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Singers, Scores and Sounds: Making New Connections and Transforming Voices (Routledge Research in Music)
by Ellen HooperThis book develops ways of discussing musical practices to articulate a new approach to understanding connections between recordings, singers, and singing. Centred around materials from the mid-twentieth century, this book focuses on a time when composers and performers were questioning the idea of authorship within their musical practice. Materials drawn upon include recordings, scores, archival content, visual art, interviews, and liner notes to develop a rich conception of practices of performance. Analysis of performances include recordings of singers such as Cathy Berberian, Linda Hirst, Loré Lixenberg, Angelika Luz, and Meredith Monk. Compositions by Cathy Berberian, Luciano Berio, John Cage, and Manuel De Falla are considered. The book utilizes these sources to examine the collective way in which singers and composers form practices as multiple, transforming, emergent, and not hierarchical. The book articulates – with a detailed, close consideration of specific instances in recordings and scores – a relational understanding of performance. This book will be useful reading for students and scholars of music analysis, musicology, performance practice, and twentieth century vocal music.
Singing Dante: The Literary Origins Of Cinquecento Monody (Royal Musical Association Monographs #26)
by Elena Abramov-van RijkThis book takes its departure from an experiment presented by Vincenzo Galilei before his colleagues in the Florentine Camerata in about 1580. This event, namely the first demonstration of the stile recitativo, is known from a single later source, a letter written in 1634 by Pietro dei Bardi, son of the founder of the Camerata. In the complete absence of any further information, Bardi’s report has remained a curiosity in the history of music, and it has seemed impossible to determine the true nature and significance of Galilei's presentation. That, unfortunately, still remains true for the music, which is lost. Yet we know a crucial fact about this experiment, the poetic text chosen by Galilei: it was an excerpt from the Divine Comedy by Dante Alighieri, the Lament of Count Ugolino. Starting from this information the author examines the problem from another angle. Investigation of the perception of Dante’s poetry in the sixteenth century, as well as a deeper enquiry into cinquecento poetic theories (and especially phonetics) leads to a reconstruction of Galilei’s motives for choosing this text and sheds light on some of the features of his experiment.
Singing Death: Reflections on Music and Mortality
by Helen M. Hickey Helen DellDeath is an unanswerable question for humanity, the question that always remains unanswered because it lies beyond human experience. Music represents one of the most profound ways in which humanity struggles, nevertheless, to accommodate death within the scope of the living by giving a voice to death and the dead and a voice that responds. This book engages with the question of how music expresses and responds to the profound existential disturbance that death and loss present to the living. Each chapter offers readers an encounter with music as a way of speaking or responding to human mortality. Each chapter, in its own way, addresses these questions: How are death and the dead made present to us through music? How does music, as composed, performed and heard, respond to the brute fact of death for the living, the dying and the bereaved? These questions are addressed from a wide range of disciplinary perspectives: musicology, ethnomusicology, literature, history, philosophy, film studies, psychology and psychoanalysis. Singing Death also covers a wide range of musical genres from medieval love song to twenty-first-century horror film music. The collection is accompanied by a website including some of the music associated with each of its chapters.
Singing Exercises For Dummies
by Pamelia S. PhillipsThe fast and easy way to take your singing skills to new heights Some people are born with a naturally great singing voice, but even the best singers can benefit from a broader range of knowledge and training. Voice training not only expands your technique and power, but enhances your performance abilities in business and on stage. Singing Exercises For Dummies gives you a trusted, easy way to learn, or improve, your singing. Packed with exercises and drills in the book and on the accompanying CD, Singing Exercises For Dummies helps you strengthen your voice; refine technique; develop consistency, build power and endurance; and increase vocal range. Beginning with warm-up and proper posture then logically transitioning to scales, chords, and arpeggios, Singing Exercises For Dummies contains everything you need to develop and sharpen your singing skills. Exercises and drills on the CD help you practice your skills Covers everything from building power and endurance to singing pitch-perfect arpeggios Whether you're relatively new to singing, have had ongoing instruction, or are looking to break into the music industry, Singing Exercises For Dummies has you covered.
Singing Exercises For Dummies
by Pamelia S. PhillipsExpand your vocal technique Make sense of technical singing concepts Improve your performance abilities Let your best voice be heard! Maybe you've dreamed of singing onstage. Maybe your goal is to audition for "The Voice." Or maybe you just want to qualify for the community choir. The first step toward any of these goals is to take your singing skills to the next level. If a pricey vocal coach isn't in your budget, turn to this book! Written by a veteran performer and voice teacher, it's packed with exercises and drills that help you refine your technique. Discover how to build vocal power and endurance, develop consistency, and expand your range. As your skills grow, so will your confidence! Inside... Find a complete workout of vocal exercises Create your own training plan Extend your singing range Develop your own style Practice with online content Polish your tone and refine agility
Singing Family of the Cumberlands
by Jean RitchieThis book is both an appealing account of family life and a treasury of American folklore and folk-song.
Singing For Dummies
by Pamelia S. PhillipsTake your voice to the next level and grow as a performerWhether you're a beginning vocalist or a seasoned songster, Singing for Dummies makes it easy for you to achieve your songbird dreams. This practical guide gives you step-by-step instructions and lots of helpful tips, hints, vocal exercises, reminders, and warnings for both men and women, including advice on the mechanics of singing, discovering your singing voice, developing technique, singing in performance, maintaining vocal health, and performing like a pro. This Second Edition is an even greater resource with additional vocal exercises, new songs, and information on the latest technology and recording devices.Covers comprehensive singing techniques, finding one's pitch, the importance of posture and breath control, and taking care of one's voice Discover how to sing alone or with accompaniment The updated CD features new tracks and musical exercises, as well as demonstrations of popular technique, scales and pitch drills, and practice songs for singers of all levels Singing for Dummies, Second Edition contains all the information, practices, techniques, and expert advice you need to hone your vocal skills with ease!Note: DVD and other supplementary materials are not included as part of eBook file. These materials are available for download upon purchase.
Singing For Dummies
by Pamelia S. PhillipsGo from singing in the shower to taking your audience’s breath away Whether you picture yourself as the next Ariana Grande or just feel like picking up a new hobby, Singing For Dummies walks you through the surprisingly straightforward steps you’ll need to take to develop your voice. It’s a practical guide to every important aspect of singing, from vocal techniques to performance tips. You’ll learn exercises and practice songs that gradually improve your craft and receive instruction on the latest technology and recording devices to capture and play back your songs. Singing For Dummies also shows you how to: Understand and use important singing techniques, improve your tone, upgrade your posture, and maximize your breath Maintain your voice with preventative self-care that keeps your vocal cords in tiptop shape Sing with instrumental accompaniment or with a partner in a duet Perfect for men, women, boys, and girls, Singing For Dummies is the most intuitive and accessible resource on the market for anyone who hopes to find their voice.
Singing For Life: HIV/AIDS and Music in Uganda
by Gregory BarzEfforts within the past decade to address the HIV/AIDS pandemic in sub-Saharan Africa have dealt with HIV/AIDS principally as a medical concern—despite the fact that doctors continue to be confronted with the complex relationship of the disease to broader social issues. When medical and governmental institutions fail, artists step in. Contemporary performances in Uganda often focus on gender and health-related issues specific to women and youths, in which song texts warn against risky sexual environments or unprotected sexual behavior. Music, dance, and drama are principal tools of local initiatives that disseminate information, mobilize resources, and raise societal consciousness regarding issues related to HIV/AIDS. Through case studies, song texts, interviews, and testimonies, Singing for Life: HIV/AIDS and Music in Uganda examines the links between the decline in Uganda’s infection rate and grassroots efforts that make use of music, dance, and drama. Only when supported and encouraged by such performances drawing on localized musical traditions have medical initiatives taken root and flourished in local healthcare systems. Gregory Barz shows how music can be both a mode of promoting health and a force for personal therapy, presenting a cultural analysis of hope and healing.
Singing Games in Early Modern Italy: The Music Books Of Orazio Vecchi (Music And The Early Modern Imagination Ser.)
by Paul SchleuseIn Italy during the late cinquecento, printed music could be found not only in the homes of the wealthy or the music professional, but also in lay homes, courts, and academies. No longer confined to the salons of the elite, music took on the role of social play and recreation. Paul Schleuse examines these new musical forms through a study of the music books of Italian priest, poet, and composer, Orazio Vecchi. Composed for minor patrons and the wider music-buying public, Vecchi's madrigals took as their subjects game-playing, drinking, hunting, battles, and the life of the street. Schleuse looks at how music and game-playing allowed singers and performers to play the roles of exemplary pastoral characters and also comic, foreign, and "rustic" others in ways that defined and ultimately reinforced social norms of the times. His findings reposition Orazio Vecchi as one of the most innovative composers of the late 16th century.
Singing God's Psalms: Metrical Psalms and Reflections for Each Sunday in the Church Year (Calvin Institute of Christian Worship Liturgical Studies)
by Fred R. AndersonDrawing on his decades of experience as a pastor, hymn writer, and hymnal consultant, Fred Anderson here offers pastors and worship leaders a rich treasury of singable psalms — one for each psalm text or canticle appointed in the three-year Revised Common Lectionary. Anderson renders each psalm into metered text, using contemporary, biblical, inclusive language, and suggests appropriate pairings with familiar hymn tunes. Short pastoral reflections on each psalm text provide background on what is being sung — and are also useful for sermon preparation and personal meditation.
Singing Ideas: Performance, Politics and Oral Poetry (Dance and Performance Studies #12)
by Tríona Ní ShíocháinConsidered by many to be the greatest Irish song poet of her generation, Máire Bhuí Ní Laeire (Yellow Mary O’Leary; 1774–1848) was an illiterate woman unconnected to elite literary and philosophical circles who powerfully engaged the politics of her own society through song. As an oral arts practitioner, Máire Bhuí composed songs whose ecstatic, radical vision stirred her community to revolt and helped to shape nineteenth-century Irish anti-colonial thought. This provocative and richly theorized study explores the re-creative, liminal aspect of song, treating it as a performative social process that cuts to the very root of identity and thought formation, thus re-imagining the history of ideas in society.
Singing Jeremiah: Music And Meaning In Holy Week (Music And The Early Modern Imagination Ser.)
by Robert L. KendrickA defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms
by Kira ThurmanIn Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century. Thurman brings to life the incredible musical interactions and transnational collaborations among people of African descent and white Germans and Austrians. Through this compelling history, she explores how people reinforced or challenged racial identities in the concert hall. Throughout the nineteenth and twentieth centuries, audiences assumed the categories of Blackness and Germanness were mutually exclusive. Yet on attending a performance of German music by a Black musician, many listeners were surprised to discover that German identity is not a biological marker but something that could be learned, performed, and mastered. While Germans and Austrians located their national identity in music, championing composers such as Bach, Beethoven, and Brahms as national heroes, the performance of their works by Black musicians complicated the public's understanding of who had the right to play them. Audiences wavered between seeing these musicians as the rightful heirs of Austro-German musical culture and dangerous outsiders to it. Thurman explores the tension between the supposedly transcendental powers of classical music and the global conversations that developed about who could perform it. An interdisciplinary and transatlantic history, Singing Like Germans suggests that listening to music is not a passive experience, but an active process where racial and gendered categories are constantly made and unmade.
Singing Out: GALA Choruses and Social Change (Music and Social Justice)
by Heather MacLachlanCan you change the world through song? This appealing idea has long been the professed aim of singers who are part of choruses affiliated with the Gay and Lesbian Association of Choruses (GALA). Theses choruses first emerged in the 1970s, and grew out of a very American tradition of (often gender-segregated) choral singing that explicitly presents itself as a community-based activity. By taking a close look at these choruses and their mission, Heather MacLachlan unpacks the fascinating historical and cultural dynamics behind groups that seek to change society for the better by encouraging acceptance of LGBT-identified people and promoting diversity more generally. She characterizes their mission as “integrationist rather than liberationist” and zeroes in on the inherent tension between GALA’s progressive social goals and the fact that the music most often performed by GALA groups is deeply rooted in a fairly narrowly conceived tradition of art music that identifies as white, Euro-centric, and middle class--and that much of the membership identifies as white and middle class as well. Pundits often wax eloquent about the power of music, asserting that it can, in some positive way, change the world. Such statements often rest on an unexamined claim that music can and does foster social justice. Singing Out: GALA Choruses and Social Change tackles the premise underlying such claims, analyzing groups of amateur singers who are explicitly committed to an agenda of social justice.
Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera (Opera Lab: Explorations in History, Technology, and Performance)
by Melina EsseFrom the theatrical stage to the literary salon, the figure of Sappho—the ancient poet and inspiring icon of feminine creativity—played a major role in the intertwining histories of improvisation, text, and performance throughout the nineteenth century. Exploring the connections between operatic and poetic improvisation in Italy and beyond, Singing Sappho combines earwitness accounts of famous female improviser-virtuosi with erudite analysis of musical and literary practices. Melina Esse demonstrates that performance played a much larger role in conceptions of musical authorship than previously recognized, arguing that discourses of spontaneity—specifically those surrounding the improvvisatrice, or female poetic improviser—were paradoxically used to carve out a new authority for opera composers just as improvisation itself was falling into decline. With this novel and nuanced book, Esse persuasively reclaims the agency of performers and their crucial role in constituting Italian opera as a genre in the nineteenth century.
Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera (Opera Lab: Explorations in History, Technology, and Performance)
by Melina EsseFrom the theatrical stage to the literary salon, the figure of Sappho—the ancient poet and inspiring icon of feminine creativity—played a major role in the intertwining histories of improvisation, text, and performance throughout the nineteenth century. Exploring the connections between operatic and poetic improvisation in Italy and beyond, Singing Sappho combines earwitness accounts of famous female improviser-virtuosi with erudite analysis of musical and literary practices. Melina Esse demonstrates that performance played a much larger role in conceptions of musical authorship than previously recognized, arguing that discourses of spontaneity—specifically those surrounding the improvvisatrice, or female poetic improviser—were paradoxically used to carve out a new authority for opera composers just as improvisation itself was falling into decline. With this novel and nuanced book, Esse persuasively reclaims the agency of performers and their crucial role in constituting Italian opera as a genre in the nineteenth century.
Singing Sisters: A Story of Humility (The Seven Teachings Stories #2)
by Katherena VermetteMa&’iingan loves to sing and her family loves to hear her beautiful voice. Her little sister wants to sing just like Ma&’iingan, but Ma&’iingan doesn&’t want her to. As rivalry erupts between the siblings, can Ma&’iingan find the humility to share her talent with her sister?In this relatable story, a young Anishinaabe girl learns to put aside her pride and sibling rivalry to share her love of singing with her sister. A pronunciation guide for the Anishnaabemowin words can be found at the back of the book.Rich in culture and grounded in traditional knowledge, Katherena Vermette&’s The Seven Teachings Stories series features themes of love, wisdom, humility, courage, respect, honesty, and truth. Contemporary Indigenous children explore the Seven Teachings of the Anishinaabe through stories of home and family that will look familiar to all young readers in these books for ages 3–5.
Singing Sisters: A Story of Humility (The Seven Teachings Stories #2)
by Katherena VermetteMa&’iingan loves to sing and her family loves to hear her beautiful voice. Her little sister wants to sing just like Ma&’iingan, but Ma&’iingan doesn&’t want her to. As rivalry erupts between the siblings, can Ma&’iingan find the humility to share her talent with her sister?In this relatable story, a young Anishinaabe girl learns to put aside her pride and sibling rivalry to share her love of singing with her sister. A pronunciation guide for the Anishnaabemowin words can be found at the back of the book.Rich in culture and grounded in traditional knowledge, Katherena Vermette&’s The Seven Teachings Stories series features themes of love, wisdom, humility, courage, respect, honesty, and truth. Contemporary Indigenous children explore the Seven Teachings of the Anishinaabe through stories of home and family that will look familiar to all young readers in these books for ages 3–5.
Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985 (Routledge Russian and East European Music and Culture)
by Richard Louis GilliesSinging Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985 explores the ways in which the aftershock of an apparent crisis in Soviet identity after the death of Stalin in 1953 can be detected in selected musical-literary works of what has become known as the ‘Stagnation’ era (1964–1985). Richard Louis Gillies traces the cultural impact of this shift through the intersection between music, poetry, and identity, presenting close readings of three substantial literary-musical works by three of the period’s most prominent composers of songs and vocal cycles: Seven Poems of Aleksandr Blok, Op. 127 (1966–1967) by Dmitri Shostakovich (1906–1975) Russia Cast Adrift (1977) by Georgy Sviridov (1915–1998) Stupeni (1981–1982; 1997) by Valentin Silvestrov (b. 1937). The study elaborates an interdisciplinary approach to the analysis of musical-literary artworks that does not rely on existing models of musical analysis or on established modes of literary criticism, thereby avoiding privileging one discipline over the other. It will be of particular significance for scholars, students, and performers with an interest in Russian and Soviet music, the intersection between music and poetry, and the history of Russian and East European culture, politics, and identity during the twentieth century.
Singing Superstar (Sofia Martinez Ser.)
by Jacqueline Jules Kim SmithSofia's family does not want to hear her singing anymore, so she must find the appropriate place to use her new superstar-sing box machine.
Singing Was the Easy Part
by David Chanoff Vic DamoneBorn Vito Farinola in Bensonhurst, Brooklyn in 1928, Vic worked as an usher at the fabled Paramount Theatre before realizing a dream by shooting to the top of the Billboard Chart in 1947 with his first hit "I Have But One Heart." He was mentored by everyone from Perry Como to Tommy Dorsey. Frank Sinatra praised his voice and became a friend for life, giving him advice on singing and women. Damone had one of the most successful careers ever had by an American pop singer and one of the most glamorous and exciting lives of any guy who lived while the Ratpack reigned. • He was almost thrown out of the window of a New York City hotel by a mobster. • He dated Ava Gardner, who got him drunk for the first time. • He married glamorous Italian actress Ana Maria Pierangeli and later, Diahann Carroll. • He appeared at the Sands Hotel during the glory days of Vegas and once took a nude chorus girl into the steam room where the Ratpack was relaxing. In Singing Was the Easy Part, he talks frankly about his bankruptcy, his many marriages and his belief in God. It's a warm, funny, and inspiring memoir from one of America's greatest pop singers.
Singing Yoruba Christianity: Music, Media, and Morality
by Vicki L. BrennanSinging the same song is a central part of the worship practice for members of the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media—hymn books and cassette tapes—and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.
Singing Zarzuela, 1869–1958: Approaching Portamento and Musical Expression through Historical Recordings (Elements in Musical Theatre)
by Eva Moreda RodríguezIn the last few years, digitizations and reissues of historical recordings of Spanish zarzuela - from wax cylinders in the 1890s to long-play records in the 1950s - have revealed a range of contrasting vocal performance styles. By focusing on portamento, this Element sets the foundations for a contextually sensitive history of vocal performance practices in zarzuela. It takes stock of technological changes and shifts in commercial strategies and listening habits to reveal what the recorded evidence tells us about the historical development of portamento practices and considers how these findings can allow us to reconstruct the expressive code of zarzuela as it was performed in the late nineteenth century and how it transformed itself throughout the next half century. These transformations are contextualized alongside other changes, including the make-up of audiences, the discourses about the genre's connection to national identity and the influence of other musical-theatrical genres and languages.
Singing and Communicating in English: A Singer's Guide to English Diction
by Kathryn LaBouffInternationally known vocal coach Kathryn LaBouff provides singers with the valuable principles of English diction they need to communicate through song. Her much sought-after technique teaches singers to practice neutral pronunciation, clarify the physiology of speech, and emphasize the study of English cadence.