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Never Broken: Songs Are Only Half the Story
by JewelNew York Times bestselling poet and multi-platinum singer-songwriter Jewel explores her unconventional upbringing and extraordinary life in an inspirational memoir that covers her childhood to fame, marriage, and motherhood.When Jewel's first album, Pieces of You, topped the charts in 1995, her emotional voice and vulnerable performance were groundbreaking. Drawing comparisons to Joan Baez and Joni Mitchell, a singer-songwriter of her kind had not emerged in decades. Now, with more than thirty million albums sold worldwide, Jewel tells the story of her life, and the lessons learned from her experience and her music. Living on a homestead in Alaska, Jewel learned to yodel at age five, and joined her parents' entertainment act, working in hotels, honky-tonks, and biker bars. Behind a strong-willed family life with an emphasis on music and artistic talent, however, there was also instability, abuse, and trauma. At age fifteen, she moved out and tasked herself with a mission: to see if she could avoid being the kind of statistic that her past indicated for her future. Soon after, she was accepted to the prestigious Interlochen Arts Academy in Michigan, and there she began writing her own songs as a means of expressing herself and documenting her journey to find happiness. Jewel was eighteen and homeless in San Diego when a radio DJ aired a bootleg version of one of her songs and it was requested into the top-ten countdown, something unheard-of for an unsigned artist. By the time she was twenty-one, her debut had gone multiplatinum. There is much more to Jewel's story, though, one complicated by family legacies, by crippling fear and insecurity, and by the extraordinary circumstances in which she managed to flourish and find happiness despite these obstacles. Along her road of self-discovery, learning to redirect her fate, Jewel has become an iconic singer and songwriter. In Never Broken she reflects on how she survived, and how writing songs, poetry, and prose has saved her life many times over. She writes lyrically about the natural wonders of Alaska, about pain and loss, about the healing power of motherhood, and about discovering her own identity years after the entire world had discovered the beauty of her songs.From the Hardcover edition.
Never Give Up
by Catherine HapkaCould Star's wish be coming true? Star is touring Italy when she gets exciting news: The police have a new lead on her family's disappearance! Star is desperate to fly to Florida where the clues have turned up, but her manager, Mike, won't let her go because of her commitments, and because he doesn't want her getting in the investigators' way. Star is so angry she sneaks off -- in rocker Eddie Urbane's tour jet! Now Mike is furious with Star, and the media is having a field day. Will star and manager ever forgive each other, or is the tour ruined before it's barely begun?
Never Look at the Empty Seats: A Memoir
by Charlie DanielsThe Incredible Story of a Country Music LegendFew artists have left a more indelible mark on America&’s musical landscape than Charlie Daniels.Readers will experience a soft, personal side of Charlie Daniels that has never before been documented. In his own words, he presents the path from his post-depression childhood to performing for millions as one of the most successful country acts of all time and what he has learned along the way. The book also includes insights into the many musicians that orbited Charlie&’s world, including Elvis Presley, Bob Dylan, Willie Nelson, Tammy Wynette and many more.Charlie was officially inducted into The Country Music Hall of Fame in 2016, shortly before his 80th birthday. He now shares the inside stories, reflections, and rare personal photographs from his earliest days in the 1940s to his self-taught guitar and fiddle playing high school days of the fifties through his rise to music stardom in the seventies, eighties and beyond. Charlie Daniels presents a life lesson for all of us regardless of profession:&“Walk on stage with a positive attitude. Your troubles are your own and are not included in the ticket price. Some nights you have more to give than others, but put it all out there every show. You're concerned with the people who showed up, not the ones who didn't. So give them a show and…Never look at the empty seats!&”
Never Say No
by Jan Foreman Mark ForemanThe question Mark and Jan Foreman are most often asked is: How did you raise your kids?Never Say No takes you on a personal journey to learn first-hand how they raised Jon and Tim of Switchfoot. They share practical advice for instilling wonder in a media-saturated culture, cultivating specific gifts, and balancing structure with individual choice. Our purpose as parents is the same as our child's: to live creatively beyond ourselves, bringing the love, beauty and nature of God to this world. Let the adventure begin.
Never Say No To A Rock Star: In the Studio with Dylan, Sinatra, Jagger and More...
by Glenn BergerIn 1974, at the age of seventeen, author Glenn Berger served as “Schlepper” and apprentice to the legendary recording engineer Phil Ramone at New York City’s A&R Studios, and was witness to music history on an almost daily and nightly basis as pop and rock icons such as Paul Simon, Bob Dylan, Mick Jagger, Frank Sinatra, Burt Bacharach, Bette Midler, and James Brown performed their hit-making magic, honed their sound, strutted their stuff, bared their souls, and threw epic tantrums. In this memoir, full of revelatory and previously unknown anecdotal observations of these musical giants, Glenn recounts how he quickly learned the ropes to move up from schlepperhood to assistant to the tyrannical Ramone, and eventually, to become a recording engineer superstar himself. Not only is Never Say No to A Rock Star a fascinating, hilarious and poignant behind-the-scenes look of this musical Mecca, but Berger, now a prominent psychologist, looking back through the prism of his youthful experience and his years working as a counselor and therapist, provides a telling and honest examination of the nature of fame and success and the corollaries between creativity, madness and self-destruction.
Never Understood: The Jesus and Mary Chain
by William Reid Jim ReidFor 5 years after they'd swapped sought-after apprenticeships for life on the dole, brothers William and Jim Reid sat up till the early hours in the front room of their parents' East Kilbride council house, plotting their path to world domination over endless cups of tea, with the music turned down low so as not to wake their sleeping sister. They knew they couldn't play in the same band because they'd argue too much, so they'd describe their dream ensembles to each other until finally they realised that these two perfect bands were actually the same band, and the name of that band was The Jesus and Mary Chain. The rest was not silence, and picking up those conversations again more than 40 years later, William and Jim tell the full story of one of Britain's greatest guitar bands for the very first time - a wildly funny and improbably moving chronicle of brotherly strife, feedback, riots, drug and alcohol addiction, eternal outsiders and extreme shyness, that also somehow manages to be a love letter to the Scottish working-class family.
Never Understood: The Jesus and Mary Chain
by William Reid Jim ReidFor 5 years after they'd swapped sought-after apprenticeships for life on the dole, brothers William and Jim Reid sat up till the early hours in the front room of their parents' East Kilbride council house, plotting their path to world domination over endless cups of tea, with the music turned down low so as not to wake their sleeping sister. They knew they couldn't play in the same band because they'd argue too much, so they'd describe their dream ensembles to each other until finally they realised that these two perfect bands were actually the same band, and the name of that band was The Jesus and Mary Chain. The rest was not silence, and picking up those conversations again more than 40 years later, William and Jim tell the full story of one of Britain's greatest guitar bands for the very first time - a wildly funny and improbably moving chronicle of brotherly strife, feedback, riots, drug and alcohol addiction, eternal outsiders and extreme shyness, that also somehow manages to be a love letter to the Scottish working-class family.
Never Understood: The Jesus and Mary Chain
by William Reid Jim ReidWilliam and Jim Reid, brothers and founding members of The Jesus and Mary Chain—a band that bridged the gap between the punk explosion and the emergence of grunge and Britpop—chronicle the chaos, confusion, and stories behind their music. For five years after they&’d swapped sought-after apprenticeships for life on the dole, brothers William and Jim Reid sat up till the early hours in the front room of their parents&’ East Kilbride council house, plotting their path to world domination over endless cups of tea, with the music turned down low so as not to wake their sleeping sister. They knew they couldn&’t play in the same band because they&’d argue too much, so they&’d describe their dream ensembles to each other until finally they realized that these two perfect bands were actually the same band. The name of that band was The Jesus and Mary Chain. The rest was not silence, and picking up those conversations again more than forty years later, William and Jim tell the full story of one of Britain&’s greatest guitar bands for the very first time – a wildly funny and improbably moving chronicle of brotherly strife, feedback, riots, drug and alcohol addiction, eternal outsiders and extreme shyness, that also somehow manages to be a love letter to the Scottish working-class family.
Never a Dull Moment: 1971--The Year That Rock Exploded
by David HepworthDavid Hepworth was twenty-one in 1971 and has been writing and broadcasting about music ever since. In this entertaining and provocative book, he argues that 1971 saw an unrepeatable surge of musical creativity, technological innovation, naked ambition and outrageous good fortune that combined to produce music that still crackles with relevance today. There’s a story behind every note of that music. From the electric blue fur coat David Bowie wore when he first arrived in America in February to Bianca’s neckline when she married Mick Jagger in Saint-Tropez in May, from the death of Jim Morrison in Paris in July to the reemergence of Bob Dylan at Madison Square Garden in August, from the soft launch of Carole King’s Tapestry in California in February to the sensational arrival of Led Zeppelin’s “Stairway To Heaven” in London in November, Hepworth’s forensic sweep takes in all the people, places and events that helped make 1971 rock’s unrepeatable year.
New Approaches in Applied Musicology: A Common Framework for Music Education and Psychology Research (SEMPRE Studies in The Psychology of Music)
by Adam Ockelford Graham WelchThis book presents four extended essays that are rooted in the growing interdisciplinary field of applied musicology, in which music theory – in particular, the zygonic conjecture – is used to inform thinking in the domains of music psychology, music education and music therapy research. It is essential reading for academics and postgraduate students working in these fields. The topics covered include a new study on the emergence of musical abilities in the early years, using the Sounds of Intent framework of musical development; an exploration of how the Sounds of Intent model can be extended to map how people with learning difficulties engage in creative multisensory activities; an investigation of the expectations generated on hearing a piece of music more than once evolve in cognition, using evidence from a musical savant; and a report on the effect on listeners of repeated exposure to a novel melody. Data are drawn from the findings of postgraduate and postdoctoral projects. It is hoped that this exciting new work will act as a catalyst in the emerging field of applied musicological research, and bring recognition to a group of new young academics.
New Atlantis and Selections from the Sylva Sylvarum
by Francis BaconFrancis Bacon's classic technological utopia brought to life for the modern sonic arts. In the early seventeenth century, at the very end of his life, the English statesman and philosopher Francis Bacon wrote a utopian fable called New Atlantis, containing an uncanny presentiment of twentieth-century electronic music. Now, four hundred years ago, music writer Robert Barry digs into the significance of that tale for the history of music, media, science and the senses. New Atlantis marked a significant turning point in the history of utopian literature -- not to mention the pre-history of science fiction, and even modern science itself. At the heart of the island paradise stumbled upon by Bacon's stranded sailors is a research institute called Bensalem where the locals practice "all sounds and their generation". The passage was sufficiently inspiring that Daphne Oram quoted it in full and pinned it to the wall of the newly opened BBC Radiophonic Workshop in 1957. Newly re-united with extracts from the Sylva Sylvarum, a notebook of real experiments that New Atlantis originally came bound with in the seventeenth century, this new publication seeks to bring Bacon's ideas to life for a new generation of artists and scholars engaged in the sonic arts, media archeology, and science studies. New Atlantis is presented with a brand new introduction by author and musician Robert Barry, which lays out the continuing relevance of Bacon's utopia for the place of sound and technology in the arts to this day.
New Bach Reader
by David Wolfe Hans T. David Mendel"Just reading these documents brings this great composer to life in a most exciting and vivid way. I love this book!" ―Yo-Yo Ma Through hundreds of letters, family papers, anecdotes, and records, the Bach Reader established a new approach to biography by offering original documents in impeccable translations. In The New Bach Reader, Christoph Wolff has incorporated numerous facsimiles and added many newly discovered items, reflecting the current state of scholarship about the composer's life and music. The readings in this volume provide an accurate and vivid picture of Bach's world and of his far-reaching influence.
New Cambridge Music Handbooks: The Montgomery Variations And Du Bois Credo (New Cambridge Music Handbooks Ser.)
by John Michael Cooper
New Channels of Music Distribution: Understanding the Distribution Process, Platforms and Alternative Strategies
by C. Michael BraeWith an example-driven, hands-on approach, New Channels of Music Distribution offers a practical, comprehensive study of the music industry's evolving distribution system. While paying careful attention to the variables that impact success, C. Michael Brae examines the functionality and components of music distribution, as well as the music industry as a whole.This book is a one-stop guide and resource for all musicians, performers, songwriters, and label owners in understanding all the elements and efficiency of music distribution. Through its hands-on exploration of the music business, this book provides insightful strategies for executing marketing, radio, retail campaigns, and much more.Here you will find:* Specific DIY methods and strategies for distributing music throughout every platform possible* Case studies and discussions highlighting wholesale and retail markups, pricing strategies, major chains, rack jobbers, one-stops, mom and pop stores, and other retail outlets* Tips on how to incorporate retail distribution networks supporting Soundscan and employ marketing techniques using cutting-edge web technology* Distribution methods and promotion tactics to help you increase an effective "sell-through" on your music An accompanying website (www.routledge.com/cw/brae) features examples of distribution, licensing, and co-publishing agreements, sample Midem charts, sample proposals, quiz questions, web links and key terms.
New Critical Perspectives on the Beatles
by Kenneth Womack Katie KapurchThe Beatles are probably the most photographed band in history and are the subject of numerous biographical studies, but a surprising dearth of academic scholarship addresses the Fab Four. New Critical Perspectives on the Beatles offers a collection of original, previously unpublished essays that explore 'new' aspects of the Beatles. The interdisciplinary collection situates the band in its historical moment of the 1960s, but argues for artistic innovation and cultural ingenuity that account for the Beatles' lasting popularity today. Along with theoretical approaches that bridge the study of music with perspectives from non-music disciplines, the texts under investigation make this collection 'new' in terms of Beatles' scholarship. Contributors frequently address under-examined Beatles texts or present critical perspectives on familiar works to produce new insight about the Beatles and their multi-generational audiences.
New Dramaturgies of Contemporary Opera: The Practitioners’ Perspectives (ISSN)
by Jingyi ZhangNew Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, and administrators) who provide valuable first-hand insight into the coming into being of an opera today.The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that go into making an opera today in an era of flux. The collection is split into four parts: Part I presents the new dramaturgical considerations that the field is currently exploring; Part II investigates the ways in which non-Western cultures and perspectives can and have been represented; Part III explores the roles of space, nature, and environment in contemporary opera; and finally, Part IV looks at the ways in which technology has intersected with the creation of contemporary opera.With perspectives from practitioners throughout, this collection is essential reading for advanced students, researchers, and scholars of contemporary opera, as well as practicing dramaturgs in this field.
New Geographies of Music 1: Urban Policies, Live Music, and Careers in a Changing Industry (Geographies of Media)
by Ola Johansson Séverin Guillard Joseph PalisThis book is the first installment of a trilogy that explores the spatial dimensions of music. Music has generated substantial interest among geographers, but other academic disciplines have also developed related spatial perspectives on music. This trilogy brings together multiple approaches, each book investigating a bundle of interrelated themes. New Geographies of Music 1: Urban Policies, Live Music, and Careers in a Changing Industry starts with an introduction that explores contemporary approaches to the study of popular music. The following chapters address a range of issues, including the role of live music in urban development, how knowledge about local music ecosystems circulates among cities, urban networks of music production, how musical practices in local scenes are affected by core-periphery relations, and how musicians rely on touring in order to earn a living. This is a must-read for anyone interested in the relationship between space and music.
New Heart, New Spirit, New Song
by Douglas BachorikO sing unto the Lord a new song! Every generation. Every culture. Every church. Every Christian. What an incredible privilege and responsibility! And yet, believers have been arguing about music since the days of the early church. Why is this? Perhaps we rely on our traditions, personal tastes, cultural backgrounds, or the latest trends more than God's Word. New Heart, New Spirit, New Song attempts to reorient our thinking in fundamental ways about: the nature of music the heart of worship the role of music in the Christian's daily life music in missions In these pages you will find simple, direct help in making your musical praise reflect the glorious Saviour you worship. "Doug speaks with refreshing clarity to an essential issue: the theology behind sound communication. New Heart, New Spirit, New Song reawakens the honest reader to simple truths God intends to be obvious: a refreshing and timely help." Dr. Phil Gingery, Assistant Pastor and Minister of Music, Bible Baptist Church (PA); Music Director, West Chester Christian School "Having witnessed first hand the author's work and ministry, we have anxiously awaited such a publication of his lectures on Biblical music.
New Jazz Conceptions: History, Theory, Practice (Warwick Series in the Humanities)
by Roger Fagge Nicolas PillaiNew Jazz Conceptions: History, Theory, Practice is an edited collection that captures the cutting edge of British jazz studies in the early twenty-first century, highlighting the developing methodologies and growing interdisciplinary nature of the field. In particular, the collection breaks down barriers previously maintained between jazz historians, theorists and practitioners with an emphasis on interrogating binaries of national/local and professional/amateur. Each of these essays questions popular narratives of jazz, casting fresh light on the cultural processes and economic circumstances which create the music. Subjects covered include Duke Ellington’s relationship with the BBC, the impact of social media on jazz, a new view of the ban on visiting jazz musicians in interwar Britain, a study of Dave Brubeck as a transitional figure in the pages of Melody Maker and BBC2’s Jazz 625, the issue of ‘liveness’ in Columbia’s Ellington at Newport album, a musician and promoter's views of the relationship with audiences, a reflection on Philip Larkin, Kingsley Amis and Eric Hobsbawm as jazz critics, a musician’s perspective on the oral and generational tradition of jazz in a British context, and a meditation on Alan Lomax’s Mr. Jelly Roll, and what it tells us about cultural memory and historical narratives of jazz.
New Jersey Folk Revival Music: History & Tradition
by Michael C. GabrieleNew Jersey shaped folk revival music into an art form. The saga began with the bawdy tunes sung in colonial-era taverns and continued with the folk songs that echoed through the Pine Barrens. "Guitar Mania" became a phenomenon in the 1800s, and twentieth-century studio recordings in Camden were monumental. Performances by legendary artists like Woody Guthrie, Pete Seeger, Joan Baez and Bob Dylan spotlighted the state's folk revival movement and led to a flourishing community of folk organizations, festivals and open-mic nights at village coffeehouses. Author Michael Gabriele traces the evolution and living history of folk revival music in the Garden State and how it has changed the lives of people on stage and in the audience.
New Kids on the Block
by Keith Elliot GreenbergJust a few years ago, they were typical Boston teenagers. Now the New Kids on the Block can't go anywhere without being mobbed by adoring fans. Obviously, the New Kids have something special. Their records and videos fly off store shelves. When they perform in concert, audiences scream for more. But there is more to this act than polished dance routines, funky outfits, and smooth vocals. In New Kids on the Block, you'll learn how Donnie Wahlberg, Danny Wood, Joe McIntyre, Jon Knight, and Jordan Knight handle success, and how they put their talents to work for many important causes. Keith Elliot Greenberg lives in Queens, New York, where he writes about many subjects, including sports, music, and social issues. Greenberg's articles have appeared in USA Today, the Toronto Globe and Mail, Cosmopolitan, Us, and other publications. New Kids on the Block is Greenberg's 11th book on the world of entertainment. Read more about the entertainment world in Michael J. Fox by Keith Elliot Greenberg Heavy Metal by Keith Elliot Greenberg Jim Henson: Muppet Master by Nathan Aaseng Whitney Houston by Keith Elliot Greenberg Janet Jackson by D.L. Mabery This Is Michael Jackson by D.L. Mabery George Lucas by D.L. Mabery Ralph Macchio by Keith Elliot Greenberg Madonna by Keith Elliot Greenberg Eddie Murphy by Teresa Koenig & Rivian Bell Prince by D.L. Mabery Rap by Keith Elliot Greenberg Steven Spielberg by D.L. Mabery Bruce Springsteen by Keith Elliot Greenberg Tina Turner by D.L. Mabery
New Kids on the Block
by Nikki Van NoyJordan, Jon, Joe, Donnie, and Danny. They set the bar for every boy band that followed and changed the course of pop music forever. In the 1980s, for millions of young girls around the world, they were gods. But behind the scenes, they were just kids. In this authorized biography of the band, the New Kids tell it all to rock journalist Nikki Van Noy. From makeshift stages in Boston clubs to soldout shows at Madison Square Garden, through winning American Music Awards and selling 80 million records, the New Kids on the Block (NKOTB) were a rite of passage and a touchstone of youthful memories. Scoring platinum albums, and with a series of sold-out international tours, NKOTB blazed through North and South America, Europe, Australia, and Asia, leaving throngs of screaming teen and tween girls in their wake. But after a few heady years, the guys (and their fans) grew up, and moved on. The New Kids disbanded in 1994 and, for nearly fifteen years, there was every reason to believe that the NKOTB phenomenon was over once and for all. But then an unexpected thing happened. The band (and their fans) got a second chance to relive their youth when NKOTB reunited in 2008. And they realized that this band has something special--an unbreakable bond with their fans and with each other that has only strengthened with the passage of time. Today, fans both old and new celebrate the band's triumphant comeback with sold-out concerts, cruises, and top-selling albums. And this time, Jordan, Jon, Joe, Donnie, and Danny are enjoying it all right alongside them. An intimate, all-access backstage pass to everything New Kids on the Block, from their meteoric rise to fame Nikki Van Noy talks directly to those loyal fans, as well as to all five band members and their families, weaving their stories together in this no-holds-barred chronicle. With frankness and honesty, each New Kid recalls nearly thirty years of experience with the group, both on and off the stage. Like a time machine, this book will take you right back--giving you an inside look at the New Kids like you've never seen them before. An intimate, all-access backstage pass to everything New Kids on the Block, from their meteoric rise to fame in the 1980s to the band's breakup in the 1990s-- and their triumphant comeback today "We're siting there, and all of a sudden Jordan said, 'You know we're gonna be famous, right? We're gonna be famous.' And he was right." --Joe "All that stuf f we never experienced in college, we experienced on the road, just the five of us." --Jon "There's just no words to describe it. I guess the only thing similar is a Super Bowl quarterback winning it for his hometown." --Danny "It's amazing. It's almost like going through life and then geting another chance at life, knowing what you know now." --Jordan "My dad said, 'I'll tell you what--if you ever make it big and you come home and you've changed, I'm gonna kick your ass.' That always rang in my head." --Donnie
New Mansions For Music: Performance, Pedagogy and Criticism
by Lakshmi SubramanianThe essays in New Mansions for Music: Performance, Pedagogy and Criticism look at one of the most ancient and rigorous classical musical traditions of India, the Karnatik music system, and the kind of changes it underwent once it was relocated from traditional spaces of temples and salons to the public domain. Nineteenth-century Madras led the way in the transformation that Karnatik music underwent as it encountered the forces of modernization and standardization. This study also contributes to our understanding of the experience of modernity in India through the prism of music. The role of Madras city as patron and custodian of the performing arts, especially classical music offers an invaluable perspective on the larger processes of modernization in India. As the title suggests, the areas of classical music, which were most influenced by these developments were pedagogy or modes of musical transmission, performance conventions and criticism or music appreciation. Once the urban elite demanded the widening of the teaching of classical music, traditional modes of music instruction underwent a major change involving a breakdown of the gurushishya parampara or the tradition wherein the teacher imparted knowledge to a chosen few. Caste and kinship were important determining factors for the selection of these shishyas or students, but in modern institutions like the universities these boundaries had to be demolished. Simultaneously, the public staging of music brought the performer into a new relationship with his audience, especially as the art form became subject to validation and criticism by the newly emerging music critic. In an immensely readable book peppered with anecdotes and conversations with leading musicians and critics of the day, as well as humorous visual representations, part caricature, part satirical, the author describes a rapidly changing society and its new look in early twentieth century Madras.
New Music Theatre in Europe: Transformations between 1955-1975 (Musical Cultures of the Twentieth Century)
by Robert AdlingtonBetween 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The ‘new music theatre’ wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer’s relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange – between practitioners of different art forms, across national borders, and with diverse mediating institutions.
New Music and Institutional Critique (Ästhetiken X.0 – Zeitgenössische Konturen ästhetischen Denkens)
by Brandon Farnsworth Christian GrünyWhile institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.