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Seven Days Of Possibilities: One Teacher, 24 Kids, and the Music That Changed Their Lives Forever
by Anemona HartocollisThe inspirational true story of one plucky young teacher, whose passion for her students transformed their livesusome for only seven days, others for a lifetime"
Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good
by Corey TaylorFor the first time, Slipknot and Stone Sour frontman Corey Taylor speaks directly to his fans and shares his worldview about life as a sinner. And Taylor knows how to sin. As a small-town hero in the early '90s, he threw himself into a fierce-drinking, drug-abusing, hard-loving, live-for-the moment life. Soon Taylor's music exploded, and he found himself rich, wanted, and on the road. His new and ever-more extreme lifestyle had an unexpected effect, however; for the first time, he began to actively think about what it meant to sin and whether sinning could--or should--be recast in a different light. Seven Deadly Sins is Taylor's personal story, but it's also a larger discussion of what it means to be seen as either a "good" person or a "bad" one. Yes, Corey Taylor has broken the law and hurt people, but, if sin is what makes us human, how wrong can it be?
Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good
by Corey TaylorFor the first time, Slipknot and Stone Sour frontman Corey Taylor speaks directly to his fans and shares his worldview about life as a sinner. And Taylor knows how to sin. As a small-town hero in the early ’90s, he threw himself into a hard-drinking, fierce-loving, live-for-the-moment life; when his music exploded, he found himself rich, wanted, and on the road. But soon his extreme lifestyle led him to question what it means to sin and whether it could—or should—be cast in a different light. After all, if sin makes us human how wrong can it be?Now updated with a new Afterword by the author, Seven Deadly Sins is a brutally honest look “at a life that could have gone horribly wrong at any turn,” and the soul-searching and self-discovery it took to set it right.
Seventeen Famous Operas
by Ernest Newman“The great composer does not set to work because he is inspired, but becomes inspired because he is working.” –Ernest Newman In Seventeen Famous Operas, renowned musicologist and music critic Ernest Newman goes beyond simply retelling the plots of the operas he has chosen to feature in this volume. Because for Newman, opera was theater—and he demonstrates that with his in-depth studies of the seventeen featured operas. Newman uses biographical, literary, and historical background to expose the reader to how each featured work came to be. These featured works include La Boheme, Madame Butterfly, Carmen, La Traviata, The Marriage of Figaro, The Barber of Seville, The Magic Flute and ten other famous works. Seventeen Famous Operas is a must-read for music librarians, opera lovers, and propagandists of music everywhere.
Seventeenth-Century Opera and the Sound of the Commedia dell’Arte
by Emily WilbourneIn this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell’arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.
Sex Sounds: Vectors of Difference in Electronic Music
by Danielle Shlomit SoferAn investigation of sexual themes in electronic music since the 1950s, with detailed case studies of &“electrosexual music&” by a wide range of creators. In Sex Sounds, Danielle Shlomit Sofer investigates the repeated focus on sexual themes in electronic music since the 1950s. Debunking electronic music&’s origin myth—that it emerged in France and Germany, invented by Pierre Schaeffer and Karlheinz Stockhausen, respectively—Sofer defines electronic music more inclusively to mean any music with an electronic component, drawing connections between academic institutions, radio studios, experimental music practice, hip-hop production, and histories of independent and commercial popular music. Through a broad array of detailed case studies—examining music that ranges from Schaeffer&’s musique concrète to a video workshop by Annie Sprinkle—Sofer offers a groundbreaking look at the social and cultural impact sex has had on audible creative practices. Sofer argues that &“electrosexual music&” has two central characteristics: the feminized voice and the &“climax mechanism.&” Sofer traces the historical fascination with electrified sex sounds, showing that works representing women&’s presumed sexual experience operate according to masculinist heterosexual tropes, and presenting examples that typify the electroacoustic sexual canon. Noting electronic music history&’s exclusion of works created by women, people of color, women of color, and, in particular Black artists, Sofer then analyzes musical examples that depart from and disrupt the electroacoustic norms, showing how even those that resist the norms sometimes reinforce them. These examples are drawn from categories of music that developed in parallel with conventional electroacoustic music, separated—segregated—from it. Sofer demonstrates that electrosexual music is far more representative than the typically presented electroacoustic canon.
Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks (New Material Histories of Music)
by David YearsleyAt one time a star in her own right as a singer, Anna Magdalena (1701–60) would go on to become, through her marriage to the older Johann Sebastian Bach, history’s most famous musical wife and mother. The two musical notebooks belonging to her continue to live on, beloved by millions of pianists young and old. Yet the pedagogical utility of this music—long associated with the sound of children practicing and mothers listening—has encouraged a rosy and one-sided view of Anna Magdalena as a model of German feminine domesticity. Sex, Death, and Minuets offers the first in-depth study of these notebooks and their owner, reanimating Anna Magdalena as a multifaceted historical subject—at once pious and bawdy, spirited and tragic. In these pages, we follow Magdalena from young and flamboyant performer to bereft and impoverished widow—and visit along the way the coffee house, the raucous wedding feast, and the family home. David Yearsley explores the notebooks’ more idiosyncratic entries—like its charming ditties on illicit love and searching ruminations on mortality—against the backdrop of the social practices and concerns that women shared in eighteenth-century Lutheran Germany, from status in marriage and widowhood, to fulfilling professional and domestic roles, money, fashion, intimacy and sex, and the ever-present sickness and death of children and spouses. What emerges is a humane portrait of a musician who embraced the sensuality of song and the uplift of the keyboard, a sometimes ribald wife and oft-bereaved mother who used her cherished musical notebooks for piety and play, humor and devotion—for living and for dying.
Sex, Drugs, Ratt & Roll
by Sam Benjamin Stephen PearcyA jaw-dropping tell-all from the lead singer of the 1980s supergroup Ratt: the groupies, the trashed hotel rooms, the drugs--and just how much you can get away with when you're one of the biggest hair metal stars of all time.In the mid-1980s, Ratt, alongside Motley Crüe, Poison, and Quiet Riot, were laying down the riffs and unleashing the scissor kicks that would herald the arrival of music's most flamboyantly debauched era. Now with Sex, Drugs, Ratt & Roll, Ratt frontman and chief rabble-rouser Stephen Pearcy divulges all the dirty details of the era when big-haired bands ruled the world. Stephen was primed for a life of excess from an early age--his father died of a heroin overdose when he was twelve, and by the age of fifteen, Stephen was himself a drug addict. When Stephen met the thrill-seeking Robbin Crosby, he knew he'd found his perfect partner in crime--both in music and partying. Ratt's 1984 debut single, "Round and Round," became one of the top-selling metal songs of all time, but it was the band's off-stage escapades that were the stuff of legend. "Our tour bus is like our pirate ship, it's where we rape and pillage," said Pearcy in 1987. Now Pearcy's memoir reveals all the rock star excess--the partying, the women, the $2,000-a-day drug habits--letting fans see into this harrowing hair-metal lifestyle and what it's really like behind the scenes when you're a rock star.
Sex, Drugs, and Rock 'n' Roll: The Science of Hedonism and the Hedonism of Science
by Zoe CormierFull of noise and color, Sex, Drugs, and Rock ’n’ Roll looks at scientists and their craft, how hedonistic impulses inform our highest pursuits, and how the renegades of science have illuminated the secrets of our deepest impulses. It is a fascinating tale of scientists on the edge, experimenting on themselves and others, that asks the big (and strange) questions about what it means to be human, about consciousness and happiness, the future and past of our species, our scientific knowledge, and our culture. Not to mention our parties. It will pull you in and gross you out, but it never loses sight of the stories, ideas, and scientific discoveries that make sex, drugs, and rock ’n’ roll so timeless.
Sextet
by Morris Panych"The best script Morris Panych has ever written."?Toronto StarA blizzard strands six musicians in their motel with only their instruments, each other, and their secrets to keep them warm. Where will everyone sleep when everyone is sleeping with everyone else? Morris Panych is internationally recognized as one of North America's master playwrights.
Sexual and Physical Violence in Australian Punk and Hardcore Music Scenes (Routledge Studies in Crime, Culture and Media)
by Ash BarnesFocused on the Australian punk and hardcore music scene, this book provides an innovative balance between the acknowledgement of harm and the celebration of pleasure in live music spaces.Despite decades of advocacy within vibrant music communities, stories of sexual and physical violence persist. Although anecdotally common in alternative music cultures, the interpretation and experiences of harm have remained absent from criminological analysis. Gradients of harm dictate and frame certain behaviour as ‘unacceptable’ or ‘encouraged’ under specific social conditions. As explored through qualitative research interviews and the author’s lived experience, violence within music scenes is a complex, personal, and collective experience.Issues such as discrimination, social inequality, stereotyping and rape myth acceptance are instrumental in shaping how people in the punk and hardcore scenes fail to recognise, minimize, and dismiss violence in their community. This text questions how and why some people are ‘worthy’ or ‘unworthy’ victims of crime, and why harmful behaviour continues within these spaces.Sexual and Physical Violence in Australian Punk and Hardcore Music Scenes will be of interest to researchers in the field of criminology and sociology but is also applicable to a wider academic audience interested in violence, deviance, and subcultures.
Señor Don Gato: A Traditional Song
by John MandersWhen he climbs on a roof to read a love letter, a cat has an unfortunate fall with unexpected consequences.
Sgt. Pepper and the Beatles: It Was Forty Years Ago Today (Ashgate Popular and Folk Music Series)
by Olivier JulienThe first concept album in the history of popular music, the soundtrack of the Summer of Love or 'Hippy Symphony No. 1': Sgt. Pepper's Lonely Hearts Club Band is first and foremost the album that gave rise to 'hopes of progress in pop music' (The Times, 29 May 1967). Sgt. Pepper and the Beatles commemorates the fortieth anniversary of this masterpiece of British psychedelia by addressing issues that will help put the record in perspective. These issues include: reception by rock critics and musicians, the cover, lyrics, songwriting, formal unity, the influence of non-European music and art music, connections with psychedelia and, more generally, the sociocultural context of the 1960s, production, sound engineering and musicological significance. The contributors are world renowned for their work on the Beatles: they examine Sgt. Pepper from the angle of disciplines such as musicology, ethnomusicology, history, sociology, literature, social psychology and cultural theory.
Sh-Boom!: The Explosion of Rock 'n' Roll, 1953–1968
by Clay ColeA rip-snorting rock &‘n&’ roll memoir from the legendary disc jockey who&’s been called &“the missing link to the Sixties.&” There was a small sliver of time between Bebop and Hip-Hop, when a new generation of teenagers created rock &‘n&’ roll. Clay Cole was one of those teenagers, as the host of his own Saturday night pop music television show. Sh-Boom! is the pop culture chronicle of that exciting time, 1953 to 1968, when teenagers created their own music, from swing bands and pop to rhythm and blues, cover records, a cappella, rockabilly, folk-rock, and girl groups; from the British Invasion to the creation of the American Boy Band. He was the first to introduce Chubby Checker performing &“The Twist&”; the first to present the Rolling Stones, Tony Orlando, Dionne Warwick, Neil Diamond, Bobby Vinton, the Rascals, the Ronettes, the Four Seasons, Dion, and dozens more; the first to introduce music video clips, discotheque, go-go girls and young unknown standup comedians Richard Pryor, George Carlin, and Fannie Flagg to a teenage television audience. But after fifteen years of fame, Clay walked away from his highly popular Saturday night show at the age of thirty—and remained out of the spotlight for over forty years. Well, he&’s missing no longer; he&’s back with a remarkable story to tell. Brimming with the gossip, scandal and heartbreak of the upstart billion-dollar music biz, Sh-Boom! is a breezy, behind-the-scenes look at &“live&” television, mom-and-pop record companies, and a boozy, Mafia-run Manhattan during the early days of rock &‘n&’ roll.
Shades of Springsteen: Politics, Love, Sports, and Masculinity
by John MassaroOne of the secrets to Bruce Springsteen’s enduring popularity over the past fifty years is the way fans feel a deep personal connection to his work. Yet even as the connection often stays grounded in details from his New Jersey upbringing, Springsteen’s music references a rich array of personalities from John Steinbeck to Amadou Diallo and beyond, inspiring fans to seek out and connect with a whole world’s worth of art, literature, and life stories. In this unique blend of memoir and musical analysis, John Massaro reflects on his experiences as a lifelong fan of The Boss and one of the first professors to design a college course on Springsteen’s work. Focusing on five of the Jersey rocker’s main themes—love, masculinity, sports, politics, and the power of music—he shows how they are represented in Springsteen’s lyrics and shares stories from his own life that powerfully resonate with those lyrics. Meanwhile, paying tribute to Springsteen’s inclusive vision, he draws connections among figures as seemingly disparate as James Joyce, Ta-Nehisi Coates, Thomas Aquinas, Bobby Darin, and Lin-Manuel Miranda. Shades of Springsteen offers a deeply personal take on the musical and cultural legacies of an American icon.
Shake It Up, Baby!: The Rise of Beatlemania and the Mayhem of 1963
by Ken McNabA vivid, captivating account of the Beatles&’s musical transformation throughout the pivotal year of 1963, as the world became caught up in the maelstrom of Beatlemania and its far-reaching cultural impact. The Beatles broke up more than half a century ago, yet millions around the globe are still drawn to the legacy of four lads from Liverpool. From the carefree innocence of "A Hard Day's Night" to the experimental psychedelia of "Lucy In The Sky With Diamonds,&” their message of love, peace, and hope still resonates. In Shake It Up, Baby! we go back to the start—to 1963, when they went from playing in small clubs in the remote Scottish Highlands to four number one singles, two number one albums, three national tours, and being besieged by thousands of fans at gigs all over Britain. Ken McNab tells the story through gripping, exclusive eye-witness accounts from those who were there: the Beatlemaniacs, the journalists, broadcasters, and television producers who were scrambling to make sense of it all—and the other bands who could only watch in awe as the Beatles went from bottom of the bill to headline act to the biggest band on the planet, forever transforming musical history.
Shake It Up: A Library of America Special Publication
by Jonathan Lethem Kevin DettmarTHE ESSENTIAL PLAYLIST OF GREAT WRITING ABOUT THE MUSIC THAT ROCKED AMERICA Jonathan Lethem and Kevin Dettmar's Shake It Up invites the reader into the tumult and excitement of the rock revolution through fifty landmark pieces by a supergroup of writers on rock in all its variety, from heavy metal to disco, punk to hip-hop. Stanley Booth describes a recording session with Otis Redding; Ellen Willis traces the meteoric career of Janis Joplin; Ellen Sander recalls the chaotic world of Led Zeppelin on tour; Nick Tosches etches a portrait of the young Jerry Lee Lewis; Eve Babitz remembers Jim Morrison. Alongside are Lenny Kaye on acapella and Greg Tate on hip-hop, Vince Aletti on disco and Gerald Early on Motown; Robert Christgau on Prince, Nelson George on Marvin Gaye, Luc Sante on Bob Dylan, Hilton Als on Michael Jackson, Anthony DeCurtis on the Rolling Stones, Kelefa Sanneh on Jay Z. The story this anthology tells is a ongoing one: “it’s too early,” editors Jonathan Lethem and Kevin Dettmar note, “for canon formation in a field so marvelously volatile—a volatility that mirrors, still, that of pop music itself, which remains smokestack lightning. The writing here attempts to catch some in a bottle.” Also features:NAT HENTOFF on BOB DYLAN AMIRI BARAKA on R&B LESTER BANGS on ELVIS PRESLEY ROBERT CHRISTGAU on PRINCE DEBRA RAE COHEN on DAVID BOWIE EVE BABITZ on JIM MORRISON ROBERT PALMER on SAM COOKE CHUCK KLOSTERMAN on HEAVY METAL JESSICA HOPPER on EMO JOHN JEREMIAH SULLIVAN on AXL ROSE ELIJAH WALD on THE BEATLES GREIL MARCUS on CHRISTIAN MARCLAY and much more.
Shake It Up: Delicious cocktails inspired by the music of Taylor Swift
by WelbeckTake a trip into the Taylor-verse with this collection of delicious cocktail recipes inspired by the songs of Taylor Swift. Featuring 65 cocktail recipes alongside top tips and stunning Taylor-inspired illustrations, this is a celebration of pop music's finest songbook and the perfect collection for the Swiftie in your life.Cocktails include:I Knew You Were DoubleWe Are Never Ever Getting Back TequilaMr. Perfectly WineNew Rum-anticsGetaway SidecarCruel SlammerFizz The Damn SeasonThe Last Great American DaiquiriAnd many more.
Shake It Up: Delicious cocktails inspired by the music of Taylor Swift
by WelbeckTake a trip into the Taylor-verse with this collection of delicious cocktail recipes inspired by the songs of Taylor Swift. Featuring 65 cocktail recipes alongside top tips and stunning Taylor-inspired illustrations, this is a celebration of pop music's finest songbook and the perfect collection for the Swiftie in your life.Cocktails include:I Knew You Were DoubleWe Are Never Ever Getting Back TequilaMr. Perfectly WineNew Rum-anticsGetaway SidecarCruel SlammerFizz The Damn SeasonThe Last Great American DaiquiriAnd many more.
Shake My Sillies Out
by RaffiA trio of animals who can't get to sleep roam the forest and eventually encounter a group of campers who join them in shaking their sillies out, clapping their crazies out, and yawning their sleepies out.
Shake, Rattle & Turn That Noise Down!: How Elvis Shook Up Music, Me & Mom
by Mark Alan StamatyFOR HIS EIGHTH birthday, Mark Alan Stamaty’s parents gave him his very own radio. Little did his mother realize that that innocent-looking plastic box would one day be the gateway for a new kind of sound that would “rock” her nearly out of her mind. . . .Mark first heard the howling thunder of Elvis Presley singing “Hound Dog” on the radio one lazy day and his life was forever changed. Soon he was styling his hair like the King and practicing his dance moves with a tennis racket as his pretend guitar in front o f the mirror. But his mother lived in constant fear that her son’s new love of rock ’n’ roll would turn him into a juvenile delinquent. Could Mark’s performance at his Cub Scout talent show change her mind?
Shake, Rattle and Roll: Rhythm Instruments and More for Active Learning
by Abigail Flesch ConnorsMusic and movement go together like books and reading--they spread joy! It's no secret that quiet doesn't always equal quality learning. At times, we struggle to help children settle down so they can listen and learn. However, we can also encourage them to move to the beat so they can listen and learn in more active ways. In Shake, Rattle, and Roll: Rhythm Instruments and More for Active Learning, you will find activities that inspire curiosity, exploration, and creativity. When children are singing, moving, listening, and playing music, their creative energy enhances their learning in many areas like Language Arts and Math. Because there is not just one right way to play rhythm instruments or move to the beat, children can explore their own capabilities while they dance, sing, and play.
Shake, Rattle and Roll: Yugoslav Rock Music and the Poetics of Social Critique (Ashgate Popular and Folk Music Series)
by Dalibor MišinaFrom the late-1970s to the late-1980s rock music in Yugoslavia had an important social and political purpose of providing a popular cultural outlet for the unique forms of socio-cultural critique that engaged with the realities and problems of life in Yugoslav society. The three music movements that emerged in this period - New Wave, New Primitives, and New Partisans - employed the understanding of rock music as the 'music of commitment' (i.e. as socio-cultural praxis premised on committed social engagement) to articulate the critiques of the country's 'new socialist culture', with the purpose of helping to eliminate the disconnect between the ideal and the reality of socialist Yugoslavia. This book offers an analysis of the three music movements and their particular brand of 'poetics of the present' in order to explore the movements' specific forms of socio-cultural engagement with Yugoslavia's 'new socialist culture' and demonstrate that their cultural praxis was oriented towards the goal of realizing the genuine Yugoslav socialist-humanist community 'in the true measure of man'. Thus, the book's principal argument is that the driving force behind the music of commitment was, although critical, a fundamentally constructive disposition towards the progressive ideal of socialist Yugoslavia.
Shakespeare as Jukebox Musical
by John R. SevernShakespeare as Jukebox Musical is the first book-length study of a growing performance phenomenon: musical adaptations of Shakespeare’s plays in which characters sing existing popular songs as one of their modes of communication. John Severn shows how these highly allusive works give rise to the pleasures of collaborative reception, and also lend themselves to political work, particularly in terms of identity politics and a valorisation of diversity. Drawing on musical theatre history, adaptation theory, Shakespeare studies and musicology, the book develops a critical approach that allows jukebox-musical versions of Shakespeare to be understood and valued both for their political potential and for the experiences they offer to audiences as artistic responses to Shakespeare. Case studies from the USA, the UK and Australia demonstrate how these works open new windows on Shakespeare’s plays and their performance traditions, on the wider jukebox musical trend, and on adaptation as an art form.
Shakin' All Over: Popular Music And Disability
by George MckayGiven the explosion in recent years of scholarship exploring the ways in which disability is manifested and performed in numerous cultural spaces, it’s surprising that until now there has never been a single monograph study covering the important intersection of popular music and disability. George McKay’s Shakin’ All Over is a cross-disciplinary examination of the ways in which popular music performers have addressed disability: in their songs, in their live performances, and in various media presentations. By looking closely into the work of artists such as Johnny Rotten, Neil Young, Johnnie Ray, Ian Dury, Teddy Pendergrass, Curtis Mayfield, and Joni Mitchell, McKay investigates such questions as how popular music works to obscure and accommodate the presence of people with disabilities in its cultural practice. He also examines how popular musicians have articulated the experiences of disability (or sought to pass), or have used their cultural arena for disability advocacy purposes.