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Rhythms of Revolt: European Traditions And Memories Of Social Conflict In Oral Culture
by David Hopkin Éva Guillorel William G. PooleyThe culture of insurgents in early modern Europe was primarily an oral one; memories of social conflicts in the communities affected were passed on through oral forms such as songs and legends. This popular history continued to influence political choices and actions through and after the early modern period. The chapters in this book examine numerous examples from across Europe of how memories of revolt were perpetuated in oral cultures, and they analyse how traditions were used. From the German Peasants’ War of 1525 to the counter-revolutionary guerrillas of the 1790s, oral traditions can offer radically different interpretations of familiar events. This is a ‘history from below’, and a history from song, which challenges existing historiographies of early modern revolts.
Rhythms of the Afro-Atlantic World: Rituals and Remembrances
by Mamadou Diouf Ifeoma Kiddoe Nwanko"Collecting essays by fourteen expert contributors into a trans-oceanic celebration and critique, Mamadou Diouf and Ifeoma Kiddoe Nwankwo show how music, dance, and popular culture turn ways of remembering Africa into African ways of remembering. With a mix of Nuyorican, Cuban, Haitian, Kenyan, Senegalese, Trinidagonian, and Brazilian beats, Rhythms of the Afro-Atlantic World proves that the pleasures of poly-rhythm belong to the realm of the discursive as well as the sonic and the kinesthetic. " ---Joseph Roach, Sterling Professor of Theater, Yale University. "As necessary as it is brilliant, Rhythms of the Afro-Atlantic World dances across, beyond, and within the Black Atlantic Diaspora with the aplomb and skill befitting its editors and contributors. " ---Mark Anthony Neal, author of Soul Babies: Black Popular Culture and the Post-Soul Aesthetic. Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures. Rhythms of the Afro-Atlantic World distinguishes itself as a collection focusing on the circulation of cultural forms across the Atlantic world, tracing the paths trod by a range of music and dance forms within, across, or beyond the variety of locales that constitute the Atlantic world. The editors and contributors do so, however, without assuming that these paths have been either always in line with national, regional, or continental boundaries or always transnational, transgressive, and perfectly hybrid/syncretic. This collection seeks to reorient the discourse on cultural forms moving in the Atlantic world by being attentive to the specifics of the forms---their specific geneses, the specific uses to which they are put by their creators and consumers, and the specific ways in which they travel or churn in place. Mamadou Diouf is Leitner Family Professor of African Studies, Director of the Institute of African Studies, and Professor of History at Columbia University. Ifeoma Kiddoe Nwankwo is Associate Professor of English at Vanderbilt University. Jacket photograph by Elias Irizarry
Ribbons Are for Fearlessness: My Journey from Norway to Portugal beneath the Midnight Sun
by Catrina Davies"Read this book if you have ever loved and lost. . . . It will inspire you. ” --Monique Roffey, author of With the Kisses of His Mouth Fuzzy-haired, neurotic, cello-playing Catrina is devastated when her lover, Jack, leaves her to go surfing on the other side of the world. Trapped in a dead-end job and torn by his departure, Catrina dreams of running away. But how do you run away when you’re flat broke? Luckily, her friend Andrew comes up with a plan: they’ll get an old van, turn it into a camper, and busk their way from Norway to Portugal, via the midnight sun. Andrew is one of her oldest friends and they share many of the same passions and interests, including music. When Andrew is killed in a tragic accident, Catrina decides to go it alone, encountering one disaster after another. She sleeps in her van, gets lost, and struggles to find the confidence to play her cello in front of her growing audience, but meets complete strangers who offer her advice, encouragement, and support along the way. Her experiences on the road gradually teach her the real meaning of love, courage, and above all else, the importance of following her dreams. This is an unforgettable story of a journey like no other--a deeply emotional and inspirational debut by a unique storyteller.
Riccardo Muti: An Autobiography - First the Music, Then the Words
by Riccardo Muti"A vivid portrait of life at the top of a podium heap...[a] fascinating memoir - a must-read for all who would gain insights into what makes a dedicated and complicated man of music tick."--Chicago Tribune. From a small town in the south of Italy to the pinnacle of the classical music world, Riccardo Muti has enthralled audiences across the globe as conductor of the world's most prestigious orchestras and opera houses. Now, after fifty years on the podium, he reflects on an extraordinary career, working with the great artists of his generation. Here, for the first time, he shares the personal anecdotes and revelations of a remarkable life in music.
Rich Mullins: An Arrow Pointing to Heaven
by James Bryan SmithExperience Rich Mullins's Legacy of Joy and Real CompassionBeloved contemporary Christian musician Rich Mullins lived his life with abandon for God, leaving the spotlight to teach music among a Navajo community. An accident cut his life short in 1997, but his songs and ragamuffin spirit continue to teach many.Rich Mullins: An Arrow Pointing to HeavenSee the layers of his story through reflections from friends and family, an afterword by Rich's brother David Mullins, and Smith's own bond with him. And in remembrance, be inspired to enjoy God's world as Rich did.
Richard D’Oyly Carte (Music in Nineteenth-Century Britain)
by Paul SeeleyThe first biography of Richard D’Oyly Carte, this is a critical survey of the career of the impresario whose ambitions went beyond the famous partnership of Gilbert and Sullivan. Errors and misconceptions in current literature are challenged and corrected to give a truer portrayal of one of the most influential music theatre promoters in the nineteenth century.
Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band
by Stephen T. LewisFor the first time, the Band's legendary Richard Manuel&’s compositions and performances are analyzed with expert commentary while shining a light on his contributions to all of his bands—and on the undeniable impact he had on rock music. Richard Manuel was a fearless original. Sweetly soulful as a vocalist and endearingly creative as a songwriter and multi-instrumentalist, he was a vital part of some of rock &’n&’ roll&’s pivotal moments, including Bob Dylan&’s controversial move to electric music, Woodstock 1969, and the legendary Last Waltz. Through thoughtful research and analysis, this book places Manuel&’s troubled yet inspired spirit within a musical and historical context. For the first time, Manuel&’s compositions and performances are critiqued with expert commentary—alongside new interviews with family, friends, and fellow musicians, including Eric Clapton and Van Morrison. The story traces Manuel&’s journey from Stratford, Ontario, to Woodstock, New York, and beyond, beginning with his first band, the Revols, then singing the blues with Robbie Robertson, Levon Helm, Rick Danko, and Garth Hudson in the Hawks, the group that would later become the Band. Manuel&’s influence was profound, his distinctive vocals infusing songs with emotion and depth. His songwriting flourished in classics like &“Tears of Rage,&” cowritten with Dylan, and &“We Can Talk.&” His keyboard work added a lovable funkiness to the Band&’s sound, blending elements of rock, folk, country, and blues into what would become the genesis of Americana. Despite the Band&’s successes, Manuel struggled with personal demons, battling addiction and inner turmoil. Looking beyond his human frailty, this book celebrates Richard Manuel&’s immeasurable contributions to music, ensuring that memories of his voice and artistry endure.
Richard Rodgers
by Geoffrey BlockGeoffrey Block examines the entire range of Rodgers's work, providing rich details about the creation, staging, and critical reception of some of his most popular musicals.
Richard Strauss and His World
by Bryan GilliamStrongly influencing European musical life from the 1880s through the First World War and remaining highly productive into the 1940s, Richard Strauss enjoyed a remarkable career in a constantly changing artistic and political climate. This volume presents six original essays on Strauss's musical works--including tone poems, lieder, and operas--and brings together letters, memoirs, and criticism from various periods of the composer's life. Many of these materials appear in English for the first time. The memoirs range from early biographical sketches to Rudolf Hartmann's moving account of his last visit with Strauss shortly before the composer's death. Critical reviews include recently translated essays by Theodor Adorno, Guido Adler, Paul Bekker, and Julius Korngold.
Richard Strauss in Context (Composers in Context)
by Morten Kristiansen Joseph E. JonesRichard Strauss in Context offers a distinctive approach to the study of a composer in that it places the emphasis on contextualizing topics rather than on biography and artistic output. One might say that it inverts the relationship between composer and context. Rather than studies of Strauss's librettists that discuss the texts themselves and his musical settings, for instance, this book offers essays on the writers themselves: their biographical circumstances, styles, landmark works, and broader positions in literary history. Likewise, Strauss's contributions to the concert hall are positioned within the broader development of the orchestra and trends in programmatic music. In short, readers will benefit from an elaboration of material that is either absent from or treated only briefly in existing publications. Through this supplemental and broader contextual approach, this book serves as a valuable and unique resource for students, scholars, and a general readership.
Richard Wagner and His World (The Bard Music Festival #21)
by Thomas S. GreyRichard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tristan und Isolde as psychology and symbol; Wagner as his own stage director; his conflicted relationship with pianist-composer Franz Liszt; the anti-French satire Eine Kapitulation in the context of the Franco-Prussian War; and responses of Jewish writers and musicians to Wagner's anti-Semitism. In addition to the editor, the contributors are Karol Berger, Leon Botstein, Lydia Goehr, Kenneth Hamilton, Katherine Syer, and Christian Thorau. This book also includes translations of essays, reviews, and memoirs by champions and detractors of Wagner; glimpses into his domestic sphere in Tribschen and Bayreuth; and all of Wagner's program notes to his own works. Introductions and annotations are provided by the editor and David Breckbill, Mary A. Cicora, James Deaville, Annegret Fauser, Steven Huebner, David Trippett, and Nicholas Vazsonyi.
Richard Wagner und Russland
by Eckart KröplinWagner und Russland? Dieser Fragestellung, die in der deutschsprachigen Wagnerliteratur bislang als peripher angesehen wurde, geht Eckart Kröplin in seiner ausführlichen Kulturgeschichte nach, die auch so manche überraschende, bislang nicht bekannte Tatsachen vorstellt. Er beschreibt wesentliche biografische Momente wie Wagners Kapellmeistertätigkeit in Riga, sein Verhältnis zum russischen Revolutionär Bakunin, seine große Konzertreise 1863 nach Petersburg und Moskau, das Verhältnis russischer Musiker und Dichter zu dem deutschen Komponisten und dessen revolutionären ästhetischen Ideen und weiterhin auch die zeitweilige Dominanz Wagnerscher Opern im Repertoire der Opernhäuser und Konzertsäle des Landes oder seine herausragende Bedeutung für die Künstlerkreise des russischen Symbolismus und schließlich seine widerspruchsvolle Rezeption nach der Oktoberrevolution und unter der Stalinherrschaft. In Wagners Verhältnis zu Russland bzw. Russlands Verhältnis zu Wagner spiegelt sich ein facettenreiches Spannungsfeld europäischer Kulturgeschichte.
Richard Wagner y la música
by Thomas MannLa evolución de una pasión durante toda una vida: el arte de Richard Wagner según Thomas Mann. Thomas Mann reservó su entusiasmo y sabiduría de lector meticuloso para aquellos autores cuyas obras le hicieron soñar. Como figura central de este panteón de padrinos culturales se alza Richard Wagner, pasión fundamental del escritor y piedra de toque de algunas de sus novelas. Este libro ofrece una visión plural y cambiante del compositor, a quien Mann admiró sobre todo por haber sabido trascender las limitaciones específicas de su campo y aspirar a la universalidad. «Realmente, no es difícil advertir un hálito del espíritu que anima El anillo de los Nibelungos en mis Buddenbrook, en esa procesión épica de generaciones unidas y entrelazadas gracias a un conjunto de motivos centrales.»Thomas Mann
Richard Wagner: A Life in Music
by Martin Geck“[An] intriguing exploration of the composer’s life and thought as exemplified by his music. An excellent biography.” —Library JournalBest known for the four-opera cycle The Ring of the Nibelung, Richard Wagner (1813–83) was a conductor, librettist, theater director, and essayist, in addition to being the composer of some of the most enduring operatic works in history. Though his influence on the development of European music is indisputable, Wagner was also quite outspoken on the politics and culture of his time. His ideas traveled beyond musical circles into philosophy, literature, theater staging, and the visual arts. To befit such a dynamic figure, acclaimed biographer Martin Geck offers here a Wagner biography unlike any other, one that strikes a unique balance between the technical musical aspects of Wagner’s compositions and his overarching understanding of aesthetics. A landmark study of one of music’s most important figures“People who would like to know more about Wagner, and people who have loved his music for years . . . will find a great deal in this book to enjoy and to admire.” —Tablet“Geck describes a Wagner who is grounded, focused and even cautious, a savvy realist and ironist rather than a flamboyant, flailing ideologue . . . Suffused with his readings of contemporary productions of the operas, Geck’s musical analyses are succinct and superb” —New York Times“As an editor of Wagner’s Complete Works, Geck brings a deep familiarity with the composer to his task.” —Weekly Standard“A thoroughly approachable yet consistently provocative study.” —Thomas S. Grey, editor of The Cambridge Companion to Wagner
Richard Wagner: A Research and Information Guide (Routledge Music Bibliographies)
by Michael SaffleRichard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
Richard's story
by Fernanda Silva Rando John MileRichard's story é um musical para ler inspirado nas canções dos Beatles e conta, numa sucessão de experiências e emoções, a vida do jovem Richard. De “Twist and shout” e ”Please, please me”, passando por “All my loving”, “A hard day’s night”, “I want hold your hand”, chegando a “Help!”, “Yesterday”, “Drive my car”, a história de Richard se desenvolve com “Day tripper”, “Love you to”, “A day in the life”. A viagem continua com “Magical Mistery tour”, “Hello, goodbye” e “Lucy in the sky with diamond”. Momentos felizes descritos por “Obladì, obladà” se alternam com momentos tristes, “Happiness is a warm gun”; o amor fascinante com “Julia” e perturbador com “Oh! Darling” se contrapõe ao desespero em “I’m so tired”; o desejo juvenil de revolta em “Revolution”, contrapõe-se à consciência do amadurecimento e à nostalgia dos tempos passados com “Penny Lane”. Todas as canções dos Beatles são fontes de inspiração para contar, por meio de Richard, as primeiras experiências com as garotas, as primeiras desilusões, a amizade, os primeiros problemas com os pais, a descoberta da alegria, a experiência com a droga, o medo de ficar sozinho, a busca por ajuda e, naturalmente, a descoberta do amor, em todas as suas formas e nuances. Imaginem ser levados em um vórtice de felicidade, dançando o twist. Imaginem ser arrebatados pela paixão do primeiro amor. Imaginem fugir de casa e descobrir lugares novos e conhecer amigos novos. Imaginem fazer uma fantástica viagem com o Magical Mistery Tour em pleno anos 60.
Rickenbacker Guitars: The definitive history of a 20th-century icon
by Martin Kelly Paul KellyA STUNNING NEW AND COMPLETELY REVISED EDITION OF THE RICKENBACKER BIBLE FOR 2023'Knowing Martin and Paul Kelly's perfectionism and attention to detail it's no surprise that this is the ultimate and complete story of all things Rickenbacker.' - Johnny Marr'A wonderful history of my favourite guitar. The attention to detail is amazing!' - Roger McGuinn'There are few things more satisfying than the shimmer of an open chord played on a Rickenbacker through a Fender Deluxe Reverb amplifier. Martin and Paul have given us the definitive history of these magical instruments.' - Susanna HoffsRickenbacker Guitars is the highly anticipated follow up to Fender: The Golden Age, charting the story of one of the most important and influential guitar makers of all time. From George Beauchamp's invention of the world's first commercially viable electric guitar in 1931, through the company's heyday during the 1960s - when their instruments were favoured by The Beatles, The Byrds and The Who - and up to the continuing legacy of Rickenbacker today.This definitive collection features unprecedented access to the company archives, 350 beautifully photographed original instruments - including all 7 surviving Beatles owned Rickenbackers - and new interviews with legendary Rickenbacker players such as Roger McGuinn, Peter Buck, Susanna Hoffs, Johnny Marr, Mike Campbell, Geddy Lee and Paul Weller.Rickenbacker Guitars is the most comprehensive history of the brand to date and a must-have for all guitar enthusiasts.
Rickenbacker Guitars: The definitive history of a 20th-century icon
by Martin Kelly Paul KellyA STUNNING NEW AND COMPLETELY REVISED EDITION OF THE RICKENBACKER BIBLE FOR 2023'Knowing Martin and Paul Kelly's perfectionism and attention to detail it's no surprise that this is the ultimate and complete story of all things Rickenbacker.' - Johnny Marr'A wonderful history of my favourite guitar. The attention to detail is amazing!' - Roger McGuinn'There are few things more satisfying than the shimmer of an open chord played on a Rickenbacker through a Fender Deluxe Reverb amplifier. Martin and Paul have given us the definitive history of these magical instruments.' - Susanna HoffsRickenbacker Guitars is the highly anticipated follow up to Fender: The Golden Age, charting the story of one of the most important and influential guitar makers of all time. From George Beauchamp's invention of the world's first commercially viable electric guitar in 1931, through the company's heyday during the 1960s - when their instruments were favoured by The Beatles, The Byrds and The Who - and up to the continuing legacy of Rickenbacker today.This definitive collection features unprecedented access to the company archives, 350 beautifully photographed original instruments - including all 7 surviving Beatles owned Rickenbackers - and new interviews with legendary Rickenbacker players such as Roger McGuinn, Peter Buck, Susanna Hoffs, Johnny Marr, Mike Campbell, Geddy Lee and Paul Weller.Rickenbacker Guitars is the most comprehensive history of the brand to date and a must-have for all guitar enthusiasts.
Ricky Martin: An Unauthorized Biography
by Elina FurmanSmart, sexy, and soulful, Ricky Martin is more than a pop star. He's an accomplished actor and Grammy-award-winning singer who takes himself and his music seriously. Immensely talented, he started out young, acting in commercials at the age of six, and eventually joined the hugely successful singing group Menudo. In 1994 he joined the cast of the highly rated soap opera General Hospital and later landed the lead role in the smash Broadway musical Les Miserables, two career moves which would launch him into world-wide superstardom. From there, Ricky wanted to return to his first love, singing--and he did it with a bang, creating two multi-platinum solo albums, which won him a Grammy for Best Latin Pop Performance.What's next for this gifted heartthrob? With show-stopping good looks, talent to spare, and ambition to burn, the sky seems to be the limit. Find out about the man behind the image...discover what this cute crooner has said about his success, love, and music...learn about the real Ricky Martin--you'll be glad you did!
Ride or Die: A Feminist Manifesto for the Well-Being of Black Women
by Shanita HubbardCultural criticism and pop culture history intertwine in this important book, which dissects how hip hop has sidelined Black women's identity and emotional well-being. A &“ride-or-die chick&” is a woman who holds down her family and community. She&’s your girl that you can call up in the middle of the night to bail you out of jail, and you know she&’ll show up and won&’t ask any questions. Her ride-or-die trope becomes a problem when she does it indiscriminately. She does anything for her family, friends, and significant other, even at the cost of her own well-being. &“No&” is not in her vocabulary. Her self-worth is connected to how much labor she can provide for others. She goes above and beyond for everyone in every aspect of her life—work, family, church, even if it&’s not reciprocated, and doesn&’t require it to be because she&’s a &“strong Black woman&” and everyone&’s favorite ride-or-die chick. To her, love should be earned, and there&’s no limit to what she&’ll do for it. In this book, author, adjunct professor of sociology, and former therapist Shanita Hubbard disrupts the ride-or-die complex and argues that this way of life has left Black women exhausted, overworked, overlooked, and feeling depleted. She suggests that Black women are susceptible to this mentality because it&’s normalized in our culture. It rings loud in your favorite hip-hop songs, and it even shows up in the most important relationship you will ever have—the one with yourself. Compassionate, candid, hard-hitting, and 100 percent unapologetic, Ride or Die melds Hubbard&’s entertaining conversations with her Black girlfriends and her personal experiences as a redeemed ride-or-die chick and a former &“captain of the build-a-brother team&” to fervently dismantle cultural norms that require Black women to take care of everyone but themselves. Ride or Die urges you to expel the myth that your self-worth is connected to how much labor you provide others and guides you toward healing. Using hip hop as a backdrop to explore norms that are harmful to Black women, Hubbard shows the ways you may be unknowingly perpetuating this harm within your relationships. This book is an urgent call for you to pull the plug on the ride-or-die chick.
Riding on Duke's Train
by Mick Carlon"Duke used to say that the individual sound of a musician revealed his soul. Mick Carlon is a 'soul' storyteller."--Nat Hentoff, author of Jazz Country "A ripping good yarn. . . . Plunges the reader into the world of Duke Ellington and the America of 1939."--Brian Morton, author of The Penguin Guide to Jazz "Wonderfully convincing and authentic characterizations. . . . A thoroughly enjoyable read."--Dan Morgenstern, author of Living with Jazz "We encounter not only Duke's genius, but his character and humanity. This is one train you won't want to get off!"--Dick Golden, radio host "When this marvelously evocative novel finds a home in the school curriculum, kids across America will be downloading Duke."--Jack Bradley "Excellent command of voice, period, and ethnic dialect . . . clear love and in-depth knowledge of Ellington and his band."--Alexandria LaFaye, author of The Keening Nine-year-old Danny stows away on Duke Ellington's train one Georgia night. Through Danny's eyes, we meet some of America's finest musicians as he accompanies them on their 1939 European tour, when the train was briefly held in Germany. Says Nat Hentoff, "I knew Duke Ellington for twenty-five years. The Ellington in this book is the man I knew." Mick Carlon is a twenty-seven-year veteran English/journalism high- and middle-school teacher. A lifelong jazz fan, he regularly plays jazz in his classroom and has turned hundreds of students into jazz fans. He says, "If young people are simply exposed to the music and stories of these American artists, they will make a friend for life."
Rifftide: The Life and Opinions of Papa Jo Jones
by Papa Jo JonesFinalist for Best Jazz Book of the Year Award from the Jazz Journalists AssociationThe things that I have, I&’ll give to you. This is my legacy with you, Albert. This is my last hoo-rah. So begins the autobiography of Jonathan David Samuel Jones—or as the world better knows him, Papa Jo Jones. Playing with Count Basie and his orchestra when they exploded out of Kansas City in 1936 and took the world by storm, Jones went on to inspire generations of jazz drummers, but until now few have had access to his own remarkable story.Rifftide presents Jones&’s inimitable life and opinions, as originally told by Jones to the prominent jazz historian and novelist Albert Murray and now transcribed, arranged, and introduced by Paul Devlin. Drawn from fourteen tapes recorded over eight years beginning in 1977, Rifftide is an impressionistic series of riffs and tales by Jones: his life as a musician on the road in segregated America, his outstanding solo career following his years with the Basie band, and his interactions with iconic artists and cultural figures of the time, including Ralph Ellison, James Baldwin, Langston Hughes, Duke Ellington, Louis Armstrong, Bill &“Bojangles&” Robinson, and Satchell Paige.A true American original and jazz luminary, Papa Jo Jones bedazzled and intrigued many with his outrageous, volatile personality and his innovative drumming—and nowhere does his fierce intellect and humor shine more marvelously than in his life&’s telling. With a fascinating introduction and annotations by Paul Devlin and an afterword by Phil Schaap, jazz historian and longtime friend of Jones, Rifftide reveals a man at the forefront of both a whole new form of music and a country in the midst of incredible turmoil and opportunity. As Jones himself puts it: Listen man, I&’ve had a hell of a time . . .
Right Place, Right Time: The Life of a Rock & Roll Photographer
by Bob Gruen“Gruen chronicles his adventures as one of the preeminent photographers of rock and roll in his spectacular memoir . . . a roller-coaster narrative” (Publishers Weekly, starred review). Bob Gruen is one of the most well-known and respected photographers in rock and roll. From John Lennon to Johnny Rotten; Muddy Waters to the Rolling Stones; Elvis to Madonna; Bob Dylan to Bob Marley; Tina Turner to Debbie Harry, he has documented the music scene for more than fifty years in photographs that have captured the world’s attention. In Right Place, Right Time, Gruen recounts his personal journey from discovering a love of photography in his mother’s darkroom when he was five, through his time in Greenwich Village for 1960s rock and 1970s punk, to being named the world’s premiere rock photographer by the New York Times. With fast-paced stories and iconic images, Gruen gives the reader both a front row seat and a backstage pass to the evolution of American music culture over the last five decades. In the words of Alice Cooper, “Bob had the ultimate backstage pass. Can you imagine the stories he’s got?”
Right To Rock: The Black Rock Coalition and the Cultural Politics of Race
by Maureen MahonThe original architects of rock 'n' roll were black musicians including Little Richard, Etta James, and Chuck Berry. Jimi Hendrix electrified rock with his explosive guitar in the late 1960s. Yet by the 1980s, rock music produced by African Americans no longer seemed to be "authentically black. " Particularly within the music industry, the prevailing view was that no one--not black audiences, not white audiences, and not black musicians--had an interest in black rock. In 1985 New York-based black musicians and writers formed the Black Rock Coalition (brc) to challenge that notion and create outlets for black rock music. A second branch of the coalition started in Los Angeles in 1989. Under the auspices of the brc, musicians organized performances and produced recordings and radio and television shows featuring black rock. The first book to focus on the brc, Right to Rock is, like the coalition itself, about the connections between race and music, identity and authenticity, art and politics, and power and change. Maureen Mahon observed and participated in brc activities in New York and Los Angeles, and she conducted interviews with more than two dozen brc members. In Right to Rock she offers an in-depth account of how, for nearly twenty years, members of the brc have broadened understandings of black identity and black culture through rock music.
Right to the Juke Joint: A Personal History of American Music (Music in American Life)
by Patrick B MullenThe cowboy songs and dusty Texas car rides of his youth set Patrick B. Mullen on a lifelong journey into the sprawling Arcadia of American music. That music fused so-called civilized elements with native forms to produce everything from Zydeco to Conjunto to jazz to Woody Guthrie. <P><P>The civilized/native idea, meanwhile, helped develop Mullen's critical perspective, guide his love of music, and steer his life's work. Part scholar's musings and part fan's memoir, Right to the Juke Joint follows Mullen from his early embrace of country and folk to the full flowering of an idiosyncratic, omnivorous interest in music. Personal memory merges with a lifetime of fieldwork in folklore and anthropology to provide readers with a deeply informed analysis of American roots music. <P>Mullen opens up on the world of ideas and his own tireless fandom to explore how his cultural identity--and ours--relates to concepts like authenticity and "folkness." The result is a charming musical map drawn by a gifted storyteller whose boots have traveled a thousand tuneful roads.