- Table View
- List View
Samuel Beckett, Repetition and Modern Music
by John McGrathMusic abounds in twentieth- century Irish literature. Whether it be the "thought-tormented" music of Joyce’s "The Dead", the folk tunes and opera that resound throughout Ulysses, or the four- part threnody in Beckett’s Watt, it is clear that the influence of music on the written word in Ireland is deeply significant. Samuel Beckett arguably went further than any other writer in the incorporation of musical ideas into his work. Musical quotations inhabit his texts, and structural devices such as the da capo are metaphorically employed. Perhaps most striking is the erosion of explicit meaning in Beckett’s later prose brought about through an extensive use of repetition, influenced by his reading of Schopenhauer’s philosophy of music. Exploring this notion of "semantic fluidity", John McGrath discusses the ways in which Beckett utilised extreme repetition to create texts that operate and are received more like music. Beckett’s writing has attracted the attention of numerous contemporary composers and an investigation into how this Beckettian "musicalized fiction" has been retranslated into contemporary music forms the second half of the book. Close analyses of the Beckett- inspired music of experimental composer Morton Feldman and the structured improvisations of avantjazz guitarist Scott Fields illustrate the cross- genre appeal of Beckett to musicians, but also demonstrate how repetition operates in diverse ways. Through the examination of the pivotal role of repetition in both music and literature of the twentieth century and beyond, John McGrath’s book is a significant contribution to the field of Word and Music Studies.
Samuel Coleridge-Taylor, a Musical Life
by Jeffrey GreenGreen’s study is more than a biography of an Anglo-African composer.The first comprehensive study of Coleridge-Taylor’s life for almost a century, it reveals how class-ridden Britain could embrace even the most unlikely of cultural icons.
Samuel Holyoke: Selected Works (Music of the New American Nation: Sacred Music from 1780 to 1820 #12)
by Harry EskewThis series presents the music of early American composers of sacred music・psalmody, as it was called・in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American composers in accurate editions for both performance and study. This volume presents representative compositions by two American psalmodists, Samuel Holyoke and Jacob Kimball, who were actively engaged in the reform of American psalmody during the 1790s and early 1800s. American compositions were often criticized for two features: their failure to conform to the harmonic norms of European art music and their often vigorous, animated musical style, which was sometimes considered lacking in a reverent spirit appropriate for use in public worship
Samuel Wesley (1766-1837): A Source Book
by Michael KasslerHailed as a child prodigy and later acclaimed as England's finest extempore organist, Samuel Wesley - son of Charles Wesley and nephew of John Wesley, the founders of Methodism - is best known today for his musical compositions and for his promotion of the music of J. S. Bach. At the heart of this source book is a calendar of Samuel Wesley's correspondence. The editors date and summarise the content of over 1100 surviving letters and other documents, most of which have not previously been published. The book accordingly reveals considerable new information about Wesley and his complex personal affairs, including his incarceration for debt and his confinement in a lunatic asylum for a year. Many details are provided about London musical life in the era from Boyce to Mendelssohn that prior scholars have not taken into account. The book also presents a chronology of Wesley's life, a descriptive list of his nearly 550 musical and literary works, a discography, an iconography and a bibliography. It therefore is the most comprehensive available reference source for Wesley's life, times and music.
SamulNori
by Nathan HesselinkIn 1978, four musicians crowded into a cramped basement theater in downtown Seoul, where they, for the first time, brought the rural percussive art of p'ungmul to a burgeoning urban audience. In doing so, they began a decades-long reinvention of tradition, one that would eventually create an entirely new genre of music and a national symbol for Korean culture. Nathan Hesselink's SamulNori traces this reinvention through the rise of the Korean supergroup of the same name, analyzing the strategies the group employed to transform a museum-worthy musical form into something that was both contemporary and historically authentic, unveiling an intersection of traditional and modern cultures and the inevitable challenges such a mix entails. Providing everything from musical notation to a history of urban culture in South Korea to an analysis of SamulNori's teaching materials and collaborations with Euro-American jazz quartet Red Sun, Hesselink offers a deeply researched study that highlights the need for traditions--if they are to survive--to embrace both preservation and innovation.
SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture (Chicago Studies in Ethnomusicology)
by Nathan HesselinkIn 1978, four musicians crowded into a cramped basement theater in downtown Seoul, where they, for the first time, brought the rural percussive art of p’ungmul to a burgeoning urban audience. In doing so, they began a decades-long reinvention of tradition, one that would eventually create an entirely new genre of music and a national symbol for Korean culture. Nathan Hesselink’s SamulNori traces this reinvention through the rise of the Korean supergroup of the same name, analyzing the strategies the group employed to transform a museum-worthy musical form into something that was both contemporary and historically authentic, unveiling an intersection of traditional and modern cultures and the inevitable challenges such a mix entails. Providing everything from musical notation to a history of urban culture in South Korea to an analysis of SamulNori’s teaching materials and collaborations with Euro-American jazz quartet Red Sun, Hesselink offers a deeply researched study that highlights the need for traditions—if they are to survive—to embrace both preservation and innovation.
SamulNori: Korean Percussion For A Contemporary World (SOAS Musicology Series)
by Keith HowardSamulNori is a percussion quartet which has given rise to a genre, of the same name, that is arguably Korea’s most successful ’traditional’ music of recent times. Today, there are dozens of amateur and professional samulnori groups. There is a canon of samulnori pieces, closely associated with the first founding quartet but played by all, and many creative evolutions on the basic themes, made by the rapidly growing number of virtuosic percussionists. And the genre is the focus of an abundance of workshops, festivals and contests. Samulnori is taught in primary and middle schools; it is part of Korea’s national education curriculum. It has dedicated institutes, and there are a number of workbooks devoted to helping wannabe ’samulnorians’. It is a familiar part of Korean performance culture, at home and abroad, in concerts but also in films and theatre productions. SamulNori uses four instruments: kkwaenggwari and ching small and large gongs, and changgo and puk drums. These are the instruments of local percussion bands and itinerant troupes that trace back many centuries, but samulnori is a recent development of these older traditions: it was first performed in February 1978. This volume explores this vibrant percussion genre, charting its origins and development, the formation of the canon of pieces, teaching and learning strategies, new evolutions and current questions relating to maintaining, developing, and sustaining samulnori in the future.
San Antonio Rose: The Life And Music Of Bob Wills
by Charles R. TownsendThe virtual creator of Western Swing, Bob Wills, gets his due from Charles R. Townsend's SAN ANTONIO ROSE, a thoroughly researched study of the bandleader's life and times. Born to a large family of fiddlers, Wills gained much of his musical knowledge from the black workers the family picked cotton with and sometimes employed; he credited the blues with lending his brand of country dance music much of its originality. After various truncated careers, including farming, a turn at horse racing, and some time spent as a barber, Wills finally turned professional when his band performed weekly radio spots for a flour company as the Light Crust Doughboys, whose popularity led to a name change and the birth of the legendary Texas Playboys. Wills' music was an eclectic mix of jazz, blues, Mexican music, and West Texas fiddling that attempted to sound like a jazz dance band while using the instruments common to country music; the resulting mix was an irresistible hybrid that would outlast many of the jazz swing bands of the 1940s. Townsend's discerning overview of Wills' career and musical influence is an authoritative and entertaining biography of this celebrated country music original. Above synopsis from Allbris.com http://www.alibris.com/books/isbn/0252004701%20025201362X/San%20Antonio%20Rose:%20The%20Life%20and%20Music%20of%20Bob%20Wills The book's author, CHARLES R. TOWNSEND won a Grammy Award in 1975 for his brochure notes accompanying United Artists' release of For the Last Time, the last recording session of Bob Wills and his Texas Playboys.
San Francisco Jazz
by Medea Isphording BernSan Francisco is probably best known for its hills, ubiquitous fog, dungeness crab and the Golden Gate Bridge. But jazz music's threads are similarly woven into the fabric of the city and its environs. Whether performed in renowned clubs like So Different, Jimbo's Bop City, Black Hawk, and the Jazz Workshop or in halls like the Primalon Ballroom and Great American Music Hall, jazz has infused the city from the Barbary Coast to the Fillmore, thrilling audiences for over a century. San Franciscans have grooved to and incubated scores of jazz acts, hot and cool, raucous and contemplative. That tradition continues today.
San Juan Noir (Akashic Noir #0)
by Mayra Santos-FebresLa capital de Puerto Rico entra la serie noir, editado por una de las autoras más conocidas de San Juan. “A welcomed addition to the publisher’s popular noir series, San Juan Noir has the distinction of being issued in two editions, English and Spanish, to more accurately reflect the Caribbean island’s bilingual culture. Editor Santos-Febres gathers a varied collection of stories she expects will ‘reveal a side of Puerto Rico otherwise obscured by the tourist trade and preconception.’” —NBC News Latino La serie noir ha hecho una marca fuerte en el Caribe con Havana Noir, Kingston Noir, Haiti Noir, y Trinidad Noir. Este volumen muestra el hecho que la isla del Puerto Rico no es totalmente playas arenosas y hoteles extravagantes. Mayra Santos-Febres es uno de los titanes literarios de la isla, y ella ha reclutado una lista estelar de compatriotas a contribuir. Cuentos nuevos por: Wilfredo J. Burgos Matos, Ernesto Quiñonez, Mayra Santos-Febres, José Rabelo, Luis Negrón, Yolanda Arroyo Pizarro, Ana María Fuster Lavín, Janette Becerra, Manolo Núñez Negrón, Tere Dávila, Edmaris Carazo, Alejandro Álvarez Nieves, Charlie Vázquez y Manuel A. Meléndez.
Sangeet Ke Gharano Ki Charcha: संगीत के घरानों की चर्चा
by Dr Sushil Kumar Chaubeyसंगीत के घरानों की चर्चा डॉ. सुशील कुमार चौबे द्वारा लिखित एक महत्वपूर्ण ग्रंथ है, जो भारतीय शास्त्रीय संगीत की विभिन्न परंपराओं और घरानों पर गहन विश्लेषण प्रस्तुत करता है। पुस्तक में ध्रुपद, ख्याल, ठुमरी, और कथक नृत्य सहित विभिन्न संगीत शैलियों का ऐतिहासिक और सांस्कृतिक अध्ययन किया गया है। यह घरानों की उत्पत्ति, उनके विकास, तथा महान संगीतज्ञों की योगदान को दर्शाती है, जिससे भारतीय संगीत की समृद्ध परंपरा स्पष्ट होती है। इसमें ग्वालियर, आगरा, जयपुर, लखनऊ, सहसवान, अतरौली और अन्य प्रतिष्ठित घरानों की विशिष्टताओं को विस्तार से समझाया गया है। डॉ. चौबे ने यह भी स्पष्ट किया है कि किस प्रकार गुरु-शिष्य परंपरा ने घरानों की परंपरा को जीवित रखा। यह पुस्तक न केवल संगीत शोधार्थियों और विद्यार्थियों के लिए उपयोगी है, बल्कि संगीत प्रेमियों को भी भारतीय शास्त्रीय संगीत की विविधताओं और परंपराओं की गहरी समझ प्रदान करती है।
Sangeet Shastra Darpan Pratham Bhag class 9 and class 10 - Himachal Pradesh Board: संगीत शास्त्र दर्पण प्रथम भाग कक्षा ९ एवं कक्षा १० - हिमाचल प्रदेश बोर्ड
by Shanti Govardhan“संगीत शास्त्र दर्पण प्रथम भाग” हिमाचल प्रदेश बोर्ड के कक्षा 9 और कक्षा 10 के छात्रों के लिए शांति गोवर्धन द्वारा लिखित एक महत्वपूर्ण शैक्षणिक पुस्तक है। यह पुस्तक भारतीय शास्त्रीय संगीत के मौलिक सिद्धांतों और तकनीकों का व्यापक वर्णन करती है। इसमें संगीत की प्राथमिक अवधारणाएँ जैसे स्वर, ताल, राग, और बंदिश को सरल और सुलभ भाषा में प्रस्तुत किया गया है, जिससे छात्र आसानी से समझ सकें। पुस्तक में रागों की संरचना, उनकी विशेषताएँ और उनकी प्रस्तुति के तरीके पर विशेष ध्यान दिया गया है। इसके साथ ही, तालों के प्रकार और उनकी गिनती, स्वर और ताल के बीच के संबंध, और भारतीय शास्त्रीय संगीत की संस्कृति का भी विस्तृत विवरण दिया गया है। लेखक ने संगीत के इन तत्त्वों को सजीव उदाहरणों और प्रायोगिक दृष्टिकोण से समझाया है, जिससे यह पुस्तक न केवल सिद्धांतों की जानकारी देती है बल्कि छात्रों को संगीत के प्रति गहरी समझ और रुचि भी विकसित करती है। यह पुस्तक हिमाचल प्रदेश बोर्ड की पाठ्यक्रम सामग्री के अनुरूप तैयार की गई है और छात्रों को शास्त्रीय संगीत की शिक्षा में एक मजबूत नींव प्रदान करती है। इसमें दिए गए अध्याय और अभ्यास छात्रों को परीक्षा के लिए भी अच्छी तरह से तैयार करते हैं। "संगीत शास्त्र दर्पण प्रथम भाग" कक्षा 9 और 10 के छात्रों के लिए एक आदर्श शैक्षणिक संसाधन है, जो उन्हें संगीत की जटिलताओं को समझने में सहायता करता है और उनकी शैक्षणिक यात्रा में महत्वपूर्ण योगदान देता है।
Santiago el soñador entre las estrellas
by Ricky MartinA veces, cuando tratas de alcanzar la luna, puede que acabes entre las estrellas. El mayor sueño de Santiago es actuar en un escenario. Pero cuando no consigue el papel principal en la obra de la escuela, pone en duda su habilidad. Animado por las palabras inspiradoras de su papá, Santiago recobra la confianza en sí mismo y descubre que con amor y dedicación se pueden lograr cosas asombrosas, más allá de la imaginación. De la súper estrella internacional, Ricky Martin, nos llega la motivadora historia de un niño que sigue el llamado de su corazón, y de un padre que cree en el potencial sin límites de su hijo.
Santiago the Dreamer in Land Among the Stars
by Ricky MartinWhen you reach for the moon sometimes you land among the stars. Santiago’s biggest dream is to perform on stage. But when he doesn’t get the lead role in the school play, he can’t help but doubt himself. Encouraged by his father’s inspiring words, Santiago rebuilds his confidence and finds that with passion and dedication, you can achieve amazing things beyond your wildest imagination. From international superstar Ricky Martin, comes a timeless story of a boy who follows his heart and a father who believes in his son’s boundless potential.
Satan Is Real: The Ballad of the Louvin Brothers
by Benjamin Whitmer Charlie LouvinGet ready for one of America’s great untold stories: the true saga of the Louvin Brothers, a mid-century Southern gothic Cain and Abel and one of the greatest country duos of all time. The Los Angeles Times called them “the most influential harmony team in the history of country music,” but Emmylou Harris may have hit closer to the heart of the matter, saying “there was something scary and washed in the blood about the sound of the Louvin Brothers.” For readers of Johnny Cash’s irresistible autobiography and Merle Haggard’s My House of Memories, no country music library will be complete without this raw and powerful story of the duo that everyone from Dolly Parton to Gram Parsons described as their favorites: the Louvin Brothers.
Satchmo: The Genius of Louis Armstrong
by Gary GiddinsGary Giddins has been called "the best jazz writer in America today" (Esquire). Louis Armstrong has been called the most influential jazz musician of the century. Together this auspicious pairing has resulted in Satchmo, one of the most vivid and fascinating portraits ever drawn of perhaps the greatest figure in the history of American music. Available now at a new price, this text-only edition is the authoritative introduction to Armstrong's life and art for the curious newcomer, and offers fresh insight even for the serious student of Pops.
Satisfaction: 10 Albums That Changed My Life
by Martin PopoffDiscover the music that influenced some of the biggest stars in Music history in 10 Albums That Changed My Life, a personal, insightful and gloriously illustrated look at the music that matters the most to the artists who matter the most to you. More than a hundred musicians invite you backstage, each revealing in their own words the 10 albums that influenced their lives, their music and their futures. Artists from Punk to Classic Rock, British Invasion to Pop, and Heavy Metal to Modern Rock take the stage in this sonic coming-of-age adventure. With more than 1,000 albums illustrated and profiled, 10 Albums That Changed My Life shares wonderfully intimate perspectives and surprising selections. Consider Henry Rollins, the legendary front man for punk's Black Flag. Slipped into his list of heavy rockers, you'll find The Original Broadway Cast Recording of Hair. "I had this record in 4th or 5th grade. It was my mother's. I knew it was subversive and I probably shouldn't be listening to it and that's what made it irresistible to me. Besides, there is some great songwriting and performances on this album," Rollins says. From the Beatles' Sgt. Peppers Lonely Hearts Club Band to Pink Floyd's Wish You Were Here, Rolling Stone's Exile on Main Street to The Beach Boys Pet Sounds, Flatt & Scruggs The Original Sound to Jimi Hendrix Are You Experienced, the book is packed with classics and cool revelations. Featuring a Foreword by Rock And Roll Hall of Fame artist Nancy Wilson of Heart, 10 Albums That Changed My Life is a fun and fabulous page-turner, tuning into the music that made a difference. And still does.
Saturday Night, Sunday Morning: Staying True to Myself from the Pews to the Stage
by PJ MortonGrammy-winning singer-songwriter, keyboardist for the mega pop band Maroon 5, and founder of Morton Records, PJ Morton details the inspiring journey that led to his unique sound and urges readers to follow their own dreams. The son of pastors and gospel artists, PJ Morton grew up singing gospel music in church. As he was drawn to R&B and pop, PJ experimented in combining genres to create his own sound that record labels struggled to categorize. Despite the pressure to conform, he defied expectations and risked launching his own label, Morton Records, leading to twenty Grammy nominations and awards. PJ Morton is the rare artist who has straddled the tensions of life, whether in music or faith expressions, or in racial and cultural identities, while staying true to his New Orleans and Christian roots. Saturday Night, Sunday Morning captures his powerful journey of combining his two worlds, showing readers how to overcome obstacles as they seek their own dreams.
Saturday Nights with Daddy at the Opry
by Libby Leverett-CrewThe daughter of the Grand Ole Opry’s official photographer reminisces about witnessing country music history alongside her father in this memoir.Like many little girls, Libby Leverett-Crew’s father, Les Leverett, often had to work nights and weekends. But unlike many girls, Libby’s father took her along to his job—where he was the official photographer for the Grand Ole Opry for more than thirty years.First at the historic Ryman Auditorium, and later at the Grand Ole Opry House, Libby Leverett-Crew was a witness to country music history. And now some forty years later, she pays tribute to the wonderful people who touched the lives of her entire family while at the same time hearing witness to the powerful impact a loving father can have on his child’s life.In Saturday Nights with Daddy at the Opry, Libby Leverett-Crew shares not only her remarkable memories of those Saturday nights with Dolly Parton, Minnie Pearl, Roy Acuff, Bill Monroe, and countless others, including assorted Muppets, astronauts, ballet dancers, actors, Andy Warhol, and k.d. lang, but also a beautiful father-daughter relationship. The book also includes more than 100 photographs from her father.Praise for Saturday Nights with Daddy at the Opry“Les Leverett has added so much class and talent to our world; I’m not surprised that his daughter, Libby, has done this book. Yeah, Libby good for you. I’m proud to have baby-sat you from time to time backstage. You were always a joy.” —Dolly Parton“There’s an old song, “I Was There When It Happened So I Guess I Oughta Know.” That’s [Libby’s] story inside the world of country music. I knew her first as Les Leverett’s kid. It must be in the water at their house because she’s come into her own as a masterful photographer. She also wields a pen that has a detailed memory for great storytelling.” —Marty Stuart
Save Me from Myself: How I Found God, Quit Korn, Kicked Drugs, and Lived to Tell My Story
by Brian WelchThe former Korn guitarist’s “compelling” story of an out-of-control life, a devastating drug addiction, and a miraculous redemption through Jesus Christ(Entertainment Weekly).In February 2005, more than ten thousand people in Bakersfield, California, watched as Brian “Head” Welch—the former lead guitarist of the controversial rock band Korn—was saved by Jesus Christ. The event set off a media frenzy as observers from around the world sought to understand what led this rock star out of the darkness and into the light.Now, in this courageous memoir, Head talks for the first time about his shocking embrace of God and the tumultuous decade that led him into the arms of Jesus Christ. Offering a backstage pass to his time with Korn, Head tells the inside story of his years in the band and explains how his lifestyle resulted in an all-consuming addiction to methamphetamines. Writing openly about the tour bus mayhem of Ozzfest and the Family Values tour, he provides a candid look at how the routine of recording, traveling, and partying placed him in a cycle of addiction that he could not break on his own.Head details his struggles with the drug that ultimately led him to seek a higher power. Despite his numerous attempts to free himself from meth, nothing—not even the birth of his daughter—could spur him to kick it for good. Here Head addresses how, with the help of God, he emerged from his dangerous addiction and found a path that was not only right for his daughter, it was right for him.Discussing the chaotic end to his time in Korn and how his newfound faith has influenced his relationship with his daughter, his life, and his music, Head describes a rock and roll journey unlike any other, and reveals how his moments of doubt and his hardships have only deepened his faith.“Not your typical testimony account . . . surprisingly engrossing.” —CCM Magazine“[A] tale of how religion can save a lost soul . . . the book explains, without becoming preachy, how Welch gave up rock stardom for a Christian lifestyle.” —Library JournalIncludes photographs
Saved by a Song: The Art and Healing Power of Songwriting
by Mary Gauthier"A handbook for compassion... a Must-Read Music Book.”—Rolling Stone Country"Generous and big-hearted, Gauthier has stories to tell and worthwhile advice to share." —Wally Lamb, author of I Know This Much Is True"Gauthier has an uncanny ability to combine songwriting craft with a seeker’s vulnerability and a sage’s wisdom.” —Amy Ray, Indigo GirlsFrom the Grammy nominated folk singer and songwriter, an inspiring exploration of creativity and the redemptive power of song Mary Gauthier was twelve years old when she was given her Aunt Jenny’s old guitar and taught herself to play with a Mel Bay basic guitar workbook. Music offered her a window to a world where others felt the way she did. Songs became lifelines to her, and she longed to write her own, one day. Then, for a decade, while struggling with addiction, Gauthier put her dream away and her call to songwriting faded. It wasn’t until she got sober and went to an open mic with a friend did she realize that she not only still wanted to write songs, she needed to. Today, Gauthier is a decorated musical artist, with numerous awards and recognition for her songwriting, including a Grammy nomination. In Saved by a Song, Mary Gauthier pulls the curtain back on the artistry of songwriting. Part memoir, part philosophy of art, part nuts and bolts of songwriting, her book celebrates the redemptive power of song to inspire and bring seemingly different kinds of people together.
Saving Marty
by Paul GriffinFans of Because of Winn Dixie will adore this warm and heart-wrenching story of the friendship between a boy and a pig who thinks it's a dog. <P><P>Eleven-year-old Lorenzo Ventura knows heroes are rare—like his father, who died in the war, or his friend Paloma Lee, who fearlessly pursues her dream of being a famous musician. Renzo would never describe himself as a hero, but his chance comes when he adopts Marty, a runt piglet. <P><P>Marty is extraordinary—he thinks he’s a dog and acts like one too—and his bond with Renzo is truly one of a kind. At first, the family farm seems like the perfect home for Marty, but as he approaches 350 pounds, it becomes harder for Renzo to convince his mom that a giant pig makes a good pet. <P><P>So when Marty causes a dangerous (and expensive) accident, Renzo knows Marty’s time is up. He’d do anything and everything for his best friend, but will everything be enough to save Marty? <P><P>Paul Griffin masterfully melds the heartrending and the hopeful in this unforgettable story about the power of friendship . . . and the unsung heroes all around us.
Sax Expat: Don Byas (American Made Music Series)
by Con ChapmanDon Byas (1913–1972) may be lesser known than the counterparts he played with—Count Basie, Duke Ellington, and Dizzy Gillespie, among others—but he was an enigma. He never stayed with a band for long, and eventually went solo partly to make more money and partly due to his inability to work with bandleaders. Often drinking to excess, alcohol fueled his sometimes-erratic behavior on and off the bandstand. He went through at least thirteen different groups in fifteen years of professional play before leaving for Europe in 1946. Despite his fractious personality, in Europe he found peace and contentment as a family man in the Netherlands, where he lived out his days with his second wife and their four children. He learned at least seven languages during his years in Europe, and on traveling to a new country could pick up a few phrases in short order, soon speaking to the locals and even composing songs in their native tongue. In Sax Expat: Don Byas, author Con Chapman argues that Byas’s relative obscurity arises from his choice to live in Europe, where he missed out on recording opportunities and exposure in the US that would have made him renowned and wealthier. His numerous achievements, including his solo on Count Basie’s “Harvard Blues,” which is a model of restrained invention; his interpretation of the sentimental movie theme “Laura”; and his duets with bassist Slam Stewart were included in the Smithsonian Collection of Classic Jazz and secured Byas’s place in jazz history. This biography brings to life an amazing jazz story.
Saxofon für Dummies (Für Dummies)
by Michael Villmow Denis GabelDenis Gäbel und Michael Villmow führen in "Saxofon für Dummies" in die Welt dieses einzigartigen Instruments ein. Sie zeigen, welche Saxofonarten es gibt und welche Art sich für wen eignet, wie Sie das Instrument optimal halten und richtig hineinblasen. Dann geht es auch schon los mit den ersten Tönen, Phrasen, ersten Melodien und kleinen Improvisationen. Dabei lernen Sie, wie Sie Verbindungen zwischen den Tönen meistern, die Töne richtig betonen und Soundeffekte gekonnt einsetzen. Außerdem geben die Autoren umfassende Tipps zum effektiven Üben, Equipment, sowie zur Pflege und Wartung des Instruments. Darüberhinaus empfehlen sie herausragende Aufnahmen von Meistern des Saxofons.
Saxophone Colossus: The Life and Music of Sonny Rollins
by Aidan Levy**Winner of the American Book Award (2023)** **Longlisted for the PEN/Jacqueline Bograd Weld Award (2023)** The long-awaited first full biography of legendary jazz saxophonist and composer Sonny Rollins Sonny Rollins has long been considered an enigma. Known as the &“Saxophone Colossus,&” he is widely acknowledged as one of the greatest jazz improvisers of all time, winning Grammys, the Austrian Cross of Honor, Sweden&’s Polar Music Prize and a National Medal of Arts. A bridge from bebop to the avant-garde, he is a lasting link to the golden age of jazz, pictured in the iconic &“Great Day in Harlem&” portrait. His seven-decade career has been well documented, but the backstage life of the man once called &“the only jazz recluse&” has gone largely untold—until now. Based on more than 200 interviews with Rollins himself, family members, friends, and collaborators, as well as Rollins&’ extensive personal archive, Saxophone Colossus is the comprehensive portrait of this legendary saxophonist and composer, civil rights activist and environmentalist. A child of the Harlem Renaissance, Rollins&’ precocious talent landed him on the bandstand and in the recording studio with Bud Powell, Thelonious Monk, Charlie Parker, Miles Davis and Dizzy Gillespie, or playing opposite Billie Holiday. An icon in his own right, he recorded Tenor Madness, featuring John Coltrane; Way Out West; Freedom Suite, the first civil rights-themed album of the hard bop era; A Night at the Village Vanguard; and the 1956 classic Saxophone Colossus. Yet his meteoric rise to fame was not without its challenges. He served two sentences on Rikers Island and won his battle with heroin addiction. In 1959, Rollins took a two-year sabbatical from recording and performing, practicing up to 16 hours a day on the Williamsburg Bridge. In 1968, he left again to study at an ashram in India. He returned to performing from 1971 until his retirement in 2012. The story of Sonny Rollins—innovative, unpredictable, larger than life—is the story of jazz itself, and Sonny&’s own narrative is as timeless and timely as the art form he represents. Part jazz oral history told in the musicians&’ own words, part chronicle of one man&’s quest for social justice and spiritual enlightenment, this is the definitive biography of one of the most enduring and influential artists in jazz and American history.