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Phantom Limbs: On Musical Bodies
by Peter SzendyThe prostheses Peter Szendy explores—those peculiar artifacts known as musical instruments—are not only technical devices but also bodies that live a strange phantom life, as uncanny as a sixth finger or a third lung.The musicological impulse to inventory those bodies that produce sound is called into question here. In Szendy’s hands, its respectable corpus of scholarship is read aslant, so as to tease out what it usually prefers to hide: hybrids and grafts produced by active fictions, monsters, and chimera awaiting the opportunity to be embodied. Beyond these singular bodies that music composes and disposes there lies the figure of a collective “social” body ready to emerge amid an innervated apparatus that operates at a distance, telepathically.Phantom Limbs touches on bodies of all shapes and sizes that haunt the edges of music’s conceptualizations. Music continually reinvents such bodies and reconvenes them in new collective formations. It is their dynamics and crystallizations that Szendy auscultates on a motley corpus that includes Bach, Diderot, Berlioz, Eisenstein, Disney, and Monk.
Phil Gernhard, Record Man
by Bill DeYoungA go-getting, red-headed college kid eager to break into the music business, Phil Gernhard produced a handful of singles for South Carolina doo-wop group Maurice Williams and the Zodiacs. One of these songs, "Stay," reached number one on the charts in 1960. Gernhard was just 19 years old. Phil Gernhard, Record Man is the story of a self-made music mogul who created nearly fifty years' worth of chart-topping songs. From a tiny office and studio in Florida, he co-wrote the Royal Guardsmen's "Snoopy vs. the Red Baron," America's fastest-selling single of 1966. He revived the career of singer Dion DiMucci with the ballad "Abraham, Martin and John"--a million seller. He discovered and produced hit records for Lobo, Jim Stafford, and the Bellamy Brothers. Through a long collaboration with music business icon Mike Curb, he launched to fame many others, including country superstars Tim McGraw and Rodney Atkins. In Nashville and Los Angeles, Phil Gernhard was a legend. Yet Gernhard's private life was crumbling. He battled physical and emotional demons that he simply couldn't overcome, struggling with alcoholism, drug addiction, and a bad past with his father. He filed for his fourth divorce just months before taking his own life in 2008. Through interviews with Gernhard's musicians, business partners, family members, and ex-wives, Bill DeYoung offers an intimate portrait of a brilliant yet troubled man who channeled his talent, ego, and ambition into the success of others. A true "record man," Gernhard did it all. He lived to make records into gold, to make unknowns into stars, and above all, to make music.
Philip Melanchthon, Speaker of the Reformation: Wittenberg's Other Reformer (Variorum Collected Studies)
by Timothy J. WengertThe studies in this volume illuminate the thought and life of Philip Melanchthon, one of the most neglected major figures in Reformation history and theology. Melanchthon was one of the most widely published and respected thinkers in his own day, who authored some of the sixteenth-century's most important books on Latin and Greek grammar, rhetoric, dialectics, and history, to say nothing of his theological output, which included the first overview of Protestant theology, the first Protestant commentaries on Romans, 1 & 2 Corinthians, and John. He was also the chief drafter of the Augsburg Confession and wrote its defense, the Apology. These essays, written over the past twenty years, commemorate the 450th anniversary of Melanchthon's death in 2010. The articles provide a wide-ranging picture of Melanchthon's thought and life with topics including his view of free will, approaches to biblical interpretation, his perspective on the church fathers and world history, and comparisons to other important figures of the age, including Calvin, Luther and Erasmus.
Philosophy And Hip-hop
by Julius BaileyPhilosophy and Hip-Hop: Ruminations on Postmodern Cultural Form opens up the philosophical life force that informs the construction of Hip-hop by turning the gaze of the philosopher upon those blind spots that exist within existing scholarship. Traditional Departments of Philosophy will find this book a solid companion in Contemporary Philosophy or Aesthetic Theory. Inside these pages is a project that parallels the themes of existential angst, corporate elitism, social consciousness, male privilege and masculinity. This book illustrates the abundance of philosophical meaning in the textual and graphic elements of Hip-hop, and thus places Hip-hop within the philosophical canon.
Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice (Routledge Research in Aesthetics)
by Susanne Ravn; Simon Høffding; James McGuirkThis volume brings together philosophical and interdisciplinary perspectives on improvisation. The contributions connect the theoretical dimensions of improvisation with different viewpoints on its practice in the arts and the classroom. The chapters address the phenomenon of improvisation in two related ways. On the one hand, they attend to the lived practices of improvisation both within and without the arts in order to explain the phenomenon. They also extend the scope of improvisational practices to include the role of improvisation in habit and in planned action, at both individual and collective levels. Drawing on recent work done in the philosophy of mind, they address questions such as whether improvisation is a single unified phenomenon or whether it entails different senses that can be discerned theoretically and practically. Finally, they ask after the special kind of improvisational expertise which characterizes musicians, dancers, and other practitioners, an expertise marked by the artist’s ability to participate competently in complex situations while deliberately relinquishing control. Philosophy of Improvisation will appeal to anyone with a strong interest in improvisation, to researchers working in philosophy, aesthetics, and pedagogy as well as practitioners involved in different kinds of music, dance, and theater performances.
Philosophy of Music Education Challenged: Heideggerian Inspirations
by Frederik Pio Øivind VarkøyThis volume offers key insights into the crisis of legitimization that music as a subject of arts education seems to be in. Music as an educational subject is under intense pressure, both economically, due to the reduction of education budgets, as well as due to a loss of status with policy makers. The contributions in this book illuminate Martin Heidegger's thinking as a highly cogent theoretical framework for understanding the nature and depth of this crisis. The contributors explore from various angles the relationship between the pressure on music education and the foundations of our technical and rationalized modern society and lead the way on the indispensable first steps towards reconnecting the cultural practices of education with music and its valuable contributions to personal development.
Philosophy of New Music
by Theodor W. Adorno Robert Hullot-KentorIn 1947 Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the United States to a devastated Europe by writing Philosophy of New Music. Every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers.
Philosophy of New Music
by Theodor W. AdornoAn indispensable key to Adorno&’s influential oeuvre—now in paperbackIn 1949, Theodor W. Adorno&’s Philosophy of New Music was published, coinciding with the prominent philosopher&’s return to a devastated Europe after his exile in the United States. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Arnold Schoenberg reviled it. Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal to composition, rather than a matter of musical performance. Consisting of two distinct essays, &“Schoenberg and Progress&” and &“Stravinsky and Reaction,&” Philosophy of New Music poses the musical extremes in which Adorno perceived the struggle for the cultural future of Europe: between human emancipation and barbarism, between the compositional techniques and achievements of Schoenberg and Stravinsky. In this translation, which is accompanied by an extensive introduction by distinguished translator Robert Hullot-Kentor, Philosophy of New Music emerges as an essential guide to the whole of Adorno's oeuvre.
Phish: The Biography
by Parke PuterbaughDrawing upon nearly fifteen years of exclusive interviews with the members of Phish, veteran music journalist Parke Puterbaugh examines the colorful chemistry that inspired the wildly popular rock group to push their four-man experiment to the limit. An intimate and fascinating portrait,Phish: The Biographyis the definitive story of these Vermont jam-band legends.
Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945
by Elodie A. Roy Eva Moreda RodríguezThis cross-disciplinary volume illuminates the history of early phonography from a transnational perspective, recovering the myriad sites, knowledge practices, identities and discourses which dynamically shaped early recording cultures. With case studies from China, Australia, the United States, Latin America, Russia, Sweden, Germany, Spain, Portugal, France, and Italy, Phonographic Encounters explores moments of interaction and encounter, as well as tensions, between local and global understandings of recording technologies. Drawing on an array of archival sources often previously unavailable in English, it moves beyond western-centric narratives of early phonography and beyond the strict confines of the recording industry. Contributions from media history, musicology, popular music studies, cultural studies, area studies and the history of science and technology make this book a key and innovative resource for understanding early phonography against the backdrop of colonial and global power relations.
Phonographic Memories: Popular Music and the Contemporary Caribbean Novel (Critical Caribbean Studies)
by Njelle W. HamiltonPhonographic Memories is the first book to perform a sustained analysis of the narrative and thematic influence of Caribbean popular music on the Caribbean novel. Tracing a region-wide attention to the deep connections between music and memory in the work of Lawrence Scott, Oscar Hijuelos, Colin Channer, Daniel Maximin, and Ramabai Espinet, Njelle Hamilton tunes in to each novel’s soundtrack while considering the broader listening cultures that sustain collective memory and situate Caribbean subjects in specific localities. These “musical fictions” depict Caribbean people turning to calypso, bolero, reggae, gwoka, and dub to record, retrieve, and replay personal and cultural memories. Offering a fresh perspective on musical nationalism and nostalgic memory in the era of globalization, Phonographic Memories affirms the continued importance of Caribbean music in providing contemporary novelists ethical narrative models for sounding marginalized memories and voices. Njelle W. Hamilton's Spotify playlist to accompany Phonographic Memories: https://spoti.fi/2tCQRm8
Phonographies: Grooves in Sonic Afro-Modernity
by Alexander G. WeheliyePhonographies explores the numerous links and relays between twentieth-century black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye contends that the interplay between sound technologies and black music and speech enabled the emergence of modern black culture, of what he terms "sonic Afro-modernity. " He shows that by separating music and speech from their human sources, sound-recording technologies beginning with the phonograph generated new modes of thinking, being, and becoming. Black artists used these new possibilities to revamp key notions of modernity--among these, ideas of subjectivity, temporality, and community. Phonographies is a powerful argument that sound technologies are integral to black culture, which is, in turn, fundamental to Western modernity. Weheliye surveys literature, film, and music to focus on engagements with recorded sound. He offers substantial new readings of canonical texts by W. E. B. Du Bois and Ralph Ellison, establishing dialogues between these writers and popular music and film ranging from Louis Armstrong's voice to DJ mixing techniques to Darnell Martin's 1994 movie I Like It Like That. Looking at how questions of diasporic belonging are articulated in contemporary black musical practices, Weheliye analyzes three contemporary Afro-diasporic musical acts: the Haitian and African American rap group the Fugees, the Afro- and Italian-German rap collective Advanced Chemistry, and black British artist Tricky and his partner Martina. Phonographies imagines the African diaspora as a virtual sounding space, one that is marked, in the twentieth century and twenty-first, by the circulation of culture via technological reproductions--records and tapes, dubbing and mixing, and more.
Phonurgia Universalis: Universals in Music (Numanities - Arts and Humanities in Progress #28)
by François-Bernard MâcheThis translation of Musique au singulier (2001) from the French identifies what is common to music of all times and cultures. The author, François-Bernard Mâche is a composer and internationally renowned musicologist. He addresses the question of universals in music and demonstrates how musical play is a poetic and natural game that already takes shape in the animal world. Mâche invites the reader to reconsider the traditional opposition between nature and culture and to reflect on experiencing such intense emotions when both listening to and manipulating sounds. This title appeals to students and researchers working in musicology.
Photography, Music and Memory: Pieces of the Past in Everyday Life (Palgrave Macmillan Memory Studies)
by Michael Pickering Emily KeightleyThis book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.
Phrygian Guitar Licks: 10 Original Thrash Metal Licks with Audio & Video (Modal Guitar Licks #3)
by Gareth Evans10 original thrash metal guitar licks from the Phrygian mode in tablature and notation for the progressing guitarist at intermediate level and above. >> 64 bars of music over 10 licks (average lick length 6.4 bars) >> Video at full speed & Audio at full & half speed (Downloadable) >> Backing tracks at full and slower practise speeds (Downloadable) >> Scale diagrams with theory and technique tips for each lick >> Guitar tablature has picking directions & fretting finger guide numbers Please Note: This eBook has written music and is not suitable for smaller screens.
Physical and Emotional Hazards of a Performing Career: A special issue of the journal Musical Performance.
by Basil TschaikovFirst Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Physics and Music: The Science of Musical Sound (Dover Books on Physics)
by Donald H. White Harvey E. WhiteThis foundational text is written for students who want to go beyond the perceptual stage of music to learn how musical sound is created and perceived. It surveys a wide range of topics related to acoustics, beginning with a brief history of the art and science of music. Succeeding chapters explore the general principles of sound, musical scales, the primary ways in which sound can be generated, the characteristics of instruments, the use of mechanical and electronic recording devices, hi-fi stereophonic and quadraphonic sound, the design of electronic musical instruments, and architectural acoustics.Comprehensive yet accessible, Physics and Music includes over 300 diagrams, photographs, and tables. Each chapter concludes with questions, problems, and projects, in addition to references for further study. 1980 edition.
Pianist's Progress
by Helen Drees RuttencutterIn Pianist's Progress, Helen Ruttencutter takes the reader behind the scenes in the fiercely competitive music world, vividly depicting a young musician's quest for a career. But ultimately her subject is the dynamics of training and grooming for success.
Piano & Keyboard All-in-One For Dummies
by Michael Pilhofer Holly Day David Pearl Blake Neely Jerry KovarskyYour complete guide to playing the keys Making beautiful music on a keyboard or piano requires some know-how and practice. This book offers guidance on how to get the most out of your time learning to play the keys. With six hands-on books wrapped up in one, you'll get a deep guide to the techniques the pros use. Discover the details of music theory and reading music, explore different musical genres, and use practice exercises to improve quickly. You'll even find tips on using electronic keyboard technology to enhance your sound. Inside… Piano & Keyboard 101 Understanding Theory and the Language of Music Beginning to Play Refining Your Technique and Exploring Styles Exercises: Practice, Practice, Practice Exploring Electronic Keyboard Technology
Piano Concertos: Nos. 23-27 in Full Score
by Wolfgang Amadeus MozartThis volume contains Mozart's last five piano concertos: No. 23 in A Major, K488; No. 24 in C Minor, K491; No. 25 in C Major, K503; No. 26 in D Major, K537; and No. 27 in B-flat Major, K595. As a bonus in the piano-plus-orchestra genre, the brief Concert Rondo in D Major, K382, has been added along with Mozart's own cadenzas for Nos. 23 and 27.The music is photographically reprinted from the Breitkopf & Härtel text, still considered the standard, authoritative edition for the Mozart concertos. Noteheads in this edition are large enough to be read easily, and margins and spaces between staves permit written notes, harmonic analysis, fingerings, and running measure numbers.Since Mozart's piano concertos are frequently performed in concert and there are several recordings currently available for each of these pieces, this edition is extremely useful for study, reference, and enjoyment.
Piano Duet Repertoire: Music Originally Written for One Piano, Four Hands (Indiana Repertoire Guides)
by Cameron McGrawSince the 1981 publication of the first edition, Cameron McGraw's Piano Duet Repertoire has been a trusted guide for duet performers. This second edition, edited and substantially expanded by Christopher and Katherine Fisher, brings the volume into the 21st century, adding over 500 new or updated composer entries and nearly 1,000 new work entries to the volume, a testament to the renewed interest in piano duet playing. Entries are arranged alphabetically by composer and include both pedagogical and concert repertoire. The annotations and the grade-level indications provide piano teachers a wealth of instructional guidance. The book also contains updated appendices listing collections and duet works with voice and other instruments. This new edition features a title index and a list of composers by nationality, making it a convenient and indispensable resource.
Piano Exercises For Dummies
by David PearlThe ideal hands-on reference for piano students who want to strengthen their skills and refine their technique--and the perfect companion and next step to the bestselling Piano For Dummies.Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.
Piano Exercises For Dummies
by David PearlPractice, practice, practice to play like Chopin or the Piano Man The piano will help you add a touch of fun to your life, impress your friends at parties, and even reduce stress. It even makes you better at math (really!). Piano Exercises For Dummies is at your service as you learn to make those 88 black and white keys sing. You’ll get a quick overview of the basics before diving into practice routines and sample songs that you can use to improve your skill, whatever your level. This book gives you online access to audio files of the exercises along with digital access to the sheet music shared in the book. Learn from an experienced pianist, composer, and arranger, and start making beautiful music, the Dummies way! Refresh your knowledge of the piano basics so you’re poised and prepared to play the right way Play enjoyable practice exercises and songs designed to teach specific skills and techniques in all genres Go online to access all the audio files, anytime, anywhere Bring a little more joy into your life by stepping up your piano know-how Piano Exercises For Dummies is for new and experienced pianists alike, and useful for improving your skill in any musical style.
Piano For Dummies
by Adam Perlmutter Hal Leonard Corp.Play the piano today with an easy-to-use instruction set!Piano For Dummies, 3rd Edition is an invaluable resource for anyone seeking fundamental piano instruction. Whether you're brand new to the piano or have been at it awhile, Piano For Dummies will soon have you tickling the ivories like a pro! This book contains all the information you need to start playing today, including clear instruction and supplementary materials. Learn different musical styles, like classical, rock, blues, and country, and how to find the perfect teacher should you decide to expand your instruction.With the widest tonal range of any instrument, the piano is versatile enough to produce melody and accompaniment at the same time. This standout feature is also what makes mastering the piano such a complex affair. Piano For Dummies, 3rd Edition breaks it down into simple, easy-to-follow instruction, written in the characteristically accessible Dummies style. For the beginner, the book serves as a complete introductory course. For the more advanced player, it becomes a handy reference to keep around for periodic refreshers. Topics include:Finding the perfect keyboard, and caring for your pianoThe intricacies of reading music, including notes, rhythm, and change-upsMelody, harmony, and the building blocks of soundThe role of individual technique, and finding your own grooveThe book also includes advice on practicing efficiently and improving your performance, as well as tips on how to pursue more advanced experiences. A great piano player is always the life of the party, and in high demand. If you're looking to become one with the "88," Piano For Dummies, 3rd Edition is the resource you want!
Piano For Dummies
by Blake NeelyThe long-awaited update to the bestselling Piano For Dummies-featuring a new audio CDHave you always wanted to play piano? This revised edition of the popular Piano for Dummies makes it easier and more fun than ever. If you don't know how to read music, this book explains in friendly, uncomplicated language all the basics of music theory and applies it to playing the piano. And if you've been playing piano for a while - or took piano lessons when you were a child but haven't played since - you can pick up some valuable tips to improve your playing or use the book as a refresher course.This new edition features fresh and updated practice lessons, teaching techniques, and musical examples, as well as a new audio CD with examples for all pieces presented in the book. You get expert information on left- and right-hand piano techniques; playing scales, melodies, harmonies, and chords; and practicing to improve your technique.Everything you need to start playing piano todayPlenty of popular musical pieces and songs, with companion audio CD to play along withInstruction in playing various musical styles, from classical and rock to blues and countryBlake Neely is an Emmy-nominated composer and accomplished pianist who has composed numerous TV and movie scoresIf you've always wanted to tickle the ivories like a pro, Piano For Dummies, 2nd Edition is your ideal resource!Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.