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Powerful Voices: The Musical and Social World of Collegiate a Cappella
by Joshua S. DuchanCollegiate a cappella, part of a long tradition of unaccompanied singing, is known to date back on American college campuses to at least the colonial era. Considered in the context of college glee clubs, barbershop quartets, early-twentieth-century vocal pop groups, doo-wop groups, and late-twentieth-century a cappella manifestations in pop music, collegiate a cappella is an extension of a very old tradition of close harmony singing---one that includes but also goes beyond the founding of the Yale Whiffenpoofs. Yet despite this important history, collegiate a cappella has until now never been the subject of scholarly examination. InPowerful Voices: The Musical and Social World of Collegiate A Cappella, Joshua S. Duchan offers the first thorough accounting of the music's history and reveals how the critical issues of sociability, gender, performance, and technology affect its music and experience. Just as importantly, Duchan provides a vital contribution to music scholarship more broadly, in several important ways: by expanding the small body of literature on choruses and amateur music; by addressing musical and social processes in a field where the vast majority of scholarship focuses on individuals and their products; and by highlighting a musical context long neglected by musicologists---the college campus. Ultimately,Powerful Voicesis a window on a world of amateur music that has begun to expand its reach internationally, carrying this uniquely American musical form to new global audiences, while playing an important role in the social, cultural, and musical education of countless singers over the last century.
Practical Recording Techniques
by Bruce BartlettHands-on practical guide covering all aspects of recording, ideal for beginning and intermediate recording engineers, producers, musicians and audio enthusiasts. Filled with tips and shortcuts, this book offers advice on equipping a home studio (both low-budget and advanced), suggestions for set-up, acoustics, choosing monitor speakers, and preventing hum. This best-selling guide also tells how to judge recordings and improve them to produce maximum results. New material covered in the 5th edition to include: * complete revision and update of digital media sections* new section on mixing tips* new section on podcasts and file sharing* new section equipment and connector levels* new section function and connector types* new section on digital metering* new section exporting projects from other studios* new photos
Practical Theory Complete: A Self-Instruction Music Theory Course
by Sandy FeldsteinA combination text and workbook in three volumes. All areas of music theory are covered in a concise and practical manner and each level contains 28 lessons.
Practicing Music by Design: Historic Virtuosi on Peak Performance
by Christopher BergPracticing Music by Design: Historic Virtuosi on Peak Performance explores pedagogical practices for achieving expert skill in performance. It is an account of the relationship between historic practices and modern research, examining the defining characteristics and applications of eight common components of practice from the perspectives of performing artists, master teachers, and scientists. The author presents research past and present designed to help musicians understand the abstract principles behind the concepts. After studying Practicing Music by Design, students and performers will be able to identify areas in their practice that prevent them from developing. The tenets articulated here are universal, not instrument-specific, borne of modern research and the methods of legendary virtuosi and teachers. Those figures discussed include: Luminaries Franz Liszt and Frederic Chopin Renowned performers Anton Rubinstein, Mark Hambourg, Ignace Paderewski, and Sergei Rachmaninoff Extraordinary teachers Theodor Leschetizky, Rafael Joseffy, Leopold Auer, Carl Flesch, and Ivan Galamian Lesser-known musicians who wrote perceptively on the subject, such as violinists Frank Thistleton, Rowsby Woof, Achille Rivarde, and Sydney Robjohns Practicing Music by Design forges old with new connections between research and practice, outlining the practice practices of some of the most virtuosic concert performers in history while ultimately addressing the question: How does all this work to m practice practices [ first word is in italics] ake for better musicians and artists?
Practicing Music by Design: Historic Virtuosi on Peak Performance
by Christopher BergPracticing Music by Design: Historic Virtuosi on Peak Performance explores pedagogical practices for achieving expert skill in performance. It is an account of the relationship between historic practices and modern research, examining the defining characteristics and applications of eight common components of practice from the perspectives of performing artists, master teachers, and scientists. The author presents research past and present designed to help musicians understand the abstract principles behind the concepts. After studying Practicing Music by Design, students and performers will be able to identify areas in their practice that prevent them from developing.The tenets articulated here are universal, not instrument-specific, borne of modern research and the methods of legendary virtuosi and teachers. Those figures discussed include: Luminaries Franz Liszt and Frederic Chopin Renowned performers Anton Rubinstein, Mark Hambourg, Ignace Paderewski, and Sergei Rachmaninoff Extraordinary teachers Theodor Leschetizky, Rafael Joseffy, Leopold Auer, Carl Flesch, and Ivan Galamian Lesser-known musicians who wrote perceptively on the subject, such as violinists Frank Thistleton, Rowsby Woof, Achille Rivarde, and Sydney Robjohns Practicing Music by Design forges old with new connections between research and practice, outlining the practice practices of some of the most virtuosic concert performers in history while ultimately addressing the question: How does all this work to make for better musicians and artists?
Practicing: A Musician's Return to Music
by Glenn KurtzThe remarkable odyssey of a classical guitar prodigy who abandons his beloved instrument in defeat at the age of twenty-five, but comes back to it years later with a new kind of passion. With insight and humor, Glenn Kurtz takes us from his first lessons at a small Long Island guitar school at the age of eight, to a national television appearance backing jazz legend Dizzy Gillespie, to his acceptance at the elite New England Conservatory of Music. He makes bittersweet and vivid a young man's struggle to forge an artist's life--and to become the next Segovia. And we see him after graduation, pursuing a solo career in Vienna but realizing that he has neither the ego nor the talent required to succeed at the upper reaches of the world of classical guitar--and giving up the instrument, and his dream, entirely. Or so he thought. For, returning to the guitar, Kurtz weaves into the larger narrative the rich experience of a single practice session, demonstrating how practicing--the rigor, attention, and commitment it requires--becomes its own reward, an almost spiritual experience that redefines the meaning of "success. " Along the way, he traces the evolution of the guitar and reminds us why it has retained its singular popularity through the ages. Complete with a guide to selected musical recordings and methods,Practicingtakes us on a revelatory, inspiring journey: a love affair with music.
Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces
by Albert MudrianThe making of the 25 greatest extreme metal albums of all time, as told via exclusive band-member interviews, drawn and expanded from "Decibel"'s OC Hall of FameOCO"
Precious Moments: My Bible Songbook (Precious Moments)
by Precious MomentsRemember your sweet childhood moments singing "Jesus Loves Me" and "This Little Light of Mine" as you share your favorite songs and lullabies with your own little ones. You'll love singing together about Bible heroes, God's miracles, and the joy of praising the Lord with Precious Moments: My Bible Songbook.This keepsake board book for 0- to 4-year-olds featureslyrics to traditional songsclassic Precious Moments illustrationsscripture verses from the trusted International Children's BibleMy Bible Songbook is a great giftfor babies, toddlers, and preschoolersfor baby showers, baptisms, first communion, Easter baskets, birthdays, and holiday giftingto serve as a sweet reminder to your children, grandchildren, or godchildren of how much you love themShare your faith and your love with your child by singing with them and over them at story time and bedtime. Your family will cherish making a joyful noise together as your little ones learn that they are precious in God's sight.You'll also enjoy these other Precious Moments books for little ones:Little Book of Prayers Little Book of Bible Stories Little Book of Angels Little Book of Baby Animals
Precious and Few: Pop Music in the Early '70s
by Don Breithaupt Jeff BreithauptPrecious and Few is a lively and nostalgic look back at the forgotten era of pop that gave us "Hooked on a Feeling", "Dancing in the Moonlight", "I Am Woman", "Seasons in the Sun", and more. The early 1970s brought a "Convoy" of popular rock music--everything from cheesy to the classic. The authors of Precious and Few, Don Breithaupt and Jeff Breithaupt, true-blue '70s fanatics, have put together this irresistibly readable book to transport readers back to a time when people wore smiley-face buttons, went to singles bars, and heartily sang along with Mac Davis.Illustrations throughout.
Prelude a l'Apres-midi d'un Faune and Other Works for Piano Four Hands
by Maurice Ravel Claude DebussyHere are two suites Debussy composed specifically for piano four hands, Petite Suite and Six Épigraphes Antiques, plus Ravel's arrangement for four hands of Debussy's Prélude à l'Après-midi d'un Faune and a piano four hands version of Prélude, Cortège and Air de Danse from L'Enfant Prodigue. These works range widely in mood, displaying both the brilliant pianism at the heart of Debussy's musical imagery and the composer's affinity for the unexpected. Reprinted from authoritative French editions, these works display innovative musical qualities that will both delight and challenge pianists.
Preparing Musicians for Precarious Work: Transformational Approaches to Music Careers Education (ISME Series in Music Education)
by Nicole CanhamPreparing Musicians for Precarious Work: Transformational Approaches to Music Careers Education promotes career counselling-informed techniques that encourage and guide musicians to drive their careers in necessary new directions. In exposing the ‘dark side’ of precarious work in the arts sector, these approaches acknowledge the high levels of risk many musicians face and focus on the fundamental and urgent skills they need to navigate uncertainty and hardship. The author calls for a greater recognition of the psychological magnitude of managing such work, drawing upon training as a career counsellor and the lived experience of a career musician to advance transformative learning principles as pathways for artists, students, and educators alike. Representing a radical shift from the content-knowledge approach to career development, a counselling-informed method is fortified by a broad range of ideas from vocational psychology and narrative therapy, emphasising the importance of change readiness and flexible identities while identifying the need for a post-portfolio paradigm. Preparing Musicians for Precarious Work proposes a new model for musicians’ career learning – the CHOICE model – in a timely and practical guide for 21st-century musicians looking to future-proof their careers.
Presence Through Sound: Music and Place in East Asia (SOAS Studies in Music)
by Catherine Ingram Keith HowardPresence Through Sound narrates and analyses, through a range of case studies on selected musics of China, Japan, Korea, Taiwan, and Tibet, some of the many ways in which music and ‘place’ intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of longstanding traditions but also in other landscapes such as popular music and in the design of performance spaces. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national, and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation. The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation. In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and – particularly pertinent to East Asia in the twenty-first century – local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.
Present Tense: A Radiohead Compendium
by Barney Hoskyns'Present Tense is an anthology to savour . . . giving you as sharp a portrait of this unknowable band as you could hope for . . . Radiohead fans will love it' Classic RockA Rock's Backpages anthology of Radiohead, the most radical and fascinating rock band in modern music history, edited and introduced by Barney Hoskyns.For over 25 years, Radiohead have been the most radical and fascinating rock band in the world. Fearless in their desire to change and shape-shift, the Oxfordshire quintet has - through the nine studio albums from 1993's Pablo Honey to 2016's A Moon-Shaped Pool - consistently stretched the boundaries of what 'rock' means and does. Anchored in Thom Yorke's soaring voice and elliptical lyrics, and in the compositional genius of guitarist/keyboardist Jonny Greenwood, Radiohead continue to astonish as they approach their fourth decade.Present Tense collects the best writing on this most literate of pop groups, from the earliest local reports about On A Friday - Radiohead's first moniker - through the inspired commentary of Mark Greif and Simon Reynolds to the trenchant profiles of Will Self, John Harris and others. It's an anthology that goes a long way towards explaining what Rock's Backpages editor Barney Hoskyns describes as the band's 'seriousness, emotional grandeur and willingness to stare humanity's dystopian hi-tech future in the face'.
Present Tense: Rock & Roll and Culture
by Anthony DecurtisThe most compelling art form to emerge from the United States in the second half of the twentieth century, rock & roll stands in an edgy relationship with its own mythology, its own musicological history and the broader culture in which it plays a part. In Present Tense, Anthony DeCurtis brings together writers from a wide variety of fields to explore how rock & roll is made, consumed, and experienced in our time. In this collection, Greil Marcus creates a collage of words and pictures that evokes and explores Elvis Presley's grisly fate as an American cultural image, while Robert Palmer tells the gripping tale of the origins and meanings of the electric guitar. Rap music, MTV, and the issue of gender identity in the work of Bruce Springsteen all undergo thorough examination; rock & roll's complex relationship with the forces of censorship gets a remarkably fresh reading; and the mainstreaming of rock & roll in the 1980s is detailed and analyzed. And, in an interview with Laurie Anderson and an essay by Atlanta musician Jeff Calder, the artists speak for themselves. Contributors. Jeff Calder, Anthony DeCurtis, Mark Dery, Paul Evans, Glenn Gass, Trent Hill, Michael Jarrett, Alan Light, Greil Marcus, Robert Palmer, Robert B. Ray, Dan Rubey, David R. Shumway, Martha Nell Smith, Paul Smith
Preservation Hall: The War in the East from Gettysburg to Appomattox, 1863–1865
by Shannon Brinkman Eve AbramsPreservation Hall, located in the French Quarter just three blocks from the Mississippi River, remains an icon of New Orleans and an essential stop for all fans of traditional jazz. Since the early 1960s "The Hall" has served as a sanctuary for the Crescent City's rich and illustrious jazz heritage, a haven for players, and an incubator for successive generations of jazz musicians.Seven nights a week the venue fills to capacity with die-hard fans and curious tourists eager to hear live New Orleans jazz played by a mix of veteran musicians and up-and-coming players. Preservation Hall dedicates itself to the authentic performance of traditional jazz. The space inside seems simple, and a large portion of the audience must stand in the back, behind a limited number of benches, chairs, and floor cushions. The Hall has no dance floor and serves no food or drink. In Preservation Hall, the music alone fills the space between listener and player.In their rare behind-the-scenes portrait, New Orleans photographer Shannon Brinkman and audio documentarian Eve Abrams capture the rhythm and cool of this historic club with both a pulsating array of images and the heartfelt words of band members.
Preserving Popular Music Heritage: Do-it-Yourself, Do-it-Together (Routledge Research in Music)
by Sarah BakerThere is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.
Pressing On: The Roni Stoneman Story
by Ellen Wright Roni StonemanThe tragicomic life story of one of America's best-known country entertainers, told with warmth and honesty This book recounts the fascinating life of Roni Stoneman, the youngest daughter of the pioneering country music family, and a girl who, in spite of poverty and abusive husbands, eventually became "The First Lady of Banjo," a fixture on the Nashville scene, and, as Hee Haw's Ironing Board Lady, a comedienne beloved by millions of Americans nationwide. Drawn from over seventy-five hours of recorded interviews, Pressing On reveals that Roni is also a master storyteller. In her own words and with characteristic spunk and candor, she describes her "pooristic" ("way beyond 'poverty-stricken'") Appalachian childhood, and how she learned from her brother Scott to play the challenging and innovative three-finger banjo picking style developed by Earl Scruggs. She also warmly recounts Hee Haw-era adventures with Minnie Pearl, Roy Clark, and Buck Owens; her encounters as a musician with country greats including Loretta Lynn, Johnny Cash, June Carter, and Patsy Cline; as well as her personal struggles with shiftless and violent husbands, her relationships with her children, and her musical life after Hee Haw. A volume in the series Music in American Life
Pretend We're Dead: The Rise, Fall, and Resurrection of Women in Rock in the '90s
by Tanya Pearson"A refreshing and much-needed contribution to the male-dominated history of rock &’n&’ roll."--Kirkus ReviewsFrom the founder of the Women of Rock Oral History Project, an exploration of women in the '90s rock scene, featuring original interviews with Liz Phair, Shirley Manson, Kristin Hersh, Donita Sparks, Tanya Donelly, members of Hole, Luscious Jackson, Veruca Salt, Babes in Toyland, and more In 2018, during an interview with journalist Tanya Pearson, Shirley Manson lamented: "It&’s a blanket fact that after September 11th, nonconformist women were taken off the radio.&” This comment echoed a reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened to these extraordinary female figures.PRETEND WE&’RE DEAD seeks to answer two big questions: First, where did all these wildly different, politically conscious, and supremely talented women in rock come from in the 1990s? And second, after their unprecedented breakout, why did they vanish from the mainstream by the early aughts? Along with analysis and narrative, PRETEND WE&’RE DEAD is built on exclusive interviews with the unfiltered voices of legends including: Shirley Manson, Melissa Auf der Maur, Patty Schemel, Kate Schellenbach, Nina Gordon, Louise Post, Josephine Wiggs, Tanya Donelly, Kristin Hersh, Tracy Bonham, Donita Sparks, Liz Phair, Zia McCabe, Tracy Bonham, Lori Barbero, Josephine Wiggs, and Jill Emery. Through thought-provoking conversations, these women explore how they fell in love with music and started bands; fought labels, their coverage in the media, and sexism; and wrote deeply political and feminist music. Readers also learn about the effects of Woodstock &’99, the corporatization of the music industry, the rise of Clear Channel and its ties to the Bush administration, and finally the nationalist sentiment after 9/11. While sonically diverse, these musicians all wrote fierce, socially conscious, feminist lyrics, and PRETEND WE&’RE DEAD commemorates and celebrates the overlooked contributions of true trailblazers.
Pretty Good for a Girl: Women in Bluegrass (Music in American Life)
by Murphy Hicks HenryThe first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.
Pretty Paper
by David Ritz Willie NelsonWillie Nelson's inspiring Christmas fable, based on his holiday classic "Pretty Paper." More than fifty years ago, Willie Nelson's beloved Christmas song "Pretty Paper" first hit the airwaves. And for all these years, Willie has wondered about the real-life Texas street vendor, selling wrappings and ribbons, who inspired his song. Who was this poor soul? What did his painful trials say about our loves, our hopes, our dreams in this holiday season--and in the rest of our lives?It's the early sixties and Willie Nelson is down and out, barely eking out a living as a singer-songwriter. The week before Christmas, he spots a legless man on a cart, selling wares in front of Leonard's Department Store in Fort Worth, Texas. The humble figure, by the name of Vernon Clay, piques Willie's curiosity, but Vernon is stubbornly private and--despite Willie's charming queries--has no interest in telling his story. Willie is tenacious, though, and he eventually learns that Vernon is a fellow musician, a fine guitarist and singer.When Vernon disappears, he leaves behind only a diary, which tells an epic tale of life-altering tragedies, broken hearts, and crooked record men, not to mention backroad honky-tonks, down-home cooking, and country songwriting genius. Deeply moved and spurred on by Vernon's pages, Willie aims to give the man one last shot at redemption and a chance to embody the holiday spirit.From the Hardcover edition.
Pride: The Charley Pride Story
by Charley PrideCharley Pride made history when he became the first widely accepted black country music singer. Born the son of a poor farmer, Charley planned to become a Major League baseball player. In fact, he spent several years playing baseball before an injury caused him to rethink his plans. In the early 1960s, country music stars were white, and so were the producers. Few people gave Charley the time of day. With the help of Red Sovine and a producer in Nashville, Charley's first records were released. The catch was that no one knew he was black. His album cover showed a blurry photo. This is the story of how a shy man from Mississippi changed the face of country music forever while battling depression and his own fears.
Primus, Over the Electric Grapevine: Insight into Primus and the World of Les Claypool
by Greg Prato PrimusAn oral history of the legendary band Primus, with a star-studded cast of interviewees (Tom Waits, Phish front man Trey Anastasio, etc.)It’s a wild ride that’s vividly captured in Greg Prato’s excellent oral history . . . . —Bass Player Magazine “A book about the highly strange San Franciscans Primus has been overdue for years, so Greg Prato’s excellent oral history of the band is welcome—doubly so, given that the key band members, Les Claypool, Larry Lalonde and Tim Alexander, are involved. . . . Great stuff.” —Record Collector MagazineUsually when the “alternative rock revolution” of the early 1990s is discussed, Nirvana’s Nevermind is credited as the recording that led the charge. Yet there were several earlier albums that helped pave the way, including the Pixies’s Doolittle, the Red Hot Chili Peppers’s Mother’s Milk, Jane’s Addiction’s Nothing’s Shocking, and especially Primus’s 1991 album Sailing the Seas of Cheese. This fascinating and beautifully curated oral history tells the tale of this truly one-of-a-kind band. Compiled from nearly fifty all-original interviews—including Primus members past and present and many more fellow musicians—conducted by journalist/author Greg Prato. This book is sure to appeal to longtime fans of the band, as well as admirers of the musicians interviewed for the book. Interviewees include: Tim Alexander, Trey Anastasio (Phish), Matthew Bellamy (Muse), Les Claypool, Stewart Copeland (The Police), Chuck D (Public Enemy), Kirk Hammett (Metallica), Larry LaLonde, Geddy Lee (Rush), Mickey Melchiondo (Ween), Tom Morello (Rage Against the Machine), Chad Smith (Red Hot Chili Peppers), Matt Stone (South Park), Tom Waits, and many more.
Prince (Lives of the Musicians)
by Jason DraperHis name was Prince, and he was funky. He was also inspiring, infuriating, visionary and otherworldly. Channelling contradictions in search of his own unique truth, he eventually changed his name to an unpronounceable glyph that merged the male and female symbols in an outward expression of his inner dualities. Gifted with the ability to play almost every instrument on his records, and shifting between musical styles as much as he switched-up his looks, he refused to acknowledge boundaries. Instead, he brought opposing forces together in a life-long quest to reconcile a dirty mind with a love for God. In doing so, the mini Minneapolis genius became a world-conquering icon whose towering legacy continues to shape pop culture.
Prince (Lives of the Musicians)
by Jason DraperHis name was Prince, and he was funky. He was also inspiring, infuriating, visionary and otherworldly. Channelling contradictions in search of his own unique truth, he eventually changed his name to an unpronounceable glyph that merged the male and female symbols in an outward expression of his inner dualities. Gifted with the ability to play almost every instrument on his records, and shifting between musical styles as much as he switched-up his looks, he refused to acknowledge boundaries. Instead, he brought opposing forces together in a life-long quest to reconcile a dirty mind with a love for God. In doing so, the mini Minneapolis genius became a world-conquering icon whose towering legacy continues to shape pop culture.
Prince on Prince: Interviews and Encounters (Musicians in Their Own Words #22)
by Arthur LiziePrince on Prince gets behind the controversies to tell the Prince story in his own words. Prince is among the most respected and influential entertainers of the twentieth century, breaking sexual, racial, and creative barriers throughout his almost forty years in the spotlight. He was a multitalented studio artist, a master songwriter who produced and performed almost all of his own music on yearly LPs and countless singles and videos. He was one of the most dynamic live performers ever to hit the stage, a world-class dancer, and musician who's still remembered for the best Super Bowl halftime performance in history. He fought for artists' rights, changed his name to a glyph, and took a star turn in the Oscar-winner Purple Rain. But for all this, he was a quiet and private individual, reluctant to talk about the work he felt should speak for itself. This volume offers a chronological look at some of Prince's most entertaining and revealing interviews, from 1978 and the release of his debut LP, For You, to a 2015 interview conducted only months before his untimely death at the age of fifty-seven. Prince's memoir was left incomplete, but this volume offers a view of the man as he sought to portray himself in his own words to journalists of every status throughout his career.