mick Jagger
by Philip NormanAuthor Phillip Norman, whose previous bestseller, John Lennon: The Life, was praised as a “haunting, mammoth, terrific piece of work” (New York Times Book Review) and whose classic Shout! is widely considered to be the definitive biography of the Beatles, now turns his attention to the iconic front man of the Rolling Stones, “the greatest rock ’n’ roll band in the world.” Norman’s Mick Jagger is an extraordinarily detailed and vibrantly written in-depth account of the life and half-century-long career of one of the most fascinating and complex superstars of rock music—the most comprehensive biography to date of the famously enigmatic musician. Keith Richards had his say in Life. Now it’s time to get to know intimately the other half of the duo responsible for such enduring hits as “Paint It Black,” “Sympathy for the Devil,” “Gimme Shelter,” and “(I Can’t Get No) Satisfaction.” Mick Jagger is a must read for Stones fans, and everyone who can’t get enough of the serious memoirs and biographies of popular musicians, like Patti Smith’s Just Kids, Does the Noise in My Head Bother You? by Steven Tyler, and the Warren Zevon story, I’ll Sleep When I’m Dead.
Mick: The Wild Life and Mad Genius of Jagger
by Christopher Andersen“He’s a smart little mother******,I’ll give him that.” —KEITH RICHARDS on MICK JAGGER IS he Jumpin’ Jack Flash? A Street Fighting Man? A Man of Wealth and Taste? All this, it turns out, and far more. By any definition, Mick Jagger is a force of nature, a complete original—and undeniably one of the dominant cultural figures of our time. Swaggering, strutting, sometimes elusive, always spellbinding, he grabbed us by our collective throat a half-century ago and—unlike so many of his gifted peers—never let go. For decades, Mick has jealously guarded his many shocking secrets—until now. As the Rolling Stones mark their 50th anniversary, journalist and #1 New York Times bestselling author Christopher Andersen tears the mask from rock’s most complex and enigmatic icon in a no-holds-barred biography as impossible to ignore as Jagger himself. Based on interviews with friends, family members, fellow music legends, and industry insiders—as well as wives and legions of lovers—MICK sheds new light on a man whose very name defines an era and candidly reveals: —New details about Jagger’s jaw-dropping sexual exploits with more than four thousand women (including Madonna, Angelina Jolie, Carly Simon, Linda Ronstadt, Uma Thurman, and France’s First Lady Carla Bruni)—as well as his encounters with several of rock’s biggest male stars. Also, the day Mick’s wife Jerry Hall and Keith Richards pleaded with Jagger to seek treatment for sex addiction. —The backstage drama surrounding Mick’s knighthood, and Jagger’s little-known ties to Britain’s Royal Family, including Prince William and Kate Middleton. —What he really thinks of today’s superstars—including Lady Gaga, Britney Spears, Beyoncé, Justin Timberlake, Kanye West, and Justin Bieber. —Never-before-revealed, behind-the-scenes accounts of his often turbulent relationships—from his band-mates, ravenous groupies, and rabid fans to such intimates as Andy Warhol, John Lennon, Jackie Onassis, Bill Clinton, and others. —Cocaine, LSD, hashish, and speed—the flabbergasting truth about the extent of Jagger’s substance abuse, and how long it really went on. —A rare glimpse into Mick’s business dealings and the killer instinct that has enabled him to amass a personal fortune well in excess of $400 million. —The stormy “marriage” between Mick and Keith that nearly ran aground over Keith’s searing comments—and all the scandal, mayhem, excess, madness, and genius that went into making the Rolling Stones “the world’s greatest rock-and-roll band.” Like its subject, this book is explosive and riveting—the definitive biography of a living legend who has kept us thrilled, confounded, and astounded. THIS IS MICK.
Microanalysis in Music Therapy: Methods, Techniques and Applications for Clinicians, Researchers, Educators and Students
by Tony Wigram Barbara L Wheeler Thomas WoschIn the context of music therapy, microanalysis is the detailed analysis of that short period of time during a music therapy session during which some kind of significant change takes place. These moments are crucial to the therapeutic process, and there is increasing interest amongst music therapists in understanding how they come about and whether there are ways of initiating them. The contributors to this groundbreaking book look at methods of micro process analyses used in a variety of music therapy contexts, both clinical and research-based. They outline their methods, which include using video and audio materials, interviewing, and monitoring the client's heart rate, and also give examples of the practical application of microanalysis from their clinical experience, including work with clients who have psychiatric illness, autism and other conditions. Microanalyses in Music Therapy provides a wealth of important theoretical and practical information for music therapy clinicians, educators and students.
Microgroove: Forays into Other Music
by John CorbettMicrogroove continues John Corbett's exploration of diverse musics, with essays, interviews, and musician profiles that focus on jazz, improvised music, contemporary classical, rock, folk, blues, post-punk, and cartoon music. Corbett's approach to writing is as polymorphous as the music, ranging from oral history and journalistic portraiture to deeply engaged cultural critique. Corbett advocates for the relevance of "little" music, which despite its smaller audience is of enormous cultural significance. He writes on musicians as varied as Sun Ra, PJ Harvey, Koko Taylor, Steve Lacy, and Helmut Lachenmann. Among other topics, he discusses recording formats; the relationship between music and visual art, dance, and poetry; and, with Terri Kapsalis, the role of female orgasm sounds in contemporary popular music. Above all, Corbett privileges the importance of improvisation; he insists on the need to pay close attention to "other" music and celebrates its ability to open up pathways to new ideas, fresh modes of expression, and unforeseen ways of knowing.
Microtonality and the Tuning Systems of Erv Wilson: Mapping the Harmonic Spectrum (Routledge Studies in Music Theory)
by Terumi NarushimaThis book explores the emerging area of microtonality through an examination of the tuning theories of Erv Wilson. It is the first publication to offer a broad discussion of this influential theorist whose innovations have far-reaching ramifications for microtonal tuning systems. This study addresses the breadth and complexity of Wilson’s work by focusing on his microtonal keyboard designs as a means to investigate his tuning concepts and their practical applications. Narushima examines materials ranging from historical and experimental tunings to instrument design, as well as musical applications of mathematical theories and multidimensional geometry. The volume provides an analysis of some of Wilson’s most significant theoretical ideas, including the Scale Tree, Moments of Symmetry, Constant Structures, and Combination-Product Sets. These theories offer ways to conceptualize musical scales as patterns with structural integrity and whose shapes can be altered to produce infinitely varying forms. The book shows how these structural properties can be used to map scales onto a microtonal keyboard by providing step-by-step guidelines and clearly illustrated examples. Most importantly, it brings together theoretical and practical methods of tuning to enable composers, performers, and instrument designers to explore previously uncharted areas of microtonality, making a significant contribution to the fields of music theory, composition and music technology.
Middle School: Too Uncool for School (Middle School #17)
by James Patterson Martin ChattertonIn this hilarious installment of a #1 New York Times bestselling series, Rafe is finally getting a taste of the cool life—but his problems are red-hot! Rafe Khatchadorian has never been cool. But all that changes when he becomes the guitarist in an awesome rock band and wrangles a part-time job at Hills Village's trendiest new coffee shop slash yoga studio. No more being at the bottom of the middle school food chain—Rafe is finally going to be popular! He just has two teeny problems: the awesome rock band is led by none other than the school bully. And the band actually isn't awesome—they absolutely stink, and Rafe has to whip them into shape for the Best Band Competition. With Rafe's newfound coolness on the line, will he find a way to hit the stage in style, or is he doomed to dorkdom forever?
Middlebrow Modernism: Britten’s Operas and the Great Divide (California Studies in 20th-Century Music #24)
by Christopher ChowrimootooAt publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Situated at the intersections of twentieth-century music history, historiography, and aesthetics, Middlebrow Modernism uses Benjamin Britten’s operas to illustrate the ways in which composers, critics, and audiences mediated the “great divide” between modernism and mass culture. Reviving mid-century discussions of the middlebrow, Christopher Chowrimootoo demonstrates how Britten’s works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, this study offers a powerful model for recovering shades of grey in the traditionally black-and-white historiographies of twentieth-century music.
Midnight at the Barrelhouse: The Johnny Otis Story
by George LipsitzConsidered by many to be the godfather of R&B, Johnny Otis—musician, producer, artist, entrepreneur, pastor, disc jockey, writer, and tireless fighter for racial equality—has had a remarkable life by any measure. In this first biography of Otis, George Lipsitz tells the largely unknown story of a towering figure in the history of African American music and culture who was, by his own description, &“black by persuasion.&” Born to Greek immigrant parents in Vallejo, California, in 1921, Otis grew up in an integrated neighborhood and identified deeply with black music and culture from an early age. He moved to Los Angeles as a young man and submerged himself in the city&’s vibrant African American cultural life, centered on Central Avenue and its thriving music scene. Otis began his six-decade career in music playing drums in territory swing bands in the 1930s. He went on to lead his own band in the 1940s and open the Barrelhouse nightclub in Watts. His R&B band had seventeen Top 40 hits between 1950 and 1969, including &“Willie and the Hand Jive.&” As a producer and A&R man, Otis discovered such legends as Etta James, Jackie Wilson, and Big Mama Thornton. Otis also wrote a column for the Sentinel, one of L.A.&’s leading black newspapers, became pastor of his own interracial church, hosted popular radio and television shows that introduced millions to music by African American artists, and was lauded as businessman of the year in a 1951 cover story in Negro Achievements magazine. Throughout his career Otis&’s driving passion has been his fearless and unyielding opposition to racial injustice, whether protesting on the front lines, exposing racism and championing the accomplishments of black Americans, or promoting African American musicians. Midnight at the Barrelhouse is a chronicle of a life rich in both incident and inspiration, as well as an exploration of the complicated nature of race relations in twentieth-century America. Otis&’s total commitment to black culture and transcendence of racial boundaries, Lipsitz shows, teach important lessons about identity, race, and power while encapsulating the contradictions of racism in American society.
Mientras otros duermen: Una larga vigilia en el rock
by Fernando SamaleaContinuación del exitoso Qué es un long play, en este segundo volumen de memorias Fernando Samalea, el baterista del rock argentino, explora cronológicamente, con humor y emoción, historias musicales entre 1997 y 2010. Fernando Samalea homenajea a sus compañeros de ruta con las anécdotas que los unieron: García en su incendiario período Say No More; Joaquín Sabina cuando gestaba 19 días y 500 noches, y Gustavo Cerati, a quien acompañó en sus giras Ahí vamos y Fuerza natural. En estudios, escenarios, aviones y bares de todo el mundo, los músicos de varias generaciones, estéticas y búsquedas -Fabi Cantilo, A-Tirador Láser, Caetano Veloso, Joan Manuel Serrat, Calle 13, Fernando Kabusacki...- protagonizan la novela mayor que cuenta la historia privada del rock argentino y la de la música en castellano. «Siempre me sorprendió la musicalidad de Fernando. No piensa como un baterista, no tiene vicios musicales, ni de los demás. Su primer libro me divirtió mucho. ¡Tiene más memoria que yo! Le deseo mucho éxito como escritor. Es el primer escritor-baterista que conozco.»Charly García, 2016 «Más allá de que lo admiro profundamente, se me reveló como una persona que irradia un optimismo tan contagioso como vital. Siempre tiene alguna historia para contarte, internándose sin prejuicios en mundos nuevos y haciendo amigos por doquier. A pura luz y bohemia, Sama propaga el hedonismo romántico que lo ha mantenido casi inalterable a lo largo de estos años. Es un privilegio ser su compañero de ruta y su amigo.»Gustavo Cerati, 2007
Migrating Music (CRESC)
by Jason Toynbee Byron DueckMigrating Music considers the issues around music and cosmopolitanism in new ways. Whilst much of the existing literature on ‘world music’ questions the apparently world-disclosing nature of this genre – but says relatively little about migration and mobility – diaspora studies have much to say about the latter, yet little about the significance of music. In this context, this book affirms the centrality of music as a mode of translation and cosmopolitan mediation, whilst also pointing out the complexity of the processes at stake within it. Migrating music, it argues, represents perhaps the most salient mode of performance of otherness to mutual others, and as such its significance in socio-cultural change rivals – and even exceeds – literature, film, and other language and image-based cultural forms. This book will serve as a valuable reference tool for undergraduate and postgraduate students with research interests in cultural studies, sociology of culture, music, globalization, migration, and human geography.
Mil violines y otras crónicas sobre pop y humanos
by Kiko AmatLas canciones son el eje alrededor del cual gira todo, y el nexo de unión entre las diversas historias (ficticias o no) que se cuentan. El libro no pretende ser ensayístico ni autobiográfico en cada uno de los caminos que va tomando, así que el autor puede permitirse incorporar narrativa, diálogos, listas, y lo que se le vaya ocurriendo graciosamente. También tienen cabida situaciones cotidianas. Estas pueden ser similares en tono y contenido a la serie de columnas que al autor realizó para La Vanguardia y Catorcephenia. Es decir, basarse en la misma línea temática: la relación del autor y sus canciones con otra persona, en este caso su mujer, que aparecería regularmente en cada capítulo, incluso situando la acción en el momento de escribir el libro.
Mil violines y otras crónicas sobre pop y humanos
by Kiko AmatEste es un libro sobre música pop. Todo aquel que no sea fan de ésta entra aquí por su cuenta y riesgo Un paseo del autor por las canciones de su vida. Las canciones son el eje alrededor del cual gira todo, y el nexo de unión entre las diversas historias (ficticias o no) que se cuentan. El libro no pretende ser ensayístico ni autobiográfico en cada uno de los caminos que va tomando, así que el autor puede permitirse incorporar narrativa, diálogos, listas, y lo que se le vaya ocurriendo graciosamente. También tienen cabida situaciones cotidianas. Estas pueden ser similares en tono y contenido a la serie de columnas que al autor realizó para La Vanguardia y Catorcephenia. Es decir, basarse en la misma línea temática: la relación del autor y sus canciones con otra persona, en este caso su mujer, que aparecería regularmente en cada capítulo, incluso situando la acción en el momento deescribir el libro.
Mile Marker Zero: The Moveable Feast of Key West
by William MckeenTrue tales of writers and pirates, painters and potheads, guitar pickers and drug merchants in America's southernmost city For Hemingway and Fitzgerald, there was Paris in the twenties. For others, later, there was Greenwich Village, Big Sur, and Woodstock. But for an even later generation--one defined by the likes of Jimmy Buffett, Tom McGuane, and Hunter S. Thompson--there was another moveable feast: Key West, Florida. The small town on the two-by-four-mile island has long been an artistic haven, a wild refuge for people of all persuasions, and the inspirational home for a league of great American writers. Some of the artists went there to be literary he-men. Some went to re-create themselves. Others just went to disappear--and succeeded. No matter what inspired the trip, Key West in the seventies was the right place at the right time, where and when an astonishing collection of artists wove a web of creative inspiration.Mile Marker Zero tells the story of how these writers and artists found their identities in Key West and maintained their friendships over the decades, despite oceans of booze and boatloads of pot, through serial marriages and sexual escapades, in that dangerous paradise.Unlike the "Lost Generation" of Paris in the twenties, we have a generation that invented, reinvented, and found itself at the unending cocktail party at the end--and the beginning--of America's highway.
Miles & Me: Miles Davis, the man, the musician, and his friendship with the journalist and poet Quincy Troupe
by Quincy TroupeAn intimate story of Miles Davis, the man, the musician, and his friendship with the young journalist and poet Quincy Troupe--soon to be a major motion picture.Poet, activist and journalist Quincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an engrossing chronicle of the author's own artistic and personal growth. Miles and Me describes in intimate detail the sometimes harrowing processes of Davis's spectacular creativity and the joys and travails Davis's passionate and contradictory temperament posed to the two men's friendship. Miles and Me shows how Miles Davis, both as an artist and as a black man, influenced Troupe and whole generations of Americans while forever changing the face of jazz.In 1985, Spin magazine hired Troupe to do an exclusive two-part interview with the by-then legendary jazz artist Davis. The hour-and-a-half scheduled interview stretched to ten hours. After it was published, Davis was so enamored of Troupe and the interview that he finally relented to a major publisher's request that he write his autobiography under the condition that they could get Quincy Troupe to write it. Miles: The Autobiography became an instant bestseller and opened up the entire field of popular music autobiography. Years later, Quincy went back to his notes of his time with Miles that had been so important to them both, and produced this more intimate book, Miles and Me, told from his side of their friendship. Miles and Me takes us from St. Louis, where both men grew up, to New York, where both men lived, to Malibu where Miles also kept a home. Troupe also takes us through the entire catalogue of Davis's recordings. Troupe calls his friend "irascible, contemptuous, brutally honest, ill-tempered when things didn't go his way, complex, fair-minded, humble, kind, and a son-of-a-bitch." The author's love and appreciation infuses Miles and Me with a rare quality of grace, and at the same time, throughout the book, Troupe's observations of his friend are keen, sometimes hilariously funny, and truthful, as he knows Miles would want him to be.
Miles Davis (Impact Biographies)
by Franklin Watts George R. CrispPeople whose power, influence, or perseverance have changed the world are the subjects of these candid biographies, which stress the impact of these individuals on the course of 20th-century events. Each book includes a bibliography and an index. Trumpeter, bandleader, and composer Miles Davis greatly influenced the course of jazz from the late 1940s until his death in 1991. He used his thoughtful, economical trumpet style to forge a stunning variety of new sounds. This frank, mesmerizing biography takes the reader inside the dazzling world of Miles Davis: his relationships with other jazz masters, his impact on jazz styles and innovations; and his recurrent health and drug problems.
Miles Davis, Miles Smiles, and the Invention of Post Bop
by Jeremy YudkinFocusing on one of the legendary musicians in jazz, this book examines Miles Davis's often overlooked music of the mid-1960s with a close examination of the evolution of a new style: post bop. Jeremy Yudkin traces Davis's life and work during a period when the trumpeter was struggling with personal and musical challenges only to emerge once again as the artistic leader of his generation.A major force in post-war American jazz, Miles Davis was a pioneer of cool jazz, hard bop, and modal jazz in a variety of small group formats. The formation in the mid-1960s of the Second Quintet with Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams was vital to the invention of the new post bop style. Yudkin illustrates and precisely defines this style with an analysis of the 1966 classic Miles Smiles.
Miles Davis: A Research and Information Guide (Routledge Music Bibliographies)
by Clarence Bernard HenryThis research and information guide provides a wide range of scholarship on the life, career, and musical legacy of Miles Davis, and is compiled for an interdisciplinary audience of scholars in jazz and popular music, musicology, and cultural studies. It serves as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.
Miles Davis: The Definitive Biography
by Ian CarrThis exhaustively researched, revised edition of Ian Carr's classic biography throws new light on Davis' life and career: from the early days in New York with Charlie Parker; to the Birth of Cool; through his drug addiction in the early 1950s and the years of extraordinary achievements (1954-1960), during which he signed with Columbia and collaborated with such unequaled talents as John Coltrane, Bill Evans, Wynton Kelly and Cannonball Adderly. Carr also explores Davis' dark, reclusive period (1975-1980), offering firsthand accounts of his descent into addiction, as well as his dramatic return to life and music. Carr has talked with the people who knew Miles and his music best including Bill Evans, Joe Zawinul, Keith Jarrett, and Jack DeJohnette, and has conducted interviews with Ron Carter, Max Roach, John Scofield and others.
Miles and Me
by Quincy TroupeQuincy Troupe's candid account of his friendship with Miles Davis is a revealing portrait of a great musician and an intimate study of a unique relationship. It is also an engrossing chronicle of the author's own development, both artistic and personal. As Davis's collaborator on Miles: The Autobiography, Troupe--one of the major poets to emerge from the 1960s--had exceptional access to the musician. This memoir goes beyond the life portrayed in the autobiography to describe in detail the processes of Davis's spectacular creativity and the joys and difficulties his passionate, contradictory temperament posed to the men's friendship. It shows how Miles Davis, both as a black man and an artist, influenced not only Quincy Troupe but whole generations. Troupe has written that Miles Davis was "irascible, contemptuous, brutally honest, ill-tempered when things didn't go his way, complex, fair-minded, humble, kind and a son-of-a-bitch." The author's love and appreciation for Davis make him a keen, though not uncritical, observer. He captures and conveys the power of the musician's presence, the mesmerizing force of his personality, and the restless energy that lay at the root of his creativity. He also shows Davis's lighter side: cooking, prowling the streets of Manhattan, painting, riding his horse at his Malibu home. Troupe discusses Davis's musical output, situating his albums in the context of the times--both political and musical--out of which they emerged.
Miles on Miles: Interviews and Encounters with Miles Davis (Musicians in Their Own Words)
by Paul Maher Jr.; Michael K. DorrMiles Davis was not only a musical genius, but also an enigma, and nowhere else was he so compelling, exasperating, and entertaining as he was in his interviews, which vary from polite to outrageous, from straight-ahead to contrarian. Miles on Miles collects thirty of the most vital. Even his autobiography lacks the immediacy of the dialogues collected here. Many were conducted by leading journalists like Leonard Feather, Stephen Davis, Ben Sidran, Mike Zwerin, and Nat Hentoff. Other have never before seen print and are newly transcribed from radio and television shows. Until now, no book has brought back to life Miles's inimitable voice—contemplative, defiant, elegant, uncompromising, and humorous. Miles on Miles will long remain the definitive source for anyone wanting to really encounter the legend in print.
Miles to Go
by Hilary Liftin Miley CyrusThree years ago, Miley Cyrus was a virtual unknown. Her life in rural Tennessee was filled with family, friends, school, cheerleading, and the daily tasks of living on a farm. And then came a little show called Hannah Montana. Almost overnight, Miley would rocket to superstardom, becoming a television and singing phenomenon. Quiet days were replaced with sold-out concerts, television appearances, and magazine shoots. But through it all, Miley has remained close to her family and friends and has stayed connected to the Southern roots that made her so strong. In Miles to Go, Miley offers an honest, humorous, and often touching story of one girl's coming-of-age--from private moments with her pappy to off-roading with her dad, Billy Ray, to her run-ins with mean girls. Miley talks about suffering through drama and heartbreak and coming out the other end unscathed (relatively). And now for the first time, she will discuss it all-the milestones still left to reach (driver's license! voting!), dreams to live out (travel to Asia! find true love!), and the lessons to be learned (remembering to enjoy every moment!). This is a truly unique look inside the world of one of today's biggest and brightest stars as she tackles looking back and moving forward.
Miles, Ornette, Cecil: Jazz Beyond Jazz
by Howard MandelMiles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. They remain figures of controversy due to their border-crossing processes. Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds. Mandel offers fresh insights into their careers from interviews with all three artists and many of their significant collaborators, as well as a thorough overview of earlier interpretations of their work.
Miles: The Autobiography
by Quincy Troupe Miles DavisFor more than forty years Miles Davis has been in the front rank of American music. Universally acclaimed as a musical genius, Miles is one of the most important and influential musicians in the world. The subject of several biographies, now Miles speaks out himself about his extraordinary life. Miles: The Autobiography,like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence. He speaks frankly and openly about his drug problem and how he overcame it. He condemns the racism he has encountered in the music business and in American society generally. And he discusses the women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus, and many others. The man who has given us some of the most exciting music of the past few decades has now given us a compelling and fascinating autobiography, featuring a concise discography and thirty-two pages of photographs.
Milestones in Music Education (Milestones)
by Clint RandlesIn ten concise chapters, Milestones in Music Education introduces the key developments and issues that have shaped the field of music education. Designed for undergraduate students, each chapter of the book is written by a different expert, bringing together many leading voices in the field. The ten chosen milestones represent breakthroughs in the field of music education that are relevant to today’s educators, and enable teachers to understand the issues that have shaped the teaching of music over time. Topics covered include the origins of music education as a school subject, the impact of changing technology, the roles of popular music and notation, and racial justice in the music classroom. Featuring action suggestions and discussion questions in each chapter, this accessible book provides students with a foundation in the history and context of music education, and prepares them to engage with the social and philosophical aspects of teaching music as forward-thinking educators. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political and artistic development of foundational subject areas. This book is ideal for undergraduate courses in music education.