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Lulu: I Don't Want To Fight
by LuluThis is the remarkable memoir of the small girl (5 foot 1 inch tall) with the huge voice. At the age of 15, in 1964, Lulu - born Marie Lawrie in Glasgow - was already a star with her international hit song 'Shout'. At 18 she stole hearts as an English schoolgirl to Sidney Poitier's teacher with the movie hit 'To Sir With Love'. At 21, she married a Bee Gee, Maurice Gibb, and tied as winner of the Eurovision Song Contest with 'Boom-Bang-a-Bang'. Yet in 1993 she reached No.1 with 'Relight My Fire' (with Take That). Nearly forty years at the top of the showbiz tree, Lulu has never been afraid to experiment with new trends, and her book reflects the daring that took a girl from a Glasgow tenement to international stardom - as 'To Sir With Love' says, 'from crayons to perfume'.I DON'T WANT TO FIGHT (the title of a song Lulu wrote and Tina Turner recorded) is the devastatingly candid autobiography of a singer who has never shirked from facing anything.
Luna Ranchera
by Rodrigo MorlesinWelcome to the show! ¡Bienvenidos! This rags-to-riches tale of a doggy mother-daughter singing act in the Nuevo Wild West will enchant dog lovers, music lovers, and anyone looking for new Latinx voices.This spellbinding original story opens in a cantina crowded with desert animals, cowboys, and cowgirls all excited to see the glamorous Luna Ranchera mother-daughter singing duo. Long ago, Luna was down on her luck, starving and struggling to feed her pups, reduced to thieving from nearby ranchers. One day, escaping another heist, Luna has to hide in the worst possible place: on top of a beehive! She howls in pain so loudly, it carries all across the desert. It turns out Luna&’s musical wails are something special, captivating creatures far and wide. Her most rebellious pup, Ranchera, joins her, and soon the two become the famous howling singing act with the flea-bitten souls, Luna Ranchera! Immersive and unforgettable, with knockout, whimsical art, the tale ends with the lyrics to Luna Ranchera&’s most famous song. Perfect for fans of Coco and Soul.
Lunáticos viajantes: Las increíbles andanzas de Los Redondos en Uruguay
by Jorge CostiglioloA 20 años de su último recital en Montevideo conoceremos la historia, anécdotas y protagonistas de una relación de amor, pasión y rock and roll. Desde su nacimiento a fines de los años 70 en la de La Plata Patricio Rey y sus redonditos de ricota se convirtieron en un fenómeno cultural casi exclusivo de Argentina, salvo por Uruguay. Este libro repasa a través de testimonios, historias, anécdotas, mitos, verdades y leyendas las veces de cómo, cuándo y de qué manera Los Redondos se vincularon con Uruguay.
The Lure and Legacy of Music at Versailles
by John Hajdu HeyerLouis XIV and his court at Versailles had a profound influence on music in France and throughout Europe. In 1660 Louis visited Aix-en-Provence, a trip that resulted in political and cultural transformations throughout the region. Soon thereafter Aix became an important center of sacred music composition, eventually rivaling Paris for the quality of the composers it produced. John Hajdu Heyer documents the young king's visit and examines how he and his court deployed sacred music to enhance the royal image and secure the loyalty of the populace. Exploring the circle of composers at Aix, Heyer provides the most up-to-date and complete biographies in English of nine key figures, including Guillaume Poitevin, André Campra, Jean Gilles, François Estienne, and Antoine Blanchard. The book goes on to reveal how the history of political power in the region was reflected through church music, and how musicians were affected by contemporary events.
The Lure of Perfection: Fashion and Ballet, 1780-1830
by Judith BennahumTHE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers. Through years of research, the author has traced the interplay between fashion, social trends, and the development of dance. During the 18th century, women literally took up twice as much space as men; their billowing dresses ballooned out from their figures, sometimes a full 55 inches, to display costly jewelry and fine brocade work; similar costumes appeared on stage. But clothing also limited her movement; it literally disabled them, making the dances themselves little more than tableaux. Movement was further inhibited by high shoes and tight corsets; thus the image of the rigidly straight, long-lined dancer is as much a product of clothing as aesthetics. However, with changing times came new trends. An increased interest in natural movement and the common folk led to less-restrictive clothing. As viewers demanded more virtuosic dancers, women literally danced their way to freedom. THE LURE OF PERFECTION will interest students of dance and cultural history, and women's studies. It is a fascinating, well-researched look at the interplay of fashion, dance, and culture-still very much a part of our world today.
Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens
by Rhiannon MathiasElisabeth Lutyens (1906-1983), Elizabeth Maconchy (1907-1994) and Grace Williams (1906-1977) were contemporaries at the Royal College of Music. The three composers' careers were launched with performances in the Macnaghten-Lemare Concerts in the 1930s - a time when, in Britain, as Williams noted, a woman composer was considered 'very odd indeed'. Even so, by the early 1940s all three had made remarkable advances in their work: Lutyens had become the first British composer to use 12-note technique, in her Chamber Concerto No. 1 (1939-40); Maconchy had composed four string quartets of outstanding quality and was busy rethinking the genre; and Williams had won recognition as a composer with great flair for orchestral writing with her Fantasia on Welsh Nursery Tunes (1940) and Sea Sketches (1944). In the following years, Lutyens, Maconchy and Williams went on to compose music of striking quality and to attain prominent positions within the British music scene. Their respective achievements broke through the 'sound ceiling', challenging many of the traditional assumptions which accompanied music by female composers. Rhiannon Mathias traces the development of these three important composers through analysis of selected works. The book draws upon previously unexplored material as well as radio and television interviews with the composers themselves and with their contemporaries. The musical analysis and contextual material lead to a re-evaluation of the composers' positions in the context of twentieth-century British music history.
Lydia Thompson: Queen of Burlesque (Forgotten Stars of the Musical Theatre)
by Kurt GanzlFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Lydian Guitar Licks: 10 Original Prog Metal Licks with Audio & Video (Modal Guitar Licks #4)
by Gareth Evans10 original progressive metal guitar licks from the Lydian mode in tablature and notation for the progressing guitarist at intermediate level and above. >> 63 bars of music over 10 licks (average lick length 6.3 bars) >> Video at full speed & Audio at full & half speed (Downloadable) >> Backing tracks at full and slower practise speeds (Downloadable) >> Scale diagrams with theory and technique tips for each lick >> Guitar tablature has picking directions & fretting finger guide numbers Please Note: This eBook has written music and is not suitable for smaller screens.
Lying in the Middle: Musical Theater and Belief at the Heart of America (Music in American Life)
by Jake JohnsonThe local and regional shows staged throughout America use musical theater’s inherent power of deception to cultivate worldviews opposed to mainstream ideas. Jake Johnson reveals how musical theater between the coasts inhabits the middle spaces between professional and amateur, urban and rural, fact and fiction, fantasy and reality, and truth and falsehood. The homegrown musical provides a space to engage belief and religion—imagining a better world while creating opportunities to expand what is possible in the current one. Whether it is the Oklahoma Senior Follies or a Mormon splinter group’s production of The Sound of Music, such productions give people a chance to jolt themselves out of today’s post-truth malaise and move toward a world more in line with their desires for justice, reconciliation, and community. Vibrant and strikingly original, Lying in the Middle discovers some of the most potent musical theater taking place in the hoping, beating hearts of Americans.
Lynyrd Skynyrd
by Frank Dorman Gene OdomThe first complete, unvarnished history of Southern rock's legendary and most popular band, from its members' hardscrabble boyhoods in Jacksonville, Florida and their rise to worldwide fame to the tragic plane crash that killed the founder and the band's rise again from the ashes.In the summer of 1964 Jacksonville, Florida teenager Ronnie Van Zant and some of his friends hatched the idea of forming a band to play covers of the Rolling Stones, Beatles, Yardbirds and the country and blues-rock music they had grown to love. Naming their band after Leonard Skinner, the gym teacher at Robert E. Lee Senior High School who constantly badgered the long-haired aspiring musicians to get haircuts, they were soon playing gigs at parties, and bars throughout the South. During the next decade Lynyrd Skynyrd grew into the most critically acclaimed and commercially successful of the rock bands to emerge from the South since the Allman Brothers. Their hits "Free Bird" and "Sweet Home Alabama" became classics. Then, at the height of its popularlity in 1977, the band was struck with tragedy --a plane crash that killed Ronnie Van Zant and two other band members.Lynyrd Skynyrd: Remembering the Free Birds of Southern Rock is an intimate chronicle of the band from its earliest days through the plane crash and its aftermath, to its rebirth and current status as an enduring cult favorite. From his behind-the-scenes perspective as Ronnie Van Zant's lifelong friend and frequent member of the band's entourage who was also aboard the plane on that fateful flight, Gene Odom reveals the unique synthesis of blues/country rock and songwriting talent, relentless drive, rebellious Southern swagger and down-to-earth sensibility that brought the band together and made it a defining and hugely popular Southern rock band -- as well as the destructive forces that tore it apart. Illustrated throughout with rare photos, Odom traces the band's rise to fame and shares personal stories that bring to life the band's journey. For the fans who have purchased a cumulative 35 million copies of Lynyrd Skynyrd's albums and continue to pack concerts today, Lynyrd Skynyrd is a celebration of an immortal American band.From the Hardcover edition.
Lynyrd Skynyrd: Remembering the Free Birds of Southern Rock
by Gene OdomThe first complete, unvarnished history of Southern rock's legendary and most popular band, from its members' hardscrabble boyhoods in Jacksonville, Florida and their rise to worldwide fame to the tragic plane crash that killed the founder and the band's rise again from the ashes.
The Lyric Myth of Voice: Civilizing Song in Enlightenment Italy
by Jessica Gabriel PeritzHow did "voice" become a metaphor for selfhood in the Western imagination? The Lyric Myth of Voice situates the emergence of an ideological connection between voice and subjectivity in late eighteenth-century Italy, where long-standing political anxieties and new notions of cultural enlightenment collided in the mythical figure of the lyric poet-singer. Ultimately, music and literature together shaped the singing voice into a tool for civilizing modern Italian subjects. Drawing on a range of approaches and frameworks from historical musicology to gender studies, disability studies, anthropology, and literary theory, Jessica Gabriel Peritz shows how this ancient yet modern myth of voice attained interpretable form, flesh, and sound. The publisher gratefully acknowledges the generous support of the AMS 75 PAYS Fund of the American Musicological Society, supported in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.
The Lyrical in Epic Time: Modern Chinese Intellectuals and Artists Through the 1949 Crisis
by David Der-wei WangIn this book, David Der-wei Wang uses the lyrical to rethink the dynamics of Chinese modernity. Although the form may seem unusual for representing China's social and political crises in the mid-twentieth century, Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. Wang calls attention to the form's vigor and variety at an unlikely juncture in Chinese history and the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with poetry, fiction, film, intellectual treatise, political manifesto, painting, calligraphy, and music. Western critics, Wang shows, also used lyricism to critique their perilous, epic time. He reads Martin Heidegger, Theodor Adorno, Cleanth Brooks, and Paul de Man, among others, to complete his portrait.The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese—and global—modernity. Wang's remarkable survey reestablishes Chinese lyricism's deep roots in its own native traditions, along with Western influences, and realizes the relevance of such a lyrical calling of the past century to our time.
Lyrics: 1962-2001
by Bob DylanA major publishing event—a beautiful, comprehensive collection of the lyrics of Bob Dylan with artwork from thirty-three albums, edited and with an introduction by Christopher Ricks.<P><P> As it was well put by Al Kooper (the man behind the organ on “Like a Rolling Stone”), “Bob is the equivalent of William Shakespeare. What Shakespeare did in his time, Bob does in his time.” Christopher Ricks, editor of T.S. Eliot, Samuel Beckett, Tennyson, and The Oxford Book of English Verse, has no argument with Mr. Kooper’s assessment, and Dylan is attended to accordingly in this authoritative edition of his lyrics.<P> In the words of Ricks: “For fifty years, all the world has delighted in Bob Dylan’s books of words and more than words: provocative, mysterious, touching, baffling, not-to-be-pinned-down, intriguing, and a reminder that genius is free to do as it chooses. And, again and again, these are not the words that he sings on the initially released albums.”<P> This edition changes things, giving us the words from officially released studio and live recordings, as well as selected variant lyrics and revisions to these, recent revisions and retrospective ones; and, from the archives, words that, till now, have not been published.<P> The Lyrics, edited with diligence by Christopher Ricks, Lisa Nemrow, and Julie Nemrow. As set down, as sung, and as sung again.<P> Winner of the Nobel Prize for Literature
Lyrics: The definitive collection of the Roxy Music frontman’s iconic lyrics
by Bryan Ferry**THE SUNDAY TIMES BESTSELLER**Celebrate the 50th anniversary of Roxy Music's iconic first album with this collection of Bryan Ferry's evocative lyrics of aspiration and romantic longing, introduced by the author.'Lyrics is a book any Roxy fan would be proud to have on their shelf' The TelegraphBryan Ferry's work as a singer and songwriter, both as a solo artist and with Roxy Music, is legendary.Lyrics collects the words written for music across seventeen albums, from the first iconic Roxy album of 1972 via the masterpiece of Avalon to 2014's reflective Avonmore, introduced by the author, and with an insightful essay by James Truman.All the classic Roxy anthems are here - 'Virginia Plain', 'Do the Strand', 'Love is the Drug' - songs in which the real and the make-believe blend in a kaleidoscopic mix, shot through with cinematic allure.Also included are the evocative lyrics of romantic longing and lost illusions for which Ferry is rightly revered: 'Slave to Love', 'Mother of Pearl', 'More Than This'. As he writes in his preface, 'The low points in life so often produce the most keenly felt and best-loved songs.' And, it might be added, some of the best poetry.Discover this unforgettable collection of Bryan Ferry's work today.
Lyrics
by Richard MathesonCollected song lyrics penned by the celebrated author of What Dreams May Come and Bid Time Return. Few of Richard Matheson&’s readers know that he had hopes for writing popular music. At a very early age, Matheson taught himself how to write sheet music, but his family could not afford the supplies and so he had to give up composition. But music never left his mind and when Matheson found a creative new outlet through his writing (cheaper than music, requiring only a pencil and paper), he quickly began composing both prose stories as well as poetry. He picked up music composition again at the age of seventeen, adding music to his poems. Here in Lyrics are the compositions that Matheson created, in publication for the very first time.
The Lyrics: 1956 to the Present
by Paul McCartney Paul MuldoonA work of unparalleled candor and splendorous beauty, The Lyrics celebrates the creative life and the musical genius of Paul McCartney through his most meaningful songs. <p><p> Finally in paperback and featuring seven new song commentaries, the #1 New York Times bestseller celebrates the creative life and unparalleled musical genius of Paul McCartney. <p><p> Spanning sixty-four years—from his early days in Liverpool, through the historic decade of The Beatles, to Wings and his solo career—Paul McCartney’s The Lyrics revolutionized the way artists write about music. An unprecedented “triumph” (Times UK), this handsomely designed volume pairs the definitive texts of over 160 songs with first-person commentaries on McCartney’s life, revealing the diverse circumstances in which songs were written; how they ultimately came to be; and the remarkable, yet often delightfully ordinary, people and places that inspired them. The Lyrics also includes: <p><p> · A personal foreword by McCartney <p>· An unprecedented range of songs, from beloved standards like “Band on the Run” to new additions “Day Tripper” and “Magical Mystery Tour” <p>· Over 160 images from McCartney’s own archives <p><p> Edited and introduced by Pulitzer Prize-winning poet Paul Muldoon, The Lyrics is the definitive literary and visual record of one of the greatest songwriters of all time. <p> <b>New York Times Bestseller</b>
Lyrics
by StingFrom the first Police album, Outlandos D'Amour, through Sacred Love, here are the collected lyrics written by Sting, along with his commentary.
Lyrics 1964-2008
by Paul SimonA landmark compilation of popular music, this collection contains Paul Simon's lyrics from his first album in 1964 to the present.
Lyrics 1964-2016
by Paul SimonA landmark compilation of popular music, this collection contains Paul Simon's lyrics from his first album in 1964 to the present.
The Lyrics of Tom Waits: The Early Years
by Tom WaitsKnown for his growling vocals and for the distinct poetry of his lyrics, Tom Waits has amassed over the course of three decades a devoted cult following. The Early Years collects the lyrics—formative and classic—from the first ten albums of this true bard of hard living. A celebration of both his words and of the artist himself, this lyrical biography charts the course from Wait's emotional debut album, Closing Time (1977), to the experimental stirrings in Heartattack and Vine (1991) and One from the Heart (1992). Here the words achieve a new potency, adding further dimension to this singularly gifted artist.
Lyrics & Prose
by Ric OcasekEmerging from the New Wave music scene of the late '70s, The Cars catapulted to success with the very first single--"Just What I Needed"--off of their debut album. Led by Ric Ocasek, the lead vocalist (along with Benjamin Orr), rhythm guitarist, and songwriter, The Cars became one of the most successful bands of the '80s--and their songs are just as beloved by fans today. Ocasek himself has had an illustrious career beyond The Cars, from writing and performing solo work, publishing poetry in Granta and elsewhere, and producing albums by musical artists like Weezer, Hole, Guided By Voices, and Jonathan Richman. In Lyrics & Prose, Ocasek collects his lyrics together for the first time--and included throughout are Ocasek's early handwritten notes and set lists, doodles and all. His work spans from The Cars' self titled debut album in 1978 to Move Like This, released in 2011, as well as Ocasek's six solo albums. This is not merely a songbook for fans of The Cars, however: Ocasek is a versatile and affecting poet as well as songwriter, and his original verses--interspersed with album artwork and more than twenty-five beautiful black and white photographs--round out this beguiling book.
The Lyrics (Vol. Two-Volume Set): 1956 To The Present
by Paul McCartneyA work of unparalleled candor and splendorous beauty, The Lyrics celebrates the creative life and the musical genius of Paul McCartney through 154 of his most meaningful songs. <P><P> From his early Liverpool days, through the historic decade of The Beatles, to Wings and his long solo career, The Lyrics pairs the definitive texts of 154 Paul McCartney songs with first-person commentaries on his life and music. Spanning two alphabetically arranged volumes, these commentaries reveal how the songs came to be and the people who inspired them: his devoted parents, Mary and Jim; his songwriting partner, John Lennon; his “Golden Earth Girl,” Linda Eastman; his wife, Nancy McCartney; and even Queen Elizabeth, among many others. Here are the origins of “Let It Be,” “Lovely Rita,” “Yesterday,” and “Mull of Kintyre,” as well as McCartney’s literary influences, including Shakespeare, Lewis Carroll, and Alan Durband, his high-school English teacher. <P><P>With images from McCartney’s personal archives—handwritten texts, paintings, and photographs, hundreds previously unseen—The Lyrics, spanning sixty-four years, becomes the definitive literary and visual record of one of the greatest songwriters of all time. <P><P><b>A New York Times Best Seller</b>
Lz-'75
by Stephen DavisStephen Davis's brilliantly-written personal account of criss-crossing America with Led Zeppelin on their 1975 tour. A warts-and-all snapshot of the world's biggest hard-rock band at their peak. As a young rock writer Stephen Davis landed the ultimate commission - touring America with Led Zeppelin. This is a personal account by Davis of his journey, which saw him crossing the country with the band on board the Starship, their famous Boeing passenger jet, complete with deep shag purple carpet, electric pianos, girlfriends and star-struck hangers-on. This is also the story of one of the hardest-living bands in the world at their peak. For Robert Plant, Jimmy Page, John Paul Jones and John Bonham, the most beautiful women in America tear their spangled jackets from them and riots start outside their gigs. LZ-75 captures a few perfect months in rock, when Led Zeppelin epitomised the free-living rock dream, but, like Icarus, their wings were already beginning to melt. It wouldn't be long before John Bonham died of a vodka overdose, and punk killed their brand of monumental rock. With it's up-close-and-personal accounts of band members, managers, groupies, fans and drug-dealers, there's a lot of Almost Famous about this book - Led Zep's 1975 tour is in fact the very one on which Cameron Crowe's film was based. Stephen Davis was barely twenty in 1975, but now he is recognised as one of the best rock writers in the world. He is the author of the mega-selling Hammer of the Gods - a biography of Led Zeppelin. He recently unearthed his notebooks of the 1975 tour - which he didn't use for Hammer of the Gods - to write LZ-75. LZ-75: ACROSS AMERICA WITH LED ZEPPELIN is a wonderful and unique thing - a beautifully succinct account of a single moment in rock, when no lyric was too far-fetched, no drink went undrunk and no expense was ever, ever spared. It's a moment that will never be repeated.