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Ornamentation in Baroque and Post-Baroque Music, with Special Emphasis on J.S. Bach
by Frederick NeumannOrnaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted. Frederick Neumann, himself a violinist and conductor, questions the validity of the rigid principles applied to their performance. In this controversial work, available for the first time in paperback, he argues that strict constraints are inconsistent with the freedom enjoyed by musicians of the period.The author takes an entirely new look at ornamentation, and particularly that of J. S. Bach. He draws on extensive research in England, France, Germany, Italy, and the United States to show that prevailing interpretations are based on inadequate evidence. These restrictive interpretations have been far-reaching in their effect on style. By questioning them, this work continues to stimulate a reorientation in our understandiing of Baroque and post-Baroque music.
Orpheus in the Academy: Monteverdi's First Opera and the Accademia degli Invaghiti (Routledge Research in Music)
by Joel SchwindtThis book introduces a new perspective on Claudio Monteverdi's Orfeo (1607), a work widely regarded as the 'first great opera', by exploring the influence of the Mantuan Accademia deglia Invaghiti, the group which hosted the opera’s performance, and to which the libretto author, Alessandro Striggio the Younger, belonged. Arguing that the Invaghiti played a key role in shaping the development of Orfeo, the author explores the philosophical underpinnings of the Invaghiti and Italian academies of the era. Drawing on new primary sources, he shows how the Invaghiti’s ideas about literature, dramaturgy, music, gender, and aesthetics were engaged and contested in the creation and staging of Orfeo. Relevant to researchers of music history, performance, and Renaissance and Baroque Italy, this study sheds new light on Monteverdi’s opera as an intellectual and philosophical work.
Orpheus in the Marketplace
by Tim Carter Richard A. GoldthwaiteThe Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. The recent discovery of a large number of private account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done more, however, than write a biography: their investigation exposes the value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and opens a new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. They also allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.
Os Segredos do Grande Maestro: Entre A Música e A Maçonaria
by Paolo NutiGiacomo Puccini e a maçonaria: que ligação há entre um dos maiores compositores italianos de todos os tempos e essa controversa associação? Em uma erudita mescla entre romance e autobriografia, o autor junta anedotas pessoais a registros históricos, levantando dúvidas, colocando interrogações, e acompanhando o leitor em uma fascinante viagem para descobrir os segredos do Grande Maestro.
Oscar Hammerstein II and the Invention of the Musical
by Laurie WinerA new look at artist Oscar Hammerstein II as a pivotal and underestimated force in the creation of modern American culture You know his work—Show Boat, Oklahoma!, Carousel, The King and I. But you don’t really know Oscar Hammerstein II, the man who, more than anyone else, invented the American musical. Among the most commercially successful artists of his time, he was a fighter for social justice who constantly prodded his audiences to be better than they were. Diving deep into Hammerstein’s life, examining his papers and his lyrics, critic Laurie Winer shows how he orchestrated a collective reimagining of America, urging it forward with a subtly progressive vision of the relationship between country and city, rich and poor, America and the rest of the world. His rejection of bitterness, his openness to strangers, and his optimistic humor shaped not only the musical but the American dream itself. His vision can continue to be a touchstone to this day.
Oscar Peterson: The Man and His Jazz
by Jack BattenCalled the "Maharaja of the keyboard" by Duke Ellington, Oscar Peterson released over 200 recordings, won seven Grammy Awards, received the Order of Canada and is considered to have been one of the greatest jazz pianists of all time. This new biography from award-winning author Jack Batten, promises to tell Oscar Peterson's story in acomplete, compelling and sympathetic way. This is first biography of Oscar Peterson for young people. This book is the story of a black kid from a Montreal ghetto who reached accliam in the great music halls of the world.
Other Entertainment: Collected Pieces
by Ned RoremA collection of insightful essays, interviews, and commentaries on music, art, and those who make it, from acclaimed author and Pulitzer Prize–winning composer Ned RoremIt is a rare artist who can deftly cross the boundaries separating one artistic endeavor from another. Contemporary American composer Ned Rorem is one of the able few, not only &“the world&’s best composer of art songs&” (Time magazine) but a remarkable purveyor of prose works, as well. Rorem&’s superb collection Other Entertainment features insightful and fascinating essays on music, musicians, and literature, as well as provocative interviews with well-known figures in the arts and elsewhere. Whether he&’s offering a cogent analysis of Benjamin Britten&’s published diaries, confronting John Simon on the famously acerbic film and theater reviewer&’s alleged homophobia, or providing in-depth commentary on the lives and accomplishments of major artists and musical colleagues—as well as moving obituaries for those we have lost—Rorem proves himself to be as entertaining and controversial a social and cultural critic as America has ever produced.
The Other Fab Four: The Remarkable True Story of the Liverbirds, Britain's First Female Rock Band
by Mary McGlory Sylvia SaundersFor readers of Sheila Weller&’s Girls Like Us comes a fiercely feminist, heartwarming story of friendship and music about The Liverbirds, Britain&’s first all-female rock group. The idea for Britain&’s first female rock band, The Liverbirds, started one evening in 1962, when Mary McGlory, then age 16, saw The Beatles play live at The Cavern Club in Liverpool, the nightclub famously known as the &“cradle of British pop music.&” Then and there, she decided she was going to be just like them—and be the first girl to do it. Joining ranks in 1963 with three other working-class girls from Liverpool—drummer Sylvia Saunders and guitarists Valerie Gell and Pamela Birch, also self-taught musicians determined to &“break the male monopoly of the beat world&”—The Liverbirds went on to tour alongside the Rolling Stones, the Kinks, and Chuck Berry, and were on track to hit international stardom—until life intervened, and the group was forced to disband just five years after forming in 1968. Now, Mary and Sylvia, the band&’s two surviving members, are ready to tell their stories. From that fateful night in 1962, when Mary, who once aspired to become a nun, decided to provide for her family by becoming a rich-and-famous rocker, to the circumstances that led to the band splitting up—Sylvia&’s dangerously complicated pregnancy, and the tragic accident that paralyzed Valerie&’s beau—The Liverbirds tackles family, friendship, addiction, aging, and the forces—even destiny—that initially brought the four women together.
Other Voices: Hidden Histories Of Liverpool's Popular Music Scenes 1930s-1970s (Ashgate Popular and Folk Music Series)
by Michael BrockenAt times it appears that a whole industry exists to perpetuate the myth of origin of the Beatles. There certainly exists a popular music (or perhaps 'rock') origin myth concerning this group and the city of Liverpool and this draws in devotees, as if on a pilgrimage, to Liverpool itself. Once 'within' the city, local businesses exist primarily to escort these pilgrims around several almost iconic spaces and places associated with the group. At times it all almost seems 'spiritual'. One might argue however that, like any function myth, the music history of the Liverpool in which the Beatles grew and then departed is not fully represented. Beatles historians and businessmen-alike have seized upon myriad musical experiences and reworked them into a discourse that homogenizes not only the diverse collective articulations that initially put them into place, but also the receptive practices of those travellers willing to listen to a somewhat linear, exclusive narrative. Other Voices therefore exists as a history of the disparate and now partially hidden musical strands that contributed to Liverpool's musical countenance. It is also a critique of Beatles-related institutionalized popular music mythology. Via a critical historical investigation of several thus far partially hidden popular music activities in pre- and post-Second World War Liverpool, Michael Brocken reveals different yet intrinsic musical and socio-cultural processes from within the city of Liverpool. By addressing such 'scenes' as those involving dance bands, traditional jazz, folk music, country and western, and rhythm and blues, together with a consideration of partially hidden key places and individuals, and Liverpool's first 'real' record label, an assemblage of 'other voices' bears witness to an 'other', seldom discussed, Liverpool. By doing so, Brocken - born and raised in Liverpool - asks questions about not only the historicity of the Beatles-Liverpool narrative, but also about the absence o
The Other Worlds of Hector Berlioz
by Inge Van RijBerlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control - the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments might be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself.
The Otherwise: The Screenplay for a Horror Film That Never Was
by Mark E Smith Graham DuffThe first ever publication of Mark E. Smith's supernatural film treatment, co-authored with Graham Duff.In 2015 Mark E. Smith of The Fall and screenwriter Graham Duff co-wrote the script for a horror feature film called The Otherwise. The story involved The Fall recording an EP in an isolated recording studio on Pendle Hill. The Lancashire landscape is not only at the mercy of a satanic biker gang, it's also haunted by a gaggle of soldiers who have slipped through time from the Jacobite Rebellion.However, every film production company who saw the script said it was 'too weird' to ever be made. The Otherwise is weird. Yet it's also witty, shocking and genuinely scary. Now the screenplay is published for the first time, alongside photographs, drawings and handwritten notes. The volume also contains previously unpublished transcripts of conversations between Smith and Duff, where they discuss creativity, dreams, musical loves (from Can to acid house) and favourite films (from Britannia Hospital to White Heat). Smith also talks candidly about his youth and mortality, in exchanges that are both touching and extremely funny.
Otis Redding: An Unfinished Life
by Jonathan GouldThe long-awaited, definitive biography of The King of Soul, timed to coincide with the 50th anniversary of Redding's iconic performance at the 1967 Monterey Pop Festival. Otis Redding remains an immortal presence in the canon of American music on the strength of such classic hits as “(Sittin’ on) The Dock of the Bay,” “I’ve Been Loving You Too Long,” “Try a Little Tenderness,” and “Respect,” a song he wrote and recorded before Aretha Franklin made it her own. As the architect of the distinctly southern, gospel-inflected style of rhythm & blues associated with Stax Records in Memphis, Redding made music that has long served as the gold standard of 1960s soul. Yet an aura of myth and mystery has always surrounded his life, which was tragically cut short at the height of his career by a plane crash in December 1967. In Otis Redding: An Unfinished Life, Jonathan Gould finally does justice to Redding’s incomparable musical artistry, drawing on exhaustive research, the cooperation of the Redding family, and previously unavailable sources of information to present the first comprehensive portrait of the singer’s background, his upbringing, and his professional career. In chronicling the story of Redding’s life and music, Gould also presents a social history of the time and place from which they emerged. His book never lets us forget that the boundaries between black and white in popular music were becoming porous during the years when racial tensions were reaching a height throughout the United States. His indelible portrait of Redding and the mass acceptance of soul music in the 1960s is both a revealing look at a brilliant artist and a provocative exploration of the tangled history of race and music in America that resonates strongly with the present day.
Our Ancient National Airs: Scottish Song Collecting From The Enlightenment To The Romantic Era (Music in Nineteenth-Century Britain)
by Karen McAulayOne of the earliest documented Scottish song collectors actually to go 'into the field' to gather his specimens, was the Highlander Joseph Macdonald. Macdonald emigrated in 1760 - contemporaneously with the start of James Macpherson's famous but much disputed Ossian project - and it fell to the Revd. Patrick Macdonald to finish and subsequently publish his younger brother's collection. Karen McAulay traces the complex history of Scottish song collecting, and the publication of major Highland and Lowland collections, over the ensuing 130 years. Looking at sources, authenticity, collecting methodology and format, McAulay places these collections in their cultural context and traces links with contemporary attitudes towards such wide-ranging topics as the embryonic tourism and travel industry; cultural nationalism; fakery and forgery; literary and musical creativity; and the move from antiquarianism and dilettantism towards an increasingly scholarly and didactic tone in the mid-to-late Victorian collections. Attention is given to some of the performance issues raised, either in correspondence or in the paratexts of published collections; and the narrative is interlaced with references to contemporary literary, social and even political history as it affected the collectors themselves. Most significantly, this study demonstrates a resurgence of cultural nationalism in the late nineteenth century.
Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
by Michael AzerradThis is the never-before-told story of the musical revolution that happened right under the nose of the Reagan Eighties--when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives reenergized American rock with punk rock's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith has been recognized as an indie rock classic in its own right. Among the bands profiled: Mission of Burma, Butthole Surfers, The Minutemen, Sonic Youth, Black Flag, Big Black, Hüsker Dü, Fugazi, Minor Threat, Mudhoney, The Replacements, Beat Happening, and Dinosaur Jr.
Our God Reigns: The Stories Behind Your Favorite Praise and Worship Songs
by Phil Christensen Shari MacdonaldPresents the stories behind twenty-five well-known worship songs including "I Want to Be Where You Are," "You Are My All in All," and "His Name Is Wonderful." Provides biographical sketches of the songwriters through a number of interviews and describes the major themes in each song.
Our Journey: Rak Su’s Official Autobiography. The X Factor Winners
by Rak-SuA shout-out to all fans of Rak-Su - this is their story, from where it all began to where they are now, full of exclusive stories and pictures. Make it a special day. Make it a Rak-Su day! __________Rak-Pack! Are you ready for our official story?As long as we've been friends, we've been creating our unique sound of soul, R'n'B, Hip-Hop, Latin and Caribbean music.Keeping the momentum going from our X-Factor journey, we are now performing at sold-out arenas, making more music and having fun!So why not join us on the adventure? Unrivalled access to never-before-seen photos, intimate stories, and behind-the-scenes info - in our first and only memoir!_________Ashley, Jamaal, Myles and Mustafa shot to stardom in 2017 as the first ever male group to win the X-Factor. Since then, the soulful boys have been topping the charts with their eclectic sound, performing at sold-out arenas, touring with global sensation Little Mix, recording their first album and most recently dropping their brand new hit single, Pyro Ting.Join Rak-Su on their journey from ordinary North-West London lads, to victors of one of the world's biggest talent shows in their one and ONLY! OFFICIAL memoir, Our Journey.
Our Musicals, Ourselves: A Social History of the American Musical Theatre
by John Bush JonesOur Musicals, Ourselves is the first full-scale social history of the American musical theater from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate it with wonderful, diversionary shows like The Music Man or My Fair Lady, John Bush Jones instead selects musicals for their social relevance and the extent to which they engage, directly or metaphorically, contemporary politics and culture. <P><P>Organized chronologically, with some liberties taken to keep together similarly themed musicals, Jones examines dozens of Broadway shows from the beginning of the twentieth century to the present that demonstrate numerous links between what played on Broadway and what played on newspapers' front pages across our nation. He reviews the productions, lyrics, staging, and casts from the lesser-known early musicals (the gunboat musicals of the Teddy Roosevelt era and the Cinderella shows and "leisure time musicals" of the 1920s) and continues his analysis with better-known shows including Showboat, Porgy and Bess, Oklahoma, South Pacific, West Side Story, Cabaret, Hair, Company, A Chorus Line, and many others. While most examinations of the American musical focus on specific shows or emphasize the development of the musical as an art form, Jones's book uses musicals as a way of illuminating broader social and cultural themes of the times. With six appendixes detailing the long-running diversionary musicals and a foreword by Sheldon Harnick, the lyricist of Fiddler on the Roof, Jones's comprehensive social history will appeal to both students and fans of Broadway.
Our Noise: The Story of Merge Records, the Indie Label That Got Big and Stayed Small
by John Cook Laura Ballance Mac McCaughanMerge Records defies everything you’ve heard about the music business. Started by two twenty-year-old musicians, Merge is a lesson in how to make and market great music on a human scale. The fact that the company is prospering in a failing industry is something of a miracle. Yet two of their bands made the Billboard Top 10 list; more than 1 million copies of Arcade Fire's Neon Bible have been sold; Spoon has appeared on Saturday Night Live and The Tonight Show; and the Magnetic Fields' 69 Love Songs is a contemporary classic. In celebration of their twentieth anniversary, founders Mac and Laura offer first-person accounts—with the help of their colleagues and Merge artists—of their work, their lives, and the culture of making music. Our Noise also tells the behind-the-scenes stories of Arcade Fire, Spoon, the Magnetic Fields, Superchunk, Lambchop, Neutral Milk Hotel, and Butterglory. Hundreds of personal photos of the bands, along with album cover art, concert posters, and other memorabilia are included.
Our Singing Country: Folk Songs and Ballads
by John A. Lomax Alan LomaxThis sequel to the Lomaxes' widely acclaimed American Ballads and Folk Songs includes melodies and words for tunes from all parts of the country. Songs include spirituals, hollers, game songs, lullabies, courting songs, chain-gang work songs, Cajun airs, breakdowns, and many more. Judith Tick, a scholar and award-winning author, provides a new fact-filled Introduction; notes on tune origins, two indexes, and an extensive bibliography round out this archive of some 200 authentic folk songs and ballads.
Our World: Our OFFICIAL autobiography
by Little MixCelebrate Little Mix's first UK number-one album - Glory Days - by reading the full story of the girls' astonishing rise to pop super stardom. Our World is full of exclusive photos and inspirational stories about Jade, Perrie, Jesy and Leigh-Anne's unique friendship.Little Mix are the UK's most successful girl band. They first found fame - and each other - on The X Factor in 2011. Five years later they have gone from strength to strength, achieving huge global success. With three platinum-selling albums in the UK and over 14 million record sales worldwide, the band are both adored by their fans and critically acclaimed for their brilliant music. In this book the girls share the real behind-the-scenes story of both their personal lives and their success. They reveal the many highs - what it feels like to perform in front of thousands of people; the excitement of seeing your music soar to Number One around the world - but also the lows. Through it all the girls have had each other, and their incredibly close friendship has grown stronger and stronger as the years have gone by. Now the girls are like sisters, and in this book they share their journeys and how it feels for your dreams to come true.Brimming with exclusive photos, this book shares with us the girls' innermost secrets - their hopes and dreams for the future, their families, their relationships, their style advice and above all their friendship. This book is Little Mix's story in their own words and tells you everything you need to know about their lives both in and out of the spotlight.
Out in L.A.: The Red Hot Chili Peppers, 1983
by Hamish DuncanThe Red Hot Chili Peppers were going to be a one-time act for a friend's album release party. Forty years later the funk rock band is arguably one of the best known and the longest running in the United States. Everything that happened in 1983 set the course for the rest of the band's career. The scrappy band quickly rose to scene-wide fame, playing all over Los Angeles and gaining fans and media attention wherever they performed. Before the year was out, they had played approximately thirty shows, put together an early, beloved repertoire, recorded a blistering demo that secured them a recording contract with EMI/Enigma, and lost two of their founding members to a rival band.Out in L.A. is an attempt at finding out exactly what happened during that first year and exploring what it is that makes the Red Hot Chili Peppers so compelling and fresh, even as they continue on their musical journey today.
Out of Darkness: The Jeff Healey Story
by Cindy Watson<P>Short-listed for the 2011 Golden Oak Award <P>From the moment three-year-old Jeff Healey first laid a guitar across his lap in what was to become his signature style, it was clear he was no ordinary kid. <P>Losing both eyes to retinoblastoma, a rare form of cancer, opened a door to another world for Jeff, a newly adopted infant. <P>Out of darkness he created music, becoming one of the most influential blues-rock and jazz performers of our time, beginning with his first hit album, See the Light. <P> In this up-close and personal account, loaded with never-before-seen photographs, memorabilia, and intimate recollections of family, friends, and fellow musicians, we discover this unique music icon’s dynamic career, which saw him collaborate with everyone from George Harrison and Eric Clapton to B.B. King and Stevie Ray Vaughan. <P>From Jeff’s lonely start one snowy night at St. Joseph’s Hospital in Toronto to his untimely end in the same building, we come away with a potent message of empowerment and a renewed sense of hope.
Out of Sight: The Rise of African American Popular Music, 1889–1895 (American Made Music Series)
by Lynn Abbott Doug SeroffA landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers, Out of Sight examines musical personalities, issues, and events in context. It confronts the inescapable marketplace concessions musicians made to the period’s prevailing racist sentiment. It describes the worldwide travels of jubilee singing companies, the plight of the great Black prima donnas, and the evolution of “authentic” African American minstrels. Generously reproducing newspapers and photographs, Out of Sight puts a face on musical activity in the tightly knit Black communities of the day. Drawing on hard-to-access archival sources and song collections, the book is of crucial importance for understanding the roots of ragtime, blues, jazz, and gospel. Essential for comprehending the evolution and dissemination of African American popular music from 1900 to the present, Out of Sight paints a rich picture of musical variety, personalities, issues, and changes during the period that shaped American popular music and culture for the next hundred years.
Out of Sync: A Memoir
by Lance Bass Marc EliotAt sixteen, Lance Bass received a phone call from Justin Timberlake that would change his life forever. Soon after, he left his small-town home in Clinton, Mississippi, to join an emerging musical group called *NSYNC. Two years later *NSYNC was inspiring Beatles-esque mania around the world, becoming the face of the new MTV generation, and earning the all-time record for most album sales in a single day (more than one million) and in a single week for No Strings Attached. He's remained in the spotlight ever since, and here he talks in depth for the first time about his childhood, his astonishing experiences as a young man and Christian growing up in one of the biggest bands in the world, his shock and frustration at the band's eventual dissolution, and his subsequent career, including his four months in Russia, training to become a cosmonaut. He also frankly discusses life as a gay man -- his first same-sex relationship at twenty-one, his struggle to keep his sexuality hidden from *NSYNC's fans in case it jeopardized the band's success, and the true circumstances that led to his decision to publicly come out at the age of twenty-seven. Full of fascinating behind-the-scenes lore and revealing insights from a pop star who, until now, has been notoriously private, Out of Sync is the book that millions of fans have been waiting for.
Out of the Blue: Life on the Road with Muddy Waters (American Made Music Series)
by Brian BisesiOut of the Blue: Life on the Road with Muddy Waters begins with a moment lifted from a young musician’s dreams. Brian Bisesi, a guitarist barely out of his teens, is invited on stage to fill in for a missing member of the band backing blues legend Muddy Waters. This life-changing quirk of fate opens the door into a world of challenges and opportunities that Bisesi, an Italian American reared in the comforts of a New York City suburb, can barely imagine. Despite their differences, Bisesi and Waters hit it off, and what might have been a one-night stand turns into a career. From 1978 to 1980, Bisesi works for Waters as his road manager, bean-counter, and at times his confidant, while often sitting in with the band. Bisesi’s years with the band take him to Europe, Japan, Canada, and across the United States as Waters tours—and parties—with rock gods like Eric Clapton, the Rolling Stones, a Beatle, and the gamut of musicians who came of age with Waters and introduced a younger generation to the blues. In Out of the Blue, Bisesi captures it all: from the pranks and tensions among bluesmen enduring a hard life on the road, to observations about Waters’s technique, his love of champagne and reefer, his eye for women, and his sometimes-acrid views of contemporary music. Bisesi has sharp insights into the ill-conceived management decisions that led to the dissolution of Waters’s longest-serving band in June of 1980. This book will rivet, amuse, and occasionally infuriate blues aficionados. It is a raucous and intimate portrait of the blues scene at a pivotal moment in time that fascinates music historians and blues fans alike.