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Row, Row, Row Your Boat (Jane Cabrera's Story Time)
by Jane CabreraRead, row, and roar along - a newly imagined favorite will have everyone singing.In this vibrantly-painted rain forest, squeak, bark, and chatter along with a kitten and puppy rowing their way down the stream. Uncover one delightful animal surprise after another. Sheet music with guitar chords, along with Cabrera's jaunty new verses, is included.Jane Cabrera's Story Time celebrates children's best-loved read along nursery rhymes and songs. These interactive favorites are given a new twist by award-winning artist Jane Cabrera and feature her bold, bright, kid-friendly illustrations. Don't miss the other delightful nursery-rhyme titles, including Here We Go Round the Mulberry Bush, If You're Happy and You Know It, and One, Two, Buckle My Shoe.
Roy Acuff: The Smoky Mountain Boy
by Elizabeth Schlappi"An important and especially fitting tribute." -Country Music Magazine"One of the best studies of a country music personality that has been issued to date." -The Journal of Country Music"Must reading for fans, scholars, or anyone who has more than a passing interest in Roy Acuff." -The Nashville Banner"When a king dies, the people of the land proclaim, 'The King is dead! Long live the King!' However, in this case, there is an empty throne, for there will never be another King." -Elizabeth SchlappiAcuff was the first living performer to be inducted into the Country Music Hall of Fame. He was an artist whose devotion to his work boosted not only his own career, but also the credibility and popularity of his field. This country music legend helped bring the fledgling industry and its capital, The Grand Ole Opry, from the classification of regional entertainment to a certified national institution.His career began back in 1938, when this son of a small-town Baptist preacher made his first appearance on the famed stage in Nashville. This first step toward stardom transformed his life. Roy Acuff: The Smoky Mountain Boy draws upon personal interviews with Acuff's contemporaries, friends, and family as well as Acuff himself. This combination honors Acuff by tracing the roots of his career through the evolution of his musical style and his distinctive American art form. He died on November 23, 1992
Roy Cape: A Life on the Calypso and Soca Bandstand
by Jocelyne Guilbault Roy CapeRoy Cape is a Trinidadian saxophonist active as a band musician for more than fifty years and as a bandleader for more than thirty. He is known throughout the islands and the Caribbean diasporas in North America and Europe. Part ethnography, part biography, and part Caribbean music history, Roy Cape is about the making of reputation and circulation, and about the meaning of labor and work ethics. An experiment in storytelling, it joins Roy's voice with that of ethnomusicologist Jocelyne Guilbault. The idea for the book emerged from an exchange they had while discussing Roy's journey as a performer and bandleader. In conversation, they began experimenting with voice, with who takes the lead, who says what, when, to whom, and why. Their book reflects that dynamic, combining first-person narrative, dialogue, and the polyphony of Roy's bandmates' voices. Listening to recordings and looking at old photographs elicited more recollections, which allowed Roy to expand on recurring themes and motifs. This congenial, candid book offers different ways of knowing Roy's labor of love--his sound and work through sound, his reputation and circulation as a renowned musician and bandleader in the world.
Royal Albert Hall: A celebration in 150 unforgettable moments
by Royal Albert HallThe most iconic concert hall in the world celebrates 150 years with a stunning review of history's finest performances and performers. Opening with a personal letter from Queen Elizabeth II, this beautiful book celebrates 150 moments that have shaped The Royal Albert Hall over the last century and a half. From The Beatles to the Suffragettes, Albert Einstein to Winston Churchill, Mohammed Ali to B.B. King, few other buildings have housed such a stunning variety of era-defining people and events.This gorgeous, illustrated guide takes you behind the scenes of one of the most well-loved concert halls in the world, offering insights into the building’s iconic architecture, as well as its lesser-known quirks such as the reinforced toilets designed for Sumo wrestlers. This book features events ranging from the world's first sci-fi convention in 1891 to the annual Cirque du Soleil, which requires the auditorium to be transformed into a gymnasium. Autographs and candid comments from incredible performers who have appeared on its stage, like Russell Howard, Eric Clapton and Katie Derham, give a unique insider’s perspective on an esteemed and beloved British institution. With never-before-seen images, insights and more, this is the ultimate celebration of a British architectural icon which continues to inspire artists and audiences from around the world.
Royally Lost
by Angie StantonPerfect for fans of Sarah Dessen, Susane Colasanti, and Jenny Han, Angie Stanton's brand-new romance asks the question, What would it be like to fall in love with a prince?Dragged on a family trip to Europe, Becca wants nothing more than to go home. Trapped with her emotionally distant father, overeager stepmother, and a brother who only wants to hook up with European hotties, Becca is miserable. Until she meets Nikolai.Nikolai has everything--he's a crown prince, heir to the throne, and girls adore him. But the one thing he doesn't have is freedom . . . so he flees his kingdom and goes on his own European trip.And when Nikolai and Becca meet, sparks fly. But Becca's family vacation ends in a matter of days. Will Nikolai and Becca be forced to say good-bye, or will they change history forever?
Royally Lost
by Angie StantonPerfect for fans of Sarah Dessen, Susane Colasanti, and Jenny Han, Angie Stanton's brand-new romance asks the question, What would it be like to fall in love with a prince?Dragged on a family trip to Europe, Becca wants nothing more than to go home. Trapped with her emotionally distant father, overeager stepmother, and a brother who only wants to hook up with European hotties, Becca is miserable. Until she meets Nikolai.Nikolai has everything--he's a crown prince, heir to the throne, and girls adore him. But the one thing he doesn't have is freedom . . . so he flees his kingdom and goes on his own European trip.And when Nikolai and Becca meet, sparks fly. But Becca's family vacation ends in a matter of days. Will Nikolai and Becca be forced to say good-bye, or will they change history forever?
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950
by Abby AndertonAs the seat of Hitler’s government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war’s end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950
by Abby AndertonThis musicologist&’s exploration of classical music culture in post-WWII Berlin evokes the power of music in the face of trauma and tragedy.As the seat of Hitler's government, Berlin was the most frequently targeted German city for Allied bombing during World War II. Air raids shelled celebrated monuments and reduced much of the city to rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity.In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.
Ruby Tuesday
by Jennifer Anne KoglerRuby Tuesday's life just got a little bit crazier. When a murder in the family exposes some unexpected secrets, Ruby Tuesday has to leave her parents' O.C. beach house for a life-or-death road trip to Vegas. Her mom's closest friends are rock stars and her father is a professional gambler, but neither of them has prepared Ruby Tuesday for what's waiting in Nevada. Ruby needs a crash course, and she's about to get one, straight from the queen of hearts.
Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power
by Larisa Kingston MannIn this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann—DJ, media law expert, and ethnographer—identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann shows, goes beyond cultural concerns.Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization.
Rudolph Ganz, Patriotism, and Standardization of The Star-Spangled Banner, 1907-1958
by Iain QuinnThis book examines the succession of events toward the potential standardization of the music for “The Star-Spangled Banner” from an initial letter to President Roosevelt in 1907 to the 1958 congressional hearings on the National Anthem, and the later work of the Swiss-Born American pianist, Rudolph Ganz. These events took place across five decades when a culture of public patriotism was especially pronounced for immigrant musicians. This book contextualizes the complementary experiences of a leading immigrant musician, Ganz, who successfully navigated the world of public patriotism while pursuing the realization of a standardized version. The materials are discussed through the lens of the performance practice. The legacy of standardization has not previously been examined. The response and actions of an immigrant, Ganz, in a culture of necessary patriotism for foreign-born artists shed important new light on this topic. It demonstrates the challenges, fears, and cultural expectations regarding the standardization of an important patriotic work.
Ruffhouse: From the Streets of Philly to the Top of the '90s Hip-Hop Charts
by Chris SchwartzThe Ruffhouse Records founder tells how he overcame poverty, abuse, and addiction to start a label that launched some of music's biggest stars: &“Gripping.&”—Philadelphia Magazine As a struggling musician trying to catch a break in 1980s Philadelphia, Chris Schwartz navigated the crime-infested, morally bankrupt music industry to found and build one of the most successful hip-hop record labels in the world. That label was Ruffhouse, which launched the careers of Nas, The Fugees, Cypress Hill, and others, dominating the charts and generating global revenues of over a billion dollars. Schwartz and his partner, Joe Nicolo, built Ruffhouse from one desk and a phone to one of hip-hop's most revered record companies while simultaneously struggling with drug addiction and alcoholism. A story of money, greed, envy, betrayal, violence, addiction, loss, and redemption, not to mention a whole lot of music, Ruffhouse reveals the inside story of the record companies, recording studios, tour buses, private jets, mansions, radio stations, and concert halls at the height of hip-hop's 1990s heyday while also uncovering the darker side of the business, from police stations to rehab clinics, courtrooms to prisons. Told in Schwartz's own candid, searing prose, Ruffhouse is a portrayal of hip-hop culture at its tipping point, as it transitioned from urban curiosity to global phenomenon. &“[A] story of adversity and perseverance…Fans of these artists will love the insider information on the recording process and the trials and tribulations of getting this music out into the world.&”―Library Journal &“All respect to Chris Schwartz. He is a great visionary.&”—Nas
Rugs, Guitars, and Fiddling: Intensification and the Rich Modern Lives of Traditional Arts
by Chris GoertzenWhat do exotic area rugs, handcrafted steel-string guitars, and fiddling have in common today? Many contemporary tradition bearers embrace complexity in form and content. They construct objects and performances that draw on the past and evoke nostalgia effectively but also reward close attention. In Rugs, Guitars, and Fiddling: Intensification and the Rich Modern Lives of Traditional Arts, author Chris Goertzen argues that this entails three types of change that can be grouped under an umbrella term: intensification. First, traditional creativity can be intensified through virtuosity, through doing hard things extra fluently. Second, performances can be intensified through addition, by packing increased amounts of traditional materials into the conventionally sized packages. Third, in intensification through selection, artistic impact can grow even if amount of information recedes by emphasizing compelling ideas—e.g., crafting a red and black viper poised to strike rather than a pretty duck decoy featuring more colors and contours.Rugs handwoven in southern Mexico, luthier-made guitars, and southern US fiddle styles experience parallel changes, all absorbing just enough of the complex flavors, dynamics, and rhythms of modern life to translate inherited folklore into traditions that can be widely celebrated today. New mosaics of details and skeins of nuances don’t transform craft into esoteric fine art, but rather enlist the twists and turns and endless variety of the contemporary world therapeutically, helping transform our daily chaos into parades of negotiable jigsaw puzzles. Intensification helps make crafts and traditional performances more accessible and understandable and thus more effective, bringing past and present closer together, helping folk arts continue to perform their magic today.
Ruins and Resilience: The Longevity of Experimental Film (Goldsmiths Press / Sonics Series)
by Karel DoingExperimental film practice from an international and transdisciplinary perspective.Karel Doing is an experimental filmmaker and researcher who has worked across the globe with fellow artists and filmmakers, creating a body of work that is difficult to pinpoint with a simple catchphrase. In Ruins and Resilience he weaves autobiographical elements and critical reviews together with his wide ranging interdisciplinary approach, reflecting on his own practice by positioning key works within the context of a vibrant experimental film scene in Europe, North and South America, and Asia. Doing demonstrates how experimental filmmakers have continued to renew their practice despite the almost total demise of analog motion picture film and the constant neglect of this art form by institutions and critics. Written in a fluent and accessible style, the book looks into the connections between the work of groundbreaking artists within the field and subjects such as transgression, improvisation, collectivity, materiality, phenomenology, and perception. Specifically, intersections with music and sound are investigated, appealing to the idea of the cross-modal brain, the ability to perceive sounds and images in an integrated way. Instead of looking again at the "golden era" of experimental film, the book starts in the 1980s, showing how this art form has never ceased to surprise and inspire. The author's hands-on engagement with the medium is formational for his more theoretical approach and writing, making the book a highly original contribution in the field that is informative and inspiring for academic and practitioners alike.
Rumba Rules: The Politics of Dance Music in Mobutu's Zaire
by Bob W. WhiteMobutu Sese Seko, who ruled Zaire (now the Democratic Republic of Congo) from 1965 until 1997, was fond of saying "happy are those who sing and dance," and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zaroise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression, one primarily known for a sound of sweetness and joy, flourish under one of the continent's most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not only the economic and political conditions that brought this powerful music industry to its knees, but also the ways that popular musicians sought to remain socially relevant in a time of increasing insecurity. Drawing partly on his experiences as a member of a local dance band in the country's capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including the relatively recent phenomenon of libanga, which involves shouting the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa's popular music scene mirrored the charismatic authoritarianism of Mobutu's rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu's Zaire.
Rumours of Glory: A Memoir
by Bruce CockburnAward-winning songwriter and pioneering guitarist Bruce Cockburn has been shaped by politics, protest, romance, and spiritual discovery. He has toured the globe, visiting far-flung places such as Guatemala, Mali, Mozambique, Afghanistan, and Nepal, performing and speaking out on diverse issues from native rights and land mines to the environment and Third World debt. His journeys have been reflected in his music and evolving styles: folk, jazz, blues, rock, and world beat. Drawing from his experiences, he continues to create memorable songs about his ever-expanding universe of wonders.As an artist with thirty-one albums, Cockburn has won numerous awards and the devotion of legions of fans across America and his native Canada. Yet the man himself has remained a mystery. In this memoir, Cockburn invites us into his private world and takes us on a lively cultural and musical tour through the late twentieth century, sharing his Christian convictions, his personal relationships, and the social and political activism that has defined him and has both invigorated and incited his fans.
Run Like an Antelope: On the Road with Phish
by Sean GibbonOne journalist's wild summer on the road with the world's most popular cult rock band, Phish.Despite their enormous success and their status as America's biggest cult rock and roll band, Phish remains an enigma. Each of their albums has sold more than 500,000 copies, and their concerts sell out instantly, but the band makes a virtue of ignoring the mainstream, and the fans rather prefer it that way. In Run Like an Antelope: On the Road with Phish, Sean Gibbon deftly and hilariously chronicles this unique musical subculture.Inspired by the offbeat road stories of Hunter S. Thompson and Bill Bryson, among others, Gibbon resolved to follow Phish and their kite's tail of hundreds of thousands of followers on their 1999 summer tour. What he discovered is a new kind of American tribe: a mixture of aging, resigned Deadheads, wealthy college kids, and dedicated Phishheads, all bound together by their belief in the band, passion for the music, and energetic spirit, which transform Phish into an experience. His ensuing adventures among the Phish fans constitute a memorable, insightful, uproarious odyssey into this new frontier of American pop tribalism. Whether he's being kidnapped by a group of ebullient Georgia Tech coeds, or being serenaded by devoted fans on the institution of Phish, Gibbon navigates the wild, fascinating Phish experience with verve and a keen eye, brilliantly communicating both the enormous energy of the band's music and the distinct character of their fans.
Runaway American Dream: Listening to Bruce Springsteen
by Jimmy GutermanOver the course of a career now in its fourth decade, Bruce Springsteen has earned one of the most passionate, devoted followings in all rock 'n' roll. He's selling more records and concert tickets in his fifties than he sold in his twenties.<P><P> Yet to many fans he remains an enigma. How has Springsteen produced such a consistent body of work and retained his currency while other top rock 'n' rollers have gone by the wayside? Jimmy Guterman, an accessible and entertaining music writer, has been writing about Springsteen since the late 1970s. In Runaway American Dream, he delves deep into dramatic and crucial moments from every phase of Springsteen's career, interpreting the songs and incisively commenting on the man and the culture at large to deliver a nuanced portrait of The Boss from the earliest days right up to Springsteen's 2005 album, Devils & Dust.
Runnin' with the Devil: A Backstage Pass to the Wild Times, Loud Rock, and the Down and Dirty Truth Behind the Making of Van Halen
by Joe Layden Noel MonkThe manager who shepherded Van Halen from obscurity to rock stardom goes behind the scenes to tell the complete, unadulterated story of David Lee Roth, Eddie Van Halen, and the legendary band that changed rock music.Van Halen’s rise in the 1980s was one of the most thrilling the music world had ever seen—their mythos an epic party, a sweaty, sexy, never-ending rock extravaganza. During this unparalleled run of success, debauchery, and drama, no one was closer to the band than Noel Monk. A man who’d worked with some of rock’s biggest and most notorious names, Monk spent seven years with Van Halen, serving first as their tour manger then as their personal manager until 1985, when both he and David Lee Roth exited as controversy, backstabbing, and disappointment consumed the band.Throughout Van Halen’s meteoric rise and abrupt halt, this confidant, fixer, friend, and promoter saw it all and lived to tell. Now, for the first time, he shares the most outrageous escapades—from their coming of age to their most shocking behavior on the road; from Eddie’s courtship and high profile wedding to Valerie Bertinelli to the incredible drug use which would ultimately lead to everyone’s demise. Sharing never-before-told stories, Monk paints a compelling portrait of Eddie Van Halen, bringing into focus the unique combination of talent, vision, hardship, and naiveté that shaped one of the greatest rock guitarists of all time—and made him and his brother vulnerable to the trappings and failings of fame. Illustrated with dozens of rare photographs from Monk’s vaults, Runnin’ with the Devil is manna from rock heaven no Van Halen fan can miss.
Running with Monsters: A Memoir
by Albo Michael Bob ForrestCelebrity Rehab star and Thelonious Monster frontman Bob Forrest's memoir about his drug-fueled life in the L.A. indie rock scene of the '80s and '90s and his life-changing decision to become a drug counselor who specializes in reaching the unreachable.Life has been one strange trip for Bob Forrest. He started out as a suburban teenage drunkard from the Southern California suburbs and went on to become a member of a hip Hollywood crowd that included the Red Hot Chili Peppers, Johnny Depp, and River Phoenix. Los Angeles was their playground, and they hung out in such infamous haunts as the Viper Room and the Whisky a Go Go. Always one to push things to their limit, Bob partied the hardest and could usually be found at the center of the drama. Drugs weren't Bob's only passion. He was also a talented musician who commanded the stage as the wild and unpredictable lead singer of Thelonious Monster. They traveled the world, and their future seemed bright and wide open. But Bob's demons grew stronger as he achieved more success and he sank deeper into his chemical dependency, which included alcohol, crack, and heroin habits. No matter how many times he went to rehab, sobriety just wouldn't stick for him. Soon he saw his once-promising music career slip away entirely. Eventually Bob found a way to defeat his addiction, and once he did, he saw the opportunity to help other hopeless cases by becoming a certified drug counselor. He's helped addicts from all walks of life, often employing methods that are very much at odds with the traditional rehab approach. Running with Monsters is an electrifying chronicle of the LA rock scene of the 1980s and '90s, the story of a man who survived and triumphed over his demons, and a controversial perspective on the rehab industry and what it really takes to beat addiction. Bob tells his story with unflinching honesty and hard-won perspective, making this a reading experience that shocks, entertains, and ultimately inspires.From the Hardcover edition.
Running with the Devil
by Robert WalserA Choice Outstanding Academic Book.A musicologist and cultural critic as well as a professional musician, Robert Walser offers a comprehensive musical, social, and cultural analysis of heavy metal in Running with the Devil. Dismissed by critics and academics, condemned by parents and politicians, fervently embraced by legions of fans, heavy metal music attracts and embodies cultural conflicts that are central to our society. Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power.Ebook Edition Note: Ebook edition note: all photographs (16) have been redacted.
Running with the Devil: Power, Gender, and Madness in Heavy Metal Music
by Robert WalserA Choice Outstanding Academic Book. A musicologist and cultural critic as well as a professional musician, Robert Walser offers a comprehensive musical, social, and cultural analysis of heavy metal in Running with the Devil. Dismissed by critics and academics, condemned by parents and politicians, fervently embraced by legions of fans, heavy metal music attracts and embodies cultural conflicts that are central to our society. Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power.
Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (Music Culture)
by Harris M. Berger Robert WalserDismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts that are central to society. In Running with the Devil, Robert Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. This edition includes a new foreword by Harris M. Berger contextualizing the work and a new afterword by the author.Ebook Edition Note: Ebook edition note: all photographs (16) have been redacted.
Rusia 2018: Un mundial al contragolpe
by David León RondánUn ensayo que analiza los entresijos del Mundial de Rusia 2018, ya conocido como el torneo del contragolpe. La Copa del Mundo de 2018 quedará en la memoria de la gente como un Mundial imprevisible, emocionante y lleno de sorpresas. Estuvo marcado por la extraordinaria victoria de Francia, que consiguió erigirse con un gran equipo liderado por Mbappé, considerado por muchos la reinvención de Pelé. Rusia 2018 también presenció, no obstante, el fracaso absoluto de España y Argentina, los contraataques belgas o la falta de puntería de Alemania. Un Mundial dominado totalmente por el contragolpe, el balón parado y el valor de las individualidades, que se impusieron a todo lo demás. El autor nos desvela en su artículo cuál es, a su juicio, la fórmula mágica para alzarse con la victoria: estar en la condición perfecta en el instante primordial.
Russia's Theatrical Past: Court Entertainment in the Seventeenth Century (Russian Music Studies)
by Claudia R. Jensen Ingrid Maier Stepan Shamin Daniel C. WaughIn the 17th century, only Moscow's elite had access to the magical, vibrant world of the theater.In Russia's Theatrical Past, Claudia Jensen, Ingrid Maier, Stepan Shamin, and Daniel C. Waugh mine Russian and Western archival sources to document the history of these productions as they developed at the court of the Russian tsar. Using such sources as European newspapers, diplomats' reports, foreign travel accounts, witness accounts, and payment records, they also uncover unique aspects of local culture and politics of the time. Focusing on Northern European theatrical traditions, the authors explore the concept of intertheater, which describes transmissions between performing traditions, and reveal how the Muscovite court's interest in theater and other musical entertainment was strongly influenced by diplomatic contacts.Russia's Theatrical Past, made possible by an international research collaborative, offers fresh insight into how and why Russians went to such great efforts to rapidly develop court theater in the 17th century.