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So This is Permanence: Joy Division Lyrics and Notebooks
by Ian CurtisA treasure trove of personal writings by the great post-punk singer-songwriter—with a foreword by his wife Deborah and an introduction by Jon Savage.So This Is Permanence presents the lyrics and personal notebooks of one of the most enigmatic and influential music artists of the late twentieth century, Joy Division’s Ian Curtis.The fact of the band’s relatively few releases belies the power and enduring fascination its music holds, especially in light of Curtis’s tragic suicide in 1980 on the eve of the band’s first American tour.This volume features Curtis’s never-before-seen handwritten lyrics, accompanied by earlier drafts and previously unpublished pages from his notebooks that shed fascinating light on his writing and creative process.Also included are an insightful and moving foreword by Curtis’s widow Deborah, a substantial introduction by writer Jon Savage, and an appendix featuring books from Curtis’s library and a selection of fanzine interviews, letters, and other ephemera from his estate.
So You Think You Know Rock and Roll?: An In-Depth Q&A Tour of the Revolutionary Decade 1965–1975
by Peter E. MeltzerRolling Stone magazine recently released its list of the 100 greatest albums in rock music history, a period spanning more than fifty years. Nearly 60 percent of those albums were released in the decade from 1965 to 1975?the golden age of classic rock. This book is a wide-ranging portrait of that transformative and remarkable time, from the dawn of the singer-songwriter era to days before disco. This book is presented in a question-and-answer format, but it is hardly a ?trivia” book. It covers such diverse topics as censorship, chart phenomena, album covers, rock groupies, manufactured bands, one-hit wonders, rock festivals, supergroups, novelty songs, and the Beatles. All of the major figures of the ?60s and ?70s are here: Cream, CCR, Jimi Hendrix, Joni Mitchell, Simon and Garfunkel, the Who, the Rolling Stones, Led Zeppelin, Bruce Springsteen, Queen, Neil Young, the Eagles, the Allman Brothers, Lynyrd Skynyrd, Stevie Wonder, Elton John, Linda Ronstadt, Pink Floyd, Billy Joel, Marvin Gaye, David Bowie, James Taylor, Carole King, Aretha Franklin, Lou Reed, Carly Simon, Laura Nyro, and many others. Exhaustively researched, So You Think You Know Rock and Roll? is filled with ?I never knew that!” moments on every page.
So You Wanna Be A Rock & Roll Star
by Jacob SlichterA hilarious inside look at the real business of popular music by the drummer of Semisonic that does for rock and roll what Jim Bouton'sBall Fourdid for baseball. After years of working day jobs and making music in his basement, Jacob Slichter wondered if his dreams of rock stardom were a vain illusion. Then he was recruited by two of his successful musician friends to form a band that became Semisonic. Who could forget the smash single "Closing Time," a runaway hit in 1998 that thrust Jake and his bandmates into the international spotlight and helped them sell over two million albums worldwide? But along the road to fame and success came bewilderment and personal chaos:How will we ever get a record deal? Which record company is the best? The worst? Do I really have to wear these ridiculous boots? Why isn't radio playing our song? What if I have a panic attack right here on stage? What should I write on this fan's CD? Am I famous? Why isn't the video director getting more shots of me? Did I say the wrong thing during that interview? Help! So You Wanna Be a Rock & Roll Staris a telling and witty look at what happens just before and during one's time in the spotlight. Jake takes readers on a step-by-step journey of his evolution from fledgling drummer to globetrotting performer and proves to be the perfect guide--feistyandhumbled--to the inner workings of the music industry and instant celebrity. So You Wanna Be a Rock & Roll Starspeaks to all of us who dream again and again of rock superstardom and shows how one kid can go from picking up a pair of drumsticks to picking up a platinum record.
So You Wanna Be a Superstar?: The Ultimate Audition Guide
by Ted MichaelGeared toward hopeful musical theater, show choir, a cappella, and glee club singers, as well as all shower singers that want to improve their skills, this enthusiastic and practical guide can help anyone's inner superstardom make a public appearance. <P><P>Full of straightforward, well-organized advice for every step of the process, this book will help you train your vocal cords, pick the right audition material, and become comfortable with the spotlight. Interactive quizzes, helpful sidebars, and words of advice from industry professionals add a personalized and real-world touch. Author Ted Michael, a veteran of music and theater, along with the help of popular actors, actresses, and singers, provides all the tools young singers need in order to nail their auditions and nurture their natural show-stopping abilities.
So You Want to Be a Rock and Roll Star? (Fountas & Pinnell LLI Purple #Level T)
by Brian KrummSo You Want to be a Rock and Roll Star? by Bryan Krumm
Social Dissonance (Urbanomic / Mono #10)
by MattinAn argument that by amplifying alienation in performance, we can shift the emphasis from the sonic to the social.Work in sound studies continues to seek out sound "itself"--but, today, when the aesthetic can claim no autonomy and the agency of both artist and audience is socially constituted, why not explore the social mediation already present within our experience of the sonorous? In this work, artist, musician, performer, and theorist Mattin sets out an understanding of alienation as a constitutive part of subjectivity and as an enabling condition for exploring social dissonance--the discrepancy between our individual narcissism and our social capacity. Mattin's theoretical investigation is intertwined with documentation of a concrete experiment in the form of an instructional score (performed at documenta 14, 2017, in Athens and Kassel) which explores these conceptual connotations in practice, as players use members of the audience as instruments, who then hear themselves and reflect on their own conception and self-presentation. Social Dissonance claims that, by amplifying alienation in performance and participation in order to understand how we are constructed through various forms of mediation, we can shift the emphasis from the sonic to the social, and in doing so, discover for ourselves that social dissonance is the territory within which we already find ourselves, the condition we inhabit.
Social Media and Music: The Digital Field of Cultural Production
by H. Cecilia SuhrThis book explores social networking sites as the digital field of cultural production by loosely drawing from Pierre Bourdieu’s notion of field and capital. The book examines four case studies on MySpace, YouTube, Second Life, and Indaba Music, and the roles and the impact they have on the music industry and musicians. In doing so, the author explores the groundbreaking developments that empower independent musicians and problematizes the emergence of a variety of issues symptomatic of social media environments at the height of convergence culture.
Social Partner Dance: Body, Sound, and Space
by David KaminskySocial Partner Dance: Body, Sound, and Space is an ethnographic theory of social partner dancing built on participant observation and interviews with instructors of tango, lindy hop, salsa, blues, and various other forms. The work establishes a general analytical language for the study of these dances, based on the premise that a thorough understanding of any lead/follow form must consider in depth how it manages the four-part relationship between self, partner, music, and surroundings. Each chapter begins with a brief vignette on a distinct dance form and explores the focused worlds of partnered dancing done for the joy and entertainment of the dancers themselves. Grounded intellectually in embodiment studies and sensory ethnography, and empirically in ethnographic fieldwork, Social Partner Dance promotes scholarship that understands the social, cultural, and political functions of partner dance through its embodied practice.
Social Voices: The Cultural Politics of Singers around the Globe
by Elijah Wald John Lie Andrew Simon Kwame Dawes Nancy Guy Anthony Seeger Ruth Hellier Treva B. Lindsey Eric Lott Natalie Sarrazin Jeff Todd Titon Michael K Bourdaghs Carol Silverman Katherine Meizel Carol Muller Christina D AbreuSingers generating cultural identity from K-Pop to Beverly Sills Around the world and across time, singers and their songs stand at the crossroads of differing politics and perspectives. Levi S. Gibbs edits a collection built around the idea of listening as a political act that produces meaning. Contributors explore a wide range of issues by examining artists like Romani icon Esma Redžepova, Indian legend Lata Mangeshkar, and pop superstar Teresa Teng. Topics include gendered performances and the negotiation of race and class identities; the class-related contradictions exposed by the divide between highbrow and pop culture; links between narratives of overcoming struggle and the distinction between privileged and marginalized identities; singers’ ability to adapt to shifting notions of history, borders, gender, and memory in order to connect with listeners; how the meanings we read into a singer’s life and art build on one another; and technology’s ability to challenge our ideas about what constitutes music. Cutting-edge and original, Social Voices reveals how singers and their songs equip us to process social change and divergent opinions. Contributors: Christina D. Abreu, Michael K. Bourdaghs, Kwame Dawes, Nancy Guy, Ruth Hellier, John Lie, Treva B. Lindsey, Eric Lott, Katherine Meizel, Carol A. Muller, Natalie Sarrazin, Anthony Seeger, Carol Silverman, Andrew Simon, Jeff Todd Titon, and Elijah Wald
Society's Child: My Autobiography
by Janis IanGrammy Award-winning singer and songwriter Janis Ian's memoir of her more than forty years in the music business. Janis Ian was catapulted into the spotlight in 1966 at the age of fifteen when her soul-wrenching song "Society's Child" became a national hit. An intimate portrait of an interracial relationship, "Society's Child" climbed the charts despite the fact that many radio stations across the country refused to play it because of its controversial subject matter. But this was only the beginning of a long and illustrious career. In this fascinating memoir of her life in the music business, Ian chronicles how she did drugs with Jimi Hendrix, went shopping for Grammy clothes with Janis Joplin, and sang with Mel Torm --all the while never ceasing to create unforgettable music. In Society's Child, Ian shares with readers what it felt like to move in and out of the public eye. In 1975 her legendary song "At Seventeen" earned two Grammy awards and five nominations. But during the 1980s she made a conscious decision to walk away from the often grueling music business to study ballet and acting. She also struggled through a difficult marriage that ended with her then husband's threat to kill her. The hiatus from music lasted for nearly a decade until, in 1993, Ian returned with the release of Breaking Silence. Rather than risk losing artistic control, she took out a second mortgage on her home to fund the record. It paid off as Breaking Silencegained Ian her ninth Grammy nomination. Now in her fifth decade, Ian continues to draw large audiences around the globe. Janis Ian has inspired generations of fans and in this moving book she shares the fascinating story of her life in music.
Society's Child: My Autobiography
by Janis IanJanis Ian was catapulted into the spotlight in 1966 at the age of fifteen, when her soul-wrenching song Society's Child became a hit. An intimate portrait of an interracial relationship, Society's Child climbed the charts despite the fact that many radio stations across the country refused to play it because of its controversial subject matter. But this was only the beginning of a long and illustrious career. In this fascinating memoir of her more than forty years in the music business, Ian chronicles how she did drugs with Jimi Hendrix, went shopping for Grammy clothes with Janis Joplin, and sang with Mel Tormé all the while never ceasing to create unforgettable music. In 1975, Ian's legendary At Seventeen earned two Grammy awards and five nominations. Her next two albums brought her worldwide platinum hits. But after seven albums in as many years, she made a conscious decision to walk away from the often grueling music business. During this period, she struggled through a difficult marriage that ended with her then husband's attempt to destroy her, and a sudden illness that very nearly cost her her life. The hiatus from music lasted for close to a decade until, in 1993, Ian returned with the release of the Grammy-nominated Breaking Silence. Now, as she moves gracefully into her fifth decade as a recording artist and writer, Ian continues to draw large audiences around the globe. In Society's Child, Janis Ian provides a relentlessly honest account of the successes and failures?and the hopes and dreams?of an extraordinary life.
Sociologists and Music
by Paul HonigsheimSociologists have always been fascinated with music. In one way or another they have encountered music as an important social force in its own right, as an accompaniment or byproduct of phenomena they studied (such as youth culture or the drug scene), or as a means for obtaining social compliance (as in religious ceremonies or in the military). This book goes one step toward remedying this situation by culling the existing literature for building blocks toward introducing sociological synthesis and by presenting the English version of the extensive writings on music and society by Paul Honigsheim.
Sociology and Music Education (Sempre Studies In The Psychology Of Music Ser.)
by Ruth WrightSociology and Music Education addresses a pressing need to provide a sociological foundation for understanding music education. The music education community, academic and professional, has become increasingly aware of the need to locate the issues facing music educators within a broader sociological context. This is required both as a means to deeper understanding of the issues themselves and as a means to raising professional consciousness of the macro issues of power and politics by which education is often constrained. The book outlines some introductory concepts in sociology and music education and then draws together seminal theoretical insights with examples from practice with innovative applications of sociological theory to the field of music education. The editor has taken great care to select an international community of experienced researchers and practitioners as contributors who reflect current trends in the sociology of music education in Europe and the UK. The book concludes with an Afterword by Christopher Small.
Sociology for Music Teachers: Practical Applications
by Gareth Dylan Smith Hildegard C. FroehlichFor upper level undergraduate and introductory graduate and doctoral courses in music education. Outlining the basic aspects, constructs and concepts relevant to understanding music teaching and learning from a sociological perspective, this volume introduces students to the discipline as a tool in understanding their own work. The text shows how certain academics in music, sociology and education have thought about the relationship of music to education, schooling and society and examines the consequences of such thinking for making instructional choices in teaching methods and repertoire selection. School music teaching is imbedded in two major societal traditions: (1) the tradition of music making, listening, and responding; and (2) the tradition of education as a societal mandate. The first tradition holds firmly to music artistry and musicological scholarship, the latter of which includes music sociology. The second tradition, that of education as a field of study, relies mostly on pedagogical principles rooted equally in psychology and sociology. Hildegard Froehlich bases the book upon the premise that a music teacher's work is equally shaped by both traditions. The more music teachers become aware of how societal structures shape their own lives as well as the lives of their students, colleagues, and superiors; the more "reality-based" their teaching will become. Society is a composite of communities in which different social classes, groups, and reference groups co-exist-to varying degrees of compatibility due to real or perceived differences in norms and values as well as hierarchies of power. Informed or intuitive choices made by an individual indicate allegiances to particular groups, how those groups are structured hierarchically; and where and how each individual fits into those hierarchies. This is true for the music world as it is true for the world of education.
Sociology of Music: History, Theory, Methodology and Practice (Springer Texts in Social Sciences)
by Leon StefanijaThe textbook provides students with insight into and overview of the basics of social research on music. It addresses the Who, What, When, Where, Why, How of music research through four perspectives from the sociological study of music: a historical survey of the social study of music (when), theoretical points of view (what), and methodological (how), and pragmatic aspects (who, why & how). The other Ws (where and why) are included within the four main perspectives. The four perspectives – history, theory, methodology, and practice – are complementary. Some of the names included in the theory and practice of music are also listed as a part of the history of music sociology, and vice versa. In this way, the book encompasses what Howard S. Becker has conceptualized as an art world, Kurt Blaukopf as musical practice, and Christopher Small as musicking. Covering all the relevant details yet concise in structure, this book is ideal for students of the sociology of music, musical education, musicology and of arts and aethestics.
Soda Goes Pop: Pepsi-Cola Advertising and Popular Music (Tracking Pop)
by Joanna LoveFrom its 1939 “Nickel, Nickel” jingle to pathbreaking collaborations with Michael Jackson and Madonna to its pair of X Factor commercials in 2011 and 2012, Pepsi-Cola has played a leading role in drawing the American pop music industry into a synergetic relationship with advertising. This idea has been copied successfully by countless other brands over the years, and such commercial collaboration is commonplace today—but how did we get here? How and why have pop music aesthetics been co-opted to benefit corporate branding? What effect have Pepsi’s music marketing practices in particular had on other brands, the advertising industry, and popular music itself? Soda Goes Pop investigates these and other vital questions around the evolving relationships between popular music and corporate advertising. Joanna K. Love joins musical analysis, historical research, and cultural theory to trace parallel shifts in these industries over eight decades. In addition to scholarly and industry resources, she draws on first-hand accounts, pop culture magazines, trade press journals, and other archival materials. Pepsi’s longevity as an influential American brand, its legendary commercials, and its pioneering, relentless pursuit of alliances with American musical stars makes the brand a particularly instructive point of focus. Several of the company’s most famous ad campaigns are prime examples of the practice of redaction, whereby marketers select, censor, and restructure musical texts to fit commercial contexts in ways that revise their aesthetic meanings and serve corporate aims. Ultimately, Love demonstrates how Pepsi’s marketing has historically appropriated and altered images of pop icons and the meanings of hit songs, and how these commercials shaped relationships between the American music business, the advertising industry, and corporate brands. Soda Goes Pop is a rich resource for scholars and students of American studies, popular culture, advertising, broadcast media, and musicology. It is also an accessible and informative book for the general reader, as Love’s musical and theoretical analyses are clearly presented for non-specialist audiences and readers with varying degrees of musical knowledge.
Solid Foundation: An oral history of reggae (Deep Cuts)
by David KatzFOREWORD BY JACQUELINE CROOKSSolid Foundation is the definitive history of Jamaica's holy music: reggae in all its forms, from the earliest ska and rock steady pioneers to the dancehall and reggae revival stars of the twenty-first century. Woven together into an engrossing narrative, this is an extensive history charting the progression and development of the music, with all the glorious highlights and the controversies and feuds in between. First published in 2003 and including interviews with over 200 of the genre's key artists, Solid Foundation has been revised and updated with abundant new material and an introduction by award-nominated novelist, Jacqueline Crooks, reissued as part of White Rabbit's Deep Cuts series.'The definitive history of reggae told through exclusive interviews with the genre's greatest innovators.' - Sunday Herald'Solid Foundation goes the extra yard to become a defining text, with Katz interviewing virtually every survivor from the island's 60s and 70s music scenes...it is a necessary work.' - The Wire'Solid Foundation is a welcome addition to the narrow shelf of books that move beyond simplistic views of reggae.' - Record Collector
Solid Gold: Popular Record Industry
by R. Serge DenisoffMore than 90 record companies release over 9,000 pop records each year-a staggering total of 52,000 songs. Each one competes for the gold record, the recording industry's symbol of success that certifies $1 million worth of records have been sold. Solid Gold explains why, for each record that succeeds, countless others fail. This book follows the progress of a record through production, marketing, and distribution, and shows how a mistake made at any point can mean its doom. Denisoff suggests that a drastic shift in the demographic makeup of the pop music audience during the sixties has resulted in a broader listening public, including fans at every level of society.
Solid State: The Story of "Abbey Road" and the End of the Beatles
by Kenneth WomackAcclaimed Beatles historian Kenneth Womack offers the most definitive account yet of the writing, recording, mixing, and reception of Abbey Road.In February 1969, the Beatles began working on what became their final album together. Abbey Road introduced a number of new techniques and technologies to the Beatles' sound, and included "Come Together," "Something," and "Here Comes the Sun," which all emerged as classics. Womack's colorful retelling of how this landmark album was written and recorded is a treat for fans of the Beatles. Solid State takes readers back to 1969 and into EMI's Abbey Road Studio, which boasted an advanced solid state transistor mixing desk. Womack focuses on the dynamics between John, Paul, George, Ringo, and producer George Martin and his team of engineers, who set aside (for the most part) the tensions and conflicts that had arisen on previous albums to create a work with an innovative (and, among some fans and critics, controversial) studio-bound sound that prominently included the new Moog synthesizer, among other novelties. As Womack shows, Abbey Road was the culmination of the instrumental skills, recording equipment, and artistic vision that the band and George Martin had developed since their early days in the same studio seven years earlier. A testament to the group's creativity and their producer's ingenuity, Solid State is required reading for all fans of the Beatles and the history of rock 'n' roll.
Solkattu Manual: An Introduction to the Rhythmic Language of South Indian Music
by David P. NelsonSolkattu, the spoken rhythms and patterns of hand-clapping used by all musicians and dancers in the classical traditions of South India, is a subject of worldwide interest—but until now there has not been a textbook for students new to the practice. Designed especially for classroom use in a Western setting, the manual begins with rudimentary lessons in the simplest South Indian tala, or metric cycle, and proceeds step-by-step into more challenging material. The book then provides lessons in the eight-beat adi tala, arranged so that by the end, students will have learned a full percussion piece they can perform as an ensemble. Solkattu Manual includes web links to video featuring performances of all 150 lessons, and full performances of all three of the outlined small-ensemble pieces. Ideal for courses in world music and general musicianship, as well as independent study. Book lies flat for easy use.
Solo Keyboard Works: Franz Seydelmann (Music Archive Publications #Vol. 1)
by Franz Seydelmann; Bernard BrauchliFirst Published in 1997. Born in Dresden Germany, in 1748 Franz Seydelmann was an active music composer. He is principally known for his operas and church music, however he also wrote twenty-three sonatas, including seven solo harpischord sonatas, a Capriccio with variations and the Six Sonatas for Two Persons at Keyboard.
Somalia: Unending Turmoil, Since 1975 (Cold War, 1945–1991)
by Al J. VenterWhen the world held its breath It is 25 years since the end of the Cold War, now a generation old. It began over 75 years ago, in 1944long before the last shots of the Second World War had echoed across the wastelands of Eastern Europewith the brutal Greek Civil War. The battle lines are no longer drawn, but they linger on, unwittingly or not, in conflict zones such as Iraq, Somalia and Ukraine. In an era of mass-produced AK-47s and ICBMs, one such flashpoint was, and is, the Horn of Africa Few countries in Africa have had such powerful links with both the Soviet Union and United States each for several years at a stretch as Somalia. From a quiet Indian Ocean backwater that had once been an Italian colony, it remained aloof from the kind of power struggles that beset countries like Ghana, the Congo, Guinea, Algeria and others in the 1970s. Overnight, that all changed in 1969 when the army, led by Major General Siad Barre, grabbed power. His first move was to abrogate all security links he might have had with the West and to invite Moscow into his country as an ally. The Soviets moved quickly, establishing several air bases in the interior and stationing their ships in Somali ports. Baledogle, a small airport north of Mogadishu, became a major air base from where Soviet military aircraft operated through much of the Indian Ocean. An impetuous man, Siad Barre believed his links with Moscow were secure enough to annex several neighboring regions. But when he invaded Ethiopias Ogaden Province Addis Ababa was then Washingtons staunchest friend in Africas Horn the Soviets had had enough. To the consternation of the West they abandoned Somalia and embraced Ethiopia, which resulted in the Russians giving full support in the Ogaden War to Addis Ababa and establishing the largest airlift of arms to an African country since the Six-Day War.For more than a decade thereafter conditions within Somalia deteriorated. Various tribal leaders established themselves as war lords, some with Soviet support, others getting succor from Western sources. It got so bad that in 1992 the United Nations eventually stepped in with Operation Restore Hope, a multinational force created for conducting humanitarian operations in Somalia. The move was always controversial with many tribal leaders retaining either clandestine Soviet links or receiving aid from radical Arab forces that included al-Qaeda. Though the United Nations and the African Union (AU) both maintain a strong presence in the country, hostilities and killings go on.
Somatechnics and Popular Music in Digital Contexts (Pop Music, Culture and Identity)
by Laura GlitsosThis book is a celebration and explication of the body in the world and the ways that our body situates our consciousness as a lived formation, one which is oriented by the experience of music listening. The book examines the relationship between bodies, technics, and music, using the theoretical tools of somatechnics. Somatechnics calls for a recognition of the body in the world as an artefact wrapped up, entangled and produced by the materialities of that world. It traverses discussions on materiality, live music, touchscreen media, the personal computer, and new modes of listening such as virtual reality technologies. Finally, the book looks at music itself as a kind of technology that generates new modes of bodily being.
Some Fantastic Place: My Life In and Out of Squeeze
by Chris DiffordLonglisted for the Penderyn Music Book PrizeOver the course of a thirteen-album and multi-award-winning career with Squeeze, it was clear from the very beginning that Chris Difford has few peers when it comes to smart, pithy lyricism. In Some Fantastic Place, he charts his life from his childhood in south London to becoming a member of one of Britain's greatest bands and beyond. Along the way Chris reveals the inspiration and stories behind Squeeze's best-known songs, and his greatest highs and lows from over four decades of making music.
Some Fantastic Place: My Life In and Out of Squeeze
by Chris DiffordChris Difford is a rare breed. As a member of one of London's best-loved bands, the Squeeze co-founder has made a lasting contribution to English music with hits such as 'Cool For Cats', 'Up The Junction', 'Labelled With Love', 'Hourglass' and 'Tempted'. Even before his first release in 1977, his love of writing lyrics has never wavered. Over the course of a thirteen-album career with Squeeze, it was clear from the very beginning that Difford has few peers when it comes to smart, pithy lyricism. His 'kitchen-sink drama' style has drawn plaudits from fans on both sides of the Atlantic, and his influence is keenly felt today. The likes of Lily Allen. Mark Ronson, Kasabian, Razorlight and many more have recognized the debt they owe to Squeeze's music and to Difford's way with words, while journalists were moved by his winning combination with Glenn Tilbrook to dub the pair 'The New Lennon and McCartney'.In Some Fantastic Place, Chris Difford charts his life from his early days as a dreaming boy in south London with a talent for poetry to becoming a member of one of Britain's greatest bands and beyond. Along the way he reveals the inspiration and stories behind Squeeze's best-known songs, and his greatest highs and lows from over four decades of making music.