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O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage
by Amanda Eubanks WinklerIn the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state; conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the musical portrayals of disorderly characters were multivalent and often ambiguous.O Let Us Howle Some Heavy Note focuses on the various ways that theatrical music represented disorderly subjects--those who presented either a direct or metaphorical threat to the health of the English kingdom in 17th-century England. Using theater music to examine narratives of social history, Winkler demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies.
O Say Can You Hear?: A Cultural Biography Of The Star-spangled Banner
by Mark ClagueThe fascinating story of America’s national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore’s Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don’t know is the story of how this everyday “broadside ballad,” one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation’s one and only anthem and today’s magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song’s use in sports, at times of war, and for political protest, he argues that the anthem’s meaning reflects—and is reflected by—the nation’s quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key’s song is the story of America itself. Each chapter in the book explores a different facet of the anthem’s story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key’s complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song’s resonance and meaning. From its first lines Key’s lyric poses questions: “O say can you see?” “Does that banner yet wave?” Likewise, Clague’s O Say Can You Hear? raises important questions about the banner; what it meant in 1814, what it means to us today, and why it matters.
O Sing unto the Lord: A History of English Church Music
by Andrew GantThis history of English church music is “one of the wittiest and most whimsically irreverent works of scholarship in recent memory” (The Christian Century).For as long as people have worshipped together, music has played a key role in church life. Here, Andrew Gant offers a fascinating history of English church music, from the Latin chant of late antiquity to the great proliferation of styles seen in contemporary repertoires.The ornate complexity of pre-Reformation Catholic liturgies revealed the exclusive nature of this form of worship. By contrast, simple English psalms, set to well-known folk songs, summed up the aims of the Reformation with its music for everyone. The Enlightenment brought hymns, the Methodists and Victorians a new delight in the beauty and emotion of worship. Today, church music mirrors our multifaceted worldview, embracing the sounds of pop and jazz along with the more traditional music of choir and organ. And reflecting its truly global reach, the influence of English church music can be found in everything from masses sung in Korean to American Sacred Harp singing.From medieval chorales to “Amazing Grace,” West Gallery music to Christmas carols, English church music has broken through the boundaries of time, place, and denomination to remain familiar and cherished everywhere. O Sing unto the Lord is the biography of a tradition, a book that “celebrates the sheer pleasure of raising a joyful sound to the Lord” (The Guardian).“What, fundamentally, is the function of church music, and why have clerical authorities often been suspicious of how much attention music receives? Gant engages these questions in intelligent, energetic prose.” —Publishers Weekly“Excellent . . . this authoritative and engaging history brings so much light and warmth to the subject.” —Sunday Times“The beauty of relating Christian history this way is that it broadens the focus to include the listening laity, not just the clergy or the church establishment.” —Foreword Reviews
Oasis Forever: The Essential ‘Noel’edge, Quotes, Quizzes & More
by Pop PressThe ultimate Christmas gift for this 'Noël'!Show your loyalty to the ultimate Rock ’n’ Roll Stars with this Supersonic celebration of the Gallagher brothers. Featuring Liam and Noel’s most outrageous quotes and the quizzes and questions you need to prove you deserve to be at the concerts more than anyone else, this is the ultimate celebration of the band that defined an era.Learn:Where Oasis recorded their iconic first albumWhat Noel said about Liam after the band broke up in 2009Which Oasis song is Liam’s favouriteAnd more…
Oasis Talking Shite
by Not the Gallagher BrothersA hilarious unofficial tribute to the most opinionated and entertainingly cantankerous band in rock and roll history.Hello and listen up. In 1994, with the shock of the lightning that was Oasis&’s force-of-nature debut album, the British band&’s cigarettes-and-alcohol-fueled founding brothers Liam and Noel Gallagher went supernova all around the world. Most artists would have responded to this fame by opting to cast no shadow, saying less in public, or at least being more cautious when they did, reluctant to add to the weight of the world on their shoulders. Not Liam and Noel, who did a strange thing. As if born on a different cloud, they refused to be quiet ones and acquiesce to the typical masterplan for celebrity. For the next thirty years, they never stopped opening their big mouths and shouting out loud their opinions on everything underneath the sky. Whether as stormy as a cloudburst, as playful as a shakermaker, as wise as a headshrinker in a rockin&’ chair, as uncouth as a girl in a dirty shirt with mucky fingers, or as lewd as fuckin&’ in the bushes, their heathen chemistry was always electric—some might say as addictive as morning glory. Oasis Talking Shite celebrates these songbirds&’ refreshing candor, constructing a magic pie of memorable quotes and photographs into a wall of wonder. Here they go let it out on nearly every topic imaginable, including religion, politics, technology, sports, aging, America, aliens, the Big Bang Theory, open-toed shoes, Christmas, SpongeBob SquarePants, other bands, and of course their all-time favorite subject: each other. Timed to the long-awaited Oasis reunion tour in summer 2025, in which they are keeping the dream alive despite just getting older, this book will help you stop crying your eyes out if you didn&’t get tickets. In fact, it&’s an eyeball tickler. D&’you know what I mean? It&’s something to read while waiting for the rapture. It won&’t let you down and gives you something about which to talk tonight or on a Sunday morning call—an opportunity to look back in appreciation (not anger) as well as a reminder of why Liam and Noel will never slide away and definitely (not maybe) live forever as two of the most supersonic rock &‘n&’ roll stars to ever turn up the sun. So put yer money where yer mouth is, bring it on down to the bookstore register, and bag it up.
Oasis The Masterplan: Photographs by Kevin Cummins, featuring Noel Gallagher in his own words
by Kevin Cummins'This book really brings those early years back to me. Kevin's photographs captured us at the very beginning. This is a must-have book for every Oasis fan.' Noel Gallagher'As iconic photographer, adventurous fan and inside eye-witness, Kevin Cummins has always been where the cultural action is.' Paul Morley"Cummins, typical Manc, combining art with a good time, a sense of beauty, which explains the iconic shots of Liam and Noel in Man City shirts: memorable, defining images." - Miranda Sawyer, Observer'No one has captured the look of alternative UK music over the past half a century more tellingly than Kevin Cummins.' Simon Armitage***How does a band come into being? What are the myriad forces that shape their sound, look and identity? In 1993, Oasis signed to Creation Records and were shortly to begin recording their first album. The following year began with a masterplan - the creation of Oasis. At the centre of this enterprise was celebrated photographer Kevin Cummins, brought on board to help the band find a look that fitted their sound. In Oasis: The Masterplan we follow Cummins as he photographs the band as they cement their identity.Noel Gallagher's thoughts on football, fashion and music and his recollections of that formative year sit alongside those of Cummins himself. Throughout, we see how Oasis played with fashion and were taught how to pose and present themselves as they approached the summer when their first album, Definitely Maybe was released. The story from that moment on is well-known. Featuring 75% previously unseen images the book reveals just how effective the masterplan was to get them to that point.
Oasis: THE SUNDAY TIMES BESTSELLER Two Nights That Will Live Forever
by Daniel Rachel Jill Furmanovsky***'A wonderful document of the last great gathering of the pre-internet age. No camera phones, no social media, just a band and its fans as one' -NOEL GALLAGHER On 10th and 11th August 1996, Oasis played the concerts that would define them, a band at the height of their powers playing to over 250,000 people.Twenty-five years on, this is the inside story of those nights, told through the breathtaking photographs of Jill Furmanovsky, granted unprecedented access to Oasis throughout that summer. Also includes newly obtained first-hand accounts from the people who were there - including Noel Gallagher and Alan McGee - in text by award-winning author Daniel Rachel. From relaxed rehearsals and warm-up concerts to Knebworth itself - backstage, onstage, flying high above the site - many of the stunning photographs in this book have never been seen anywhere before.This the definitive account of two nights that a generation will never forget.
Oasis: THE SUNDAY TIMES BESTSELLER Two Nights That Will Live Forever
by Daniel Rachel Jill Furmanovsky***'A wonderful document of the last great gathering of the pre-internet age. No camera phones, no social media, just a band and its fans as one' -NOEL GALLAGHER "STUNNING... The iconic images by Furmanovsky capture the glorious madness of it all."- ROLLING STONE MAGAZINE"Furmanovsky was a favourite of Oasis and given complete access at the event."-THE TELEGRAPHA ROUGH TRADE BOOK OF THE YEAROn 10th and 11th August 1996, Oasis played the concerts that would define them, a band at the height of their powers playing to over 250,000 people.Twenty-five years on, this is the inside story of those nights, told through the breathtaking photographs of Jill Furmanovsky, granted unprecedented access to Oasis throughout that summer. Also includes newly obtained first-hand accounts from the people who were there - including Noel Gallagher and Alan McGee - in text by award-winning author Daniel Rachel.From relaxed rehearsals and warm-up concerts to Knebworth itself - backstage, onstage, flying high above the site - many of the stunning photographs in this book have never been seen anywhere before.This the definitive account of two nights that a generation will never forget.
Oasis: The Secret History (The\secret History Of Rock Ser.)
by Alan CrossAlan Cross is the preeminent chronicler of popular music.Here he provides a history of Liam and Noel Gallagher and Oasis.This look at the "arrogant, irrational, vindictive, sometimes violent and occasionally just plain stupid" band is adapted from the audiobook.
Obama Music: Some Notes from a South Sider Abroad
by Bonnie GreerBorn and raised on the South Side of Chicago, London based author and playwright Bonnie Greer seeks to demonstrate that Barack Obama's Presidency is what she calls a 'South Side Presidency'. And that it is only the South Side of Chicago, with its history and culture and institutions that could have sent an African American, in this day and age, to the White House. 'Obama Music' is a mixture of anecdotes about her own growing up in one of America's most formidable Black communities, mixed in with observations on the origins and progress of the music of the South Side: gospel, blues, soul and jazz, and Barack and Michelle Obama's relation to the sound of their community. All of this is woven in with history ranging from the Great Migration at the end of World War One, to the and of the 60's, an era Obama himself has stated that he feels close to. This is not a conventional history book, nor a reporter-on-the campaign-trail account. 'Obama Music' is one African American woman's account of watching, from the other side of the ocean, history being made, a history rooted in the community of her birth, right in her own home town. Small, opinionated, personal, anecdotal and full of music and insights, this book can sit alongside the more heavyweight tomes as a footnote to the phenomenon that is Obama Music.
Ode to Hip-Hop: 50 Albums That Define 50 Years of Trailblazing Music
by Kiana FitzgeraldCelebrate the music that has shaped the culture and given us some of the greatest hits of all time with this vibrantly illustrated anthology, featuring 50 of the most lauded, controversial, and iconic hip-hop albums! From underground roots to mainstream popularity, hip-hop's influence on music and entertainment around the world has been nothing short of extraordinary. Ode to Hip-Hop chronicles the journey with profiles of fifty albums that have defined, expanded, and ultimately transformed the genre into what it is today. From 2 Live Crew's groundbreaking As Nasty As They Wanna Be in 1989 to Cardi B's similarly provocative Invasion of Privacy almost thirty years later, and more, Ode to Hip-Hop covers hip-hop from coast to coast. Organized by decade and with sidebars on fashion, mixtapes, and key players throughout, the result is a comprehensive homage to hip-hop, published just in time for the fiftieth anniversary. Enjoyed in the club, at a party, through speakers or headphones--the albums in this book deserve to be listened to again and again, for the next fifty years and beyond. Albums featured: Kurtis Blow (self-titled, 1980); The Message (Grandmaster Flash and the Furious Five, 1982); Run-D.M.C (self-titled, 1984), Hot, Cool & Vicious (Salt-N-Pepa, 1986); Paid in Full (Eric B. & Rakim, 1987); Straight Outta Compton (N.W.A, 1988); Lyte as a Rock (MC Lyte, 1988); As Nasty as They Wanna Be (2 Live Crew, 1989); Mama Said Knock You Out (LL Cool J, 1990); People's Instinctive Travels and the Paths of Rhythm (A Tribe Called Quest, 1990); The Chronic (Dr. Dre, 1992); Enter the Wu-Tang (36 Chambers) (Wu-Tang Clan, 1993); Black Reign (Queen Latifah, 1993); Doggystyle (Snoop Dogg, 1993); Illmatic (Nas, 1994); Ready to Die (The Notorious B.I.G., 1994); The Diary (Scarface, 1994); Funkdafied (Da Brat, 1994); Mystic Stylez (Three 6 Mafia, 1995); Hard Core (Lil' Kim, 1996); Ridin' Dirty (UGK, 1996); All Eyez On Me (2Pac, 1996); Supa Dupa Fly (Missy Elliott, 1997); Aquemini (Outkast, 1998); The Miseducation of Lauryn Hill (Lauryn Hill, 1998); It's Dark and Hell Is Hot (DMX, 1998); Things Fall Apart (The Roots, 1999); Da Baddest B***h (Trina, 2000); The Marshall Mathers LP (Eminem, 2000); The Blueprint (JAY-Z, 2001); Lord Willin' (Clipse, 2002); Get Rich or Die Tryin' (50 Cent, 2003); The College Dropout (Kanye West, 2004); Let's Get It: Thug Motivation 101 (Young Jeezy, 2005); King (T.I., 2006); Lupe Fiasco's the Cool (Lupe Fiasco, 2007); The Carter III (Lil Wayne, 2008); The State vs. Radric Davis (Gucci Mane, 2009); Pink Friday (Nicki Minaj, 2010); Watch the Throne (JAY-Z & Kanye West, 2011); Nothing Was the Same (Drake, 2013); To Pimp a Butterfly (Kendrick Lamar, 2015); DS2 (Future, 2015); Culture (Migos, 2017); Invasion of Privacy (Cardi B., 2018); Whack World (Tierra Whack, 2018); Eve (Rapsody, 2019); City on Lock (City Girls, 2020); Montero (Lil Nas X, 2021); Traumazine (Megan Thee Stallion, 2022)
Odetta: A Life in Music and Protest
by Ian ZackThe first in-depth biography of the legendary singer and "Voice of the Civil Rights Movement," who combatted racism and prejudice through her music.Odetta channeled her anger and despair into some of the most powerful folk music the world has ever heard. Through her lyrics and iconic persona, Odetta made lasting political, social, and cultural change. A leader of the 1960s folk revival, Odetta is one of the most important singers of the last hundred years. Her music has influenced a huge number of artists over many decades, including Bob Dylan, Janis Joplin, the Kinks, Jewel, and, more recently, Rhiannon Giddens and Miley Cyrus. But Odetta's importance extends far beyond music. Journalist Ian Zack follows Odetta from her beginnings in deeply segregated Birmingham, Alabama, to stardom in San Francisco and New York. Odetta used her fame to bring attention to the civil rights movement, working alongside Joan Baez, Harry Belafonte, and other artists. Her opera-trained voice echoed at the 1963 March on Washington and the Selma to Montgomery march, and she arranged a tour throughout the deeply segregated South. Her "Freedom Trilogy" songs became rallying cries for protesters everywhere.Through interviews with Joan Baez, Harry Belafonte, Judy Collins, Carly Simon, and many others, Zack brings Odetta back into the spotlight, reminding the world of the folk music that powered the civil rights movement and continues to influence generations of musicians today.Listen to the author's top five Odetta hits while you read:1. Spiritual Trilogy (Oh Freedom/Come and Go with Me/I'm On My Way) 2. I've Been Driving on Bald Mountain/Water Boy 3. Take This Hammer 4. The Gallows Pole 5. Muleskinner BluesAccess the playlist here: https://spoti.fi/3c2HnF4
Of Essence and Context: Between Music and Philosophy (Numanities - Arts and Humanities in Progress #7)
by Rima Povilionienė Rūta Stanevičiūtė Nick ZangwillThis book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.
Of Grunge and Government: Let's Fix This Broken Democracy!
by Krist NovoselicThe Nirvana bassist &“offers specific platforms for electoral reform . . . as well as charming anecdotes about rock &‘n&’ roll as a pursuit of happiness&” (Sarah Vowell, The New York Times Book Review). A memoir of both music and politics, Of Grunge and Government tells Krist Novoselic&’s story of how during his years with Kurt Cobain and Nirvana, the band made a point of playing benefits—the Rock for Choice show, a concert for gay rights, a fundraising gig for the Balkan Women&’s Aid Fund—and how in the ensuing years he has dedicated himself to being a good citizen and participating in American democracy. In this book he shares stories about making music and making a statement—as well as inspiring ideas for anyone who wants to advance progressive causes, to become a more active part of the community, and to make sure our votes count and our voices are heard.
Of Mermaids and Rock Singers: Placing the Self and Constructing the Nation THrough Belarusan Contemporary Music (Current Research In Ethnomusicology: Outstanding Dissertations Ser. #2)
by Maria Paula SurvillaThis book examines the roles, functions, and interpretations of rock music as part of the initial push towards exploring national and personal identities in a newly independent Belarus. It also includes a summary of rock concert activity in Belarus.
Of Song and Water: A Journey to Hope and Healing Conducted Through Music and Nature
by Rhonda L MuckermanA musician, bereaved wife and mother&’s memoir of finding healing through music and the natural world while facing family illness and the loss of her child. Of Song and Water is a journey along the currents of music, nature, and healing which form the basis of life. Follow the life of musician, conductor and dreamer, Rhonda Levine Muckerman, as she and her family face the challenges of addiction, loss, and illness. After the death of their son Eliot, followed by her husband's diagnosis of Parkinson's disease, Rhonda makes an inner journey from her early formation as a professional conductor, through a landscape of dreams, intuition and waterways to find ultimate healing for herself and her family. Of Song and Water is a story for anyone who wants to discover a path to healing within, accompanied by the song and water of life.
Off the Planet: Music, Sound and Science Fiction Cinema (Encounters)
by Philip HaywardOver the last decade, music and sound have been increasingly recognized as an important—if often neglected—aspect of film production and film studies. Off the Planet comprises a lively, stimulating, and diverse collection of essays on aspects of music, sound, and Science Fiction cinema. Following a detailed historical introduction to the development of sound and music in the genre, individual chapters analyze key films, film series, composers, and directors in the postwar era. The first part of the anthology profiles seminal 1950s productions such as The Day the Earth Stood Still, the first Godzilla film, and Forbidden Planet. Later chapters analyze the work of composer John Williams, the career of director David Cronenberg, the Mad Max series, James Cameron’s Terminators, and other notable SF films such as Space Is the Place, Blade Runner, Mars Attacks!, and The Matrix. Off the Planet is an important contribution to the emerging body of work in music and film. Contributors include leading film experts from Australia, Canada, Japan, New Zealand, the United Kingdom, and the United States.Distributed for John Libbey Publishing
Off the Record
by Graham Nash Manuscript OriginalsCan you remember exactly where you were the first time you heard "What a Wonderful World" and how it made you feel? Did you play Paul Williams's "We've Only Just Begun" at your wedding? Throughout time, certain songs and their lyrics have come to act as key emotional landmarks in our hearts and minds and continue to resonate throughout our lives. Graham Nash and Manuscript Originals present Off the Record, a premier collection of twenty-five of the most talented and successful songwriters of all time. These writers share their thoughts and memories about the creation of their classic songs, how they fell in love with music, their careers in the music business, and the art of songwriting in over two hundred beautifully designed pages of personal interviews illuminated with historical archival photographs of each artist and the first performers or groups to record the songs. In addition, each songwriter has personally created an original handwritten manuscript of the lyrics to his or her featured song, which is artfully displayed in that songwriter's chapter.Among the songwriters and songs included in Off the Record are Graham Nash on "Our House," Carole King on "I Feel the Earth Move," John Lee Hooker on "Boom Boom," Grace Slick on "White Rabbit," Ben E. King on "Stand by Me", Mac Davis on "In the Ghetto," Paul Williams on "We've Only Just Begun," Peter Yarrow on "Puff, the Magic Dragon," George David Weiss on "What a Wonderful World," Ervin Drake on "It Was a Very Good Year," Jimmie Davis on "You Are My Sunshine," and many more.Off the Record is a celebration of the art of songwriting, these twenty-five classic songs, and the lives and talents of their remarkable writers. We hope you will enjoy this musical journey through some of the most beloved songs of our times, which have impacted the lives of people throughout the world.
Off-Key (Catalina Incognito #3)
by Jennifer TorresOne Day at a Time meets Mindy Kim in this third book in a charming new chapter book series about Catalina Castaneda, a Mexican American girl with a magical sewing kit who wants to start a band.Catalina can&’t wait for the upcoming school talent show! Along with some of her classmates, they decide to rock out and form a band for the big day. But Catalina has some...specific ideas on how the band should look and sound. Can Catalina learn to be part of the band, or will she find herself working on a solo act?
Offbeat (Orca Limelights)
by Megan ClendenanFourteen-year-old Rose is sure she's going to become a folk-music sensation, with her best friend, Shilo, at her side. But first Rose needs to convince her mom to keep paying for her expensive violin lessons. Her mom wants her to join the youth symphony and focus on classical music, in preparation for a music degree at university. When Rose enters a fiddle competition with a unique prize for the winner, she hopes to show her mom she can really can make it as a folk musician. This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read!
Offenbach Performance in Budapest, 1920–1956: Orpheus on the Danube (Elements in Musical Theatre)
by Péter BozóAs a legacy of the Habsburg Empire, performances of Jacques Offenbach's musical stage works played an important role in Budapest musico-theatrical life in the twentieth century. However, between the collapse of the Empire and the 1956 anti-Soviet revolution, political ideologies strongly influenced the character of these productions, when they took place. Public performances of Offenbach's works were prohibited between 1938 and 1945 and they became the bases for propagandadistic adaptations in the 1950s. This element explores how the local operetta tradition and the vogue of operettas featuring composers as characters during the interwar period were also important factors in how Offenbach's stage works were performed in mid-twentieth century Budapest in versions that sometimes bore little resemblance to the originals.
Offenbach's Songs from the Great Operettas (Dover Opera Scores)
by Jacques OffenbachJacques Offenbach (1819-80) ranks among the greatest composers of lighthearted operettas, and his famous songs continue to charm millions who know neither their names nor their composer. This volume features the sheet music for 38 popular songs from 14 operettas. All are reproduced from the original sheet music -- a few from the original piano-vocal scores, and some with lively pictorial covers. Contents include four songs from Orpheé aux enfers (Orpheus in the Underworld), five songs from La belle Hélène, four songs from La vie parisienne, six songs from La Grande Duchesse de Gérolstein, seven songs from La Périchole, three songs from La fille du tambour-major, and more. The complete French texts appear on the music pages, and a separate section offers English translations. All songs were chosen by Antonio de Almeida, a renowned conductor and authority on Offenbach, who also provides an informative Introduction.
Official Truth, 101 Proof: The Inside Story of Pantera
by Rex BrownFew heavy metal acts survived the turmoil of the early 1990s music scene. Pantera was different. Instead of humoring the market, the band instead demanded that the audience come to them by releasing a series of fiercely uncompromising, platinum albums, including Vulgar Display of Power and Far Beyond Driven-two #1 albums that, like Metallica's And Justice for All, sold millions of copies despite minimal airplay.Rex Brown's memoir is the definitive account of life inside one of rock's biggest bands, which succeeded against all odds but ultimately ended in tragedy when iconic lead guitarist Darrell "Dimebag" Abbott was murdered mid-performance by a deranged fan.This is a lucid account of the previously untold story behind one of the most influential bands in heavy metal history, written by the man best qualified to tell the truth about those incredible and often difficult years of fame and excess.
Oh Boy!: Masculinities and Popular Music
by Freya Jarman-IvensFrom Muddy Waters to Mick Jagger, Elvis to Freddie Mercury, Jeff Buckley to Justin Timberlake, masculinity in popular music has been an issue explored by performers, critics, and audiences. From the dominance of the blues singer over his "woman" to the sensitive singer/songwriter, popular music artists have adopted various gendered personae in a search for new forms of expression. Sometimes these roles shift as the singer ages, attitudes change, or new challenges on the pop scene arise; other times, the persona hardens into a shell-like mask that the performer struggles to escape. Oh Boy! Masculinities and Popular Music is the first serious study of how forms of masculinity are negotiated, constructed, represented and addressed across a range of popular music texts and practices. Written by a group of internationally recognized popular music scholars—including Sheila Whiteley, Richard Middleton, and Judith Halberstam—these essays study the concept of masculinity in performance and appearance, and how both male and female artists have engaged with notions of masculinity in popular music.
Oh yes, oh yes!
by Carl CoxFrom warm up DJ at the birth of Acid House to global main stage headline artist today, Carl Cox continues to inspire and influence audiences and artists. Carl has been everything from a recording artist and producer to label owner, radio DJ and broadcaster. He is still all these things and much more with his star shining brighter than ever. Oh yes, oh yes! tells the story, in his own words, of the man known as 'The Three Deck Wizard' on the rave scene before evolving into 'The People's Choice' and the King of Ibiza; a DJ and artist who remains at the very top of his game and continues to innovate and thrill music-lovers on the world's biggest stages.Starting off as a shelf-stacker, grass cutter and scaffolder in the south London suburbs, Carl's phenomenal talents as a DJ grew out of a love of music nurtured in his parents' front room. In Oh yes, oh yes! he takes us to the heart of the party, from the UK rave scene to Burning Man and from Ibiza to Melbourne, and a career that in in many ways is the story of club culture and an inspiration to all those who choose to follow their dreams turning him into a living legend along the way. Oh yes, oh yes! is a remarkably candid and intimate portrait of an artist who has never lost touch with the people who share the dancefloor with him.'Carl is one of the few true pioneers of UK club culture internationally. He has opened the door to so many DJs and inspired so many, including me.' Gilles Peterson'Carl Cox wrote the script of what it means to be a DJ.' David Guetta'People use the term legend far too easily for my liking but Carl is legend personified.' Grooverider'Carl has always been my favourite. He is the complete DJ, also the DJs DJ. Records come to life when he plays them, rooms come to life when he rocks them. His enthusiasm is infectious, his commitment complete.' Norman Cook aka Fatboy Slim