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America’s Songs III: Rock!
by Bruce PollockAmerica’s Songs III: Rock! picks up in 1953 where America’s Songs II left off, describing the artistic and cultural impact of the rock ’n’ roll era on America’s songs and songwriters, recording artists and bands, music publishers and record labels, and the all-important consuming audience. The Introduction presents the background story, discussing the 1945-1952 period and focusing on the key songs from the genres of jump blues, rhythm ’n’ blues, country music, bluegrass, and folk that combined to form rock ‘n’ roll. From there, the author selects a handful of songs from each subsequent year, up through 2015, listed chronologically and organized by decade. As with its two preceding companions, America’s Songs III highlights the most important songs of each year with separate entries. More than 300 songs are analyzed in terms of importance—both musically and historically—and weighted by how they defined an era, an artist, a genre, or an underground movement. Written by known rock historian and former ASCAP award winner Bruce Pollock, America’s Songs III: Rock! relays the stories behind America’s musical history.
Amor a lo diminuto
by MacacoUna colección de textos inéditos escritos a vuelapluma entre concierto y concierto: apuntes al natural que nos hablan de la trayectoria de Macaco, de su filosofía de vida, y que nos muestran la faceta más literaria de un músico excepcional. «Estos pequeños escritos (no sé si son aforismos, rimas, pensamientos, cuentos, poemas y, la verdad, me da igual), como mis canciones, son mi patio de recreo, donde mi alma y mi cuerpo van a una buscando el mismo juego. Por eso escribo y canto, porque al padre del hombre que soy, es decir, el niño que fui, como decía el maestro José Saramago, le gustaban las piezas sueltas de los muñecos rotos, las cartas desparejadas o el resto de un puzle incompleto. Porque él, igual que yo, amaba lo diminuto.» Todos estos textos y fotos nacieron en trenes, aviones, coches, hoteles, viajando y girando por España, Francia, Portugal, Brasil, México, Argentina y los campamentos de refugiados saharauis. Unlibro en el que Dani Macaco hace partícipes a los lectores de sus viajes y su vida urbana. «... hablo sobre mí y los de mi raza, no hablo de pieles sino de soñadores, devoradores animados y metepatas, hablo sobre mochilas en la espalda que pesan mucho y no llevan nada, hablo sobre el presente del paso, y la zancadilla del pasado, hablo sobre lo minúsculo, lo diminuto, lo que aparentemente no está, pero al final es lo que decidirá hacia dónde se inclinará la balanza.» Dani Macaco
Amore: The Story of Italian American Song
by Mark RotellaAmore is Mark Rotella's celebration of the "Italian decade"—the years after the war and before the Beatles when Frank Sinatra, Perry Como, Dean Martin, and Tony Bennett, among others, won the hearts of the American public with a smooth, stylish, classy brand of pop. In Rotella's vivid telling, the stories behind forty Italian American classics (from "O Sole Mio," "Night and Day," and "Mack the Knife" to "Volare" and "I Wonder Why") show how a glorious musical tradition became the sound track of postwar America and the expression of a sense of style that we still cherish. Rotella follows the music from the opera houses and piazzas of southern Italy, to the barrooms of the Bronx and Hoboken, to the Copacabana, the Paramount Theatre, and the Vegas Strip. He shows us the hardworking musicians whose voices were to become ubiquitous on jukeboxes and the radio and whose names—some anglicized, some not—have become bywords for Italian American success, even as they were dogged by stereotypes and prejudice. Amore is the personal Top 40 of one proud son of Italy; it is also a love song to Italian American culture and an evocation of an age that belongs to us all.
Amos Bull: The Collected Works (Music of the New American Nation: Sacred Music from 1780 to 1820)
by Karl KroegerFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Amos's Killer Concert Caper
by Gary PaulsenAmos is desperate. He's desperate for two tickets to the romantic event of his young life...the Road Kill concert! He'll do anything to get them because he heard from a friend of a friend of a friend of Melissa Hansen that: she's way into Road Kill.
Amplifications of Black Sound from Colonial Mexico: Vocality and Beyond (Critical Mexican Studies)
by Sarah FinleyThinkers like W. E. B. Du Bois and Paul Gilroy have long championed sound as an affective register of Black subjectivity, particularly in the African Atlantic. Prior studies in this vein focus on Anglophone or Caribbean contexts, a tendency that furthers Mexico&’s marginalization within narratives of the Black and African diaspora and mutes Afro-descendant traditions that date back to the sixteenth century. Indeed, the New Spanish archive contains whispers of the region&’s Black sound cultures, including monetary records for the voices of enslaved singers and representations of Black music in casta paintings. Despite such evidence, it is difficult to attend fully to these subaltern voices, for the cultural filters of the lettered elite often mute or misinterpret non-European sounds.Amplifications of Black Sound from Colonial Mexico is the first extensive study of Afro-descendant sonorities in New Spain or elsewhere in colonial Latin America. In this context, it attends to Black sounds through a framework that remixes Jacques Derrida&’s reading of the ear&’s anatomy with theories like Gilroy&’s lower frequencies or Fred Moten&’s phonic materiality. Sarah Finley&’s aim is to unsettle the divide between self and other so the auditory archive might emerge as a polyphonic record that exceeds dichotomies of sounding object / listening subject. Through sampling the Afro-descendant sounds of this archive, this book recovers and rearticulates Black voices and auditory practices in New Spain.
Amy Winehouse (Lives of the Musicians)
by Kate SolomonIn her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.
Amy Winehouse (Lives of the Musicians)
by Kate SolomonIn her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.
Amy Winehouse: In Her Words
by Amy WinehouseThe Estate of Amy Winehouse will donate 100% of the advance and royalties it receives from the production and sale of this book to The Amy Winehouse Foundation. These funds will help assist the charity in continuing their vital work helping thousands of young people to feel supported in managing their emotional wellbeing and making informed life choices.*Global iconSix-time Grammy winnerHeadline-makerThe most talented recording artist of her generationMuch has been said about Amy Winehouse since her tragic death aged at age 27. But who was the real Amy?Amy Winehouse: In Her Words shines a spotlight on her incredible writing talent, her wit, her charm and lust for life. Bringing together Amy’s own never-before-seen journals, handwritten lyrics and family photographs together for the first time, this intimate tribute traces her creative evolution from growing up in North London to global superstardom, and provides a rare insight into the girl who became a legend.* The Estate of Amy Winehouse will donate 100% of the advance and royalties it receives (net of agency fees charged) from the production and sale of this book to The Amy Winehouse Foundation (registered charity number1143740). The minimum donation will be £70,000. Initiatives include Amy’s Place, which provides addiction recovery housing for young women; resilience-building programs in schools and music therapy programs supporting children with special educational needs and life-limiting conditions. More information can be found at https://amywinehousefoundation.org.
Amy, 27
by Howard SounesThe death of Amy Winehouse at the age of 27 was a tragedy.She was one of the brightest music stars in years -a brilliant, original song writer with a mighty voice and great personal charm. Amy was loveable, but troubled. She was as notorious for her messy personal life, drug addiction and alcoholism, as she was celebrated for her songs, and her death in 2011, while shocking, was not unexpected.Amy was also the latest in a series of iconic music stars who died at the same young age; starting with Brian Jones of the Rolling Stones whose death in 1969 was followed by Jimi Hendrix and Janis Joplin in 1970, Jim Morrison in 1971, and Kurt Cobain in 1994. All were gifted. All were dissipated. All were 27.The 27 Club was first used as a collective term for these lost souls after a comment by Kurt Cobain's mother. 'He's gone and joined that stupid club,' she said after Kurt shot himself. 'I told him not to ...'In this ground-breaking book, Howard Sounes delivers a detailed and insightful study of Amy Winehouse's life, and sets that life in the context of the 27 Club. That six big music stars died at 27 -- along with 44 less well-known names -- is on one level a coincidence. But behind this coincidence Sounes reveals is a disturbing common narrative that explains how these artists met their fate, and casts new light on Amy's death in particular.
Amy, 27
by Howard SounesThe death of Amy Winehouse at the age of 27 was a tragedy.She was one of the brightest music stars in years -a brilliant, original song writer with a mighty voice and great personal charm. Amy was loveable, but troubled. She was as notorious for her messy personal life, drug addiction and alcoholism, as she was celebrated for her songs, and her death in 2011, while shocking, was not unexpected.Amy was also the latest in a series of iconic music stars who died at the same young age; starting with Brian Jones of the Rolling Stones whose death in 1969 was followed by Jimi Hendrix and Janis Joplin in 1970, Jim Morrison in 1971, and Kurt Cobain in 1994. All were gifted. All were dissipated. All were 27.The 27 Club was first used as a collective term for these lost souls after a comment by Kurt Cobain's mother. 'He's gone and joined that stupid club,' she said after Kurt shot himself. 'I told him not to ...'In this ground-breaking book, Howard Sounes delivers a detailed and insightful study of Amy Winehouse's life, and sets that life in the context of the 27 Club. That six big music stars died at 27 -- along with 44 less well-known names -- is on one level a coincidence. But behind this coincidence Sounes reveals is a disturbing common narrative that explains how these artists met their fate, and casts new light on Amy's death in particular.(P)2013 Hodder & Stoughton
Amy, My Daughter
by Mitch WinehouseRevealing details about icon Amy Winehouse’s childhood, musical influences and substance abuse, this biography by her father “can’t fail to move”(The Sunday Times).The intimate, inside story of the life of multiple Grammy Award-winning singer and songwriter Amy Winehouse is told by the one person most able to tell it—Amy’s closest advisor, her inspiration, and best friend: her father, Mitch.Sifting fact from fiction, Mitch Winehouse reveals the events and the people that shaped Amy’s youth—from her mischievous childhood to her grandmother’s Jazz Age stories, to her father singing Frank Sinatra around the house. Shedding light on Amy’s musical coming-of-age, Mitch explores how she honed her distinctive sound, created her unforgettable look, and channeled her own life into hits such as “You Know I’m No Good”, “Rehab”, and “Back to Black” —some of the most memorable and personal pop music in years.Mitch holds nothing back about Amy’s addiction to drugs and alcohol and the toll it took on the family and friends who refused to give up on her. Dispelling many of the rumors about her tumultuous marriage to Blake Fielder-Civil, Mitch exposes the years of behind-the-scenes drama and explains how, for those who knew Amy in her last months, the greatest tragedy of all was that she finally appeared to be conquering her demons.Amy, My Daughter includes exclusive, never-before-seen photos and paints an open and honest portrait of one of the greatest musical talents of our time.“An unsparing portrait of addiction.” —The Times “Mitch does a fine job of fleshing out his daughter in all contradictory glory.” —Observer “An unflinchingly honest memoir.” —Independent
An Absolute Gift: A New Diary
by Ned RoremA magnificent collection of essays, opinions, and reflections on life, culture, art, love, and music—always lyrical, witty, and brazenly provocative—from one of the most acclaimed contemporary American composersTime magazine has called Ned Rorem &“the world&’s best composer of art songs.&” But his genius does not end in the realm of classical music. Rorem has a rare gift for writing, as well, and the wide acclaim that has greeted his memoirs, essay collections, and published diaries attest to this fact. An Absolute Gift is a cornucopia of Roremisms—essays, reviews, and opinions on a vast array of fascinating subjects, from music to film to drama to sex. Here also are candid diary entries, displaying the frankness and remarkable insight for which Rorem is known. Whether he&’s lambasting or celebrating the world&’s great musical works and their creators (and, according to Stephen Sondheim, &“He is one of the best writers about music that I have ever read&”), offering intensely personal musings on death and love, or brilliantly dissecting the artist&’s craft, Ned Rorem is always fascinating, always provocative, and enormously entertaining.
An Ear for Music, And Hands for Working
by Judy Bright-EnglishJust imagine being a young boy sitting behind your desk at home, and every morning you hear music and the sound of marching feet.But you&’re too short to see over the windowsill. The music passes by, and you wonder what it would be like to play with them. Then a gift from his housekeeper and some good news from his father gives this young boy a chance.
An Encyclopedia of South Carolina Jazz & Blues Musicians
by Benjamin Franklin VThis comprehensive A-to-Z reference is “an impressive contribution to jazz history and surprisingly good reading” (Michael Ullman, author of Jazz Lives).This informative bookdocuments the careers of South Carolina jazz and blues musicians from the nineteenth century to the present. The musicians range from the renowned (James Brown, Dizzy Gillespie), to the notable (Freddie Green, Josh White), the largely forgotten (Fud Livingston, Josie Miles), the obscure (Lottie Frost Hightower, Horace “Spoons” Williams), and the unknown (Vince Arnold, Johnny Wilson).Though the term “jazz” is commonly understood, if difficult to define, “blues” has evolved over time to include R&B, doo-wop, and soul. Performers in these genres are also represented, as are members of the Jenkins Orphanage bands of Charleston. Also covered are nineteenth-century musicians who performed what might be called proto-jazz or proto-blues in string bands, medicine shows, vaudeville, and the like.Organized alphabetically, from Johnny Acey to Webster Young, the entries include basic biographical information, South Carolina residences, career details, compositions, recordings as leaders and as band members, films, awards, websites, and lists of resources for additional reading. Former host of Jazz in Retrospect on NPR Benjamin Franklin V has ensured biographical accuracy to the greatest degree possible by consulting numerous public documents, and information in these records permitted him to dispel myths and correct misinformation that have surrounded South Carolina’s musical history for generations.“Elucidates South Carolina as a profoundly crucial puzzle piece alongside New Orleans, Chicago, Kansas City and New York.” —Harry Skoler, professor, Berklee College of MusicIncludes photos
An Encyclopedia of the Violin (Dover Books on Music)
by Alberto Bachmann"No list of twentieth-century landmarks in music reference would be valid without Bachmann's Encyclopedia."--American Reference Book Annual"If there were such an award as one for the best reprint of our day, surely this book by Alberto Bachmann would be way up front with the leaders."--American String TeacherOf the many books written about the violin, none offers the breadth and scope of this renowned reference. First published in 1925, it remains unsurpassed as a source of essential information on all aspects of the instrument. It traces the evolution of technique from the 1800s onward, in addition to examining the violin's construction and manufacture, listing American and European makers, and offering a biographic section on chamber music ensembles.Seventy-three rare photographs complement the text, which features an introduction by the legendary violinist Eugène Ysaÿe and a glossary of music and musical terms. Written by a concert violinist and composer, this remarkable handbook is a must for professionals, amateurs, teachers, and students.
An English Medieval and Renaissance Song Book: Part Songs and Sacred Music for One to Six Voices (Dover Song Collections)
by Noah Greenberg"An elegant anthology. The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." -- NotesThis treasury of 47 vocal works -- edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua -- will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley.Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angús Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man."Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII -- who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes.
An Eternal Pitch: Bishop G. E. Patterson, Broadcast Religion, and the Afterlives of Ecstasy (Phono: Black Music and the Global Imagination #2)
by Braxton D. ShelleyAn Eternal Pitch examines the homiletic life and afterlife of Bishop G. E. Patterson, the dynamic spiritual leader of the Church of God in Christ from 2000 to 2007. Although Patterson died in 2007, his voice remains a staple of radio and television broadcast, and his sermons have taken on a life of their own online, where myriad YouTube, Facebook, Instagram, and TikTok users enact innovative forms of religious broadcasting. Their preoccupation with Patterson’s "Afterliveness" punctuates the significance of Patterson’s preoccupation with musical repetition: across the decades of Patterson’s ministry, a set of musical gestures recur as sonic channels, bringing an individual sermon into contact with scripture’s eternal transmission.
An Illini Place: Building the University of Illinois Campus
by Incoronata Inserra John Franch Lex TateWhy does the University of Illinois campus at Urbana-Champaign look as it does today? Drawing on a wealth of research and featuring more than one hundred color photographs, An Illini Place provides an engrossing and beautiful answer to that question. Lex Tate and John Franch trace the story of the university's evolution through its buildings. Oral histories, official reports, dedication programs, and developmental plans both practical and quixotic inform the story. The authors also provide special chapters on campus icons and on the buildings, arenas and other spaces made possible by donors and friends of the university. Adding to the experience is a web companion that includes profiles of the planners, architects, and presidents instrumental in the campus's growth, plus an illustrated inventory of current and former campus plans and buildings.
An Imperishable Heritage: A Study of Selected Works
by Stephen TownThe rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.
An Interpretive Guide to Operatic Arias: A Handbook for Singers, Coaches, Teachers, and Students
by Martial SingherA premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. “The most memorable thrills in an opera singer's life,” according to the author's Introduction, “may easily derive from the great arias in his or her repertoire.”This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention “not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate.”For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric—with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions—French, German, Italian, Russian, and American—are represented, as are the major voice types—soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass.The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher’s approach—based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories—is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director.The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them.
An Interpretive Guide to Operatic Arias: A Handbook for Singers, Coaches, Teachers, and Students
by Martial SingherA premier singer and master teacher here tells other singers how to get the most from 151 famous arias selected for their popularity or their greatness from 66 operas, ranging in time and style from Christopher Gluck to Carlisle Floyd, from Mozart to Menotti. “The most memorable thrills in an opera singer's life,” according to the author's Introduction, “may easily derive from the great arias in his or her repertoire.”This book continues the work Martial Singher has done, in performances, in concerts, and in master classes and lessons, by drawing attention “not only to precise features of text, notes, and markings but also to psychological motivations and emotional impulses, to laughter and tears, to technical skills, to strokes of genius, and even here and there to variations from the original works that have proved to be fortunate.”For each aria, the author gives the dramatic and musical context, advice about interpretation, and the lyric—with the original language (if it is not English) and an idiomatic American English translation, in parallel columns. The major operatic traditions—French, German, Italian, Russian, and American—are represented, as are the major voice types—soprano, mezzo-soprano, tenor, baritone, bass-baritone, and bass.The dramatic context is not a mere summary of the plot but is a penetrating and often witty personality sketch of an operatic character in the midst of a situation. The musical context is presented with the dramatic situation in a cleverly integrated way. Suggestions about interpretation, often illustrated with musical notation and phonetic symbols, are interspersed among the author's explication of the music and the action. An overview of Martial Singher’s approach—based on fifty years of experience on stage in a hundred roles and in class at four leading conservatories—is presented in his Introduction. As the reader approaches each opera discussed in this book, he or she experiences the feeling of participation in a rehearsal on stage under an urbane though demanding coach and director.The Interpretive Guide will be of value to professional singers as a source of reference or renewed inspiration and a memory refresher, to coaches for checking and broadening personal impressions, to young singers and students for learning, to teachers who have enjoyed less than a half century of experience, and to opera broadcast listeners and telecast viewers who want to understand what goes into the sounds and sights that delight them.
An Introduction to America's Music
by Richard Crawford Larry HamberlinRichard Crawford and Larry Hamberlin show how the lively interactions between the folk, popular, and classical spheres have made American music resonate with audiences around the world. Students will learn how to listen critically to eighty-eight pieces in all the major styles and genres, while gaining a clearer understanding of music's role in the history of American society, business, and technology.
An Introduction to America's Music (Third Edition)
by Richard Crawford Larry HamberlinAn ear-opening exploration of music's New World, from Puritan psalmody to Hamilton Authors Richard Crawford and Larry Hamberlin use 90 pieces to show how the lively interactions among the folk, popular, and classical spheres have made American music resonate with audiences around the world. Along the way, students gain a clearer understanding of music's role in the history of American society, business, and technology. This purchase offers access to the digital ebook only.
An Introduction to Japanese Folk Performing Arts (SOAS Studies in Music Series)
by Terence A. LancashireJapanese folk performing arts incorporate a body of entertainments that range from the ritual to the secular. They may be the ritual dances at Shinto shrines performed to summon and entertain deities; group dances to drive away disease-bearing spirits; or theatrical mime to portray the tenets of Buddhist teachings. These ritual entertainments can have histories of a thousand years or more and, with such histories, some have served as the inspiration for the urban entertainments of no, kabuki and bunraku puppetry. The flow of that inspiration, however, has not always been one way. Elements taken from these urban forms could also be used to enhance the appeal of ritual dance and drama. And, in time, these urban entertainments too came to be performed in rural or regional settings and today are similarly considered folk performing arts. Professor Terence Lancashire provides a valuable introductory guide to the major performance types as understood by Japanese scholars.