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One Direction: Our Story
by One DirectionWhere We Are, the hotly anticipated official 1D book, is now combined for the first time in a single ebook volume with One Direction's first-ever official book, Dare to Dream. One Direction: Our Story: The Whole Story from Dare to Dream to Where We Are charts the boys' full story in their own words, from The X Factor to global superstardom, their own movie, and a 133-date tour. A must-have for all fans that missed out on Dare to Dream the first time around. Includes never-before-seen images exclusive to this ebook. Packed with exclusive beautiful photos, backstage snapshots, hand-written annotations, and brand-new insights into the boys' world, Where We Are is a unique book charting the boys' thoughts and feelings, hopes and dreams, and highs and lows of the last year that no fan's life is complete without—bringing the 1D story right up to date.
One Direction: Straight to the Top!
by Riley BrooksMove over Bieber, there's a new pop sensation in town!The next hot band is here, and it's One Direction! These five super cute boys from the UK have a #1 debut album, sold-out tours, famous friends, and tons of fans. And they're only heading in one direction--up! Check out this awesome book full of fun facts and pictures to find out more about 1D!
One Direction: Where We Are
by One DirectionCalling all One Direction fans This is the only official book from 1D charting their journey over the last year and a half--from the places theyve visited and fans theyve met, to their thoughts and feelings, hopes and dreams, highs and lows. It has been a phenomenal year--and this is a phenomenal story. This Christmas, there will be no other book that true One Direction fans will want
One Foot on the Platform: A Rock 'N' Roll Journey
by Peter GoddardThe final word from one of popular music's greatest critics. In the summer of 2020, acclaimed music critic and journalist Peter Goddard began work on a new book that would take readers on a journey back through his fifty-plus years spent writing professionally about rock music and the musical styles circling it—everything from blues and jazz to country and classical. His plan was to revisit his old haunts and their habitués, scenes and figures he first wrote about starting in the mid-1960s when he became Canada’s first on-staff popular music critic, to show how ongoing revisions continually reframe first impressions. Tragically, Goddard died in 2022 before work on the manuscript was complete. But many of the core essays—on Bob Dylan, John Lennon and Yoko Ono, the Who, k.d. lang, David Bowie, Liza Minelli, The Band, Neil Diamond, and others—are here. Accompanying these new essays is a collection of some of the best writing of Goddard’s career—ranging from interviews with B. B. King, Joni Mitchell, Paul Simon, Bruce Springsteen, and Janis Joplin to reviews of classic albums by the Beatles, the Rolling Stones, and Neil Young, to close readings of Leonard Cohen, Anne Murray, Led Zeppelin, and Gordon Lightfoot. Taken as a whole, One Foot on the Platform represents more than fifty years of thought and writing by one of Canada’s foremost cultural critics.
One Hundred Years of Hartt: A Centennial Celebration of The Hartt School (Hartford)
by Demaris HansenThe University of Hartford's Hartt School celebrates its centennial in this lavishly illustrated book. The Hartt School holds unique qualities that continue to distinguish it from other performing arts institutions. Through personal and official written communications, school newsletters, speeches, and the exquisite quality of artistic expression, a belief in the value of art is continually reinforced, often with great eloquence, sometimes with humor, and always from the heart.
One Hundred Years of Music: After Beethoven and Wagner
by Gerald AbrahamOne Hundred Years of Music provides a full account of the history of music from the death of Beethoven to the modern era. It covers a period of exceptional interest. The last hundred years coincide roughly with the rise and decline of Romanticism, include the various nationalist movements, and extend to the advent of "neo-classicism," the twelve-tone system, and still more modern techniques. Abraham devotes ample space to modernist and avant garde music, in which he explains the difficulties we experience in listening to the work of such composers as Schnberg, Bart k, and Berg. He also throws new light on many more familiar topics.In its earlier editions, One Hundred Years of Music became a standard work on this subject; it has since been brought updated to include coverage of later developments. Abraham approaches his subject as an historian of style rather than an esthetic critic. Rather than pass judgment on particular works or composers, he shows how music has developed, and thus provides a clear and connected history that is more substantial than most books of musical appreciation. An extensive chronology and a full bibliography and index add to the usefulness of the book for students, professionals and musical laymen alike.This third edition incorporates some corrections of fact, further enlarges the bibliography and chronology, and adds commentary on developments in music techniques. In order to correct the historical perspective, the author has included a "prelude" and three "interludes," giving rough sketches of general conditions in the musical world at intervals of thirty years. As the reader's sense of chronology is very apt to get confused when a number of simultaneous streams of development have to be described, the author has inserted the date of composition or performance (both if they are widely separated) of each work at the first mention of it.
One Sound, Two Worlds: The Blues in a Divided Germany, 1945-1990
by Michael RauhutFor all of its apparent simplicity—a few chords, twelve bars, and a supposedly straightforward American character—blues music is a complex phenomenon with cultural significance that has varied greatly across different historical contexts. One Sound, Two Worlds examines the development of the blues in East and West Germany, demonstrating the multiple ways social and political conditions can shape the meaning of music. Based on new archival research and conversations with key figures, this comparative study provides a cultural, historical, and musicological account of the blues and the impact of the genre not only in the two Germanys, but also in debates about the history of globalization.
One Train Later: A memoir
by Andy SummersFrom his first guitar at age 13 and his early days on the Bournemouth music scene, to his relationships and encounters in London and the US with Zoot Money's Big Roll Band, Jimi Hendrix, Eric Clapton, John Belushi and Eric Burdon, among others, Andy Summers proves himself a master of telling detail and dramatic anecdote. But, of course, the early work is only part of the story, and Andy's account of his role as guitarist for The Police - a gig he almost didn't get, despite the wishes of bassist/singer Sting, until a chance encounter with drummer Stewart Copeland on a London train - is the first full inside story of the band ever published. The heights of fame that The Police achieved have rarely been duplicated, and they were rivaled only by the personal chaos that such success brought about, an insight never lost on Summers in the telling. With never-before-published photos from Summers' personal collection, One Train Later is a constantly surprising and poignant memoir, and the work of a first-class writer.
One Two Another: Line By Line: Lyrics from The Charlatans, Solo and Beyond
by Tim BurgessA Rough Trade Book of the Year 'From lists to experiences and stories, there are no rules. A good song is a good song whoever writes it and however the writing happens.'Tim Burgess is a musical maverick and legend. Over the past three decades, he has cultivated a lyrical style that is equal parts searing, elusive and raw. Brimming with nods to an eclectic array of influences, from French chanson to East Coast rap, his words provide vivid snapshots of modern life, its highs and lows, and the things we do to get by.For the first time Tim's collected lyrics are accompanied by his revealing commentary, featuring backstage anecdotes, advice on how to conjure up the music muse, poignant reflections - and insight into a very idiosyncratic songwriting process.One Two Another chronicles the evolution of Tim's songwriting and reveals the method behind the madness.'Tim Burgess is a crusader and vinyl's epic voyager. He knows why pop's art, a culture and a cure. Learn and listen. He knows good things' Johnny Marr'You can't feel blue around Tim. He makes you feel happy, not just about music but about life. Even the most cynical of souls (mine) become infected by his gorgeous energy. Plus he gives good vinyl' Sharon Horgan
One Two Another: Line By Line: Lyrics from The Charlatans, Solo and Beyond
by Tim BurgessA Rough Trade Book of the Year 'From lists to experiences and stories, there are no rules. A good song is a good song whoever writes it and however the writing happens.'Over the past three decades, Tim Burgess has cultivated a lyrical style that is equal parts searing, elusive and raw. Brimming with nods to an eclectic array of influences, from French chanson to East Coast rap, his words provide vivid snapshots of modern life, its highs and lows, and the things we do to get by.For the first time Tim's collected lyrics are accompanied by his revealing commentary, featuring backstage anecdotes, advice on how to conjure up the music muse, poignant reflections - and insight into a very idiosyncratic songwriting process.One Two Another chronicles the evolution of Tim's songwriting and reveals the method behind the madness.'Tim Burgess is a crusader and vinyl's epic voyager. He knows why pop's art, a culture and a cure. Learn and listen. He knows good things' Johnny Marr'You can't feel blue around Tim. He makes you feel happy, not just about music but about life. Even the most cynical of souls (mine) become infected by his gorgeous energy. Plus he gives good vinyl' Sharon Horgan
One Voice
by Christy MooreChristy Moore is in every sense Ireland's folk hero. Mentor to a whole generation of Irish musicians, he holds a unique place in musical history. In l992 he broke all attendance records during 12 packed nights at the Point in Dublin. In the UK he fills concert halls around the country. In l997 he announced that he was taking an extended break from touring and recording. It was headline news in Ireland. So was his comeback which began in l999. Set to be an enormous best-seller, his autobiography marries both songs and memories. Around 250 of his favourite lyrics are accompanied by his memories around the song itself and his life. Each entry is fresh, direct, honest and spontaneous - like the most intimate diary. Through it he charts his life from drunk to sober, bar-room guitar player to international singer-songwriter.
One Voice
by Christy MooreChristy Moore is in every sense Ireland's folk hero. Mentor to a whole generation of Irish musicians, he holds a unique place in musical history. In l992 he broke all attendance records during 12 packed nights at the Point in Dublin. In the UK he fills concert halls around the country. In l997 he announced that he was taking an extended break from touring and recording. It was headline news in Ireland. So was his comeback which began in l999. Set to be an enormous best-seller, his autobiography marries both songs and memories. Around 250 of his favourite lyrics are accompanied by his memories around the song itself and his life. Each entry is fresh, direct, honest and spontaneous - like the most intimate diary. Through it he charts his life from drunk to sober, bar-room guitar player to international singer-songwriter.
One Woman in a Hundred: Edna Phillips and the Philadelphia Orchestra (Music in American Life)
by Mary Sue WelshGifted harpist Edna Phillips (1907–2003) joined the Philadelphia Orchestra in 1930, becoming not only that ensemble's first female member but also the first woman to hold a principal position in a major American orchestra. Plucked from the Curtis Institute of Music in the midst of her studies, Phillips was only twenty-three years old when Leopold Stokowski, one of the twentieth century's most innovative and controversial conductors, named her principal harpist. This candid, colorful account traces Phillips's journey through the competitive realm of Philadelphia's virtuoso players, where she survived--and thrived--thanks to her undeniable talent, determination, and lively humor. Drawing on extensive interviews with Phillips, her family, and colleagues as well as archival sources, One Woman in a Hundred chronicles the training, aspirations, setbacks, and successes of this pioneering woman musician. Mary Sue Welsh recounts numerous insider stories of rehearsal and performance with Stokowski and other renowned conductors of the period such as Arturo Toscanini, Fritz Reiner, Otto Klemperer, Sir Thomas Beecham, and Eugene Ormandy. She also depicts Phillips's interactions with fellow performers, the orchestra management, and her teacher, the wily and brilliant Carlos Salzedo. Blessed with a nimble wit, Phillips navigated a plethora of challenges, ranging from false conductors' cues to the advances of the debonair Stokowski and others. She remained with the orchestra through some of its most exciting years from 1930 to 1946 and was instrumental in fostering harp performance, commissioning many significant contributions to the literature. This portrait of Phillips's exceptional tenure with the Philadelphia Orchestra also reveals the behind-the-scenes life of a famous orchestra during a period in which Rachmaninoff declared it "the finest orchestra the world has ever heard." Through Phillips's perceptive eyes, readers will watch as Stokowski melds his musicians into a marvelously flexible ensemble; world-class performers reach great heights and make embarrassing flubs; Greta Garbo comes to Philadelphia to observe her lover Leopold Stokowski at work; and the orchestra encounters the novel experience of recording for Walt Disney's Fantasia. A colorful glimpse into a world-class orchestra at the height of its glory, One Woman in a Hundred tells the fascinating story of one woman brave enough and strong enough to overcome historic barriers and pursue her dreams.
One of a Kind
by Chris GormanBold, graphic art by indie rocker Chris Gorman of Belly captures the thrill and challenges of marching to your own beat.Meet a pogo-dancing, punk-rock-loving kid who loves to express himself in his own unique way. His clothes, hairstyle, music, and just the way he hears the world, all set him apart. Not everyone understands him, but he likes being one of a kind--even though it's lonely sometimes. Fortunately, it's a wide world out there, and if he looks around a kid is sure to find other one-of-a-kinds with common interests.
One of a Kind (Disney's Hannah Montana #17)
by Laurie McelroyAfter too many encores while performing as Hannah Montana at a recent concert, Miley Stewart loses her voice. Since Hannah is scheduled to sing on live TV in a week, Miley is under strict order to rest her vocal cords. This, of course, means trouble.
One-Track Mind: Capitalism, Technology, and the Art of the Pop Song (Ashgate Popular and Folk Music Series)
by Asif SiddiqiThe song remains the most basic unit of modern pop music. Shaped into being by historical forces—cultural, aesthetic, and technical—the song provides both performer and audience with a world marked off by a short, discrete, and temporally demarcated experience. One-Track Mind: Capitalism, Technology, and the Art of the Pop Song brings together 16 writers to weigh in on 16 iconic tracks from the history of modern popular music. Arranged chronologically in order of release of the tracks, and spanning nearly five decades, these essays zigzag across the cultural landscape to present one possible history of pop music. There are detours through psychedelic rock, Afro-pop, Latin pop, glam rock, heavy metal, punk, postpunk, adult contemporary rock, techno, hip-hop, and electro-pop here. More than just deep histories of individual songs, these essays all expand far beyond the track itself to offer exciting and often counterintuitive histories of transformative moments in popular culture. Collectively, they show the undiminished power of the individual pop song, both as distillations of important flashpoints and, in their afterlives, as ghostly echoes that persist undiminished but transform for succeeding generations. Capitalism and its principal good, capital, help us frame these stories, a fact that should surprise no one given the inextricable relationship between art and capitalism established in the twentieth century. At the root, readers will find here a history of pop with unexpected plot twists, colorful protagonists, and fitting denouements.
Only the Best: The Exceptional Life and Fashion of Ann Lowe
by Kate Messner Margaret E. PowellAn inspiring picture book biography of the amazing Anne Lowe, the first nationally-known African American fashion designer! A careful snip, a delicate fold.Fabric the color of new petals.Skirts that flare like upside-down blossoms.A garden bursts into bloom! There is no "good enough."For Ann, only the best will do. Award-winning author Kate Messner, costume historian Margaret E. Powell, and fashion designer and illustrator Erin Robinson tell the powerful story of the ground-breaking Ann Lowe, who grew up in a small Alabama dress shop and became the first nationally-known African American fashion designer. Sought after by millionaires and movie stars, her designs walked the red carpet and graced the wedding of Senator John F. Kennedy and Jacqueline Bouvier. At a time when the world around her thought African Americans deserved no more than second-class treatment, Ann expects no less of herself, and no less FOR herself, than the BEST. THE FIRST, FAMED BLACK FASHION DESIGNER: Although she faced many hardships, Anne's spirit, talent, and belief in herself always shone through. This story provides an empowering, real-life role model for young girls—and especially Black girls—to relate to and see themselves in, at an age when building self-confidence is more important than ever! ENCOURAGES CREATIVITY AND PERSERVERENCE: Full of interesting details about how Anne came up with her designs, and how she always forged ahead in spite of setbacks, this true story will captivate aspiring artists and young creative thinkers alike. SURE OF HER OWN WORTH: This book makes a perfect gift for anyone looking to celebrate, empower, and inspire the women in their lives—whether daughters, granddaughters, nieces, cousins, or friends. Ann Lowe stands as a testament to the power of knowing we're both capable of and deserve ONLY THE BEST. BEAUTIFUL, IMMERSIVE PROSE: Wonderful, vivacious writing by award-winning author Kate Messner and expert historian Margaret E. Powell brings Anne's pride in herself and her work to life in rich detail! Perfect for:Parents, grandparents, and caregiversTeachers and librariansReaders who loved Little Leaders and Parker Looks UpThe vast #WeNeedDiverseBooks communityAnyone seeking books about Black excellence, female empowerment, or Black historyGift-givers looking for a beautiful, inspirational book for the girls (or women) in their lives
Onstage, Offstage
by Michael BubléHe's sold more than 25 million records. His live shows fill the world's biggest stadiums to capacity. He has captured hearts everywhere with his classic style. Now, for the first time ever, Grammy Award-winning singer Michael Bublé offers fans an all-access, behind-the-scenes glimpse at his private life, onstage and off.Pairing the singer's own heartfelt words with hundreds of exclusive, never-before-seen photographs, this unique diary reveals Bublé's inspirational journey, from singing into a hairbrush in his suburban Canadian bedroom to entertaining thousands onstage at New York's famed Madison Square Garden. The humble man, the eager-to-learn young musician, the hardworking profes-sional, the adoring husband, the fun-loving guy--the singer's many faces are here in stunning, intimate detail. Fans will experience what it's like to be on tour and in the studio with Bublé as he unveils the private person beneath the public persona. That rare, down-to-earth star whose unforgettable voice resonates with people from all walks of life, Michael Bublé is a natural talent. And for the fan in your life, this beautiful keepsake is both a reminder of the power of dreams and an up-close-and-personal peek at one of the greatest entertainers of our time.
Onstage, Offstage
by Michael BubléHe's sold more than 25 million records. His live shows fill the world's biggest stadiums to capacity. He has captured hearts everywhere with his classic style. Now, for the first time ever, Grammy Award-winning singer Michael Bublé offers fans an all-access, behind-the-scenes glimpse at his private life, onstage and off.Pairing the singer's own heartfelt words with hundreds of exclusive, never-before-seen photographs, this unique diary reveals Bublé's inspirational journey, from singing into a hairbrush in his suburban Canadian bedroom to entertaining thousands onstage at New York's famed Madison Square Garden. The humble man, the eager-to-learn young musician, the hardworking profes-sional, the adoring husband, the fun-loving guy--the singer's many faces are here in stunning, intimate detail. Fans will experience what it's like to be on tour and in the studio with Bublé as he unveils the private person beneath the public persona. That rare, down-to-earth star whose unforgettable voice resonates with people from all walks of life, Michael Bublé is a natural talent. And for the fan in your life, this beautiful keepsake is both a reminder of the power of dreams and an up-close-and-personal peek at one of the greatest entertainers of our time.
Oops, Doggy Dog!: Oops, Doggy Dog (The Cheetah Girls #13)
by Deborah GregoryIt seems like Galleria and the Cheetah Girls have been waiting forever to record the demo tape that&’s going to set the music industry on fire. They were all set to go last month, but then an accident put one girl on crutches and the Cheetahs&’ dreams on ice. Once they&’re all walking again, the Cheetahs set a date with their producer—but a four-legged problem is about to derail their plans. Galleria&’s next-door neighbor has a pregnant dog, and she insists that Galleria&’s pooch Toto is the father. This puppy paternity problem takes up all of Galleria&’s attention, and the other Cheetahs start to fear that if they ever do get into the studio, their lead singer won&’t be able to do anything but howl.
Open Access Musicology: Volume One
by Louis EpsteinIn the fall of 2015, a collection of faculty at liberal arts colleges began a conversation about the challenges we faced as instructors: Why were there so few course materials accessible to undergraduates and lay readers that reflected current scholarly debate? How can we convey the relevance of studying music history to current and future generations of students? And how might we represent and reflect the myriad, often conflicting perspectives, positions, and identities that make up both music’s history and the writers of history? Here we offer one response to those questions. Open Access Musicology is a collection of essays, written in an accessible style and with a focus on modes of inquiry rather than content coverage. Our authors draw from their experience as scholars but also as teachers. They have been asked to describe why they became musicologists in the first place and how their individual paths led to the topics they explore and the questions they pose. Like most scholarly literature, the essays have all been reviewed by experts in the field. Unlike all scholarly literature, the essays have also been reviewed by students at a variety of institutions for clarity and relevance. These essays are intended for undergraduates, graduate students, and interested readers without any particular expertise. They can be incorporated into courses on a range of topics as standalone readings or used to supplement textbooks. The topics introduce and explore a variety of subjects, practices, and methods but, above all, seek to stimulate classroom discussion on music history’s relevance to performers, listeners, and citizens.
Open Access Musicology: Volume Two
by Louis EpsteinOpen Access Musicology (OAM) publishes peer-reviewed, scholarly essays primarily intended to serve students and teachers of music history, ethno/musicology, and music studies. The constantly evolving collection ensures that recent research and scholarship inspires classroom practice. OAM essays provide diverse and methodologically transparent models for student research, and they introduce different modes of inquiry to inspire classroom discussion and varied assignments. Addressing a range of histories, methods, voices, and sounds, OAM embraces changes and tensions in the field to help students understand music scholarship. In service of our student- and access-centered mission, Open Access Musicology is a free collection of essays, written in an engaging style and with a focus on modes of inquiry rather than coverage of content. Our authors draw from their experience as scholars but also as teachers. They not only make arguments, but also describe why they became musicologists in the first place and explain how their individual paths led to the topics they explore. Like most scholarly literature, the essays have all been reviewed by experts in the field. Unlike most scholarly literature, the essays have also been reviewed by students at a variety of institutions for clarity and relevance. These essays are intended for undergraduates, graduate students, and interested readers without any particular expertise. They can be incorporated into courses on a range of topics as standalone readings, used to supplement textbooks, or read with an eye to new scholarly insights. The topics introduce and explore a variety of subjects, practices, and methods but, above all, seek to stimulate classroom discussion on music history’s relevance to performers, listeners, and citizens. Open Access Musicology will never pretend to present complete histories, cover all elements of a subject, or satisfy the agenda of every reader. Rather, each essay provides an opening to further contemplation and study. We invite readers to follow the thematic links between essays, pursue notes or other online resources provided by authors, or simply repurpose the essay’s questions into new and exciting forms of research and creativity. Volume 2 of OAM expands the disciplinary, topical, and geographical ranges of our endeavor, with essays that rely on ethnographic and music theoretical methods as well as historical ones. The essays in this volume touch on music from Europe, South America, and Asia, spanning the 16th century to the present. Throughout, the contributing authors situate music in political, religious, racial, economic, and other cultural and disciplinary contexts. This volume therefore expands what scholars generally mean when they refer to “musicology” and “music,” always with an eye toward relevance and accessibility.
Open Book
by Jessica SimpsonThe #1 New York Times BestsellerJessica reveals for the first time her inner monologue and most intimate struggles. Guided by the journals she's kept since age fifteen, and brimming with her unique humor and down-to-earth humanity, Open Book is as inspiring as it is entertaining.This was supposed to be a very different book. Five years ago, Jessica Simpson was approached to write a motivational guide to living your best life. She walked away from the offer, and nobody understood why. The truth is that she didn’t want to lie.Jessica couldn’t be authentic with her readers if she wasn’t fully honest with herself first.Now America’s Sweetheart, preacher’s daughter, pop phenomenon, reality tv pioneer, and the billion-dollar fashion mogul invites readers on a remarkable journey, examining a life that blessed her with the compassion to help others, but also burdened her with an almost crippling need to please. Open Book is Jessica Simpson using her voice, heart, soul, and humor to share things she’s never shared before.First celebrated for her voice, she became one of the most talked-about women in the world, whether for music and fashion, her relationship struggles, or as a walking blonde joke. But now, instead of being talked about, Jessica is doing the talking. Her book shares the wisdom and inspirations she’s learned and shows the real woman behind all the pop-culture cliché’s — “chicken or fish,” “Daisy Duke,” "football jinx," “mom jeans,” “sexual napalm…” and more. Open Book is an opportunity to laugh and cry with a close friend, one that will inspire you to live your best, most authentic life, now that she is finally living hers.
Open Sky: Sonny Rollins and His World of Improvisation
by Eric NisensonSonny Rollins is arguably the most influential tenor saxophonist that jazz has produced. He began his musical career at the tender age of eleven, and within five short years he was playing with the legendary Thelonius Monk. In the late forties (before his twenty-first birthday), Rollins was in full swing, recording with jazz luminaries such as Charlie Parker, Bud Powell, Max Roach, Art Blakey, Miles Davis, and Fats Navarro. He was hailed as the best jazz tenor saxophonist alive during the years 1955 to 1959, when he was credited with pioneering the use of 3/4-time in bop music.Today, forty years later, Rollins's onstage appearances are eagerly anticipated events, where his compelling sound reaches a whole new generation of listeners. Renowned jazz writer Eric Nisenson has penned a long-overdue look at one of jazz music's brightest and most enduring stars.
Opening Doors: Orchestras, Opera Companies and Community Engagement
by Emily DollmanWhat is the role of classical music in the 21st century? How will classical musicians maintain their relevance and purpose? This book follows the working activities of professional orchestral musicians and opera singers as they move off stage into schools, community centres, prisons, libraries, and corporations, engaging with their communities in new, rich ways through education and community engagement programmes. Key examples of collaborative partnerships between orchestras, opera companies, schools and music services in the delivery of music education are investigated, with a focus on the UK’s Music Hub system. The impact of these partnerships is examined, both in terms of how they inspire and foster the next generation of musicians as well as the extent to which they broaden access to quality music education. Detailed case studies are provided on the impact of classical music education programmes on social cohesion, health and wellbeing, and the education outcomes for students from low socio-economic communities. The implications for the future training of classical musicians are analysed, as are the new career paths for orchestral musicians and composers straddling performance and education. Opening Doors: Orchestras, Opera Companies and Community Engagement investigates the ways in which the classical music industry is reinventing its sense of purpose, never a more important or urgent pursuit than in the present decade.