- Table View
- List View
Rock the Waves (Disney's Hannah Montana)
by Suzanne Harper"The Surf Series" is coming to Malibu, and that means boards, boys, and summer concerts. For Hannah it also means a summer of drama and romance, in this all-new, original novel based on the top-rated Disney series "Hannah Montana".
Rock'n America: A Social And Cultural History
by Deena WeinsteinWhat is rock? This book offers a new and systematic approach to understanding rock by applying sociological concepts in a historical context. Deena Weinstein, a rock critic, journalist, and academic, starts by outlining an original approach to understanding rock, explaining how the form has developed through a complex and ever-changing set of relations between artists, fans, and mediators. She then traces the history of rock in America through its distinctive eras, from rock's precursors to rock in the digital age. The book includes suggested listening lists to accompany each chapter, a detailed filmography of movies about rock, and a wide range of visuals and fascinating anecdotes. Never separating rock music from the social, political, economic, and cultural changes in America's history, Rock'n America provides a comprehensive overview of the genre and a new way of appreciating its place in American society.
Rock'n'Roll (Ready, Freddy! 2nd Grade #8)
by Abby Klein John MckinleyFreddy's favorite band is having a contest -- make a video of their new song and win tickets and backstage passes to the concert! There's going to be so much competition, though. Freddy definitely needs help from his friends, and maybe even ... his sister?
Rock-and-Roll Woman: The 50 Fiercest Female Rockers
by Meredith Ochs&“A must for rock and roll and women's studies enthusiasts.—Library Journal Celebrate the women who rock, with this fully illustrated tribute to 50 iconic female musicians and bands. Award-winning radio personality Meredith Ochs takes an insightful look at 50 rock icons who indelibly shook up the music scene, whether solo or in a band. Profiling women from the 1950s to today, and from multiple genres, Ochs tells the dramatic stories behind their journeys to success, their music, and their enduring impact. More than 100 photographs make this a rich volume, and the idols include Aretha Franklin, Tina Turner, Grace Slick, Janis Joplin, Stevie Nicks, Heart, Chrissie Hynde, Patti Smith, Joan Jett and the Runaways, the Go-Go&’s, Karen O, Sleater-Kinney, Grace Potter, and more.
Rock: Developing a Musicology of Rock (Ashgate Popular and Folk Music Series)
by Allan F Moore Remy MartinThis thoroughly revised third edition of Allan F. Moore's ground-breaking book, now co-authored with Remy Martin, incorporates new material on rock music theory, style change and the hermeneutic method developed in Moore’s Song Means (2012). An even larger array of musicians is discussed, bringing the book right into the 21st century. Rock's 'primary text' – its sounds – is the focus of attention here. The authors argue for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock, punk rock, metal and subsequent styles. They also explore the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.
Rock: Developing a Musicology of Rock (Popular And Folk Music Ser.)
by Allan F. MooreThis thoroughly revised second edition of Allan Moore's ground-breaking book features new sections on melody, Britpop, authenticity, intertextuality, and an extended discussion of texture. Rock's 'primary text' - its sounds - is the focus of attention here. Allan Moore argues for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock and subsequent styles. He also explores the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.
Rock: Music, Culture, and Business
by Larry Starr Christopher Waterman Joseph G. SchlossProviding the perfect balance of cultural and musical analysis, Rock: Music, Culture, and Business by Joseph G. Schloss, Larry Starr, and Christopher Waterman tells the full story of rock 'n' roll, from its earliest beginnings to today.
Rockabilly: The Illustrated History
by Peter Guralnick Luc Sante Greil Marcus Robert GordonIt was the twang heard 'round the world: Rockabilly was born out of country, bluegrass, jazz, and the blues in the 1950s, becoming rock &’n&’ roll and ruling the world. Here&’s the story of Elvis Presley&’s first Sun records that inspired all. And here&’s Carl Perkins, Gene Vincent, Eddie Cochran, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and many more rockabillies from the golden years of 1955–1959, in a book chock full of photos, collectible memorabilia, movie posters, rare records, fashion, and rebel lifestyle. Includes contributions from noted music journalists Greil Marcus, Peter Guralnick, Luc Sante, Robert Gordon, and more. The story continues today, with a rockabilly revival that began with stars, such as the Stray Cats and Robert Gordon, spreading around the globe from Europe to Japan. Today, rockabilly is better than ever, with bands like Rev. Horton Heat and others playing the music and living the life from Memphis to Helsinki to Tokyo. There&’s still good rockin&’ tonight!
Rockers and Rollers: A Full-Throttle Memoir
by Brian Johnson“Surprisingly refreshing . . . You don’t need to know anything about AC/DC to appreciate his funny and highly descriptive writing about [cars].” —Publishers WeeklyFrom “Pink Cadillac” to “Low Rider” to “Little Red Corvette,” rock music has always had a racy love affair with cars. And AC/DC lead singer Brian Johnson is not only a rock legend, second-to-none at infusing razor-sharp lyrics with the screaming metal energy of a true rock and roller, but also a dyed-in-the-wool car fanatic. Books like AC/DC: Maximum Rock and Roll and Why AC/DC Matters revealed the secrets of the world’s greatest rock band—now, in Rockers and Rollers, fans will get a rare, riveting window into Brian Johnson’s other driving passion, his love for automobiles. From teenage memories in the backs of beat-up coups to a side career as a racecar driver, Johnson shares his tantalizing life story—a memoir told through his lifelong love affair with cars.“A fast, fun read . . . Johnson’s gifts for storytelling and humor shine.” —The New York Times
Rocket Man: The Life Of Elton John
by Mark BegoThe colorful and kaleidoscopic life of one of the world’s most original and talented musical artists. Here’s the book every pop music lover has been waiting for—full of the scandals, addictions, affairs, and tantrums that underscored the life of arguably the world’s greatest pop musician. Flamboyant, iconic Elton John is as much part of the American musical landscape as he is in his native England. In the 1970s, when popular music on both sides of the Atlantic fragmented into disco, soul, hard rock, pop, and folk, Elton John embraced them all with his signature creative panache. Emerging in the late 1960s as a singer/songwriter, Elton was widely acknowledged as the most prolific pop and rock star of the decade by the mid-1970s. His peerless musical style and ability to jump from sensitive ballads to bawdy rock anthems to campy pop have made him a musical superstar for the ages. From his heartfelt ballads like “Tiny Dancer” and “Your Song” to his rock & roll hits including “Bennie and the Jets” and “Crocodile Rock,” Elton has lived one of the most outrageous and colorful lives in show business. Having met the “Rocket Man” the first time in the 1980s, Bego has drawn upon his personal observations and vast research, and has been able to interview dozens of Elton’s collaborators and lifelong friends to produce the the ultimate story on the amazing and larger-than-life Elton John.
Rockin' Out: Popular Music in the U.S.A. (Sixth Edition)
by Reebee Garofalo Steve WaksmanRockin' Out offers a comprehensive social history of popular music in the United States that takes the reader from the invention of the phonograph to the promise of the Internet, from the heyday of Tin Pan Alley to the present day sounds of singer-songwriters, pop country crossovers, rock, and contemporary hip hop.
Rockin' in Time: A Social History of Rock-and-Roll, Eighth Edition
by David P. SzatmaryThis book weaves the major icons of rock-and-roll into a larger social/historical fabric and places rock-and-roll in the context of the social issues that surrounded and shaped it. Topics include the influence on rock music of such trends as the civil rights movement, political and economic shifts, demographical change and the baby boom, the development of the music business, and technology advances.
Rockin' in the Ivory Tower: Rock Music on Campus in the Sixties (CERES: Rutgers Studies in History)
by James M. CarterHistories of American rock music and the 1960s counterculture typically focus on the same few places: Woodstock, Monterey, Altamont. Yet there was also a very active college circuit that brought edgy acts like the Jefferson Airplane and the Velvet Underground to different metropolitan regions and smaller towns all over the country. These campus concerts were often programmed, promoted, and reviewed by students themselves, and their diverse tastes challenged narrow definitions of rock music. Rockin’ in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s. Analyzing campus archives and college newspapers, historian James Carter traces connections between rock fandom and the civil rights protests, free speech activism, radical ideas, lifestyle transformations, and anti-war movements that revolutionized universities in the 1960s. Furthermore, he finds that these progressive students refused to segregate genres like folk, R&B, hard rock, and pop. Rockin’ in the Ivory Tower gives readers a front-row seat to a dynamic time for the music industry, countercultural politics, and youth culture.
Rockin' in the New World: Taking Your Band from the Basement to the Big Time
by Bob TulipanPart field guide, part artistic coaching session, this rockin book by a seasoned insider explains the ins and outs of the music industry in plain English. Bob Tulipan-who has worked with such bands as The Talking Heads and The Police-shares his expertise to help musicians protect both their art and their interests. Practical, accessible, and filled with engaging anecdotes, it addresses common hurdles that every band faces on the road to success.
Rockin' the Bronx
by Larry KirwanDiscover the untold story of 1980s Irish New York, where love, politics, and rock 'n' roll collide in a gritty urban tale that's as passionate as it is poignant.Rockin’ The Bronx vividly transports readers to the vibrant and chaotic world of 1980s Bronx, where Irish immigrants forged a new community amidst the backdrop of political upheaval and cultural transformation. Larry Kirwan, leader of the revolutionary band Black 47, blends drama, passion, and musical evolution into a narrative that captures the essence of an era defined by its challenges and triumphs. Through the eyes of characters like the groundbreaking gay hero, a book-loving, hard-hitting immigrant with IRA roots, and the central couple, Seán and Mary, who navigate this raucous landscape, Kirwan explores the intersecting worlds of personal identity and communal struggle. Set during significant historical moments—the deaths of John Lennon and Bobby Sands, the AIDS crisis, and the birth of new musical movements—this novel not only tells the story of its characters but also of a neighborhood echoing with the rhythms of change. As these Irish immigrants carve out their destinies, they leave behind a legacy of resilience and rebirth, encapsulated in a narrative that moves irrepressibly to the beat of the 1980s. Rockin' The Bronx is more than a novel; it’s a chronicle of a time when being Irish in New York could mean everything from strapping on a Stratocaster to knocking down walls both structural and cultural." data-fwclientid="8689d109-65f9-4971-bf1f-858e6c13ac9c" data-preservehtmlbullets="1" data-allowlists="0" data-crlfsubmit="1" autocomplete="off" spellcheck="true" class="field_input_main field_input_copytext field_input_copytext_body copytextheight-normal field_input_disabled fieldkeycheck-setup copytext-setup" contenteditable="false">Discover the untold story of 1980s Irish New York, where love, politics, and rock 'n' roll collide in a gritty urban tale that's as passionate as it is poignant.Rockin’ The Bronx vividly transports readers to the vibrant and chaotic world of 1980s Bronx, where Irish immigrants forged a new community amidst the backdrop of political upheaval and cultural transformation. Larry Kirwan, leader of the revolutionary band Black 47, blends drama, passion, and musical evolution into a narrative that captures the essence of an era defined by its challenges and triumphs. Through the eyes of characters like the groundbreaking gay hero, a book-loving, hard-hitting immigrant with IRA roots, and the central couple, Seán and Mary, who navigate this raucous landscape, Kirwan explores the intersecting worlds of personal identity and communal struggle. Set during significant historical moments—the deaths of John Lennon and Bobby Sands, the AIDS crisis, and the birth of new musical movements—this novel not only tells the story of its characters but also of a neighborhood echoing with the rhythms of change. As these Irish immigrants carve out their destinies, they leave behind a legacy of resilience and rebirth, encapsulated in a narrative that moves irrepressibly to the beat of the 1980s. Rockin' The Bronx is more than a novel; it’s a chronicle of a time when being Irish in New York could mean everything from strapping on a Stratocaster to knocking down walls both structural and cultural.
Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (Routledge Library Editions: Popular Music #9)
by E. Ann KaplanThe first non-stop rock video channel was launched in the US in 1981. As a unique popular culture form, MTV warrants attention, and in this, the first study of the medium, originally published in 1987, Ann Kaplan examines the cultural context of MTV and its relationship to the history of rock music. The first part of the book focuses on MTV as a commercial institution, on the contexts of production and exhibition of videos, on their similarity to ads, and on the different perspectives of directors and viewers. Does the adoption of adolescent styles and iconography signal an open-minded acceptance of youth’s subversive stances; or does it rather suggest a cynicism by which profit has become the only value? In the second part of the book, Kaplan turns to the rock videos themselves, and from the mass of material that flows through MTV she identifies five distinct types of video: the ‘romantic’, the ‘socially conscious’, the ‘nihilistic’, the ‘classical’, and the ‘postmodern’. There are detailed analyses of certain videos; and Kaplan focuses particularly on gender issues in videos by both male and female stars. The final chapter explores the wider implications of MTV. What does the channel tell us about the state of youth culture at the time?
Rocking Toward a Free World: When the Stratocaster Beat the Kalashnikov
by András SimonyiFrom renowned diplomat and musician András Simonyi -- whom Stephen Colbert calls "the only ambassador I know who can shred a mean guitar!" -- comes a timely and revealing memoir about growing up behind the Iron Curtain and longing for freedom while chasing the great power of rock and roll. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; text-indent: 36.0px; font: 12.0px Arial} In ROCKING TOWARD A FREE WORLD, Simonyi charts the struggle of growing up in 1960s Hungary, a world in which listening to his favorite music was a powerful but furtive endeavor: records were black-market bootlegs; concerts were held under strict control, even banned; protests were folded into song lyrics. Get caught listening to Western radio could mean punishment, maybe prison. That didn't matter to Simonyi, who from an early age felt the tremendous pull of rock and roll, the lure of American popular culture, and a burning desire to buck the system. Inspired by the protest music coming out of the West, he formed a band and became part of Hungary's burgeoning rock scene. Then came the setbacks: tightening of control by the state, the seemingly inescapable weight of an authoritarian system, and the collapse of Simonyi's own dreams of stardom. A story of youth, rebellion, and hope, ROCKING TOWARD A FREE WORLD sheds new light on two of the most powerful forces of the modern age: global democracy and rock and roll. Deeply vital and compelling, Simonyi's memoir chronicles how one man's tremendous connection to American and British popular music inspired him to make a difference in his country and, eventually, the world. It tells the story of a generation, as played out in song lyrics and guitar riffs. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Times} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; font: 13.0px Times; min-height: 16.0px}
Rocking the Classics: English Progressive Rock and the Counterculture
by Edward L. MacanFew styles of popular music have generated as much controversy as progressive rock, a musical genre best remembered today for its gargantuan stage shows, its fascination with epic subject matter drawn from science fiction, mythology, and fantasy literature, and above all for its attempts to combine classical music's sense of space and monumental scope with rock's raw power and energy. Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins. In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This "golden age" reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such asJethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air. In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself. An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.
Rocking the Closet: How Little Richard, Johnnie Ray, Liberace, and Johnny Mathis Queered Pop Music (New Perspectives on Gender in Music #24)
by Vincent L StephensThe all-embracing, "whaddya got?" nature of rebellion in Fifties America included pop music's unlikely challenge to entrenched notions of masculinity. Within that upheaval, four prominent artists dared to behave in ways that let the public assume—but not see—their queerness. That these artists cultivated ambiguous sexual personas often reflected an understandable fear, but also a struggle to fulfill personal and professional expectations.Vincent L. Stephens confronts notions of the closet—both coming out and staying in—by analyzing the careers of Liberace, Johnny Mathis, Johnnie Ray, and Little Richard. Appealing to audiences hungry for novelty and exoticism, the four pop icons used performance and queering techniques that ran the gamut. Liberace's flamboyance shared a spectrum with Mathis's intimate sensitivity while Ray's overwrought displays as "Mr. Emotion" seemed worlds apart from Little Richard's raise-the-roof joyousness. As Stephens shows, the quartet not only thrived in an era of gray flannel manhood, they pioneered the ways generations of later musicians would consciously adopt sexual mystery as an appealing and proven route to success.
Rocking the Pink: Finding Myself on the Other Side of Cancer
by Laura RoppeIn 2008, just as Laura Roppé was poised to burst onto the music scene, her doctor called her with news that left her spinning—she had been diagnosed with an extremely aggressive form of breast cancer. Just days earlier, she had signed a dream-come-true contract with a record label; now, she wasn’t even sure how much longer she had to live. Never one to back down to a challenge, however, Roppé gathered her courage, took stock of her priorities, and made a decision: Cancer may take my hair, she told herself, but that’s all it’s getting. More than a cancer journey, Rocking the Pink is a quirky, charming, and poignant ode to love, friendship, and music. Roppé is unflinchingly honest and unfailingly funny as she tells the story of her odyssey: from childhood dreamer and giddy valet parker to the Hollywood stars to disillusioned lawyer, wife, and mother; from budding songwriter and late-blooming recording artist to determined cancer survivor. Full of raw emotion and humor that will make you laugh through your tears, Rocking the Pink is a chronicle of discovering one's true self through life’s difficult circumstances—and a testament to the hang-in-tough, take-no-prisoners attitude it takes to kick cancer’s butt.
Rockin’ in Time
by David SzatmaryBrief, authoritative, and up-to-date, David Szatmary's Rockin' in Time: A Social History of Rock-and-Roll, 9th Edition, weaves the major icons of rock-and-roll into a larger sociohistorical fabric. <p><p>Placing rock-and-roll in the context of the social issues that surrounded and shaped it, this book explores topics like the influence of rock music on the Civil Rights Movement, demographic change and the baby boom, the development of the music business, and technological advances. <p><p>The 9th Edition contains new photos and images, as well as new material on Delta blues, fusion jazz, and electronic dance music.
Rockonomics: A Backstage Tour of What the Music Industry Can Teach Us about Economics and Life
by Alan B. KruegerAlan Krueger, a former chairman of the president's Council of Economic Advisers, uses the music industry, from superstar artists to music executives, from managers to promoters, as a way in to explain key principles of economics, and the forces shaping our economic lives.The music industry is a leading indicator of today's economy; it is among the first to be disrupted by the latest wave of technology, and examining the ins and outs of how musicians create and sell new songs and plan concert tours offers valuable lessons for what is in store for businesses and employees in other industries that are struggling to adapt. Drawing on interviews with leading band members, music executives, managers, promoters, and using the latest data on revenues, royalties, streaming tour dates, and merchandise sales, Rockonomics takes readers backstage to show how the music industry really works--who makes money and how much, and how the economics of the music industry has undergone a radical transformation during recent decades.Before digitalization and the ability to stream music over the Internet, rock stars made much of their income from record sales. Today, income from selling songs has plummeted, even for superstars like James Taylor and Taylor Swift. The real money nowadays is derived from concert sales. In 2017, for example, Billy Joel earned $27.4 million from his live performances, and less than $2 million from record sales and streaming. Even Paul McCartney, who has written and recorded more number one songs than anyone in music history, today, earns 80 percent of his income from live concerts. Krueger tackles commonly asked questions: How does a song become popular? And how does a new artist break out in today's winner-take-all economy? How can musicians and everyday workers earn a living in the digital economy?
Rockonomics: What the Music Industry Can Teach Us About Economics (and Our Future)
by Alan Krueger'An entertaining guide to economics by a former adviser to Barack Obama that uses the lessons of the music business to explain what is happening in the rest of the world' The Times, Books of the Year'A key voice on a vast array of economic issues for more than two decades' Barack Obama'An absolutely brilliant mind. The definition of left and right brain balance' Quincy Jones'The music business keeps re-inventing itself (from records, to tape, to CDs to streaming) and Alan Krueger covers all the bases. As one former LSE student once sang: 'its only rock and roll but I like it, like it, yes I do.' That applies to this book too' Richard Thaler, Nobel Prize Recipient and author of 'Nudge''Rockonomics is entertaining, educational and enlightening. Alan Krueger gives us a backstage tour of the music industry - and in doing so, he creates a brilliant metaphor for our entire economy. Highly recommended' Harlan CobenAlan Krueger, the former chairman of the president's Council of Economic Advisers, uses the music industry, from rock artists to music executives, from managers to promoters, as a way in to explain the principles of economics, and the forces shaping our economic lives.The music industry is often a leading indicator of today's economy; it is among the first to be disrupted by the latest wave of technology, and examining the ins and outs of how musicians create and sell new songs and plan concert tours offers valuable lessons for what is in store for businesses and employees in other industries that are struggling to adapt. Drawing on interviews with leading band members, music executives, managers, promoters, and using the latest data on revenues, royalties, tour dates, and merchandise, Rockonomics takes readers backstage to show how the music industry really works - who makes money, how the economics of the music industry has undergone a radical transformation during the last twenty years, and what this tells us about our wider economy today.
Rockonomics: What the Music Industry Can Teach Us About Economics (and Our Future)
by Alan Krueger'An entertaining guide to economics by a former adviser to Barack Obama that uses the lessons of the music business to explain what is happening in the rest of the world' The Times, Books of the YearAlan Krueger, the former chairman of the president's Council of Economic Advisers, uses the music industry, from rock artists to music executives, from managers to promoters, as a way in to explain the principles of economics, and the forces shaping our economic lives.As economists recognize, the music industry is often a leading indicator of today's economy; it is among the first to be disrupted by the latest wave of technology, and examining the ins and outs of how musicians create and sell new songs and plan concert tours offers valuable lessons for what is in store for businesses and employees in other industries that are struggling to adapt. Drawing on interviews with leading band members, music executives, managers, promoters, and using the latest data on revenues, royalties, tour dates, and merchandise, Rockonomicstakes readers backstage to show how the music industry really works--who makes money and how much, and how the economics of the music industry has undergone a radical transformation during the last twenty years.Before digitalization and the ability to stream music over the Internet, rock musicians made the bulk of their income from record sales. Today, income from selling songs has plummeted, even for superstars like Taylor Swift; the real money nowadays is derived from concert sales. In 2016, for example, Billy Joel earned $212.4 million from his live performances, and less than $1 million from record sales and streaming. Even Paul McCartney, who has written and recorded more number one songs than anyone in music history, today, earns 93 percent of his income from live concerts. Krueger tackles common questions: How does a song become popular? And how does a new artist break out in today's winner-take-all economy?(P)2019 Hodder & Stoughton Limited
Rocks Off: 50 Tracks That Tell the Story of the Rolling Stones
by Bill JanovitzDecember 3-4, 1969. Keith and Mick stood at the same microphone at Muscle Shoals, lights dimmed, splitting a fifth of bourbon, and simultaneously sang the melodies and harmonies on the three songs that they had recorded over three days: "Brown Sugar," "You Got to Move," and "Wild Horses." That's your rock ‘n' roll fantasy right there, pal. A six-piece band working in a tiny converted coffin factory across from an Alabama graveyard, on an eight-track recorder, with no computer editing or Autotune, recorded three songs, representing 30 percent of one of the greatest rock ‘n' roll records of all time.So tells Bill Janovitz of the making of the inimitable triple-platinum album, Sticky Fingers, which hit number one in the US and the UK in 1971, skyrocketing the band to superstardom.To Bill, all artists reveal themselves through their work and the Rolling Stones are no different: Each song exposes a little more of their soul. In Rocks Off, Janovitz reveals the forces at work behind the band's music by deconstructing their most representative tunes from their incredible fifty years of record making. Written by a Stones fanatic, this is a song-by-song chronicle that maps the landmarks of the band's career while expanding on their recording and personal history. Much like friends pouring over old records or having a barroom argument over the merits of certain songs, the book presents the musical leaps taken by the band and discusses how the lyrical content both reflected and influenced popular culture. The song choices are chronological and subjective; many of them are the classic hits; however, the book digs deeper into beloved album tracks and songs with unique stories behind them.Rocks Off is the ultimate listening guide and thinking man's companion that will spur you to dust off those old albums and listen in with a newfound perspective on one of the most famous and acclaimed rock 'n' roll bands of all time.