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Sing

by Joe Raposo

"Sing! Sing a song. Sing out loud, sing out strong." So begins a song first made popular on Sesame Street, then interpreted by singers of every style, from Gloria Estefan to the Dixie Chicks to R.E.M., as well as famous personalities such as Conan O'Brien, Katie Couric, Nathan Lane, and Liam Neeson. Now, bestselling children's book illustrator Tom Lichtenheld has put a visual story to this timeless and universal song that celebrates perseverance, self-expression, and the power of music to help each of us find our voice.

Sing Backwards and Weep: A Memoir

by Mark Lanegan

A gritty, gripping memoir by the singer Mark Lanegan (Screaming Trees, Queens of the Stone Age, Soulsavers), chronicling his years as a singer and drug addict in Seattle in the '80s and '90s "Mark Lanegan-primitive, brutal, and apocalyptic. What's not to love?" -Nick Cave, author of The Sick Bag Song and The Death of Bunny Munro When Mark Lanegan first arrived in Seattle in the mid-1980s, he was just "an arrogant, self-loathing redneck waster seeking transformation through rock 'n' roll." Little did he know that within less than a decade, he would rise to fame as the front man of the Screaming Trees, then fall from grace as a low-level crack dealer and a homeless heroin addict, all the while watching some of his closest friends rocket to the forefront of popular music. In Sing Backwards and Weep, Lanegan takes readers back to the sinister, needle-ridden streets of Seattle, to an alternative music scene that was simultaneously bursting with creativity and dripping with drugs. He tracks the tumultuous rise and fall of the Screaming Trees, from a brawling, acid-rock bar band to world-famous festival favorites that scored a hit #5 single on Billboard's Alternative charts and landed a notorious performance on David Letterman, where Lanegan appeared sporting a fresh black eye from a brawl the night before. This book also dives into Lanegan's personal struggles with addiction, culminating in homelessness, petty crime, and the tragic deaths of his closest friends. From the back of the van to the front of the bar, from the hotel room to the emergency room, onstage, backstage, and everywhere in between, Sing Backwards and Weep reveals the abrasive underlining beneath one of the most romanticized decades in rock history-from a survivor who lived to tell the tale. Gritty, gripping, and unflinchingly raw, Sing Backwards and Weep is a book about more than just an extraordinary singer who watched his dreams catch fire and incinerate the ground beneath his feet. Instead, it's about a man who learned how to drag himself from the wreckage, dust off the ashes, and keep living and creating.

Sing Backwards and Weep: The Sunday Times Bestseller

by Mark Lanegan

THE SUNDAY TIMES BESTSELLER"Mark Lanegan-primitive, brutal, and apocalyptic. What's not to love?" NICK CAVE"A stoned cold classic" IAN RANKIN'Mark Lanegan writes like he sings, from the pained heart of a damaged soul with brutal honesty' BOBBY GILLESPIE"Powerfully written and brutally, frighteningly honest" LUCINDA WILLIAMSA ROUGH TRADE AND MOJO BOOK OF THE YEARFrom the back of the van to the front of the bar, from the hotel room to the emergency room, Mark Lanegan takes us back to the sinister, needle-ridden streets of Seattle, to an alternative music scene that was simultaneously bursting with creativity and saturated with drugs. He tracks the tumultuous rise and fall of Screaming Trees, from a brawling, acid-rock bar band to world-famous festival favourites with an enduring legacy, and tells of his own personal struggles with addiction, culminating in homelessness, petty crime, and the tragic deaths of his closest friends.Gritty, gripping and unflinchingly raw, SING BACKWARDS AND WEEP is about a man who learned how to drag himself from the wreckage, dust off the ashes, and keep living and creating.'The most brutally honest rock memoir imaginable' DAILY TELEGRAPH

Sing For Your Supper: A DIY Guide to Playing Music, Writing Songs, and Booking Your Own Gigs

by David Rovics

Succinct and to the point, David Rovics demystifies the very different skills necessary to cultivate the arts of songwriting, guitar-playing and tour booking. In an era when the truly independent record label is virtually a thing of the past, Rovics explains how itas possible to make a living as a recording artist without a label. At a time when the corporate record industry is suing music fans for sharing music, Rovics explains why the internet is good for independent artists, and how to utilize its potential. For those hoping to get a major record deal and become rich and famous, look elsewhere. But if youare looking to make a living as an independent artist, this pamphlet is a must-read.

Sing It Like Celia

by Mónica Mancillas

Perfect for fans of The Remarkable Journey of Coyote Sunrise and Merci Suárez Changes Gears, Sing It Like Celia is a revelatory story about a Mexican American girl who finds her voice and herself with the help of her role model and icon, Celia Cruz.Twelve-year-old Salva Sanchez has always been a fan of Celia Cruz, also known as &“the queen of salsa.&” Her love of Celia stems from her mother, who leaves Salva without explanation one awful day. Now Salva is stuck with her investigative journalist father in an RV campground. In the middle of nowhere.As Salva acclimates to her new environment and desperately tries to figure out why her mother left, she befriends a posse of campground kids who have started a band. When the kids discover that Salva has an amazing singing voice, they convince her to join their group. Soon, Salva learns how to find her voice—and herself—with the help of her newfound friends, her dad, and the one and only Celia Cruz.

Sing It!: A Biography of Pete Seeger

by Meryl Danziger

A tall, skinny man in blue jeans stands on a stage, one hand on his banjo, the other raised to the crowd of 15,000 people who have come to celebrate his ninetieth birthday. "Sing it!" he shouts, and everyone sings. How did a humble, banjo-playing Harvard University dropout become one of the most influential figures of the twentieth century? This is the story of Pete Seeger--singer, songwriter, social activist, environmentalist--who filled his toolbox with songs and set out to repair whatever in the world was broken. His story intertwines with a century of American history, and readers will be surprised to discover how many familiar songs, people, and projects somehow connect back to this one individual. What was it like for a city boy like Pete to hope freight trains with Woody Guthrie, the free-spirited composter of "This Land Is Your Land"? "The Lion Sleeps Tonight," a song beloved by people all over the world, might have been lost to history had it not been for Pete Seeger. The Hudson River is cleaner than it used to be; what did Pete do to help that happen? Through learning of his life of activism, readers will become links in the chain, inspired to reflect on their own power to make change.From the Hardcover edition.

Sing Me Back Home: Ethnographic Songwriting and Sardinian Language Politics (Teaching Culture: UTP Ethnographies for the Classroom)

by Kristina Jacobsen

Set on the Italian island of Sardinia, Sing Me Back Home explores language and culture through songwriting as an ethnographic method. Based on thirteen months of ethnographic fieldwork writing songs with Sardinian musicians, artisans, shepherds, poets, and language activists, Kristina Jacobsen asks: How are Sardinian lives and language ideologies narrated against the backdrop of American music? The book shows how Sardinian musicians sing their own history between the lines. It reveals how Sardinian songs become a site of transduction where, through the process of songwriting, recording, and performance, the energy from one genre of music and lingua-culture is harnessed to signal another one much closer to home. Sing Me Back Home is accompanied by original songs written and recorded in the field, with links to songs in each chapter. It includes songwriting prompts and lyrics, a glossary of key terms, and photographs from the field. Drawing on work from critical collaborative research, auto-ethnography, public anthropology, arts-based research, and ethnographic poetry, this sensory ethnography offers new ways for us to hear culture through stories and songs.

Sing Me Back Home: Love, Death, and Country Music

by Dana Jennings

The years from about 1950 to 1970 were the golden age of twang. Country music's giants all strode the earth in those years: Hank Williams and Johnny Cash, George Jones and Merle Haggard, Loretta Lynn and Tammy Wynette. And many of the standards that still define country were recorded then: "Folsom Prison Blues," "Your Cheatin' Heart," "Mama Tried," "Stand by Your Man," and "Coal Miner's Daughter." In Sing Me Back Home, Dana Jennings pushes past the iconic voices and images to get at what classic country music truly means to us today. Yes, country tells the story of rural America in the twentieth century—but the obsessions of classic country were obsessions of America as a whole: drinking and cheating, class and the yearning for home, God and death. Jennings, who grew up in a town that had more cows than people when he was born, knows all of this firsthand. His people lived their lives by country music. His grandmothers were honky-tonk angels, his uncles men of constant sorrow, and his father a romping, stomping hell-raiser who lived for the music of Carl Perkins, Jerry Lee Lewis, and the other rockabilly hellions. Sing Me Back Home is about a vanished world in which the Depression never ended and the sixties never arrived. Jennings uses classic country songs to explain the lives of his people, and shows us how their lives are also ours—only twangier.

Sing Out, Warning! Sing Out, Love!: The Writings of Lee Hays

by Lee Hays Robert S. Koppelman

For fans and scholars of American Folk Music, particularly the folk song movement, this has some essential reading, much of which has previously not been published. Lee Hays (1914--1981) is remembered today as the bass singer of the Weavers, the popular folksinging quartet that included Pete Seeger and was blacklisted during the early years of the cold war. Hays is especially well known for his collaborations with Seeger on a number of political songs, including "The Hammer Song," and for his central role in producing Wasn't That a Time!, the 1981 film documentary about the Weavers. But he was also a talented, multifaceted writer of prose. In "Sing Out, Warning! Sing Out, Love!" Robert S. Koppelman brings together a selection of Hays's published and unpublished literary output and places the author and his work in historical context. In these writings, Hays emerges as a learned, incisive, and witty advocate of a new aesthetic that he helped introduce to American culture--an aesthetic grounded in the music of both the Methodist church of his father and the black churches of his Arkansas neighbors. Hays honed his participatory, inspirational musical style and his skills as a song leader while working in the southern labor movement, where he became acquainted with the left-wing notion of "Art as a Weapon." Yet as the autobiographical pieces in this collection make clear, it was not until he moved to New York City, teamed up with such iconic folk figures as Woody Guthrie and Seeger, and began performing before a mass public that he fully matured as a musical artist with a political message. In addition to documenting the trajectory of Hays's career, the volume includes samples of his well-crafted work as a writer of fiction and creative nonfiction. Together these writings reveal Hays to be an artist of diverse personal talents and deep social commitment. Robert S. Koppelman is assistant professor of English at Broward Community College and a banjo player and singer.

Sing Softer, Maggie

by Carolyn Short

Maggie loves to sing, but her mother keeps telling her to sing more softly.

Sing Your Name Out Loud: 15 Rules for Living Your Dream

by Jason Derulo

In his page-turning and inspiring first book, legendary songwriter and recording artist Jason Derulo shares his 15 rules for finding success in any pursuit, and invites everyone—especially artists and creators—to start on their path to greatness.In 2009, an 18-year-old son of Haitian immigrants burst onto Billboard music charts with the instant #1 song, “Whatcha Say,” which sampled a surprising hook and opened with what would prove to be one of the catchiest lines in pop music history – the artist’s own name, sung out loud. Defying every possible odd, Jason Derulo cemented himself again and again, hit after hit, as one of the hardest working singers, dancers, and performers in the world and a risk-taking force of nature.This is the remarkable story of Derulo's come up, told through the valuable principles that guided and propelled him toward artistic excellence. Waking at 4am to catch buses across Miami so he could attend performing arts schools on scholarship, entering himself into local singing competitions at the mall on the weekends, and penning hundreds of songs before he ever saw the inside of a recording studio, Derulo’s commitment to his dream – and dedication to seeing it come true – is the stuff of legend. But it was during his reinvention in 2020, after becoming one of the most followed creators on TikTok, that he realized his personal rules for self-mastery and success are applicable anywhere, for anyone, under any circumstance. “Now,” he writes, “It’s your turn.”Sing Your Name Out Loud: 15 Rules for Living Your Dream takes readers into the mind of one of the most consistent, dominating, and versatile artists alive. Derulo reflects, in his own words, on the defining moments of his career thus far, most notably the wins and losses that strengthened his signature style of creative pursuit and offers his fifteen rules for turning goals into reality – where numbers mean everything, obstacles are opportunities, closed doors are meant to be opened, failure is inevitable, and good lighting is non-negotiable.

Sing a Sad Song: The Life of Hank Williams (Music in American Life)

by Roger M. Williams

From the book's Preface... Although he has been dead for twenty years, Hank Williams and his music live on in a manner unparalleled in American popular culture. His own recordings, reissued time and again, continue to sell to a body of fans and followers that has swelled to an estimated fifteen million. His songs, which Mitch Miller describes as "so indelible, so timeless they can take any kind of musical treatment," continue to take every kind, including jazz and soul. His popularity is so enduring and his influence so pronounced that many people express surprise when told Hank Williams is no longer living. The life, intertwined with the music, has become legend.

Sing a Song: How Lift Every Voice and Sing Inspired Generations

by Kelly Starling Lyons

"Lyons delivers the history of a song that has inspired generations of African-Americans to persist and resist in the face of racism and systemic oppression. . . . A heartfelt history of a historic anthem."--Publishers WeeklySing a song full of the faith that the dark past has taught us.Sing a song full of the hope that the present has brought us.In Jacksonville, Florida, two brothers, one of them the principal of a segregated, all-black school, wrote the song "Lift Every Voice and Sing" so his students could sing it for a tribute to Abraham Lincoln's birthday in 1900. From that moment on, the song has provided inspiration and solace for generations of Black families. Mothers and fathers passed it on to their children who sang it to their children and grandchildren. Known as the Black National Anthem, it has been sung during major moments of the Civil Rights Movement and at family gatherings and college graduations. Inspired by this song's enduring significance, Kelly Starling Lyons and Keith Mallett tell a story about the generations of families who gained hope and strength from the song's inspiring words.--A CCBC Choice --A Notable Social Studies Trade Book for Young People--An ALSC Notable Children's Book

Sing for Freedom: The Story of the Civil Rights Movement through its Songs

by Candie Carawan Guy Carawan

Two classic collections of freedom songs by historians Guy and Candie Carawan, We Shall Overcome (1963) and Freedom is a Constant Struggle (1968), are reprinted here in a single edition. Sing for Freedom includes a major new introduction by the editors, as well as words and music to original songs from the Civil Rights movement. The book also offers scores of firsthand accounts by participants in the movement.

Sing for Your Life: A Story of Race, Music, and Family

by Daniel Bergner

The touching, triumphant story of a young black man's journey from violence and despair to one of the world's most elite artistic institutions, as if The Blind Side were set in the world of opera. Ryan Speedo Green had a tough upbringing in southeastern Virginia: his family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive.At the age of twelve, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of twenty-four, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers. Today, he is a rising star performing major roles at the Met and Europe's most prestigious opera houses.SING FOR YOUR LIFE chronicles Ryan's suspenseful, racially charged and artistically intricate journey from solitary confinement to stardom. Daniel Bergner takes readers on Ryan's path toward redemption, introducing us to a cast of memorable characters--including the two teachers from his childhood who redirect his rage into music, and his long-lost father who finally reappears to hear Ryan sing. Bergner illuminates all that it takes--technically, creatively--to find and foster the beauty of the human voice. And Sing for Your Life sheds unique light on the enduring and complex realities of race in America.

Sing to Me: My Story of Making Music, Finding Magic, and Searching for Who's Next

by Joel Selvin LA Reid

In this long-awaited memoir, illustrated with over 100 never-before-seen photos from his personal collection, the groundbreaking record producer chronicles his struggles, his success, and the celebrated artists that made him a legend.Over the last twenty-five years, legendary music producer and record man LA Reid—the man behind artists such as Toni Braxton, Kanye West, Rihanna, TLC, Outkast, Mariah Carey, Pink, Justin Bieber, and Usher—has changed the music business forever. In addition to discovering some of the biggest pop stars on the planet, he has shaped some of the most memorable and unforgettable hits of the last two generations, creating an impressive legacy of talent discovery and hit records.Now, for the first time, he tells his story, taking fans on an intimate tour of his life, as he chronicles the fascinating journey from his small-town R&B roots in Cincinnati, Ohio, and his work as a drummer to his fame as a Grammy Award-winning music producer and his gig as a judge on the hit reality show, The X Factor. In Sing to Me, Reid goes behind the scenes of the music industry, charting his rise to fame and sharing stories of the countless artists he’s met, nurtured, and molded into stars. With fascinating insight into the early days of artists as diverse as TLC, Usher, Pink, Kanye West, and Justin Bieber, his story offers a detailed look at what life was like for stars at the start of their meteoric rise and how he always seemed to know who would be the next big thing.What emerges is a captivating portrait from the inside of popular music evolution over the last three decades. Part music memoir, part business story of climbing to the top, this beautifully designed book, jam packed with photos, showcases Reid's trademark passion and ingenuity and introduces a multifaceted genius who continues to shape pop culture today.

Sing with Me: The Story of Selena Quintanilla

by Diana López

An exuberant picture book celebrating the life and legacy of Selena Quintanilla, beloved Queen of Tejano music.From a very early age, young Selena knew how to connect with people and bring them together with music. Sing with Me follows Selena's rise to stardom, from front-lining her family's band at rodeos and quinceañeras to performing in front of tens of thousands at the Houston Astrodome. Young readers will be empowered by Selena's dedication--learning Spanish as a teenager, designing her own clothes, and traveling around the country with her family--sharing her pride in her Mexican-American roots and her love of music and fashion with the world.

Sing, Don't Cry

by Angela Dominguez

Once a year, Abuelo comes from Mexico to visit his family. He brings his guitar, his music—and his memories. In this story inspired by the life of Apolinar Navarrete Diaz—author Angela Dominguez’s grandfather and a successful mariachi musician—Abuelo and his grandchildren sing through the bad times and the good. Lifting their voices and their spirits, they realize that true happiness comes from singing together.

Sing, Froggie, Sing

by Carolyn Dee Flores Natalia Rosales-Yeomans

A updated version of a traditional Spanish folksong in which each creature is hushed by the one which follows it. Includes musical notation for the folksong.

Sing, Memory: The Remarkable Story of the Man Who Saved the Music of the Nazi Camps

by Makana Eyre

A Polish musician, a Jewish conductor, a secret choir, and the rescue of a trove of music from the Sachsenhausen concentration camp. On a cold October night in 1942, SS guards at the Sachsenhausen concentration camp violently disbanded a rehearsal of a secret Jewish choir led by conductor Rosebery d’Arguto. Many in the group did not live to see morning, and those who survived the guards’ reprisal were deported to Auschwitz-Birkenau just a few weeks later. Only one of its members survived the Holocaust. Yet their story survives, thanks to Aleksander Kulisiewicz. An amateur musician, he was not Jewish, but struck up an unlikely friendship with d’Arguto in Sachsenhausen. D’Arguto tasked him with a mission: to save the musical heritage of the victims of the Nazi camps. In Sing, Memory, Makana Eyre recounts Kulisiewicz’s extraordinary transformation from a Polish nationalist into a guardian of music and culture from the Nazi camps. Aided by an eidetic memory, Kulisiewicz was able to preserve for posterity not only his own songs about life at the camp, but the music and poetry of prisoners from a range of national and cultural backgrounds. They composed symphonies, organized clandestine choirs, arranged great pieces of music by illustrious composers, and gathered regularly over the course of the war to perform for one another. For many, music enabled them to resist, bear witness, and maintain their humanity in some of the most brutal conditions imaginable. After the war, Kulisiewicz returned to Poland and assembled an archive of camp music, which he went on to perform in more than a dozen countries. He dedicated the remainder of his life to the memory of the Nazi camps. Drawing on oral history and testimony, as well as extensive archival research, Eyre tells this rich and affecting human story of musical resistance to the Nazi regime in full for the first time.

Singen bei Demenz: Mehr Lebensqualität für Menschen mit Demenz und ihre Angehörigen

by Maartje de Lint Friederike Pank

Singen wirkt vitalisierend und unmittelbar. Es löst Spannungen im Körper, sodass Emotionen wieder frei fließen können und verringert Stress und Angst. Singen aktiviert auch Bereiche im Gehirn, die durch Demenz beeinträchtigt sind. Die von Opernsängerin Maartje de Lint im Austausch mit Wissenschaftlern aus Geriatrie und Psychologie entwickelte Brain Awakening Singing Education (BASE) Methode nutzt dieses Potential, um Menschen mit Demenz durch gemeinsames Singen zu mehr Lebensqualität zu verhelfen. Das Buch geht der BASE-Methode aus neurowissenschaftlicher und sozialpsychologischer Perspektive auf den Grund. Gleichzeitig lädt es dazu ein, anhand von Interviews und Erzählungen emotional in die Erfahrungswelt von Betroffenen und Angehörige einzutauchen. Abgerundet wird das Werk mit einfach zu adaptierenden methodischen Anleitungen, die das Singen auch für die Anwendung zuhause, im Verein oder in der Pflegeeinrichtung zugänglich machen. Es richtet sich an alle Personen, die mit Demenzpatienten als Ärzte, Betreuer, Pflegepersonen oder Angehörige zu tun haben, sowie an Theater, Konzerthäuser und Kultureinrichtungen, die Angebote für Menschen mit Demenz in ihren Spielplan aufnehmen möchten.

Singen für Dummies (Für Dummies)

by Pamelia S. Phillips

Begeistern Sie Ihr Publikum mit Ihrer Stimmgewalt! Egal, ob Sie bislang nur unter der Dusche gesungen haben oder bereits Ihren großen Auftritt planen: Richtiges Singen will trainiert werden. Pamelia S. Phillips vermittelt Ihnen in diesem Buch das nötige Handwerkszeug dafür. Anschaulich und mit vielen Beispielen erläutert sie, welche Haltung Sie einnehmen sollten, wie Sie beim Singen richtig atmen und wie Sie Ihren Stimmumfang erweitern. Zahlreiche Gesangsbeispiele stehen außerdem im MP3-Format zum Download zur Verfügung. So verbessern Sie Stück für Stück Ihre Technik und sind bald bereit für die große Bühne. Sie erfahren Wie Sie Brust-, Mittel- und Kopfstimme richtig einsetzen Wie Sie den richtigen Gesangslehrer finden Wie Sie den perfekten Song für Ihren Auftritt auswählen Wie Sie Ihr Lampenfieber in den Griff bekommen

Singer of All Songs (Chanters of Tremaris Trilogy, Book #1)

by Kate Constable

Set in an utterly original world where enchantment is worked by singing, "The Singer of All Songs" is the first title in a new fantasy trilogy.

Singer-Songwriters and Musical Open Mics: Out Of The Bedroom (Ashgate Popular and Folk Music Series)

by Marcus Aldredge

Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City’s live music events where musicians signup and perform short sets. This sociological study dispels the common assumption that open mics are culturally monolithic and reserved for novice musicians. Open mics allow musicians at different locations within their musical development and career to interactively perform, practice, and network with other musicians. Important themes in the book include: the tension between self and society in the creative process, issues of creative authenticity and authorship, and on-going cultural changes central to the Do-It-Yourself cultural zeitgeist of the early 21st century. The open mic’s cultural antecedents include a radio format, folk hootenannies, and the jazz jam session. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the western and urban musical landscape. Open mics represent a creative place where the boundaries of practicing and performing seemingly blur. This allows for a range of social settings from more competitive, stratified, and homogenous music scenes to culturally diverse weekly events often stretching late into the night.

Singers, Scores and Sounds: Making New Connections and Transforming Voices (Routledge Research in Music)

by Ellen Hooper

This book develops ways of discussing musical practices to articulate a new approach to understanding connections between recordings, singers, and singing. Centred around materials from the mid-twentieth century, this book focuses on a time when composers and performers were questioning the idea of authorship within their musical practice. Materials drawn upon include recordings, scores, archival content, visual art, interviews, and liner notes to develop a rich conception of practices of performance. Analysis of performances include recordings of singers such as Cathy Berberian, Linda Hirst, Loré Lixenberg, Angelika Luz, and Meredith Monk. Compositions by Cathy Berberian, Luciano Berio, John Cage, and Manuel De Falla are considered. The book utilizes these sources to examine the collective way in which singers and composers form practices as multiple, transforming, emergent, and not hierarchical. The book articulates – with a detailed, close consideration of specific instances in recordings and scores – a relational understanding of performance. This book will be useful reading for students and scholars of music analysis, musicology, performance practice, and twentieth century vocal music.

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