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Rose Faces the Music (Magic Attic Club)
by L. E. WilliamsOn another adventure through the mirror in the magic attic, Rose finds herself chosen to play a saxophone solo in a jazz performance at the presidential inaugural celebration.
Rosie and the Dance of the Dinosaurs
by Betty Ren WrightThe big piano recital is coming up soon, and Rosie feels anything but ready—&“captures the down-to-earth rhythms of suburban life, spiced with humor&” (Kirkus Reviews). Even though Rosie has only nine fingers, she&’s always managed well. Until now. For some reason, she can&’t master the piano solo she&’s been rehearsing for the annual recital. It&’s called &“The Dance of the Dinosaurs,&” and it&’s hard! As the recital draws near, Rosie is desperate. Why does everything seem so much more difficult now? Is it because she misses her father? Since he moved to Milwaukee to take a new job, Rosie&’s been miserable, and her mother has been acting kind of strange. Or is Rosie having trouble because she&’s worried about the burglar who&’s been secretly visiting her house? Then, too, there&’s Mary Jean, the new girl in town. Not only is she rich and pretty, but she plays the piano beautifully. In the weeks before the recital, Rosie fights some hard battles. To her surprise, she discovers that having nine fingers isn&’t such a bad thing after all.
Rotten: No Irish, No Blacks, No Dogs
by Keith Zimmerman Kent Zimmerman John Lydon"I have no time for lies and fantasy, and neither should you. Enjoy or die..." --John LydonPunk has been romanticized and embalmed in various media. An English class revolt that became a worldwide fashion statement, punk's idols were the Sex Pistols, and its sneering hero was Johnny Rotten.Seventeen years later, John Lydon looks back at himself, the Sex Pistols, and the "no future" disaffection of the time. Much more than just a music book, Rotten is an oral history of punk: angry, witty, honest, poignant, crackling with energy. Malcolm McLaren, Sid Vicious, Chrissie Hynde, Billy Idol, London and England in the late 1970s, the Pistols' creation and collapse...all are here, in perhaps the best book ever written about music and youth culture, by one of its most notorious figures.
Rough Ideas: Reflections on Music and More
by Stephen HoughA collection of essays on music and life by the famed classical pianist and composerStephen Hough is one of the world’s leading pianists, winning global acclaim and numerous awards, both for his concerts and his recordings. He is also a writer, composer, and painter, and has been described by The Economist as one of “Twenty Living Polymaths.”Hough writes informally and engagingly about music and the life of a musician, from the broader aspects of what it is to walk out onto a stage or to make a recording, to specialist tips from deep inside the practice room: how to trill, how to pedal, how to practice. He also writes vividly about people he’s known, places he’s traveled to, books he’s read, paintings he’s seen; and he touches on more controversial subjects, such as assisted suicide and abortion. Even religion is there—the possibility of the existence of God, problems with some biblical texts, and the challenges involved in being a gay Catholic.Rough Ideas is an illuminating, constantly surprising introduction to the life and mind of one of our great cultural figures.
Rounding Wagner's Mountain
by Bryan GilliamRichard Strauss' fifteen operas, which span the years 1893 to 1941, make up the largest German operatic legacy since Wagner's operas of the nineteenth century. Many of Strauss's works were based on texts by Europe's finest writers: Oscar Wilde, Hugo von Hofmannsthal and Stefan Zweig, among others, and they also overlap some of the most important and tumultuous stretches of German history, such as the founding and demise of a German empire, the rise and fall of the Weimar Republic, the period of National Socialism, and the post-war years, which saw a divided East and West Germany. In the first book to discuss all Strauss's operas, Bryan Gilliam sets each work in its historical, aesthetic, philosophical, and literary context to reveal what made the composer's legacy unique. Addressing Wagner's cultural influence upon this legacy, Gilliam also offers new insights into the thematic and harmonic features that recur in Strauss's compositions.
Rousseau Among the Moderns: Music, Aesthetics, Politics
by Julia SimonRenowned for his influence as a political philosopher, a writer, and an autobiographer, Jean-Jacques Rousseau is known also for his lifelong interest in music. He composed operas and other musical pieces, invented a system of numbered musical notation, engaged in public debates about music, and wrote at length about musical theory. Critical analysis of Rousseau’s work in music has been principally the domain of musicologists, rarely involving the work of scholars of political theory or literary studies. In Rousseau Among the Moderns, Julia Simon puts forth fresh interpretations of The Social Contract, the Discourse on the Origin of Inequality, and the Confessions, as well as other texts. She links Rousseau’s understanding of key concepts in music, such as tuning, harmony, melody, and form, to the crucial problem of the individual’s relationship to the social order. The choice of music as the privileged aesthetic object enables Rousseau to gain insight into the role of the aesthetic realm in relation to the social and political body in ways often associated with later thinkers. Simon argues that much of Rousseau’s “modernism” resides in the unique role that he assigns to music in forging communal relations.
Rousseau Among the Moderns: Music, Aesthetics, Politics
by Julia SimonRenowned for his influence as a political philosopher, a writer, and an autobiographer, Jean-Jacques Rousseau is known also for his lifelong interest in music. He composed operas and other musical pieces, invented a system of numbered musical notation, engaged in public debates about music, and wrote at length about musical theory. Critical analysis of Rousseau’s work in music has been principally the domain of musicologists, rarely involving the work of scholars of political theory or literary studies. In Rousseau Among the Moderns, Julia Simon puts forth fresh interpretations of The Social Contract, the Discourse on the Origin of Inequality, and the Confessions, as well as other texts. She links Rousseau’s understanding of key concepts in music, such as tuning, harmony, melody, and form, to the crucial problem of the individual’s relationship to the social order. The choice of music as the privileged aesthetic object enables Rousseau to gain insight into the role of the aesthetic realm in relation to the social and political body in ways often associated with later thinkers. Simon argues that much of Rousseau’s “modernism” resides in the unique role that he assigns to music in forging communal relations.
Route 19 Revisited: The Clash and London Calling
by Marcus GrayTwenty-eight years after its original release, The Clash's London Calling was inducted into the Grammy Hall of Fame as a "recording of lasting qualitative or historical significance." It topped polls on both sides of the Atlantic for the best album of the seventies (and eighties) and in publications as wide-ranging as Rolling Stone, VIBE, Pitchfork, and NME, and it regularly hits the top ten on greatest-albums-of-all-time-lists. Even its cover-the instantly recognizable image of Paul Simonon smashing his bass guitar-has attained iconic status, inspiring countless imitations and even being voted the best rock 'n' roll photograph ever by Q magazine.Now the breakthrough album from the foremost band of the punk era gets the close critical eye it deserves. Marcus Gray examines London Calling from every vantage imaginable, from the recording sessions and the state of the world it was recorded in to the album's long afterlife, bringing new levels of understanding to one of punk rock's greatest achievements. Leaving no detail unexplored, he provides a song-by-song breakdown covering when each was written and where, what inspired each song, and what in turn each song inspired, making this book a must-read for Clash fans.
Routledge Guide to Broadway
by Ken BloomThe Routledge Guide to Broadway is the second title in our new student reference series. It will introduce the student to the Broadway theater, focusing on key performers, writers, directors, plays, and musicals, along with the theaters themselves, key awards, and the folklore of Broadway.Broadway is the center of American theater, where all the great plays and musicals make their mark. Students across the country in theater history, performance, and direction/production look to Broadway for their inspiration. While there are illustrated coffee table type books on Broadway, there are few that offer a comprehensive look at the key figures and productions of the last two centuries. The Routledge Guide to Broadway offers this information in an easy-to-use, inexpensive format that will appeal to students, professors, and theatrical professionals.
Routledge Handbook of Asian Music: Cultural Intersections
by Lee Tong SoonThe Routledge Handbook of Asian Music: Cultural Intersections introduces Asian music as a way to ask questions about what happens when cultures converge and how readers may evaluate cultural junctures through expressive forms. The volume’s thirteen original chapters cover musical practices in historical and modern contexts from Central Asia, East Asia, South Asia, and Southeast Asia, including art music traditions, folk music and composition, religious and ritual music, as well as popular music. These chapters showcase the diversity of Asian music, requiring readers to constantly reconsider their understanding of this vibrant and complex area. The book is divided into three sections: Locating meanings Boundaries and difference Cultural flows Contributors to the book offer a multidisciplinary portfolio of methods, ranging from archival research and field ethnography to biographical studies and music analysis. In addition to rich illustrations, numerous samples of notation and sheet music are featured as insightful study resources. Readers are invited to study individuals, music-makers, listeners, and viewers to learn about their concerns, their musical choices, and their lives through a combination of humanistic and social-scientific approaches. Demonstrating how transformative cultural differences can become in intercultural encounters, this book will appeal to students and scholars of musicology, ethnomusicology, and anthropology.
Routledge Handbook to Luigi Nono and Musical Thought (Routledge Music Handbooks)
by Jonathan ImpettOf the post-war, post-serialist generation of European composers, it was Luigi Nono who succeeded not only in identifying and addressing aesthetic and technical questions of his time, but in showing a way ahead to a new condition of music in the twenty-first century. His music has found a listenership beyond the ageing constituency of ‘contemporary music’. In Nono’s work, the audiences of sound art, improvisation, electronic, experimental and radical musics of many kinds find common cause with those concerned with the renewal of Western art music. His work explores the individually and socially transformative role of music; its relationship with history and with language; the nature of the musical work as distributed through text, time, technology and individuals; the nature and performativity of the act of composition; and, above all, the role and nature of listening as a cultural activity. In many respects his music anticipates the new technological state of culture of the twenty-first century while radically reconnecting with our past. His work is itself a case study in the evolution of musical activity and the musical object: from the period of an apparently stable place for art music in Western culture to its manifold new states in our century. Routledge Handbook to Luigi Nono and Musical Thought seeks to trace the evolution of Nono’s musical thought through detailed examination of the vast body of sketches, and to situate this narrative in its personal, cultural and political contexts.
Routledge Revivals (1989): The Ameurunculus Letters
by Michael PhillipsonFirst published in 1988, this book attempts to tackle the problem of how to write about art, culture, and the issues of postmodernism in a style appropriate to what is being claimed. The letters are written on art’s behalf to a range of institutions and individuals, and have as their recurring concern the relation between art, culture and representation — both art as representation and how art is represented to, and for, the surrounding culture. They explore the context and viability of art through a range of themes, including writing, the aestheticisation of everyday life, style, design pleasure, fragmentation, hyphenation, technology, and the museum — drawing on materials from the visual arts, music, literature, post-structuralism, contemporary criticism, philosophy, and sociology.
Routledge Revivals: Painting, Language and Modernity (1985)
by Michael PhillipsonFirst published in 1985, this book draws together the author’s artistic with analytical practices which had been developed over many years of sociological enquiry. It interprets a ‘work of art’ as a site on which a viewer or critic is invited to share in questioning celebration of the painting itself. The author reassesses modern painting’s relation to its own origins and to tradition in light of the emergence of ‘postmodern’ practice — exploring its engagement of fundamental questions about language and being. Also assessed is the relevance of the metaphors of writings and Reading to an understanding of painting and viewing practices — looking at painters’ writings as well as phenomenological and post-structuralist writers.
Routledge Revivals: Volume III: National Fictions (Routledge Revivals: History Workshop Series)
by Raphael SamuelFirst published in 1989, this is the third of three volumes exploring the changing notions of patriotism in British life from the thirteenth century to the late twentieth century and constitutes an attempt to come to terms with the power of the national idea through a historically informed critique. This volume studies some of the leading figures of national myth, such as Britannia and John Bull. One group of essays looks at the idea of distinctively national landscape and the ways in which it corresponds to notions of social order. A chapter on the poetry of Edmund Spenser explores metaphorical representations of Britain as a walled garden, and the idea of an enchanted national space is taken up in a series of essays on literature, theatre and cinema. An introductory piece charts some of the startling changes in the image of national character, from the seventeenth-century notion of the English as the most melancholy people in Europe, to the more uncertain and conflicting images of today.
Row, Row, Row Your Boat
by Jane CabreraJane Cabrera's signature bold hues and lively animal characters are a delight in this version of the well-loved children's song, with new lyrics that encourage young readers to sing along.
Row, Row, Row Your Boat (Jane Cabrera's Story Time)
by Jane CabreraRead, row, and roar along - a newly imagined favorite will have everyone singing.In this vibrantly-painted rain forest, squeak, bark, and chatter along with a kitten and puppy rowing their way down the stream. Uncover one delightful animal surprise after another. Sheet music with guitar chords, along with Cabrera's jaunty new verses, is included.Jane Cabrera's Story Time celebrates children's best-loved read along nursery rhymes and songs. These interactive favorites are given a new twist by award-winning artist Jane Cabrera and feature her bold, bright, kid-friendly illustrations. Don't miss the other delightful nursery-rhyme titles, including Here We Go Round the Mulberry Bush, If You're Happy and You Know It, and One, Two, Buckle My Shoe.
Roy Acuff: The Smoky Mountain Boy
by Elizabeth Schlappi"An important and especially fitting tribute." -Country Music Magazine"One of the best studies of a country music personality that has been issued to date." -The Journal of Country Music"Must reading for fans, scholars, or anyone who has more than a passing interest in Roy Acuff." -The Nashville Banner"When a king dies, the people of the land proclaim, 'The King is dead! Long live the King!' However, in this case, there is an empty throne, for there will never be another King." -Elizabeth SchlappiAcuff was the first living performer to be inducted into the Country Music Hall of Fame. He was an artist whose devotion to his work boosted not only his own career, but also the credibility and popularity of his field. This country music legend helped bring the fledgling industry and its capital, The Grand Ole Opry, from the classification of regional entertainment to a certified national institution.His career began back in 1938, when this son of a small-town Baptist preacher made his first appearance on the famed stage in Nashville. This first step toward stardom transformed his life. Roy Acuff: The Smoky Mountain Boy draws upon personal interviews with Acuff's contemporaries, friends, and family as well as Acuff himself. This combination honors Acuff by tracing the roots of his career through the evolution of his musical style and his distinctive American art form. He died on November 23, 1992
Roy Cape: A Life on the Calypso and Soca Bandstand
by Jocelyne Guilbault Roy CapeRoy Cape is a Trinidadian saxophonist active as a band musician for more than fifty years and as a bandleader for more than thirty. He is known throughout the islands and the Caribbean diasporas in North America and Europe. Part ethnography, part biography, and part Caribbean music history, Roy Cape is about the making of reputation and circulation, and about the meaning of labor and work ethics. An experiment in storytelling, it joins Roy's voice with that of ethnomusicologist Jocelyne Guilbault. The idea for the book emerged from an exchange they had while discussing Roy's journey as a performer and bandleader. In conversation, they began experimenting with voice, with who takes the lead, who says what, when, to whom, and why. Their book reflects that dynamic, combining first-person narrative, dialogue, and the polyphony of Roy's bandmates' voices. Listening to recordings and looking at old photographs elicited more recollections, which allowed Roy to expand on recurring themes and motifs. This congenial, candid book offers different ways of knowing Roy's labor of love--his sound and work through sound, his reputation and circulation as a renowned musician and bandleader in the world.
Royal Albert Hall: A celebration in 150 unforgettable moments
by Royal Albert HallThe most iconic concert hall in the world celebrates 150 years with a stunning review of history's finest performances and performers. Opening with a personal letter from Queen Elizabeth II, this beautiful book celebrates 150 moments that have shaped The Royal Albert Hall over the last century and a half. From The Beatles to the Suffragettes, Albert Einstein to Winston Churchill, Mohammed Ali to B.B. King, few other buildings have housed such a stunning variety of era-defining people and events.This gorgeous, illustrated guide takes you behind the scenes of one of the most well-loved concert halls in the world, offering insights into the building’s iconic architecture, as well as its lesser-known quirks such as the reinforced toilets designed for Sumo wrestlers. This book features events ranging from the world's first sci-fi convention in 1891 to the annual Cirque du Soleil, which requires the auditorium to be transformed into a gymnasium. Autographs and candid comments from incredible performers who have appeared on its stage, like Russell Howard, Eric Clapton and Katie Derham, give a unique insider’s perspective on an esteemed and beloved British institution. With never-before-seen images, insights and more, this is the ultimate celebration of a British architectural icon which continues to inspire artists and audiences from around the world.
Royally Lost
by Angie StantonPerfect for fans of Sarah Dessen, Susane Colasanti, and Jenny Han, Angie Stanton's brand-new romance asks the question, What would it be like to fall in love with a prince?Dragged on a family trip to Europe, Becca wants nothing more than to go home. Trapped with her emotionally distant father, overeager stepmother, and a brother who only wants to hook up with European hotties, Becca is miserable. Until she meets Nikolai.Nikolai has everything--he's a crown prince, heir to the throne, and girls adore him. But the one thing he doesn't have is freedom . . . so he flees his kingdom and goes on his own European trip.And when Nikolai and Becca meet, sparks fly. But Becca's family vacation ends in a matter of days. Will Nikolai and Becca be forced to say good-bye, or will they change history forever?
Royally Lost
by Angie StantonPerfect for fans of Sarah Dessen, Susane Colasanti, and Jenny Han, Angie Stanton's brand-new romance asks the question, What would it be like to fall in love with a prince?Dragged on a family trip to Europe, Becca wants nothing more than to go home. Trapped with her emotionally distant father, overeager stepmother, and a brother who only wants to hook up with European hotties, Becca is miserable. Until she meets Nikolai.Nikolai has everything--he's a crown prince, heir to the throne, and girls adore him. But the one thing he doesn't have is freedom . . . so he flees his kingdom and goes on his own European trip.And when Nikolai and Becca meet, sparks fly. But Becca's family vacation ends in a matter of days. Will Nikolai and Becca be forced to say good-bye, or will they change history forever?
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950
by Abby AndertonAs the seat of Hitler’s government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war’s end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950
by Abby AndertonThis musicologist&’s exploration of classical music culture in post-WWII Berlin evokes the power of music in the face of trauma and tragedy.As the seat of Hitler's government, Berlin was the most frequently targeted German city for Allied bombing during World War II. Air raids shelled celebrated monuments and reduced much of the city to rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity.In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.
Ruby Tuesday
by Jennifer Anne KoglerRuby Tuesday's life just got a little bit crazier. When a murder in the family exposes some unexpected secrets, Ruby Tuesday has to leave her parents' O.C. beach house for a life-or-death road trip to Vegas. Her mom's closest friends are rock stars and her father is a professional gambler, but neither of them has prepared Ruby Tuesday for what's waiting in Nevada. Ruby needs a crash course, and she's about to get one, straight from the queen of hearts.
Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power
by Larisa Kingston MannIn this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann shows, goes beyond cultural concerns.Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization.