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Ornette Coleman, Psychoanalysis, Discourse: Movements in Harmolodic Space (The Lines of the Symbolic in Psychoanalysis Series)
by A. L. JamesOrnette Coleman, Psychoanalysis, Discourse develops tools from psychoanalysis for the analysis of Ornette Coleman's discourse.In this psychoanalytic, philosophical and musical meditation on what it means to follow, A. L. James presents an approach to the analysis of discourse that is a kind of listening for listening – an attempt to discern in and between the lines of Coleman's speech the implication of new ways to listen, new ways to experience Coleman’s music as movement and space – as Movements in Harmolodic Space. Each chapter of this book is oriented with respect to fragments from Coleman’s discourse, dealing with a piece, or collection of pieces, from Coleman’s work, with particular attention to the implication of relations and relationality. Insofar as Coleman’s discourse about his work also contains allusions to fields beyond music, it develops tools that draw elements and structures from these fields together, finding in their relation echoes and parallels.Ornette Coleman, Psychoanalysis, Discourse will be of great interest to psychoanalysts, musicians, and musicologists. It will be relevant for academics and scholars of psychoanalytic and Lacanian studies, music, and cultural studies.
Ornithophonia: Vogellieder in deutschsprachiger Lyrik und Vokalmusik (1837–1909) (Cultural Animal Studies #25)
by Kathrin LangDieses Buch rekonstruiert die mehr-als-menschliche Dimension des Lieds im späten neunzehnten und frühen zwanzigsten Jahrhundert. Untersucht wird die Darstellung von Vogelgesang in deutschsprachiger Lyrik, Vokalmusik und ornithologischen Schriften. Dabei wird ein gleichberechtigt literatur- und musikwissenschaftlicher Ansatz verfolgt. Die ‚ornithophone Analyse&‘ dokumentiert, wie eng sich Aspekte der Anthropologie, Ästhetik und Ökologie im Lied verbinden. Neben der Frage nach der historischen Beziehung zwischen Menschen und Vögeln steht dabei auch ein anthropozentrisches Weltbild zur Diskussion.
Orpheus in the Academy: Monteverdi's First Opera and the Accademia degli Invaghiti (Routledge Research in Music)
by Joel SchwindtThis book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera’s performance, and to which the libretto author, Alessandro Striggio the Younger, belonged. Arguing that the Invaghiti played a key role in shaping the development of Orfeo, the author explores the philosophical underpinnings of the Invaghiti and Italian academies of the era. Drawing on new primary sources, he shows how the Invaghiti’s ideas about literature, dramaturgy, music, gender, and aesthetics were engaged and contested in the creation and staging of Orfeo. Relevant to researchers of music history, performance, and Renaissance and Baroque Italy, this study sheds new light on Monteverdi’s opera as an intellectual and philosophical work.
Orpheus in the Marketplace
by Tim Carter Richard A. GoldthwaiteThe Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. The recent discovery of a large number of private account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done more, however, than write a biography: their investigation exposes the value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and opens a new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. They also allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.
Os Segredos do Grande Maestro: Entre A Música e A Maçonaria
by Paolo NutiGiacomo Puccini e a maçonaria: que ligação há entre um dos maiores compositores italianos de todos os tempos e essa controversa associação? Em uma erudita mescla entre romance e autobriografia, o autor junta anedotas pessoais a registros históricos, levantando dúvidas, colocando interrogações, e acompanhando o leitor em uma fascinante viagem para descobrir os segredos do Grande Maestro.
Oscar Hammerstein II and the Invention of the Musical
by Laurie WinerA new look at artist Oscar Hammerstein II as a pivotal and underestimated force in the creation of modern American culture You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don’t really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were. Diving deep into Hammerstein’s life, examining his papers and his lyrics, critic Laurie Winer shows how he orchestrated a collective reimagining of America, urging it forward with a subtly progressive vision of the relationship between country and city, rich and poor, America and the rest of the world. His rejection of bitterness, his openness to strangers, and his optimistic humor shaped not only the musical but the American dream itself. His vision can continue to be a touchstone to this day.
Oscar Peterson: The Man and His Jazz
by Jack BattenCalled the "Maharaja of the keyboard" by Duke Ellington, Oscar Peterson released over 200 recordings, won seven Grammy Awards, received the Order of Canada and is considered to have been one of the greatest jazz pianists of all time. This new biography from award-winning author Jack Batten, promises to tell Oscar Peterson's story in acomplete, compelling and sympathetic way. This is first biography of Oscar Peterson for young people. This book is the story of a black kid from a Montreal ghetto who reached accliam in the great music halls of the world.
Other Entertainment: Collected Pieces
by Ned RoremA collection of insightful essays, interviews, and commentaries on music, art, and those who make it, from acclaimed author and Pulitzer Prize–winning composer Ned RoremIt is a rare artist who can deftly cross the boundaries separating one artistic endeavor from another. Contemporary American composer Ned Rorem is one of the able few, not only &“the world&’s best composer of art songs&” (Time magazine) but a remarkable purveyor of prose works, as well. Rorem&’s superb collection Other Entertainment features insightful and fascinating essays on music, musicians, and literature, as well as provocative interviews with well-known figures in the arts and elsewhere. Whether he&’s offering a cogent analysis of Benjamin Britten&’s published diaries, confronting John Simon on the famously acerbic film and theater reviewer&’s alleged homophobia, or providing in-depth commentary on the lives and accomplishments of major artists and musical colleagues—as well as moving obituaries for those we have lost—Rorem proves himself to be as entertaining and controversial a social and cultural critic as America has ever produced.
Other Voices: Hidden Histories Of Liverpool's Popular Music Scenes 1930s-1970s (Ashgate Popular and Folk Music Series)
by Michael BrockenAt times it appears that a whole industry exists to perpetuate the myth of origin of the Beatles. There certainly exists a popular music (or perhaps 'rock') origin myth concerning this group and the city of Liverpool and this draws in devotees, as if on a pilgrimage, to Liverpool itself. Once 'within' the city, local businesses exist primarily to escort these pilgrims around several almost iconic spaces and places associated with the group. At times it all almost seems 'spiritual'. One might argue however that, like any function myth, the music history of the Liverpool in which the Beatles grew and then departed is not fully represented. Beatles historians and businessmen-alike have seized upon myriad musical experiences and reworked them into a discourse that homogenizes not only the diverse collective articulations that initially put them into place, but also the receptive practices of those travellers willing to listen to a somewhat linear, exclusive narrative. Other Voices therefore exists as a history of the disparate and now partially hidden musical strands that contributed to Liverpool's musical countenance. It is also a critique of Beatles-related institutionalized popular music mythology. Via a critical historical investigation of several thus far partially hidden popular music activities in pre- and post-Second World War Liverpool, Michael Brocken reveals different yet intrinsic musical and socio-cultural processes from within the city of Liverpool. By addressing such 'scenes' as those involving dance bands, traditional jazz, folk music, country and western, and rhythm and blues, together with a consideration of partially hidden key places and individuals, and Liverpool's first 'real' record label, an assemblage of 'other voices' bears witness to an 'other', seldom discussed, Liverpool. By doing so, Brocken - born and raised in Liverpool - asks questions about not only the historicity of the Beatles-Liverpool narrative, but also about the absence o
Otis Redding: An Unfinished Life
by Jonathan GouldThe long-awaited, definitive biography of The King of Soul, timed to coincide with the 50th anniversary of Redding's iconic performance at the 1967 Monterey Pop Festival. Otis Redding remains an immortal presence in the canon of American music on the strength of such classic hits as “(Sittin’ on) The Dock of the Bay,” “I’ve Been Loving You Too Long,” “Try a Little Tenderness,” and “Respect,” a song he wrote and recorded before Aretha Franklin made it her own. As the architect of the distinctly southern, gospel-inflected style of rhythm & blues associated with Stax Records in Memphis, Redding made music that has long served as the gold standard of 1960s soul. Yet an aura of myth and mystery has always surrounded his life, which was tragically cut short at the height of his career by a plane crash in December 1967. In Otis Redding: An Unfinished Life, Jonathan Gould finally does justice to Redding’s incomparable musical artistry, drawing on exhaustive research, the cooperation of the Redding family, and previously unavailable sources of information to present the first comprehensive portrait of the singer’s background, his upbringing, and his professional career. In chronicling the story of Redding’s life and music, Gould also presents a social history of the time and place from which they emerged. His book never lets us forget that the boundaries between black and white in popular music were becoming porous during the years when racial tensions were reaching a height throughout the United States. His indelible portrait of Redding and the mass acceptance of soul music in the 1960s is both a revealing look at a brilliant artist and a provocative exploration of the tangled history of race and music in America that resonates strongly with the present day.
Our Ancient National Airs: Scottish Song Collecting From The Enlightenment To The Romantic Era (Music in Nineteenth-Century Britain)
by Karen McAulayOne of the earliest documented Scottish song collectors actually to go 'into the field' to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 - contemporaneously with the start of James Macpherson's famous but much disputed Ossian project - and it fell to the Revd. Patrick Macdonald to finish and subsequently publish his younger brother's collection. Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections, over the ensuing 130 years. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context and traces links with contemporary attitudes towards such wide-ranging topics as the embryonic tourism and travel industry; cultural nationalism; fakery and forgery; literary and musical creativity; and the move from antiquarianism and dilettantism towards an increasingly scholarly and didactic tone in the mid-to-late Victorian collections. Attention is given to some of the performance issues raised, either in correspondence or in the paratexts of published collections; and the narrative is interlaced with references to contemporary literary, social and even political history as it affected the collectors themselves. Most significantly, this study demonstrates a resurgence of cultural nationalism in the late nineteenth century.
Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
by Michael AzerradThis is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties--when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives reenergized American rock with punk rock's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith has been recognized as an indie rock classic in its own right. Among the bands profiled: Mission of Burma, Butthole Surfers, The Minutemen, Sonic Youth, Black Flag, Big Black, Hüsker Dü, Fugazi, Minor Threat, Mudhoney, The Replacements, Beat Happening, and Dinosaur Jr.
Our God Reigns: The Stories Behind Your Favorite Praise and Worship Songs
by Shari Macdonald Phil ChristensenPresents the stories behind twenty-five well-known worship songs including "I Want to Be Where You Are," "You Are My All in All," and "His Name Is Wonderful." Provides biographical sketches of the songwriters through a number of interviews and describes the major themes in each song.
Our Journey: Rak Su’s Official Autobiography. The X Factor Winners
by Rak-SuA shout-out to all fans of Rak-Su - this is their story, from where it all began to where they are now, full of exclusive stories and pictures. Make it a special day. Make it a Rak-Su day! __________Rak-Pack! Are you ready for our official story?As long as we've been friends, we've been creating our unique sound of soul, R'n'B, Hip-Hop, Latin and Caribbean music.Keeping the momentum going from our X-Factor journey, we are now performing at sold-out arenas, making more music and having fun!So why not join us on the adventure? Unrivalled access to never-before-seen photos, intimate stories, and behind-the-scenes info - in our first and only memoir!_________Ashley, Jamaal, Myles and Mustafa shot to stardom in 2017 as the first ever male group to win the X-Factor. Since then, the soulful boys have been topping the charts with their eclectic sound, performing at sold-out arenas, touring with global sensation Little Mix, recording their first album and most recently dropping their brand new hit single, Pyro Ting.Join Rak-Su on their journey from ordinary North-West London lads, to victors of one of the world's biggest talent shows in their one and ONLY! OFFICIAL memoir, Our Journey.
Our Lorde and Saviour: An unofficial guide to the music, life and artistry of a pop icon
by M. BartholomewFrom the sonically sparse Pure Heroine to the epic pop euphoria of Melodrama, and from the sunny optimism of Solar Power to the raw, primal energy of Virgin, Lorde has been crafting music that defines the moment for over a decade. Now, in the year of 'Lorde Summer' and her World Tour, dive into each album track by track, alongside the songwriting process, production, music videos and fashion of the woman David Bowie considered to be 'the future of music'.FULLY UP TO DATE WITH A CHAPTER ON THE 2025 ALBUM VIRGIN.
Our Lorde and Saviour: An unofficial guide to the music, life and artistry of a pop icon
by M. BartholomewFrom the sonically sparse Pure Heroine to the epic pop euphoria of Melodrama, and from the sunny optimism of Solar Power to the raw, primal energy of Virgin, Lorde has been crafting music that defines the moment for over a decade. Now, in the year of 'Lorde Summer' and her World Tour, dive into each album track by track, alongside the songwriting process, production, music videos and fashion of the woman David Bowie considered to be 'the future of music'.FULLY UP TO DATE WITH A CHAPTER ON THE 2025 ALBUM VIRGIN.
Our Musicals, Ourselves: A Social History of the American Musical Theatre
by John Bush JonesOur Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. <P><P>Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers' front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the gunboat musicals of the Teddy Roosevelt era and the Cinderella shows and "leisure time musicals" of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Jones's book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Jones's comprehensive social history will appeal to both students and fans of Broadway.
Our Noise: The Story of Merge Records, the Indie Label That Got Big and Stayed Small
by John Cook Laura Ballance Mac McCaughanMerge Records defies everything you’ve heard about the music business. Started by two twenty-year-old musicians, Merge is a lesson in how to make and market great music on a human scale. The fact that the company is prospering in a failing industry is something of a miracle. Yet two of their bands made the Billboard Top 10 list; more than 1 million copies of Arcade Fire's Neon Bible have been sold; Spoon has appeared on Saturday Night Live and The Tonight Show; and the Magnetic Fields' 69 Love Songs is a contemporary classic. In celebration of their twentieth anniversary, founders Mac and Laura offer first-person accounts—with the help of their colleagues and Merge artists—of their work, their lives, and the culture of making music. Our Noise also tells the behind-the-scenes stories of Arcade Fire, Spoon, the Magnetic Fields, Superchunk, Lambchop, Neutral Milk Hotel, and Butterglory. Hundreds of personal photos of the bands, along with album cover art, concert posters, and other memorabilia are included.
Our Singing Country: Folk Songs and Ballads
by John A. Lomax Alan LomaxThis sequel to the Lomaxes' widely acclaimed American Ballads and Folk Songs includes melodies and words for tunes from all parts of the country. Songs include spirituals, hollers, game songs, lullabies, courting songs, chain-gang work songs, Cajun airs, breakdowns, and many more. Judith Tick, a scholar and award-winning author, provides a new fact-filled Introduction; notes on tune origins, two indexes, and an extensive bibliography round out this archive of some 200 authentic folk songs and ballads.
Our Subversive Voice: The History and Politics of English Protest Songs, 1600–2020 (McGill-Queen's Studies in Protest, Power, and Resistance)
by John Street Oskar Cox Jensen Alan Finlayson Angela McShane Matthew WorleyWhether accompanying a march, a sit-in, or a confrontation with police, songs and protest are inextricably linked. As a tool for political activism, the protest song spells out the issues at the heart of each cause. Over a surprisingly long history, it has been used to spread ideas, inspire political imagination, and motivate political action.The protest song is - and has always been - a form of political oratory as vital to political representation as it is to performance. Investigating five centuries of English history, Our Subversive Voice establishes that the protest song is not merely the preserve of singer-songwriters; it is a mode of political communication that has been used to confront many systems of oppression across its many genres, from street ballads to art song, grime to hymns, and music hall to punk. Our Subversive Voice traces the history of the protest song, examines its rhetorical forms, and explores the conditions of its genesis. It recounts how these songs have addressed discrimination and inequality, exploitation and the environment, and immigration and identity, and how institutions and organizations have sought both to facilitate and to suppress them. Drawing on a large and diverse corpus of songwriters, this book argues that song does more than accompany protest: it choreographs and communicates it.The protest song, Our Subversive Voice shows, is an enduring, affecting, and effective means of expression and an essential element in understanding the drive to create political change, in the past and for the future.
Our World: Our OFFICIAL autobiography
by Little MixCelebrate Little Mix's first UK number-one album - Glory Days - by reading the full story of the girls' astonishing rise to pop super stardom. Our World is full of exclusive photos and inspirational stories about Jade, Perrie, Jesy and Leigh-Anne's unique friendship.Little Mix are the UK's most successful girl band. They first found fame - and each other - on The X Factor in 2011. Five years later they have gone from strength to strength, achieving huge global success. With three platinum-selling albums in the UK and over 14 million record sales worldwide, the band are both adored by their fans and critically acclaimed for their brilliant music. In this book the girls share the real behind-the-scenes story of both their personal lives and their success. They reveal the many highs - what it feels like to perform in front of thousands of people; the excitement of seeing your music soar to Number One around the world - but also the lows. Through it all the girls have had each other, and their incredibly close friendship has grown stronger and stronger as the years have gone by. Now the girls are like sisters, and in this book they share their journeys and how it feels for your dreams to come true.Brimming with exclusive photos, this book shares with us the girls' innermost secrets - their hopes and dreams for the future, their families, their relationships, their style advice and above all their friendship. This book is Little Mix's story in their own words and tells you everything you need to know about their lives both in and out of the spotlight.
Out in L.A.: The Red Hot Chili Peppers, 1983
by Hamish DuncanThe Red Hot Chili Peppers were going to be a one-time act for a friend's album release party. Forty years later the funk rock band is arguably one of the best known and the longest running in the United States. Everything that happened in 1983 set the course for the rest of the band's career. The scrappy band quickly rose to scene-wide fame, playing all over Los Angeles and gaining fans and media attention wherever they performed. Before the year was out, they had played approximately thirty shows, put together an early, beloved repertoire, recorded a blistering demo that secured them a recording contract with EMI/Enigma, and lost two of their founding members to a rival band.Out in L.A. is an attempt at finding out exactly what happened during that first year and exploring what it is that makes the Red Hot Chili Peppers so compelling and fresh, even as they continue on their musical journey today.
Out of Darkness: The Jeff Healey Story
by Cindy Watson<P>Short-listed for the 2011 Golden Oak Award <P>From the moment three-year-old Jeff Healey first laid a guitar across his lap in what was to become his signature style, it was clear he was no ordinary kid. <P>Losing both eyes to retinoblastoma, a rare form of cancer, opened a door to another world for Jeff, a newly adopted infant. <P>Out of darkness he created music, becoming one of the most influential blues-rock and jazz performers of our time, beginning with his first hit album, See the Light. <P> In this up-close and personal account, loaded with never-before-seen photographs, memorabilia, and intimate recollections of family, friends, and fellow musicians, we discover this unique music icon’s dynamic career, which saw him collaborate with everyone from George Harrison and Eric Clapton to B.B. King and Stevie Ray Vaughan. <P>From Jeff’s lonely start one snowy night at St. Joseph’s Hospital in Toronto to his untimely end in the same building, we come away with a potent message of empowerment and a renewed sense of hope.
Out of Sight: The Rise of African American Popular Music, 1889–1895 (American Made Music Series)
by Lynn Abbott Doug SeroffA landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers, Out of Sight examines musical personalities, issues, and events in context. It confronts the inescapable marketplace concessions musicians made to the period’s prevailing racist sentiment. It describes the worldwide travels of jubilee singing companies, the plight of the great Black prima donnas, and the evolution of “authentic” African American minstrels. Generously reproducing newspapers and photographs, Out of Sight puts a face on musical activity in the tightly knit Black communities of the day. Drawing on hard-to-access archival sources and song collections, the book is of crucial importance for understanding the roots of ragtime, blues, jazz, and gospel. Essential for comprehending the evolution and dissemination of African American popular music from 1900 to the present, Out of Sight paints a rich picture of musical variety, personalities, issues, and changes during the period that shaped American popular music and culture for the next hundred years.
Out of Sync (Band Together)
by Keith WainLewis writes songs and sings. That’s his main job in the band. So what will happen to the band when Lewis stops writing and singing?