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Schöner fremder Klang – Wie exotische Musik nach Deutschland kam: Band 2: Samba, Mambo, Bossa & Co. (1945–1975)
by Claus SchreinerIn seiner großen Geschichte der ‚exotischen‘ populären Musik beschreibt Claus Schreiner den transatlantischen Weg all der uns heute vertrauten Musikstile von ihren Ursprüngen nach Europa und Deutschland. Der zweite Teil beginnt mit der Nachkriegszeit. Die Isolation Deutschlands von vormals verbannten ‚exotischen‘ Einflüssen endet. Träume von einsamen Inseln werden im Nachkriegs- und Wirtschaftswunderland nicht nur von einfältigen Schlagertexten, sondern auch von Samba, Baião und Bossa Nova aus Brasilien bedient, dann kommen Mambo und Chachachá aus New York und Kuba und der Calypso. Auf deutschen Bühnen zeigen Tanz-Ensembles aus den jungen afrikanischen Staaten, aus Brasilien, Mexiko und Korea Mischungen aus Folklore und Ballett. Aus den USA weht die Folk-Welle herüber und initiiert nicht nur Festivals wie Waldeck, sondern auch erste Begegnungen mit internationaler Folklore, denen Protestsongs mit den Krisen der sechziger Jahre folgen, an die sich in einer Welle der Solidarität Musik chilenischer Exilgruppen und der Künstler aus anderen lateinamerikanischen Diktaturen anschließt. Mit El Condor Pasa beginnt die Invasion der Poncho-Gruppen in die Fußgängerzonen.
Schöner fremder Klang – Wie exotische Musik nach Deutschland kam: Band 3: Afrobeat, Salsa, Reggae & Co. (1975-2000)
by Claus SchreinerIn seiner großen Geschichte der ‚exotischen‘ populären Musik beschreibt Claus Schreiner den transatlantischen Weg all der uns heute vertrauten Musikstile von ihren Ursprüngen nach Europa und Deutschland. Der dritte Band beginnt mit der Musik Afrikas und ihrer Ankunft in Europa. Back to Africa: Reggae-Wurzeln und die deutsche Szene, wo das Interesse nicht nur an den Urvätern des Reggae wächst. Man will mehr Originale erleben, traditionell oder populär, und schafft neue Festivals, die oft mit Workshops und Informationen begleitet werden. Das New Age-Zeitalter beginnt und lässt Musiker in esoterischen Quellen schöpfen. Japanische Trommelgruppen lassen Konzertsäle erbeben und Butoh-Tänzer erinnern an den Ausdruckstanz der zwanziger Jahre. Musik aus vielen ‚exotischen‘ Wurzeln bietet sich als Alternative zu Belanglosem in Spaßgesellschaft, Disco und Neuer Deutscher Welle und als Begleitung von Aktionen gegen Rassismus, Hungersnöte und Fremdenfeindlichkeit an. Salsa aus Puerto Rico und New York bringt endlich mehr Körperlichkeit in deutsche Tanzclubs und bereitet den Boden für nostalgisches Buena Vista-Feeling, das von Modetänzen wie Lambada, Merengue und Zouk abgelöst wird. Latinmusic sorgt auch in Deutschland für Hits. Am Ende des Jahrhunderts ist das Angebot überreichlich vorhanden und man nennt es Weltmusik.
Science and Music (Dover Books On Music Ser.)
by James JeansSir James Jeans, noted British scientist, has given a physical analysis of musical sounds, in what is considered to be the best exposition on the subject, a book of great intellectual stature. His aim has been to convey precise information, in a simple non-technical way, that will be of interest to the amateur as well as the serious student of music. The discussion begins with an explanation of the development of the human faculty of hearing. It is established that each sound can be represented by a curve. An examination of the general properties of sound-curves follows. For example, why do some sounds produce pleasure when they reach our ears and some pain? How do we retain the pleasurable qualities in the sound-curve, as it passes on from one stage of electronic equipment to another? To what extent is it possible to prevent unpleasant qualities from contaminating the curve? These and other pertinent questions on the transmission and reproduction of sound-curves are answered in a discussion of tuning-forks and pure tones. The various methods of producing sound, and the qualities of the sounds produced, are further discussed as they relate to vibrations of strings and harmonics, and vibrations of air. Harmony and discord are also considered. In the final chapters on the concert room and hearing, the discussion focuses on the transmission of sound from its source to the eardrum and from the eardrum to the brain. A general theory of acoustics is also covered as well as acoustical analyses.
Score and Rehearsal Preparation: A Realistic Approach for Instrumental Conductors
by Gary StithThis text is sure to provide the most practical approach to orchestra and wind band score study ever published. It methodically simplifies preliminary score study and initial rehearsal preparation for all conductors of band, orchestra and chamber ensembles. It is enormously valuable for practicing conductors from elementary school to those leading professional ensembles. As a supplement to undergraduate and graduate level instrumental conducting classes, it is an extremely effective text.
Scoring Italian Cinema: Patterns of Collaboration (Musical Cultures of the Twentieth Century)
by Giorgio Biancorosso and Roberto CalabrettoScoring Italian Cinema: Patterns of Collaboration redefines what it means to write music for the cinema. In eight richly illustrated chapters and a deft introduction, nine leading music and film scholars revisit the great theme of artistic collaboration from a heretofore unexplored angle: the relationship between film directors and composers in the "Long Italian Post-War" (ca. 1945–1975).Spurred by the surfacing of printed and manuscript scores, sketches, drafts, tapes, letters and miscellaneous notes, the authors of Scoring Italian Cinema examine afresh the partnerships between such figures as Federico Fellini and Nino Rota, Michelangelo Antonioni and Giovanni Fusco, Elio Petri and Ennio Morricone, and Dario Argento and Goblin. The volume also brings to light the role of conductors and performers as well as producers and screenwriters in creating the soundtracks of some of the most important films in the history of Italian cinema, including Bitter Rice (Riso Amaro, 1949), La strada (1954) and Salvatore Giuliano (1962). The intrinsically polyvocal nature of the process of completing a score, such as it emerges in the case studies gathered in Scoring Italian Cinema, invites us to rethink of composing for the films as a new kind of expanded, distributed musical practice.Meticulously researched and written in an accessible style, Scoring Italian Cinema will appeal to scholars and practitioners in the fields of music, film and media studies.
Scoring the Hollywood Actor in the 1950s (Ashgate Screen Music Series)
by Gregory CampScoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies. Closely examining performances of such actors as James Dean, Montgomery Clift, and Marilyn Monroe, and films of directors like Elia Kazan, Douglas Sirk, and Alfred Hitchcock, this volume provides a comprehensive view of how screen performance has been musicalised, including examination of the role of music in relation to the creation of cinematic performances and the perception of an actor’s performance. The book also explores the idea of music as a temporal vector which mirrors the temporal vector of actors’ voices and movements, ultimately demonstrating how acting and music go together to create a forward axis of time in the films of the 1950s. This is a valuable resource for scholars and researchers of musicology, film music and film studies more generally.
Scoring the Score: The Role of the Orchestrator in the Contemporary Film Industry
by Ian SapiroScoring the Score is the first scholarly examination of the orchestrator’s role in the contemporary film industry. Orchestrators are crucial to the production of a film’s score, yet they have not received significant consideration in film-music research. This book sheds light on this often-overlooked yet vital profession. It considers the key processes of orchestrating and arranging and how they relate, musical and filmic training, the wide-ranging responsibilities of the orchestrator on a film-scoring project, issues related to working practices, the impact of technology, and the differences between the UK and US production processes as they affect orchestrators. Drawing on interviews with American and British orchestrators and composers, Scoring the Score aims to expose this often hidden profession through a rigorous examination of the creative process and working practices, and analysis of the skills, training and background common to orchestrators. It will appeal to scholars, students, and practitioners of film music.
Scotch-Irish Influence on Country Music in the Carolinas, The: Border Ballads, Fiddle Tunes and Sacred Songs (Music Ser.)
by Michael C. ScogginsCountry music in the Carolinas and the southern Appalachian Mountains owes a tremendous debt to freedom-loving Scotch-Irish pioneers who settled the southern backcountry during the eighteenth and nineteenth centuries. These hardy Protestant settlers brought with them from Lowland Scotland, Northern England and the Ulster Province of Ireland music that created the essential framework for "old-time string band music." From the cabins of the Blue Ridge and Great Smoky Mountains to the textile mills and urban centers of the Carolina foothills, this colorful, passionate, heartfelt music transformed the culture of America and the world and laid the foundation for western swing, bluegrass, rockabilly and modern country music. Author Michael Scoggins takes a trip to the roots of country music in the Carolinas.
Scott Joplin: A Guide to Research (Routledge Music Bibliographies #Vol. 7)
by Nancy R. Ping-RobbinsFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Scottish Dance Beyond 1805: Reaction and Regulation (Routledge Studies in Ethnomusicology)
by Patricia H BallantyneScottish Dance Beyond 1805 presents a history of Scottish music and dance over the last 200 years, with a focus on sources originating in Aberdeenshire, when steps could be adapted in any way the dancer pleased. The book explains the major changes in the way that dance was taught and performed by chronicling the shift from individual dancing masters to professional, licensed members of regulatory societies. This ethnographical study assesses how dances such as the Highland Fling have been altered and how standardisation has affected contemporary Highland dance and music, by examining the experience of dancers and pipers. It considers reactions to regulation and standardisation through the introduction to Scotland of percussive step dance and caller-facilitated ceilidh dancing. Today’s Highland dancing is a standardised and international form of dance. This book tells the story of what changed over the last 200 years and why. It unfolds through a series of colourful characters, through the dances they taught and the music they danced to and through the story of one dance in particular, the Highland Fling. It considers how Scottish dance reflected changes in Scottish society and culture. The book will be of interest to scholars and postgraduates in the fields of Dance History, Ethnomusicology, Ethnochoreology, Ethnology and Folklore, Cultural History, Scottish Studies and Scottish Traditional Music as well as to teachers, judges and practitioners of Highland dancing and to those interested in the history of Scottish dance, music and culture.
Scottish Traditional Music (Chambers Mini Guides)
by Nicola WoodScottish Traditional Music is a compact and lively introduction to the folk-music of Scotland. From Border ballads to Shetland reels, the book presents a fascinating account of the nation's popular tunes and traditional instruments. There are chapters on the fiddle and clarsach, bagpipes and song and each contains a wealth of information on writers and composers, regional styles and pieces of note. Increase your enjoyment of the sounds of Scotland in Scottish Traditional Music.
Scotty and Elvis: Aboard the Mystery Train (American Made Music Series)
by Scotty MooreWhen Elvis Presley first showed up at Sam Phillips's Memphis-based Sun Records studio, he was a shy teenager in search of a sound. Phillips invited a local guitarist named Scotty Moore to stand in. Scotty listened carefully to the young singer and immediately realized that Elvis had something special. Along with bass player Bill Black, the trio recorded an old blues number called “That's All Right, Mama.” It turned out to be Elvis's first single and the defining record of his early style, with a trilling guitar hook that swirled country and blues together and minted a sound with unforgettable appeal. Its success launched a whirlwind of touring, radio appearances, and Elvis's first break into movies. Scotty was there every step of the way as both guitarist and manager, until Elvis's new manager, Colonel Tom Parker, pushed him out. Scotty and Elvis would not perform together again until the classic 1968 “comeback” television special. Scotty never saw Elvis after that. With both Bill Black and Elvis gone, Scotty Moore is the only one left to tell the story of how Elvis and Scotty transformed popular music and how Scotty created the sound that became a prototype for so many rock guitarists to follow. Thoroughly updated, this edition delivers guitarist Scotty Moore's story as never before.
Scratch and the Sniffs (The He-Man Women Haters Club #3)
by Chris LynchThe He-Man Women Haters are rocking out in a punk band!With Wolfgang newly installed as their leader, the He-Men recruit club members Scratch and Cecil, and form a garage punk band. In no time at all, Scratch and the Sniffs is born—the problem is, no one can actually play an instrument. But lack of talent doesn&’t stop the He-Man Women Haters Club from chasing stardom—or at least a few bucks!
Scream for Me, Africa!: Heavy Metal Identities in Post-Colonial Africa
by Edward BanchsScream for Me Africa! examines the hard rock and metal scenes in five African countries: Botswana, Togo, South Africa, Kenya, and Ghana. Edward Banchs interviewed musicians, producers, and fans in each country to create vivid pictures of each of these rarely discussed scenes. The book considers how the subculture of heavy metal is viewed in postcolonial Africa and examines how musicians on the continent have stepped forward to make this genre their own. It looks at Africa's blossoming scenes through various themes, including hybridity, othering, and political tensions.
Screening the Operatic Stage: Television and Beyond (Opera Lab: Explorations in History, Technology, and Performance)
by Christopher MorrisAn ambitious study of the ways opera has sought to ensure its popularity by keeping pace with changes in media technology. From the early days of television broadcasts to today’s live streams, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera’s engagement with screen media. Foregrounding the potential for a playful exchange and self-awareness between stage and screen, Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. If these screen cultures reveal how inherently “technological” opera is as a medium, they also highlight a deep suspicion among opera producers and audiences toward the intervention of media technology. Ultimately, Screening the Operatic Stage shows how the conventions of televisual representation employed in opera have masked the mediating effects of technology in the name of fidelity to live performance.
Scuse Me While I Kiss the Sky
by Paolo HewittFrom the moment that Ike Turner and the Kings of Rhythm conceived "Rocket 88" to the suicide of Nirvana lead singer Kurt Cobain and Lennon's Anniversary concert, 'Scuse Me While I Kiss the Sky chronicles 50 moments in history that shaped the music industry as we know it. Paolo Hewitt's lively and readable text gives us a unique "insider's view" on each event explaining the background and immediate aftermath to the moment as well as its long term significance and legacy. Each story is accompanied by an "at a glance" box about each artist, their most significant achievements and contribution to rock history. Iconic moments include the day that Dylan went electric, the moment the Ramones launched punk rock, the Michael Jackson video that inspired an MTV generation, and the year that Oasis and Blur saw Brit Pop go global. The stories behind the iconic records and recordings, the untimely deaths, landmark live performances, on screen incidents and all of the most outrageous moments are recounted in this captivating, comprehensive overview of the greatest musical form of the twentieth century.
Sean "Diddy" Combs (Superstars of Hip-Hop)
by Z. B. HillFew people are as successful in business and music as Sean Combs. Today, Combs (also known as Diddy) makes music fans love and still has time to succeed in business. Combs has even won an Academy Award for producing a movie. It seems there's nothing he can't do! Sean "Diddy" Combs is the story of how one boy from the projects grew up to be one of the most powerful men in hip-hop. Read about how Combs became a star in the 1990s. Learn about how important Combs has been to the history of hip-hop and how he's stayed successful over the years by trying new things.
Searching for Jimmie Strother: A Tale of Music, Murder, and Memory
by Gregg D. KimballThe incredible true story of a blind musician, a brutal crime, and the making of an American folk legend In June 1936 James Lee Strother performed thirteen songs at the Virginia State Prison Farm for famed folklorist John Lomax and the Library of Congress. Rooted in the rich soil of the Piedmont region, Strother&’s repertoire epitomized the Black songsters who defy easy classification. Blinded in a steel mill explosion, which only intensified his drive to connect to the world through song, Strother drew on old spirituals and country breakdowns as readily as he explored emerging genres like blues and ragtime. Biographer Gregg Kimball revives this elusive but singular talent and the creative and historical worlds in which his dramatic life unfolded. Myths surround Strother but, as Kimball reveals, the facts of Strother&’s life are just as compelling as the fanciful embellishments proffered by early folklorists. Musician, murderer, and beloved family member—Strother somehow played each of these roles, and more. And while the songster&’s comedic ditties, spirituals, and blues tunes reached a wide range of listeners (and were later covered by musicians like Pete Seeger and Jefferson Airplane), they carried a dark undercurrent that spoke directly to the experiences of Black Americans: sundown towns, Jim Crow segregation, and labor exploitation. As Kimball shows, Strother&’s powerful songs and remarkable, tumultuous life continue to influence and remain deeply relevant to American culture to this day.
Searching for Robert Johnson: The Life and Legend of the "King of the Delta Blues Singers"
by Peter GuralnickThis highly acclaimed biography from the author of Last Train to Memphis illuminates the extraordinary life of one of the most influential blues singers of all time, the legendary guitarist and songwriter whose music inspired generations of musicians, from Muddy Waters to the Rolling Stones and beyond. The myth of Robert Johnson&’s short life has often overshadowed his music. When he died in 1938 at the age of just twenty-seven, poisoned by the jealous husband of a woman he&’d been flirting with at a dance, Johnson had recorded only twenty-nine songs. But those songs would endure as musical touchstones for generations of blues performers. With fresh insights and new information gleaned since its original publication, this brief biographical exploration brilliantly examines both the myth and the music. Much in the manner of his masterful biographies of Elvis Presley, Sam Phillips, and Sam Cooke, Peter Guralnick here gives readers an insightful, thought-provoking, and deeply felt picture, removing much of the obscurity that once surrounded Johnson without forfeiting any of the mystery. &“I finished the book," declared the New York Times Book Review, "feeling that, if only for a brief moment, Robert Johnson had stepped out of the mists.&”
Searching for Solid Ground: A Memoir
by Reggie HarrisAn inspiring narrative of bridge-building, hope, and resilience from a beloved folk musician.Before renowned musician Reggie Harris was a sought-after performer, educator, cultural ambassador, and civil rights advocate, he was a low-income Black kid in Philadelphia with a love of music. He was transported by the vibrant sound that filled the air in his church, the voices calling out with passion, the rhythm and the release, and the powerful sense of community.Searching for Solid Ground is a captivating and deeply personal chronicle of Harris’s extraordinary life, from his early years, when his love of music was fueled by singing everywhere he could—at home, at church, and in the school choir—to performing across the world for over forty years as one half of the folk duo Kim and Reggie Harris, to his current work blending his musical gifts with a commitment to promote justice and peace and heal the racial divide.Harris shares his triumphs and his struggles, his hard-won wisdom and insights, including the challenges he faced launching a career in folk music as a Black musician, his transformative experience hearing James Baldwin speak and the beginnings of his own justice work, and a harrowing journey back to health through the gift of a liver transplant, among many other remarkable moments.
Searching for the Sound: My Life with the Grateful Dead
by Phil Lesh"The bass player for the greatest improvisational band in American history tells the full, true story of his life, Jerry Garcia, and the Grateful Dead." "Phil Lesh first met Jerry Garcia in 1959 in the clubs of Palo Alto, California. At Garcia's suggestion, Lesh learned how to play the electric bass and joined him in a new group that blended R & B, country, and rock 'n' roll with an experimental fervor never before heard." "Now, in time for the Grateful Dead's fortieth anniversary, Phil Lesh offers the first behind-the-scenes history of the Dead - a story no one will ever know as he does. Lesh chronicles how the Dead's signature sound emerged, flowed, and swelled to reach millions of devoted fans, from their earliest gigs at Frenchy's Bikini-A-Go-Go for an audience of three, to the legendary Acid Tests, to packed stadiums around the world."--BOOK JACKET.
Season of the Witch
by Peter BebergalThis epic cultural and historical odyssey unearths the full influence of occult traditions on rock and roll--from the Beatles to Black Sabbath--and shows how the marriage between mysticism and music changed our world. From the hoodoo-inspired sounds of Elvis Presley to the Eastern odysseys of George Harrison, from the dark dalliances of Led Zeppelin to the Masonic imagery of today's hip-hop scene, the occult has long breathed life into rock and hip-hop--and, indeed, esoteric and supernatural traditions are a key ingredient behind the emergence and development of rock and roll. With vivid storytelling and laser-sharp analysis, writer and critic Peter Bebergal illuminates this web of influences to produce the definitive work on how the occult shaped--and saved--popular music. As Bebergal explains, occult and mystical ideals gave rock and roll its heart and purpose, making rock into more than just backbeat music, but into a cultural revolution of political, spiritual, sexual, and social liberation.
Season of the Witch: The Book of Goth
by Cathi UnsworthNot Just Music─The Enduring Legacy of GothDive deep into the tumultuous era of Margaret Thatcher’s 1980s England and the profound impact of goth on a generation of alienated youthsGoth's emergence defied a political era. As Margaret Thatcher's iron grip tightened around Britain, catalyzed by events like the miners' strikes and the rise of privatization, an unexpected counter-culture began to take root. Bands like Siouxsie and the Banshees and Joy Division, offspring of punk's raw energy, found a way to articulate the disillusionment of the times. Through their evocative sounds and iconography, they ushered in a musical movement that mirrored the societal shifts.Politics and music find an unusual nexus. The story of goth isn't merely a tale of alienated youths or atmospheric tunes. It’s a narrative deeply intertwined with the Yorkshire Ripper's horrors, Sid Vicious's tragedy, and the societal upheavals heralded by Margaret Thatcher, the Iron Lady. Author Cathi Unsworth paints a vivid tapestry, demonstrating how goth became more than just music—it became a reflection of an era's ethos and spirit.Inside, you'll discover:Deep Political Resonance: How goth's dark melodies interlaced with the Thatcher era, the miners' strikes, and privatization.Goth's Global Footprint: The journey from punk's downfall, marked by Sid Vicious, to the international acclaim of bands like Siouxsie and the Banshees.Enduring Cultural Impact: An examination of goth's lasting legacy amidst alienated youths and Britain's counter-culture movement.Historical Synchronicity: The parallel narrative of the Yorkshire Ripper's reign and goth's rise during Britain's most tumultuous times.If you have read books like The Art of Darkness, Faith Hope and Carnage, Into the Void, or Goth by Lol Tolhurst, you’ll love Season of the Witch.
Seattle's Music Venues (Images of America)
by Jolie Dawn BergmanThe varieties of music venues in Seattle have been as vital and vibrant for the people of the Emerald City as the genres that have graced these famous halls. These houses of music have nurtured the entertainment legacy of this region. Each holds a beautiful, haunting, and unique history that has helped shape the Pacific Northwest�s musical culture, which, in turn, has helped shape our community. Out of the ashes of the Great Seattle Fire of 1889, the vaudeville age took Seattle by storm. The cultural and community centers harmonized with operas and symphonies. From the 1962 World�s Fair to world-famous street musicians, Seattle�s Music Venues will take the reader on a pictorial journey through 100 years of images compiled from the photographic collections of the Seattle Public Library, Seattle Municipal Archives, Library of Congress, and the author�s personal collection.
Sebi and the Land of Cha Cha Cha
by Roselyn Sanchez Eric WinterFrom Devious Maids star Roselyn Sanchez and Witches of East End star Eric Winter comes a story about the joys of dance! It is El Carnaval Latino and Sebi is really excited. She loves the colorful clothes, the lively music but most of all she loves the dance. Her mother says she is a bit too young to take dance lessons. But when a beautiful Cotorra bird flies by and invites her and her friend, Keeke to follow, they are led on an exciting adventure to an enchanted land where the dancing fun has just begun! Perfect for young children who love to dance!