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Marilyn Manson
by Kurt ReighleyFor the public, the triumph of Marilyn Manson happened in the blink of an eye, beginning with the debut of their 1994 "Album Portrait of an American Family", an event which led to a cover on "Rolling Stone" and the group's MTV smash "Sweet Dreams". This biography offers an all-encompassing look at the success of this controversial band.
Mario Lanza: Singing to the Gods (American Made Music Series)
by Derek ManneringBlessed with one of the great tenor voices of all time, Mario Lanza (1921-1959) rose to spectacular heights in a film, recording, and concert career that spanned little more than a decade. Groomed at the outset for a career on the opera stage, Lanza instead flourished in Hollywood where his films, most notably The Great Caruso, broke box-office records the world over and influenced the careers of countless musicians. To this day, the Three Tenors cite him as an inspiration for their own careers on the classical stage. Lanza's recordings for RCA sold in the millions, and he remains the crossover artist supreme. But his tremendous success was derailed by his self-destructive lifestyle, and by age thirty-eight he was dead, with his extraordinary promise left unfulfilled. Newly revised and updated for its first U.S. edition, Mario Lanza: Singing to the Gods is the definitive account of the remarkable life and times of one of the twentieth century's most beloved singing stars. This richly detailed work also contains a selection of rare photographs, several of which are drawn from Lanza's estate. With the support of Lanza's daughter, Ellisa Lanza Bregman, the tenor's colleagues, and his closest friend, Terry Robinson, Derek Mannering has chronicled a fascinating and unforgettable life. From the fabulous successes of the early MGM years through the disastrous walkouts and cancellations that sent Lanza's career into freefall, Mannering objectively and movingly reveals the story of a great star torn apart by his own troubled psyche and undisciplined lifestyle.
Marion's Angels (Pennington #4)
by K. M. PeytonMarion's Angels is an unusual novel about a lonely girl and her love for an impressive medieval church on the river marsh near her father's cottage. "That queer little Marion", the villagers would say, "Why would she want a church of her own?" But Marion, in an emotional tangle after her mother's death, didn't care what they thought of her strange fascination. She carefully tended the church and its twelve beautifully carved angels that seemed to her almost alive, praying intensely for the money to save it from ruin. A miracle seems to result from her passionate prayers for her angels. A world famous violinist takes up the cause and arranges a series of benefit performances. Marion is tumbled into a world of concerts and professional musicians--and a confusing web of relationships and connection with the supernatural. In the end crisis, one of Marion's angels seems to save her life--another miracle or just chance? This is a compelling novel for young people, sympathetically portraying a sensitive young girl and her mysterious glimpses of seemingly supernatural coincidences. Peyton, long acknowledged as an outstandingly original writer, tells this story with characteristic warmth and humor, and provides as well interesting insights into the world of professional musicians. It is a story that lingers with the reader long after it has been put down. K. M. Peyton was born in Birmingham, England, and educated at Wimbledon High School, Kingston School of Art and Manchester Art School. It was while an art student that she met her husband, who is a freelance commercial artist. Mrs. Peyton has been writing since she was nine--she had her first book published at fifteen--and when her first daughter was born, she gave up her job as an art teacher to follow a full-time career in writing. Since then she has won several awards, including the Carnegie Medal, and two of her books have been chosen as American Library Association Notable Books. Her celebrated trilogy Flambards has been televised in England.
The Mariposa Folk Festival: A History
by Michael HillA history of the Mariposa Folk Festival, from its humble roots in Orillia in 1961 to international acclaim and legendary status as a premier folk music gathering. Mariposa began in the heyday of the early 60s “folk boom.” In its more than fifty-five years, it has seen many of the world’s greatest performers grace its stages: Pete Seeger, Joni Mitchell, Leonard Cohen, Gordon Lightfoot, Buffy Sainte-Marie, Jann Arden, and Serena Ryder. The festival has long held a musical mirror to popular culture in Canada. It thrived during the folk boom years and the singer-songwriter era of the early 70s. Its popularity dipped during the rise of disco and punk as the 70s wore into the early 80s. And it nearly died due to lack of interest in the 90s — the days of grunge and new country, and the golden age of CD sales. Thanks to a recent wave of independent, home-grown music, Mariposa is having a resurgence in the early twenty-first century. Audiences have always come and gone, but the festival has stayed true to its mandate: to promote and preserve folk art in Canada through song, story, dance, and craft.
Mark E. Smith and The Fall: Art Music And Politics (Ashgate Popular and Folk Music Series)
by Benjamin HalliganThis volume offers a comprehensive range of approaches to the work of Mark E. Smith and his band The Fall in relation to music, art and politics. Mark E. Smith remains one of the most divisive and idiosyncratic figures in popular music after a recording career with The Fall that spans thirty years. Although The Fall were originally associated with the contemporaneous punk explosion, from the beginning they pursued a highly original vision of what was possible in the sphere of popular music. While other punk bands burned out after a few years, only to then reform decades later as their own cover bands, The Fall continue to evolve while retaining a remarkable consistency, even with the frequent line-up changes that soon left Mark E. Smith as the only permanent member of the group. The key aspect of the group that this volume explores is the invariably creative, unfailingly critical and often antagonistic relations that characterize both the internal dynamics of the group and the group's position in the pop cultural surroundings. The Fall's ambiguous position in the unfolding histories of British popular music and therefore in the new heritage industries of popular culture in the UK, from post-punk to anti-Thatcher politics, to the 'Factory fiction of Manchester' and on into Mark E. Smith's current role as ageing enfant terrible of rock, illustrates the uneasy relationship between the band, their critical commentators and the historians of popular music. This volume engages directly with this critical ambiguity. With a diverse range of approaches to The Fall, this volume opens up new possibilities for writing about contemporary music beyond traditional approaches grounded in the sociology of music, Cultural Studies and music journalism - an aim which is reflected in the variety of provocative critical approaches and writing styles that make up the volume.
Mark Mothersbaugh
by Adam Lerner Wes AndersonMark Mothersbaugh is a legendary figure for fans of both street art and music culture. Cofounder of the seminal New Wave band DEVO, he was a prolific visual artist before the band's inception moving seamlessly between multiple mediums creating bold, cartoonish, strangely disturbed works of pop surrealism that playfully explore the relationship between technology and individuality. In the most comprehensive presentation of his work to date, Mark Mothersbaugh: Myopia features a lifetime of his creative inventions from the beginning of his artistic career in the 1970s to his most recent work, including early postcards, screen prints, decals, and DEVO ephemera as well as later paintings, photographs (such as the celebrated Beautiful Mutants series), sculpture, and rugs. Accompanied by a major six city traveling exhibition, this richly illustrated catalog positions Mothersbaugh as a pivitol figure in the history of both contemporary art and indie culture.
Marketing Recorded Music: How Music Companies Brand and Market Artists
by Tammy Donham Amy Sue Macy Clyde Philip RolstonThis fourth edition of Marketing Recorded Music is the essential resource to help you understand how recorded music is professionally marketed. Updated to reflect the digital era, with new chapters on emerging media, streaming, and branding, this fourth edition also includes strategies for independent and unsigned artists. Fully revised to reflect international marketing issues, Marketing Recorded Music is accompanied by a companion website with additional online resources, including PowerPoints, quizzes, and lesson plans, making it the go-to manual for students, as well as aspiring and experienced professionals.
The Marks of a Maestro: Annotating Mozart's ‘Jupiter' Symphony (Elements in Twenty-First Century Music Practice)
by Raymond Holden Stephen MouldOnly recently has it become obvious that conductors' annotated scores and marked orchestral parts are of great cultural, historical and musical importance. In the not-so-distant past, these artefacts had something of an uncertain status with many either languishing unopened in libraries and family archives or simply being dispersed or discarded. With the help of institutions such as the Royal Academy of Music, Harvard University and the New York Philharmonic Orchestra this has begun to change with their extensive collections of these materials now being made available to scholars and musicians. This element examines the emergence of these artefacts as didactic and interpretative tools and explores the ways in which the performance styles of ten iconic conductors active in the nineteenth, twentieth and twenty-first centuries are reflected in their annotated scores and marked orchestral parts of Mozart's Symphony No. 41, K. 551 ('Jupiter').
Marooned: The Next Generation of Desert Island Discs
by Phil FreemanFeaturing original contributions from today’s leading music critics, Marooned is a revealing snapshot of the current state of pop music criticism. A follow-up and homage to Greil Marcus’s rock-and-roll classic Stranded, Marooned asks the same question: What album would you bring to a desert island, and why?WITH ESSAYS BY: Matt Ashare * Tom Breihan * Aaron Burgess * Jon Caramanica * Daphne Carr * Jeff Chang * Ian Christie * Kandia Crazy Horse * John Darnielle * Laina Dawes * Geeta Dayal * Rob Harvilla * Jess Harvell * Michaelangelo Matos * Anthony Miccio * Amy Phillips * Dave Queen * Ned Raggett * Simon Reynolds * Chris Ryan * Scott Seward * Greg Tate * Derek Taylor * Douglas Wolk
The Marriage of Figaro: A Comic Opera In Three Acts, Founded On Beaumarchais' Comedy Of La Folle Journée, And On The Follies Of A Day (Dover Opera Scores)
by Wolfgang Amadeus MozartNow available for the first time in a sturdily produced, reasonably priced paperbound edition is the complete orchestral score of Mozart's The Marriage of Figaro, widely considered the greatest comic opera ever written. Based on the second play of a trilogy by Beaumarchais (the first was The Barber of Seville), Figaro elevates the time-honored opera buffa of Italian tradition to new heights, transfiguring persons and scenes with glorious melodies and superb dramatic characterizations.This edition, based on Mozart's autograph manuscript and early German translations of the libretto, embodies both the original Italian libretto of Lorenzo Da Ponte and a new corrected version of the German text. It is totally complete and contains all passages, including some that are missing from other editions and often cut in performances. In addition, the Editor's Commentary includes a complete review of all dubious passages and text problems.This full orchestral score is an indispensable aid for study and for anyone listening to recordings or live performances. In no other manner can the listener or student keep full awareness of the many elements that make up this opera.
Marshal Ney At Quatre Bras: New Perspectives on the Opening Battle of the Waterloo Campaign
by Paul L. DawsonFought on 16 June 1815, two days before the Battle of Waterloo, the Battle of Quatre Bras has been described as a tactical Anglo-allied victory, but a French strategic victory. The French Marshal Ney was given command of the left wing of Napoleons army and ordered to seize the vital crossroads at Quatre Bras, as the prelude to an advance on Brussels. The crossroads was of strategic importance because the side which controlled it could move southeastward along the Nivelles-Namur road.Yet the normally bold and dynamic Ney was uncharacteristically cautious. As a result, by the time he mounted a full-scale attack upon the Allied troops holding Quatre Bras, the Duke of Wellington had been able to concentrate enough strength to hold the crossroads.Neys failure at Quatre Bras had disastrous consequences for Napoleon, whose divided army was not able to reunite in time to face Wellington at Waterloo. This revelatory study of the Waterloo campaign draws primarily on French archival sources, and previously unpublished French accounts, to present a balanced view of a battle normally seen only from the British or Anglo-Allied perspective.
Martin Crimp’s Power Plays: Intertextuality, Sexuality, Desire (Routledge Advances in Theatre & Performance Studies)
by Vicky AngelakiThis book covers playwright Martin Crimp’s recent work showing how it captures the nuances in our interpersonal contemporary experience. Examining the bold and exciting body of writing by Crimp, the book delves into his depiction of intersections between narratives, as well as between private and public, through an honest look at power structures and shifts, marriages and relationships, sexuality, and desire. This book will be of great interest to students and scholars in Drama, Theatre and Performance, English Literature, and Opera Studies.
Martin & Mahalia
by Andrea Davis PinkneyThey were each born with the gift of gospel. Martin's voice kept people in their seats, but also sent their praises soaring. Mahalia's voice was brass-and-butter - strong and smooth at the same time. With Martin's sermons and Mahalia's songs, folks were free to shout, to sing their joy. On August 28, 1963, Martin Luther King, Jr. gave his famous "I Have a Dream" speech from the steps of the Lincoln Memorial, and his strong voice and powerful message were joined and lifted in song by world-renowned gospel singer Mahalia Jackson. It was a moment that changed the course of history and is imprinted in minds forever. Told through Andrea Davis Pinkney's poetic prose and Brian Pinkney's evocative illustration, the stories of these two powerful voices and lives are told side-by-side -- as they would one day walk -- following the journey from their youth to a culmination at this historical event when they united as one and inspiring kids to find their own voices and speak up for what is right. <P> Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. To explore further access options with us, please contact us through the Book Quality link on the right sidebar. Benetech is actively working on projects to improve accessibility issues such as these.
Martin Scorsese Presents The Blues: A Musical Journey
by Peter Guralnick Robert Santelli Holly George-WarrenA companion to the groundbreaking PBS documentary series, this volume is a unique and timeless celebration of the blues, from writers and artists as esteemed and revered as the music that moved them. Included in this stunning collection are Essays by David Halberstam, Hilton Als, Suzan-Lori Parks, Elmore Leonard, Luc Sante, John Edgar Wideman, and many others Timeless archival pieces by writers such as Stanley Booth, Paul Oliver, and Mack McCormick Evocative color illustrations and rare vintage photography Illuminating and in-depth conversations and portraits of musicians, ranging from Robert Johnson and Bessie Smith to John Lee Hooker and Eric Clapton Lyrics of legendary blues compositions Personal essays by the series directors Martin Scorsese, Charles Burnett, Richard Pearce, Wim Wenders, Marc Levin, Mike Figgis, and Clint Eastwood Excerpts from literary masters James Baldwin, Ralph Ellison, Eudora Welty, Zora Neale Hurston, Langston Hughes, and William Faulkner Tracing the art form's path from juke joints, house parties, and recording studios to musicians such as Elvis Presley, The Rolling Stones, and The Beatles, Martin Scorsese Presents The Blues proves, in the words of Willie Dixon, "The blues are the roots; every-thing else is the fruits."
Martropía: Conversaciones con Spinetta
by Juan Carlos DiezConvertido en un objeto de culto, este libro reúne incontables horas de conversaciones que durante cinco años mantuvieron el Flaco Spinetta y Juan Carlos Diez. El fruto de esos encuentros es esta hoja de ruta arbitraria que nos permite asomarnos al universo de este artista singular. Con más de treinta y cinco años de trayectoria y cerca de cuarenta discos grabados (en grupo o como solista), Luis Alberto Spinetta es sin lugar a dudas uno de los representantes más significativos de la música popular argentina. Creador de letras de hondo lirismo y compositor que abreva en las armonías del jazz y en la esencia melódica de Buenos Aires, Spinetta es también uno de los integrantes más destacados de esa generación mítica que dio vida al rock nacional. Sus influencias musicales, sus vivencias y sensaciones, sus obsesiones, su música y sus pensamientos sobre la realidad de hoy conviven con Castaneda y El Bosco, Jimi Hendrix y Los Beatles, Artaud y Bataille, Piazzolla y el capitán Beto. La discografía completa y una selección de letras de canciones, que incluye tres temas inéditos, integran esta obra ineludible para quienes quieran conocer en profundidad al artista y para todos aquellos que, conociéndolo, busquen reconocerse en su trayectoria. La crítica ha dicho... «Una suerte de mapa cósmico del universo de Spinetta.»Juan Rapacioli, Télam «Un libro destinado a conmover.»Cristian Vitale, Página/12 «Luis Alberto Spinetta fue un artista de notables condiciones que lo hicieron único. Martropía refleja esto con amplitud y especial sensibilidad.»Rodolfo García, músico e integrante de Almendra y Los Amigo. «En este preciso momento hay dos cosas muy importantes para hacer: una es escuchar algún temita de Luis Alberto y la otra leer estas conversaciones entre Juan Carlos y el propio Flaco.»Hugo Fattoruso «Llegué a casa y no pude parar de leerlo, lo devoré. Martropía es realmente profundo, abordando múltiples aspectos de la vida de Luis tanto en el plano personal como en lo referente a su obra.»Sergio Verdinelli, baterista de la banda de Spinetta
The Marvellous Equations of the Dread: A Novel In Bass Riddim
by Marcia DouglasThe ancestors have awakened. Somebody has called them. The long-dead are stirring. Jah ways are mysterious ways. “Is me—Bob. Bob Marley.” Reincarnated as homeless Fall-down man, Bob Marley sleeps in a clock tower built on the site of a lynching in Half Way Tree, Kingston. The ghosts of Marcus Garvey and King Edward VII are there too, drinking whiskey and playing solitaire. No one sees that Fall-down is Bob Marley, no one but his long-ago love, the deaf woman, Leenah, and, in the way of this otherworldly book, when Bob steps into the street each day, five years have passed. Jah ways are mysterious ways, from Kingston’s ghettoes to London, from Haile Selaisse’s Ethiopian palace and back to Jamaica, Marcia Douglas’s mythical reworking of three hundred years of violence is a ticket to the deep world of Rasta history. This amazing novel—in bass riddim—carries the reader on a voyage all the way to the gates of Zion.
Marvin Makes Music
by Marvin HamlischA true story from one of America's most beloved composers Marvin loves to play the piano and compose his own songs. But performing music over and over that's composed by some old guys name Ludwig and Wolfgang just gives him knots in his stomach. When his father tells Marvin he has an audition with the most prestigious music school, how can Marvin overcome his nerves and get swept away by the music? This endearing book is based on the true life story of composer Marvin Hamlisch, who, at the age of six, was the youngest person ever accepted into the Juilliard School. Includes CD with original song
A Mary Blair Treasury of Golden Books
by VariousFans of illustrator Mary Blair will cherish this never-before-published treasury of her Golden Books, which includes material that hasn't been in print in decades. I Can Fly is here in its unabridged glory, as are Baby's House, The Up and Down Book, and The Golden Book of Little Verses. Many of the finest pages from The New Golden Song Book are included, to round out this gorgeous collection. All of the original artwork has been digitally reproduced, and has never looked more breathtaking! Academy Award-winning animator John Canemaker—author of The Art and Flair of Mary Blair—wrote the foreword for this highly anticipated book honoring one of the most beloved illustrators of our time.
Mary Can!
by Mary J. BligeFrom multi-award-winning singer, artist, actress, and icon Mary J. Blige comes a fun and inspirational story that teaches young readers they can be anything, and they are enough.Most of the time, people say “no” or “you can’t” because they dream too small.Young Mary has been told that there are many things she can’t do. Like stay up past bedtime, or be an astronaut or become president. But what she really wants is to sing, and she isn’t about to let anyone tell her she can’t do it!A powerful motivating tale about a confident and ambitious girl who doesn’t feed into negativity, this debut children’s book from legendary artist Mary J. Blige proves that anyone can make their dreams come true by believing in themselves. It's a great conversation starter for overcoming discouragement from others.Brought to life with imaginative illustrations by Ezra Jack Keats Award-winning illustrator Ashleigh Corrin, Mary Can! is perfect for go-getters who aren’t afraid to be a YES in a world full of NOs.
Mary Climbs In: The Journeys of Bruce Springsteen's Women Fans
by Lorraine Mangione Donna LuffBruce Springsteen has been cherished by his fans for decades, from his early days playing high school gymnasiums through globally successful albums and huge stadium shows to solo performances in intimate theaters. As his long and illustrious career has evolved, the legendary devotion of his fans has remained a constant. Springsteen fans have become worthy of study in their own right, with books, memoirs, and even a movie documenting their passion and perspectives. But his fans are not monolithic, and surprisingly little attention has been paid to why so many women from across the world adore The Boss. Mary Climbs In illuminates this once overlooked but increasingly important and multi-faceted conversation about female audiences for Springsteen’s music. Drawing on unique surveys of fans themselves, the study offers insight into women’s experiences in their own voices. Authors Lorraine Mangione and Donna Luff explore the depth of women fans’ connection to Springsteen and the profound ways this connection has shaped their lives. Reflections from fans enliven each page as readers journey through the camaraderie and joy of concerts, the sorrow and confusion of personal loss and suffering, the love and closeness of community, and the search for meaning and for the self. Viewed through a psychological lens, women fans’ relationship with Springsteen is revealed in all its complexity as never before. Mary Climbs In is an important interdisciplinary contribution to the growing field of Springsteen studies and a must-read for any fan.
Mary Wells: The Tumultuous Life of Motown's First Superstar
by Peter BenjaminsonComplete with never-before-revealed details about the sex, violence, and drugs in her life, this biography reveals the incredibly turbulent life of Motown artist Mary Wells. Based in part on four hours of previously unreleased and unpublicized deathbed interviews with Wells, this account delves deeply into her rapid rise and long fall as a recording artist, her spectacular romantic and family life, the violent incidents in which she was a participant, and her abuse of drugs. From tumultuous affairs, including one with R&B superstar Jackie Wilson, to a courageous battle with throat cancer that climaxed in her gutsiest performance, this history draws upon years of interviews with Wells's friends, lovers, and husband to tell the whole story of a woman whose songs crossed the color line and whose voice captivated the Beatles.
Maryland, My Maryland: Music and Patriotism during the American Civil War
by James A. DavisHistorians have long treated the patriotic anthems of the American Civil War as colorful, if largely insignificant, side notes. Beneath the surface of these songs, however, is a complex story. “Maryland, My Maryland” was one of the most popular Confederate songs during the American Civil War, yet its story is full of ironies that draw attention to the often painful and contradictory actions and beliefs that were both cause and effect of the war. Most telling of all, it was adopted as one of a handful of Southern anthems even though it celebrated a state that never joined the Confederacy. In Maryland, My Maryland: Music and Patriotism during the American Civil War James A. Davis illuminates the incongruities underlying this Civil War anthem and what they reveal about patriotism during the war. The geographic specificity of the song’s lyrics allowed the contest between regional and national loyalties to be fought on bandstands as well as battlefields and enabled “Maryland, My Maryland” to contribute to the shift in patriotic allegiance from a specific, localized, and material place to an ambiguous, inclusive, and imagined space. Musical patriotism, it turns out, was easy to perform but hard to define for Civil War–era Americans.
Más allá de mis canciones
by Andrés SuárezMás allá de mis canciones reúne dieciocho relatos ilustrados que parten de las canciones más emblemáticas del célebre cantautor gallego. Más allá de las canciones hay una historia, un momento, una sensación... Aquella tarde que se escapó, el tren que no llegaba nunca o la noche infinita en la que nos sentimos eternos. En este libro Andrés Suárez relata, con una prosa poética, una sensibilidad y una crudeza que tocan directamente las entrañas, la intrahistoria de algunos de sus temas más hermosos, personales e icónicos. Quince letras de canciones y los relatos de las semillas que las inspiraron. Y tres canciones inéditas que, además, incluirán un código QR exclusivo con la canción expresamente grabada para ti, lector o lectora.
Masculinity and Western Musical Practice
by Kirsten GibsonHow have men used art music? How have they listened to and brandished the musical forms of the Western classical tradition and how has music intervened in their identity formations? This collection of essays addresses these questions by examining some of the ways in which men, music and masculinity have been implicated with each other since the Middle Ages. Feminist musicologies have already dealt extensively with music and gender, from the 'phallocentric' tendencies of the Western tradition, to the explicit marginalization of women from that tradition. This book builds on that work by turning feminist critical approaches towards the production, rhetorical engagement and subversion of masculinities in twelve different musical case studies. In other disciplines within the arts and humanities, 'men's studies' is a well-established field. Musicology has only recently begun to address critically music's engagement with masculinity and as a result has sometimes thereby failed to recognize its own discursive misogyny. This book does not seek to cover the field comprehensively but, rather, to explore in detail some of the ways in which musical practices do the cultural work of masculinity. The book is structured into three thematic sections: effeminate and virile musics and masculinities; national masculinities, national musics; and identities, voices, discourses. Within these themes, the book ranges across a number of specific topics: late medieval masculinities; early modern discourses of music, masculinity and medicine; Renaissance Italian masculinities; eighteenth-, nineteenth- and early twentieth-century ideas of creativity, gender and canonicity; masculinity, imperialist and nationalist ideologies in the nineteenth century, and constructions of the masculine voice in late nineteenth- and twentieth-century opera and song. While the case studies are methodologically disparate and located in different historical and geographical locations, they all share a common conc