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Pete the Cat: Talent Show Trouble (Pete the Cat)
by Kimberly Dean James DeanRock out with Pete the Cat and Grumpy Toad in this brand-new book from New York Times bestselling author-illustrator team Kimberly and James Dean. Includes over 30 cool stickers!Pete the Cat’s school is hosting a fun talent show! Pete knows just what to sign up for—playing the guitar. But when he writes his name on the list, he is surprised to see Grumpy Toad also signed up for the same talent.Join Pete the Cat and Grumpy Toad as they learn about the importance of teamwork and friendship!
Pete the Cat: The Petes Go Marching (Pete the Cat)
by Kimberly Dean James Dean#1 New York Times bestseller James Dean puts a groovy spin to the classic children’s song “The Ants Go Marching" with everyone's favorite cool cat. Join Pete the Cat as he rocks out to this classic tune with a supercool twist in this paper-over-board picture book.Your child, or even your classroom of children, is sure to want to march along with Pete, 1, 2, 3!
Peter Brötzmann: Free-Jazz, Revolution and the Politics of Improvisation
by Daniel SpicerExplores the heroic life and revolutionary music of the pioneering German saxophonist, and the radical social and political convictions that informed them.Peter Brötzmann is the first ever, full-length, English-language biography of one of the most fascinating and inspiring personalities in the history of Western improvised music – and one of the key artistic figures to emerge from the socio-cultural tumult of the 1960s.Drawing on extensive interviews with Brötzmann and key associates, it traces the German saxophonist&’s crucial role as a pioneer of European free jazz, his restless travels and collaborations and his eventual superstardom, examining the life and work of a fiercely uncompromising artist with a reputation for gruff intensity and total commitment.Digging deep into the history and aesthetics of free jazz in Europe and beyond, it provides detailed analysis of music by Brötzmann and other major figures, while positioning Brötzmann&’s work – and the wider free jazz milieu – in the context of the revolutionary left-wing, humanist and utopian ideals that inspired and underpinned it.Both intimate and wide-ranging, it tells the story of a man and a music that changed the world.
Peter Gabriel, From Genesis to Growing Up (Ashgate Popular And Folk Music Ser.)
by Sarah HillEver since Peter Gabriel fronted progressive rock band Genesis, from the late 1960s until the mid 1970s, journalists and academics alike have noted the importance of Gabriel's contribution to popular music. His influence became especially significant when he embarked on a solo career in the late 1970s. Gabriel secured his place in the annals of popular music history through his poignant recordings, innovative music videos, groundbreaking live performances, the establishment of WOMAD (the World of Music and Dance) and the Real World record label (as a forum for musicians from around the world to be heard, recorded and promoted) and for his political agenda (including links to a variety of political initiatives including the Artists Against Apartheid Project, Amnesty International and the Human Rights Now tour). In addition, Gabriel is known as a sensitive, articulate and critical performer whose music reflects an innate curiosity and deep intellectual commitment. This collection documents and critically explores the most central themes found in Gabriel's work. These are divided into three important conceptual areas arising from Gabriel's activity as a songwriter and recording artist, performer and activist: 'Identity and Representation', 'Politics and Power' and 'Production and Performance'.
Peter Grimes
by Sam Kinchin-Smithã `Who can turn skies back and begin again?' -Peter ã This book contends that Peter Grimes, widely regarded as one of the greatest and most influential operas of the 20th century, is also one of the British theatre's finest `lost' plays. Seeking to liberate Britten and Slater's work from the blinkered traditions of theatre and opera criticism, Sam Kinchin-Smith poses two questions: If an opera was created like a play, and can be staged as a play, is it a play? If a portion of its success and influence is the product of this newly identified theatrical engine, is it then a great play? The answers involve Wagner and W.G. Sebald, George Crabbe and Complicite, Akenfield and Twin Peaks. Challenging long-established narratives of post-war theatre history, this book makes a compelling case for why practitioners and scholars of performance ought to pay more attention to Britten and Slater's achievement - a milestone of unconventional English modernism - and perhaps to other operatic masterpieces too.
Peter Paul and Mary: Fifty Years in Music and Life
by Peter Yarrow Noel Paul Stookey Mary TraversThis carefully crafted and collectible volume tells the intimate story of Peter, Paul, and Mary and their music, in their words and with iconic images that follow their passionate, fifty-year journey to the center of America&’s heart. Photographs, many rare and never before published, taken over five decades by some of the world&’s top photographers, follow them from their earliest performances in the 1960s, when Mary was the most desired, beautiful, and charismatic performer and a new role model for women. Follow the trio as they lead America to discover the passionate soul of folk music. Join the struggle for racial equality, social justice, and freedom in this memorable journey, from the historic 1963 March on Washington with Martin Luther King, Jr., to the trio&’s appearance before a half million people in 1969 to end the Vietnam War, to their singing at the Hollywood Bowl for Survival Sunday in 1978, helping to launch the anti-nuke movement, the world&’s first international environmental movement. Through these images, readers will feel and almost hear the trio&’s songs calling for a more caring, better world as they performed with a courage and conviction that became for so many the embodiment and soundtrack of their generation&’s awakening to conscience, to activism, and to a new dream for all of humankind. Peter, Paul, and Mary&’s songs of defiant hope and a certain unmasked innocence are still a powerful part of our American consciousness, and this book reenacts the history of how the trio marked many lives with their indelible stamp of honesty of the sort we all yearn to recapture and recreate today—for ourselves, our children, and the generations to come.
Peter and the Wolf: Wolves Come in Many Disguises
by Gavin FridayRelive the magic of Peter and the Wolf through this extraordinary modern retelling by award-winning musicians Gavin Friday and Bono. When a wolf is found roaming the woods, Peter&’s grandfather warns him to stay at home. But Peter, who is mourning the loss of a parent, decides to venture into the deep, dark woods in search of this creature…This incredible retelling of the well-loved classic story, Peter and the Wolf takes children aged 7-9 on an adventure while exploring themes of love and loss. With its spellbinding punk rock illustrations, this book is a beautiful reminder that there is hope after loss and those we love most are never truly gone. A timeless and magical gift book, Peter and the Wolf will be treasured by all. This modern retelling of Peter and the Wolf offers:- A dynamic new take on Prokofiev&’s tale about a young boy who captures a wolf, with magical graphic novel-esque illustrations.- An underlying theme of loss, told with sensitivity and warmth, helping children to understand and navigate the topic. - A treasured keepsake book based on a classic story beloved by generations of children and adults, with vivid illustrations and a red ribbon.- An enchanting story written by Gavin Friday and stunning visuals based on Bono&’s original illustrations - with an accompanying animated short film.In Prokofiev&’s original tale, Peter outsmarts the big, bad wolf, capturing him, and parading him victoriously around the town with the hunters. But this is not our ending and nothing is the way it seems…This extraordinary rendition of Peter and the Wolf echoes the message of courage that is so central to the famous classic, while gently introducing themes of loss, grief, and growing up and helping young readers to navigate them.
Phantasmagoria: Sociology of Opera (Routledge Revivals)
by David T. EvansFirst published in 1999, this original and entertaining sociological study takes a comprehensive and critical view of opera as unique cultural artefact as loss making ‘industry’, as institution with a ‘museum’ culture, and as consumed commodity of rare distinction and elaborate ritual. Specific chapters deal with opera within the contexts of musicological analysis, auratic art and fetishized taste: opera as business and as ‘museum’: singers’ opera: producers’ opera and audiences’ opera. There is also a chapter on ‘opera’: popular, commercialised fragments of opera outside the opera house, consumed by and through all manner of reproduced means: CD, video, Three Tenors concerts: film and TV soundtracks: advertising jingles etc. Despite the supposed popularisation and successful commercial exploitation of ‘opera’ during the past decade or so, this study concludes that opera remains an art-form, institution and ritual of relative inaccessibility and exclusiveness. The commercial interest in and profitability of ‘opera’ do not translate into new ‘popular’ audiences in the opera house. The increased dependency of opera companies on corporate funding in the face of retreating government subsidies may have brought a new ‘elite’ audience into the expensive seats, pandered to by the introduction of surtitles etc., but the traditional ‘elite’ has succeeded in closing down entry to opera in other select venues where opera continues to confirm and maintain their select identity and prestige of their life-style.
Phantom Limbs: On Musical Bodies
by Peter SzendyThe prostheses Peter Szendy explores—those peculiar artifacts known as musical instruments—are not only technical devices but also bodies that live a strange phantom life, as uncanny as a sixth finger or a third lung.The musicological impulse to inventory those bodies that produce sound is called into question here. In Szendy’s hands, its respectable corpus of scholarship is read aslant, so as to tease out what it usually prefers to hide: hybrids and grafts produced by active fictions, monsters, and chimera awaiting the opportunity to be embodied. Beyond these singular bodies that music composes and disposes there lies the figure of a collective “social” body ready to emerge amid an innervated apparatus that operates at a distance, telepathically.Phantom Limbs touches on bodies of all shapes and sizes that haunt the edges of music’s conceptualizations. Music continually reinvents such bodies and reconvenes them in new collective formations. It is their dynamics and crystallizations that Szendy auscultates on a motley corpus that includes Bach, Diderot, Berlioz, Eisenstein, Disney, and Monk.
Phil Gernhard, Record Man
by Bill DeYoungA go-getting, red-headed college kid eager to break into the music business, Phil Gernhard produced a handful of singles for South Carolina doo-wop group Maurice Williams and the Zodiacs. One of these songs, "Stay," reached number one on the charts in 1960. Gernhard was just 19 years old. Phil Gernhard, Record Man is the story of a self-made music mogul who created nearly fifty years' worth of chart-topping songs. From a tiny office and studio in Florida, he co-wrote the Royal Guardsmen's "Snoopy vs. the Red Baron," America's fastest-selling single of 1966. He revived the career of singer Dion DiMucci with the ballad "Abraham, Martin and John"--a million seller. He discovered and produced hit records for Lobo, Jim Stafford, and the Bellamy Brothers. Through a long collaboration with music business icon Mike Curb, he launched to fame many others, including country superstars Tim McGraw and Rodney Atkins. In Nashville and Los Angeles, Phil Gernhard was a legend. Yet Gernhard's private life was crumbling. He battled physical and emotional demons that he simply couldn't overcome, struggling with alcoholism, drug addiction, and a bad past with his father. He filed for his fourth divorce just months before taking his own life in 2008. Through interviews with Gernhard's musicians, business partners, family members, and ex-wives, Bill DeYoung offers an intimate portrait of a brilliant yet troubled man who channeled his talent, ego, and ambition into the success of others. A true "record man," Gernhard did it all. He lived to make records into gold, to make unknowns into stars, and above all, to make music.
Philip Melanchthon, Speaker of the Reformation: Wittenberg's Other Reformer (Variorum Collected Studies)
by Timothy J. WengertThe studies in this volume illuminate the thought and life of Philip Melanchthon, one of the most neglected major figures in Reformation history and theology. Melanchthon was one of the most widely published and respected thinkers in his own day, who authored some of the sixteenth-century's most important books on Latin and Greek grammar, rhetoric, dialectics, and history, to say nothing of his theological output, which included the first overview of Protestant theology, the first Protestant commentaries on Romans, 1 & 2 Corinthians, and John. He was also the chief drafter of the Augsburg Confession and wrote its defense, the Apology. These essays, written over the past twenty years, commemorate the 450th anniversary of Melanchthon's death in 2010. The articles provide a wide-ranging picture of Melanchthon's thought and life with topics including his view of free will, approaches to biblical interpretation, his perspective on the church fathers and world history, and comparisons to other important figures of the age, including Calvin, Luther and Erasmus.
Philosophy And Hip-hop
by Julius BaileyPhilosophy and Hip-Hop: Ruminations on Postmodern Cultural Form opens up the philosophical life force that informs the construction of Hip-hop by turning the gaze of the philosopher upon those blind spots that exist within existing scholarship. Traditional Departments of Philosophy will find this book a solid companion in Contemporary Philosophy or Aesthetic Theory. Inside these pages is a project that parallels the themes of existential angst, corporate elitism, social consciousness, male privilege and masculinity. This book illustrates the abundance of philosophical meaning in the textual and graphic elements of Hip-hop, and thus places Hip-hop within the philosophical canon.
Philosophy of Improvisation: Interdisciplinary Perspectives on Theory and Practice (Routledge Research in Aesthetics)
by Susanne Ravn; Simon Høffding; James McGuirkThis volume brings together philosophical and interdisciplinary perspectives on improvisation. The contributions connect the theoretical dimensions of improvisation with different viewpoints on its practice in the arts and the classroom. The chapters address the phenomenon of improvisation in two related ways. On the one hand, they attend to the lived practices of improvisation both within and without the arts in order to explain the phenomenon. They also extend the scope of improvisational practices to include the role of improvisation in habit and in planned action, at both individual and collective levels. Drawing on recent work done in the philosophy of mind, they address questions such as whether improvisation is a single unified phenomenon or whether it entails different senses that can be discerned theoretically and practically. Finally, they ask after the special kind of improvisational expertise which characterizes musicians, dancers, and other practitioners, an expertise marked by the artist’s ability to participate competently in complex situations while deliberately relinquishing control. Philosophy of Improvisation will appeal to anyone with a strong interest in improvisation, to researchers working in philosophy, aesthetics, and pedagogy as well as practitioners involved in different kinds of music, dance, and theater performances.
Philosophy of Music Education Challenged: Heideggerian Inspirations
by Frederik Pio Øivind VarkøyThis volume offers key insights into the crisis of legitimization that music as a subject of arts education seems to be in. Music as an educational subject is under intense pressure, both economically, due to the reduction of education budgets, as well as due to a loss of status with policy makers. The contributions in this book illuminate Martin Heidegger's thinking as a highly cogent theoretical framework for understanding the nature and depth of this crisis. The contributors explore from various angles the relationship between the pressure on music education and the foundations of our technical and rationalized modern society and lead the way on the indispensable first steps towards reconnecting the cultural practices of education with music and its valuable contributions to personal development.
Philosophy of New Music
by Theodor W. Adorno Robert Hullot-KentorIn 1947 Theodor Adorno, one of the seminal European philosophers of the postwar years, announced his return after exile in the United States to a devastated Europe by writing Philosophy of New Music. Every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers.
Philosophy of New Music
by Theodor W. AdornoAn indispensable key to Adorno&’s influential oeuvre—now in paperbackIn 1949, Theodor W. Adorno&’s Philosophy of New Music was published, coinciding with the prominent philosopher&’s return to a devastated Europe after his exile in the United States. Intensely polemical from its first publication, every aspect of this work was met with extreme reactions, from stark dismissal to outrage. Even Arnold Schoenberg reviled it. Despite the controversy, Philosophy of New Music became highly regarded and widely read among musicians, scholars, and social philosophers. Marking a major turning point in his musicological philosophy, Adorno located a critique of musical reproduction as internal to composition, rather than a matter of musical performance. Consisting of two distinct essays, &“Schoenberg and Progress&” and &“Stravinsky and Reaction,&” Philosophy of New Music poses the musical extremes in which Adorno perceived the struggle for the cultural future of Europe: between human emancipation and barbarism, between the compositional techniques and achievements of Schoenberg and Stravinsky. In this translation, which is accompanied by an extensive introduction by distinguished translator Robert Hullot-Kentor, Philosophy of New Music emerges as an essential guide to the whole of Adorno's oeuvre.
Phish: The Biography
by Parke PuterbaughDrawing upon nearly fifteen years of exclusive interviews with the members of Phish, veteran music journalist Parke Puterbaugh examines the colorful chemistry that inspired the wildly popular rock group to push their four-man experiment to the limit. An intimate and fascinating portrait,Phish: The Biographyis the definitive story of these Vermont jam-band legends.
Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945
by Elodie A. Roy Eva Moreda RodríguezThis cross-disciplinary volume illuminates the history of early phonography from a transnational perspective, recovering the myriad sites, knowledge practices, identities and discourses which dynamically shaped early recording cultures. With case studies from China, Australia, the United States, Latin America, Russia, Sweden, Germany, Spain, Portugal, France, and Italy, Phonographic Encounters explores moments of interaction and encounter, as well as tensions, between local and global understandings of recording technologies. Drawing on an array of archival sources often previously unavailable in English, it moves beyond western-centric narratives of early phonography and beyond the strict confines of the recording industry. Contributions from media history, musicology, popular music studies, cultural studies, area studies and the history of science and technology make this book a key and innovative resource for understanding early phonography against the backdrop of colonial and global power relations.
Phonographic Memories: Popular Music and the Contemporary Caribbean Novel (Critical Caribbean Studies)
by Njelle W. HamiltonPhonographic Memories is the first book to perform a sustained analysis of the narrative and thematic influence of Caribbean popular music on the Caribbean novel. Tracing a region-wide attention to the deep connections between music and memory in the work of Lawrence Scott, Oscar Hijuelos, Colin Channer, Daniel Maximin, and Ramabai Espinet, Njelle Hamilton tunes in to each novel’s soundtrack while considering the broader listening cultures that sustain collective memory and situate Caribbean subjects in specific localities. These “musical fictions” depict Caribbean people turning to calypso, bolero, reggae, gwoka, and dub to record, retrieve, and replay personal and cultural memories. Offering a fresh perspective on musical nationalism and nostalgic memory in the era of globalization, Phonographic Memories affirms the continued importance of Caribbean music in providing contemporary novelists ethical narrative models for sounding marginalized memories and voices. Njelle W. Hamilton's Spotify playlist to accompany Phonographic Memories: https://spoti.fi/2tCQRm8
Phonographies: Grooves in Sonic Afro-Modernity
by Alexander G. WeheliyePhonographies explores the numerous links and relays between twentieth-century black cultural production and sound technologies from the phonograph to the Walkman. Highlighting how black authors, filmmakers, and musicians have actively engaged with recorded sound in their work, Alexander G. Weheliye contends that the interplay between sound technologies and black music and speech enabled the emergence of modern black culture, of what he terms "sonic Afro-modernity. " He shows that by separating music and speech from their human sources, sound-recording technologies beginning with the phonograph generated new modes of thinking, being, and becoming. Black artists used these new possibilities to revamp key notions of modernity--among these, ideas of subjectivity, temporality, and community. Phonographies is a powerful argument that sound technologies are integral to black culture, which is, in turn, fundamental to Western modernity. Weheliye surveys literature, film, and music to focus on engagements with recorded sound. He offers substantial new readings of canonical texts by W. E. B. Du Bois and Ralph Ellison, establishing dialogues between these writers and popular music and film ranging from Louis Armstrong's voice to DJ mixing techniques to Darnell Martin's 1994 movie I Like It Like That. Looking at how questions of diasporic belonging are articulated in contemporary black musical practices, Weheliye analyzes three contemporary Afro-diasporic musical acts: the Haitian and African American rap group the Fugees, the Afro- and Italian-German rap collective Advanced Chemistry, and black British artist Tricky and his partner Martina. Phonographies imagines the African diaspora as a virtual sounding space, one that is marked, in the twentieth century and twenty-first, by the circulation of culture via technological reproductions--records and tapes, dubbing and mixing, and more.
Phonurgia Universalis: Universals in Music (Numanities - Arts and Humanities in Progress #28)
by François-Bernard MâcheThis translation of Musique au singulier (2001) from the French identifies what is common to music of all times and cultures. The author, François-Bernard Mâche is a composer and internationally renowned musicologist. He addresses the question of universals in music and demonstrates how musical play is a poetic and natural game that already takes shape in the animal world. Mâche invites the reader to reconsider the traditional opposition between nature and culture and to reflect on experiencing such intense emotions when both listening to and manipulating sounds. This title appeals to students and researchers working in musicology.
Photography, Music and Memory: Pieces of the Past in Everyday Life (Palgrave Macmillan Memory Studies)
by Michael Pickering Emily KeightleyThis book explores how photography and recorded music act as vehicles or catalysts in processes of remembering, and how they are regarded, treated, valued and drawn upon as resources connecting past and present in everyday life. It does so via two key concepts: vernacular memory and the mnemonic imagination.
Phrygian Guitar Licks: 10 Original Thrash Metal Licks with Audio & Video (Modal Guitar Licks #3)
by Gareth Evans10 original thrash metal guitar licks from the Phrygian mode in tablature and notation for the progressing guitarist at intermediate level and above. >> 64 bars of music over 10 licks (average lick length 6.4 bars) >> Video at full speed & Audio at full & half speed (Downloadable) >> Backing tracks at full and slower practise speeds (Downloadable) >> Scale diagrams with theory and technique tips for each lick >> Guitar tablature has picking directions & fretting finger guide numbers Please Note: This eBook has written music and is not suitable for smaller screens.
Physical and Emotional Hazards of a Performing Career: A special issue of the journal Musical Performance.
by Basil TschaikovFirst Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Physics and Mathematics in Musical Composition: A Comparative Study
by Stefan C. Müller Kinko TsujiHow is music born? Is music made by humans or does it already exist and wait to be found? How do composers create (or find) music? Having these questions in mind the authors ask more questions: How can we share our feelings with other people when listening to music? Can these be visualized? Why did Helmholtz have a problem with the third? Why is precise tuning so important in European music and less so in other cultures? What are the differences among the continents? What makes dissonant tone intervals uncomfortable in many cases? What enables us to distinguish the music of Mozart from that of Beethoven? Why are we fascinated by birdsong? Why does some music survive, whereas other just disappears? And finally, along which lines will music develop in the future? Drawing upon physics and mathematics, the authors search for answers to these questions and attempt to unravel in some depth the enigmas of how our minds are affected by the perception of music.