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Singing the English: Britain in the French Musical Lowbrow, 1870–1904 (Music in Nineteenth-Century Britain)
by Hannah L. ScottLate nineteenth-century France was a nation undergoing an identity crisis: the uncertain infancy of the Third Republic and shifting alliances in the wake of the Franco-Prussian War forced France to interrogate the fundamental values and characteristics at the heart of its own national identity. Music was central to this national self-scrutiny. It comes as little surprise to us that Oriental fears, desires, and anxieties should be a fundamental part of this, but what has been overlooked to date is that Britain, too, provided a thinking space in the French musical world; it was often – surprisingly and paradoxically – represented through many of the same racialist terms and musical tropes as the Orient. However, at the same time, its shared history with France and the explosions of colonial rivalry between the two nations introduced an ever-present tension into this musical relationship. This book sheds light on this forgotten musical sphere through a rich variety of contemporary sources. It visits the café-concert and its tradition of ‘Englishing up’ with fake hair, mocking accents, and unflattering dances; it explores the reactions, both musical and physical, to British evangelical bands as they arrived in the streets of France and the colonies; it considers the French reception of, and fascination with, folk music from Ireland and Scotland; and it confronts the culture shock felt by French visitors to Britain as they witnessed British music-making for the first time. Throughout, it examines the ways in which this music allowed French society to grapple with the uncertainty of late nineteenth-century life, providing ordinary French citizens with a means of understanding and interrogating both the Franco-British relationship and French identity itself.
Singing the Gospel along Scotland’s North-East Coast, 1859–2009 (SOAS Musicology Series)
by Frances WilkinsFollowing three years of ethnomusicological fieldwork on the sacred singing traditions of evangelical Christians in North-East Scotland and Northern Isles coastal communities, Frances Wilkins documents and analyses current singing practices in this book by placing them historically and contemporaneously within their respective faith communities. In ascertaining who the singers were and why, when, where, how and what they chose to sing, the study explores a number of related questions. How has sacred singing contributed to the establishment and reinforcement of individual and group identities both in the church and wider community? What is the process by which specific regional repertoires and styles develop? Which organisations and venues have been particularly conducive to the development of sacred singing in the community? How does the subject matter of songs relate to the immediate environment of coastal inhabitants? How and why has gospel singing in coastal communities changed? These questions are answered with comprehensive reference to interview material, fieldnotes, videography and audio field recordings. As one of the first pieces of ethnomusicological research into sacred music performance in Scotland, this ethnography draws important parallels between practices in the North East and elsewhere in the British Isles and across the globe.
Singing the Himalayan Crossroads: Traditional Songs of Ladakh
by Noé DinnersteinIntroduces the traditional songs of Himalayan Ladakh through their history, ethnology, poetry, and Tibetan Buddhism beliefs.Singing the Himalayan Crossroads places the traditional song repertoires of the former Himalayan kingdom of Ladakh in both their historical and modern contexts. Although scholarly, it is aimed at a broad general audience, including people interested in ethnomusicology, Tibet, Buddhism, the Silk Road, or the music and cultures of Central and South Asia.While many songs contain texts that evoke Buddhist meditative visualization practices, at the same time, Muslims, both Sunni and Shia, were prominent in Silk Road caravans that enriched the Buddhist aristocracy. Songs from these Muslim traders often mention important religious sites in Kashmir while having nostalgia for the sights of the Ladakhi capital, Leh. Interweaving these themes, author Noé Dinnerstein mixes a relaxed, conversational narrative with the music and poetry of the songs to evoke the crossroads of High Asia.A separate anthology of recordings is available online.
Singing through Struggle: Music, Worship, and Identity in Postemancipation Black Churches
by Carolynne Hitter BrownSinging through Struggle: Music, Worship, and Identity in Postemancipation Black Churches offers an innovative look at the vital role music and worship played in nurturing Black citizenship and identity during the Reconstruction era. In such border cities as Baltimore, Washington, DC, and Philadelphia, the church was where newly emancipated migrants and members of the free Black community merged identities, priorities, and experiences through a process of cultural negotiation. Music, as a sign of Black achievement and as a genuine expression of identity, produced both bastions and battlegrounds in the fight for democracy.The music of Black churchgoers, singing together in sanctuaries as well as in homes, schools, and outdoors, expressed resistance to uplift ideologies within and to white supremacy without. Even while using hymns and music of the European sacred tradition, members infused the songs they chose with new meanings relevant to their evolving concerns and situations. Drawing on fresh archival sources, Singing through Struggle sheds light on the unexplored gap in the study of African American religious music between slavery and the Great Migration, demonstrating the continuous stream of Black creativity and dignity that existed in religious music making between gospel music and the spirituals. This close-up investigation of three Black congregations draws out previously forgotten stories of men and women who understood church music as key to shaping a collective purpose and civic identity. Their stories demonstrate how faith, music, and ritual gave the Black community means for exploring a deeply complex and ever-changing reality.
Singing to the Lyre in Renaissance Italy: Memory, Performance, and Oral Poetry
by Blake WilsonA primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano.
Singing with Elephants
by Margarita EngleA powerful novel in verse from Newbery and Pura Belpré Award-winning author Margarita Engle about the friendship between a young girl and the poet Gabriela Mistral that leads to healing and hope for both of them.Cuban-born eleven-year-old Oriol lives in Santa Barbara, California, where she struggles to belong. But most of the time that's okay, because she enjoys helping her parents care for the many injured animals at their veterinary clinic. Then Gabriela Mistral, the first Latin American winner of a Nobel Prize in Literature, moves to town, and aspiring writer Oriol finds herself opening up. As she begins to create a world of words for herself, Oriol learns it will take courage to stay true to herself and do what she thinks is right--attempting to rescue a baby elephant in need--even if it means keeping secrets from those she loves. A beautifully written, lyrically told story about the power of friendship-- between generations, between humans and animals--and the potential of poetry to inspire action and acceptance. * "Replete with lovely, nearly magical imagery...Brilliant, joyful, and deeply moving." -Kirkus, starred review * "Employing immersive free verse that conveys themes of compassion, friendship, justice, and vulnerability, Engle captures how inexplicable Oriol&’s grief feels, encasing it in a powerful, charitable, and brave young voice." -Publishers Weekly, starred review * "A novel written in verse that sings in your heart." -Pura Belpré Award-winning author Marjorie Agosín
Singing with Momma Lou
by Linda Jacobs Altman Larry JohnsonNine-year-old Tamika Jordan dreads visiting her grandmother at the nursing home. Momma Lou has Alzheimer's and always forgets who Tamika is. After her father shows her Momma Lou's scrapbooks, Tamika comes up with an idea to jog Momma Lou's memory. Tamika is successful in reaching her grandmother one day when Momma Lou recognizes a newspaper clipping of a Civil Rights demonstration and leads everybody in a celebration of song. Linda Jacobs Altman tells a moving story of intergenerational love and hope, while Larry Johnson's evocative paintings bring this memorable story to life. This a book to be shared by the whole family. Altman learned about the effects of Alzheimer s when her mother was stricken with the disease. While it was a tragic experience, she learned from her mother the power of the human spirit.
Singing, Second Edition (Idiot's Guides)
by Michael Miller Phyllis FulfordNow with helpful audio examples available online, Idiot's Guides: Singing, Second Edition, is a fast-track approach to improving vocal technique, including solo, ensemble, and sight singing. Filled with illustrations and exercises, this book covers different musical styles — from pop and rock to country and classical.
Singing: The Mechanism and the Technic
by William VennardThis mechanistic book is an attempt to compile under one cover objective findings from various reliable sources and to relate them to the art of singing. There are those teachers who feel that applying science to an art is quackery, but some believe that our only safeguard against the charlatan is general knowledge of the most accurate information available. Whether you are a singer or a teacher of singing, you will find something to profitably add to your philosophy. This edition includes much more exact information.
Sinéad O'Connor: and Other Conversations (The Last Interview Series)
by Kristin Hersh Melville HouseA significant collection of interviews with the defiant, controversial, and ground-breaking singer, songwriter, and activist throughout her turbulent career . . .&“It&’s not like I got up in the morning and said, &‘Okay, now let&’s start a new controversy&’.&” -- Sinéad O&’ConnorSinéad O'Connor&’s music — both in her songwriting and in her beautiful voice —addressed both emotional despair and incandescent joy with glorious ardor. But she may have been just as well known for her outspokenness. This collection of interviews covers the entire span of O'Connor's career, from the early days to her last interview. From giddy teenager to seasoned superstar, she speaks candidly about her meteoric rise to fame, and recounts what happened when she ripped up a photo of Pope John Paul II on live television in an act of protest. Unguarded and unpredictable, O'Connor was a woman who electrified the globe: imaginative, opinionated, and eloquent.
Sip Me, Baby, One More Time: Cocktails Inspired by Pop Music's Iconic Women
by Ashley GibsonMy thirstiness is killing me . . . As gorgeous as your favorite album art and as irresistible as a catchy hook, a collection of stunning (and stunningly easy) cocktail recipes based on pop songs by iconic women. With a great drink in your hand and the perfect song playing, you can transform any place into your own personal party. Pop music is unmatched when it comes to capturing a feeling, and this book is inspired by the great songs and women who define this genre, as well as some lesser-known artists whose music is as exciting as stumbling upon a new favorite liqueur that adds just the flavor you&’ve been missing.Sip Me, Baby, One More Time combines the art of cocktail making with the power of these artists to create an experience curated by emotion. Each chapter of this book is a journey through a playlist dedicated to a specific feeling—from coping with soul-crushing heartbreak to feeling like you want to hop on a table and dance it out—and is filled with easy to make, beautiful cocktails dedicated to tracks from top female artists.Featuring drinks inspired by songs from Britney Spears, Beyoncé, Taylor Swift, Rihanna, Ariana Grande, Lana Del Rey, BLACKPINK, The Spice Girls, Doja Cat, and many more.
Siren Song: My Life in Music
by Seymour Stein Gareth MurphyThe autobiography of America’s greatest record man: the founder of Sire Records and spotter of rock talent from the Ramones to Madonna.Seymour Stein was America's greatest record man. Not only did he sign and nurture more important artists than anyone alive, after over sixty years in the game, he was still the hippest label head, travelling the globe in search of the next big thing. Since the late fifties, he had been wherever was happening: Billboard, Tin Pan Alley, The British Invasion, CBGB, Studio 54, Danceteria, the Rock n Roll Hall of Fame, the CD crash. Along that winding path, he discovered and broke out a skyline full of stars: Madonna, The Ramones, Talking Heads, Depeche Mode, Madonna, The Smiths, The Cure, Ice-T, Lou Reed, Seal, and many others.Brimming with hilarious scenes and character portraits, Siren Song’s wider narrative is about modernity in motion, and the slow acceptance of diversity in America – thanks largely to daring pop music. Including both the high and low points in his life, Siren Song touches on everything from his discovery of Madonna to his wife Linda Stein's violent death.Ask anyone in the music business, Seymour Stein was a legend. Sung from the heart, Siren Song will etch his story in stone.
Sister, Brother, Family: An American Childhood in Music
by Chris Barton Willie Nelson Bobbie NelsonThe first ever children's book by music legend Willie Nelson and his sister and bandmate Bobbie Nelson! "We had so little money, but so much love." He was a boy with a guitar. She was a girl with a piano. Raised by loving grandparents in Depression-era rural Texas, their humble beginnings playing local shows to put food on the table started Willie and Bobbie Nelson on a remarkable path to global stardom. In a story filled with details of a childhood in rural Texas—with church socials, general stores, and town dances—Willie and Bobbie weave together an inspiring story of a long-ago time. With triumphs and tragedies, hard work and determination, here is a deeply personal, gorgeously-written, and profoundly moving tale of hope.
Sites of Popular Music Heritage: Memories, Histories, Places (Routledge Studies in Popular Music)
by Les Roberts Sara Cohen Robert Knifton Marion LeonardThis volume examines the location of memories and histories of popular music and its multiple pasts, exploring the different ‘places’ in which popular music can be situated, including the local physical site, the museum storeroom and exhibition space, and the digitized archive and display space made possible by the internet. Contributors from a broad range of disciplines such as archive studies, popular music studies, media and cultural studies, leisure and tourism, sociology, museum studies, communication studies, cultural geography, and social anthropology visit the specialized locus of popular music histories and heritage, offering diverse set of approaches. Popular music studies has increasingly engaged with popular music histories, exploring memory processes and considering identity, collective and cultural memory, and notions of popular culture’s heritage values, yet few accounts have spatially located such trends to focus on the spaces and places where we encounter and engender our relationship with popular music’s history and legacies. This book offers a timely re-evaluation of such sites, reinserting them into the narratives of popular music and offering new perspectives on their function and significance within the production of popular music heritage. Bringing together recent research based on extensive fieldwork from scholars of popular music studies, cultural sociology, and museum studies, alongside the new insights of practice-based considerations of current practitioners within the field of popular music heritage, this is the first collection to address the interdisciplinary interest in situating popular music histories, heritages, and pasts. The book will therefore appeal to a wide and growing academic readership focused on issues of heritage, cultural memory, and popular music, and provide a timely intervention in a field of study that is engaging scholars from across a broad spectrum of disciplinary backgrounds and theoretical perspectives.
Sittin' In: Jazz Clubs of the 1940s and 1950s
by Jeff GoldA visual history of America’s jazz nightclubs of the 1940s and 1950s, featuring exclusive interviews and over 200 souvenir photos.In the two decades before the Civil Rights movement, jazz nightclubs were among the first places that opened their doors to both Black and white performers and club goers in Jim Crow America. In this extraordinary collection, Grammy Award-winning record executive and music historian Jeff Gold looks back at this explosive moment in the history of Jazz and American culture, and the spaces at the center of artistic and social change. Sittin’ In is a visual history of jazz clubs during these crucial decades when some of the greatest names in in the genre—Billie Holiday, Charlie Parker, Ella Fitzgerald, Dizzy Gillespie, Miles Davis, Louis Armstrong, Oscar Peterson, and many others—were headlining acts across the country. In many of the clubs, Black and white musicians played together and more significantly, people of all races gathered together to enjoy an evening’s entertainment. House photographers roamed the floor and for a dollar, took picture of patrons that were developed on site and could be taken home in a keepsake folder with the club’s name and logo.Sittin’ In tells the story of the most popular club in these cities through striking images, first-hand anecdotes, true tales about the musicians who performed their unforgettable shows, notes on important music recorded live there, and more. All of this is supplemented by colorful club memorabilia, including posters, handbills, menus, branded matchbooks, and more. Inside you’ll also find exclusive, in-depth interviews conducted specifically for this book with the legendary Quincy Jones; jazz great tenor saxophonist Sonny Rollins; Pulitzer Prize-winning fashion critic Robin Givhan; jazz musician and creative director of the Kennedy Center, Jason Moran; and jazz critic Dan Morgenstern.Gold surveys America’s jazz scene and its intersection with racism during segregation, focusing on three crucial regions: the East Coast (New York, Atlantic City, Boston, Washington, D.C.); the Midwest (Chicago, Cleveland, Detroit, St. Louis, Kansas City); and the West Coast (Los Angeles, San Francisco). This collection of ephemeral snapshots tells the story of an era that helped transform American life, beginning the move from traditional Dixieland jazz to bebop, from conservatism to the push for personal freedom.
Situating Opera: Period, Genre, Reception
by Herbert LindenbergerSetting opera within a variety of contexts - social, aesthetic, historical - Lindenberger illuminates a form that has persisted in recognizable shape for over four centuries. The study examines the social entanglements of opera, for example the relation of Mozart's Abduction from the Seraglio and Verdi's Il trovatore to its initial and later audiences. It shows how modernist opera rethought the nature of theatricality and often challenged its viewers by means of both musical and theatrical shock effects. Using recent experiments in neuroscience, the book demonstrates how different operatic forms developed at different periods to create new ways of exciting a public. Lindenberger considers selected moments of operatic history from Monteverdi's Orfeo to the present to study how the form has communicated with its diverse audiences. Of interest to scholars and operagoers alike, this book advocates and exemplifies opera studies as an active, emerging area of interdisciplinary study.
Situating Salsa: Global Markets and Local Meanings in Latin Popular Music (Perspectives In Global Pop Ser.)
by Lise WaxerSituating Salsa offers the first comprehensive consideration of salsa music and its social impact, in its multiple transnational contexts.
Six Sonatas for Two Persons at One Keyboard: Franz Seydelmann (Music Archive Publications)
by Bernard Bernard BrauchliFirst Published in 1997. Seydelmann's four-hand sonatas are delightful pieces of music, written for the intimate pleasure of both performers. The two parts are consistently of equal technical difficulty and interest, the balance of the dialogue being carefully maintained throughout. They are extremely varied and well-written, with most pleasing melodies. William S. Newman, agreeing with Richard Englander, rightly considered them "among the best examples of this genre from the 18th century."
Six-String Heroes
by Neil Zlozower Steven Rosen Steve VaiIn a career spanning more than 40 years, legendary rock photographer Neil Zlozower has documented an amazing who's-who of the most influential and dynamic guitarists from the late 1960s to today. Six-String Heroes collects live, candid, and studio shots of 150 of the greatest guitar players in rock, metal, punk, blues, and beyond, including Eric Clapton, Jeff Beck, Ritchie Blackmore, Slash, Jimmy Page, Keith Richards, Zakk Wylde, Dimebag Darrell, Tom Morello, Carlos Santana, Les Paul, John Lee Hooker, Chuck Berry, Pat Metheny, Al Di Meola, Joe Satriani, Yngwie Malmsteen, Edward Van Halen, Angus Young, and many more. Also featuring a foreword by Steve Vai, and including text from unpublished interviews with the guitarists throughout by music journalist Steven Rosen, Six-String Heroes is a celebration of the music, the players, and the instrument.
Skeleton Cat
by Kristyn CrowA spooky Halloween read-aloud guaranteed to tickle the smallest funny bones! After nine lives, Skeleton Cat is back for his tenth. And he has big dreams: to be a drummer. So he rattles and shakes his way through town to find the perfect band.
Skeleton Key
by David Shenk Steve SilbermanNOW AN EBOOK FOR THE FIRST TIMEFor fifty years and more than two thousand shows, the Grateful Dead have been earning the "deadication" of more than a million fans. Along the way, Deadheads have built an original and authentic American subculture, with vivid jargon and rich love, and its own legends, myths, and spirituality.Skeleton Key: A Dictionary for Deadheads is the first map of what Jerry Garcia calls "the Grateful Dead outback," as seen through the eyes of the faithful, friends, and family, including Bill Walton, Elvis Costello, Tipper Gore, Al Franken, Bob Bralove, Dick Latvala, Blair Jackson, David Gans, Bruce Hornsby, Rob Wasserman, and Robert Hunter. Skeleton Key puts you on the Merry Pranksters' bus behind the real Cowboy Neal, uncovers the origins of Cherry Garcia, follows the dancing bear on its trip from psychedelic artifact to trademarked icon, and unlocks the Dead's own tape vault.Informative reading for the new fan or the most grizzled "tourhead," Skeleton Key shines throughout with Deadheads' own stories, wit, insiders' knowledge, sincere appreciation of the music of the "band beyond description," and the diverse and soulful culture it inspires.
Skinny Puppy: The Secret History (The\secret History Of Rock Ser.)
by Alan CrossAlan Cross is the preeminent chronicler of popular music.Here he provides a history of cEvin Key, Nivek Ogre, and Skinny Puppy."Digging It, Industrially" is adapted from the audiobook of the same name.
Skryabin, Philosophy and the Music of Desire (Royal Musical Association Monographs #19)
by Kenneth M. SmithCommentary on Skryabin has struggled to situate an understanding of the composer's music within his idiosyncratic philosophical world views. Early commentators' efforts to do so failed to establish a thorough or systematic approach. And later twentieth-century studies turned away from the composer's ideology, focusing instead on 'the music itself' with an analytic approach that scrutinized Skryabin's harmonic language in isolation from his philosophy. This groundbreaking study revisits the questions surrounding the composer's music within his own philosophy, but draws on new methodological tools, casting Skryabin's music in the light not only of his own philosophy of desire, but of more refined semiotic-psychoanalytical theory and modern techniques of music analysis. An interdisciplinary methodology corrects the narrow focus of Skryabin scholarship of the last century, offering insights from New Musicology and recent music theory that lead to hermeneutical, critically informed readings of selected works.
Sky
by Roderick TownleyAlec Schuyler has two immediate problems: what to do with the rest of his life, and what to do about Suze Matheson. She's his date for the Winter Dance. And she's got trouble of her own. The English teacher, Mr. "Call me Mark" Truscott, has made a move on her, a move which Sky has witnessed from his hiding place in a coat closet. Fifteen-year-old Sky is not one for making scenes -- or even speaking up. Instead he speaks through his music, his jazz piano. This novel, in three sets and an encore, plays all the chords and paradiddles of Sky's life -- at the moment, the life of a runaway in New York City, 1959. So how come he's hiding in a tenth-grade homeroom coat closet?Since his mother died, Sky and his father have had their umpteenth fight about the future. Like many a kid, Sky must leave home to get home. For him it's the world of Beat poetry and cool jazz. Along the way, he discovers an unexpected guide -- a blind musician who shows Sky how to see -- and learns what he has to lose to gain his own voice.
Skylark: The Life and Times of Johnny Mercer
by Philip FuriaSkylark is the story of the tormented but glorious life and career of Johnny Mercer, and the first biography of this enormously popular and influential lyricist. Raised in Savannah, Mercer brought a quintessentially southern style to both his life in New York and to his lyrics, which often evoked the landscapes and mood of his youth ("Moon River", "In the Cool, Cool, Cool of the Evening"). Mercer also absorbed the music of southern blacks--the lullabies his nurse sang to him as a baby and the spirituals that poured out of Savannah's churches-and that cool smooth lyrical style informed some of his greatest songs, such as "That Old Black Magic".Part of a golden guild whose members included Cole Porter and Irving Berlin, Mercer took Hollywood by storm in the midst of the Great Depression. Putting words to some of the most famous tunes of the time, he wrote one hit after another, from "You Must Have Been a Beautiful Baby" to "Jeepers Creepers" and "Hooray for Hollywood." But it was also in Hollywood that Mercer's dark underside emerged. Sober, he was a kind, generous and at times even noble southern gentleman; when he drank, Mercer tore into friends and strangers alike with vicious abuse. Mercer's wife Ginger, whom he'd bested Bing Crosby to win, suffered the cruelest attacks; Mercer would even improvise cutting lyrics about her at parties.During World War II, Mercer served as Americas's troubadour, turning out such uplifting songs as "My Shining Hour" and "Ac-cent-tchu-ate the Positive." He also helped create Capitol Records, the first major West Coast recording company, where he discovered many talented singers, including Peggy Lee and Nat King Cole. During this period, he also began an intense affair with Judy Garland, which rekindled time and again for the rest of their lives. Although they never found happiness together, Garland became Mercer's muse and inspired some of his most sensuous and heartbreaking lyrics: "Blues in the Night," "One for My Baby," and "Come Rain or Come Shine."Mercer amassed a catalog of over a thousand songs and during some years had a song in the Top Ten every week of the year--the songwriting equivalent of Joe DiMaggio's hitting streak--but was plagued by a sense of failure and bitterness over the big Broadway hit that seemed forever out of reach.Based on scores of interviews with friends, family and colleagues, and drawing extensively on Johnny Mercer's letters, papers and his unpublished autobiography, Skylark is an important book about one of the great and dramatic characters in 20th century popular music.